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‘I wanna blow up a synagogue’: Online posts lead to hate crime charge against Utah man
(JTA) — A Utah man accused of possessing explosive devices, searching online for nearby synagogues and making online threats to kill Jews is due in court Friday to face charges including attempting to commit a hate crime.
A federal grand jury indicted Skyler AJ Rose, 22, on Wednesday, the Department of Justice said in a release.
Rose allegedly made threats on social media, including “I wanna blow up a synagogue,” leading the FBI to join the Ogden City Police Department in a search of his home, where they allegedly discovered six pipe bombs, two rifles and ammunition.
A review of a cellphone seized from the home allegedly showed that Rose had searched online for a nearby synagogue, according to the Department of Justice.
The charges Rose faces include possession of an unregistered destructive device, threats to kill and injure people and to destroy a building, and attempting to commit a hate crime.
This article originally appeared on JTA.org.
The post ‘I wanna blow up a synagogue’: Online posts lead to hate crime charge against Utah man appeared first on The Forward.
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How a Jewish play from 1908 enshrined the idea of America as a cultural ‘melting pot’
It’s long been unfashionable to refer to the United States as a “melting pot.” Identity politics and multiculturalism have undermined the ideal of an assimilation so complete that it obliterates ethnic distinctions. Now the persistence of difference is hailed, at least in some quarters, as enriching rather than estranging, even if the associated metaphors — “salad bowl,” “kaleidoscope,” “mosaic” — lack poetic vigor.
The first reference to the U.S. as a melting pot is said to date to J. Hector St. John de Crèvecoeur’s 1782 Letters from an American Framer, in which he wrote: “Here individuals of all nations are melted into a new race of men.” Similar notions surfaced in the writings of Ralph Waldo Emerson, Henry James and the historian Frederick Jackson Turner. But it was Israel Zangwill’s 1908 play, The Melting Pot, that injected that industrial metaphor into the national consciousness.
Set in New York City, the play is a love story between a musically gifted Russian Jewish immigrant of Sephardic extraction and a gentile settlement house worker from the pogrom-wracked city that he fled. Its backdrop is the turmoil of an early 20th-century America trying to make sense of massive waves of Eastern European, and particularly Jewish, immigration. The playwright was an English Jew, a disillusioned Zionist who had begun looking to the U.S. as the promised land.
After its debut in Washington, where it was praised by President Theodore Roosevelt, The Melting Pot moved to Broadway in 1909 and has since enjoyed occasional revivals. Crescendoing debates around immigration, antisemitism and who deserves to be an American seem to lend it renewed currency.
So, at least, was the reasoning of Jesse Bernstein, producing artistic director of Philadelphia’s Theatre Ariel, whose focus is Jewish-themed work. Bernstein adapted and directed Zangwill’s play, and has teamed with the Philadelphia Artists’ Collective, which produces rarely seen classics, to mount it. Their streamlined, modern-dress version, part of the America250 celebration, opened Wednesday at Philadelphia’s historic Arch Street Meeting House.

Bernstein said in an interview that he pruned as much as half an hour from the original (it now runs about 95 intermission-less minutes) with an ear to modern sensibilities. He also has made some additions that undercut the play’s triumphalism. The Melting Pot nonetheless remains an odd fusion of melodrama and polemic, interesting mostly as an historical curiosity.
Bernstein’s direction does the piece no favors with a stiff, presentational style, in which characters frequently address the audience rather than one another. On the other hand, when they turn away, the meeting house’s unfavorable acoustics make them more difficult, sometimes impossible, to hear. Offstage characters sit in chairs behind the action awaiting their cues. Meghan Jones’s spare set, representing both the Quixano family home and different locations within the settlement house, is draped with oriental rugs and strewn with steamer trunks and valises.
The protagonist, David Quixano, played with endearing sensitivity by Adam Galloway, survived the infamous 1903 Kishinev pogrom, in which all his immediate family were murdered and he himself was shot and left for dead. After that trauma, America has become both his dream and his salvation. In New York, he lives with his cynical uncle, Mendel, also a musician; his Yiddish-speaking grandmother; and an Irish American housemaid, Kathleen (Jessy Gruver), who wrestles comically with Jewish customs and dietary laws.
Through a violin concert, David meets and falls for the lovely Vera (Lexi Thammavong), a former Russian “revolutionist” who now combats poverty through settlement house work. David is composing an American symphony that will convey his rapturous views of his adopted homeland. He finds a ready admirer in the German conductor Herr Pappelmeister (Adam Pelta-Pauls, speaking convincing German).

Standing in David’s way, personally and professionally, are two villains — the wealthy, unscrupulous nativist Quincy Davenport (Eli Lynn), a married man who lusts after Vera, and Vera’s estranged father, Baron Ravendal (Brian McCann), a reactionary Russian military commander who turns up unexpectedly. McCann brings a strangely mannered intensity to a role that is already a caricature.
Zangwill’s characters represent a spectrum of early 20th-century attitudes. Ravendal and Davenport, brutal in different ways, both give free rein to their antisemitism. Frau Quixano (played by a bewigged McCann) and Mendel Quixano (J Hernandez, appropriately world-weary) reflect the resistance of older immigrants to assimilation — and especially to its culmination in interfaith romance.
The Melting Pot is deadly serious at times, larded with apocalyptic symbolism and images of Jewish suffering. But it also has its share of comedy, including the maid Kathleen’s gradual embrace of Jewish traditions and some playful digs directed at critics.
It is up to David, the musical prodigy, to articulate the famous message at the play’s core. Early on, he declares his fealty to a new American ideal:
America is God’s Crucible, the great Melting-Pot where all the races of Europe are melting and re-forming! …A fig for your feuds and vendettas! Germans and Frenchmen, Irishmen and Englishmen, Jews and Russians—into the Crucible with you all! God is making the American. The real American has not yet arrived. He is only in the Crucible, I tell you — he will be the fusion of all races, perhaps the coming superman.
David returns repeatedly to this soaring rhetoric, lauding American greatness born of industrial-grade homogenization, and seeking to embody it in his symphony.
The original play ended exuberantly, with both love and David’s melting pot vision of “the glory of America” conquering all. Bernstein’s adaptation, with its insistence on relevance, duly complicates that vision. He wraps the action with supporting characters challenging David’s view of American harmony, and with the future of the betrothed couple clouded in doubt.
The Melting Pot runs at the Arch Street Meeting House, 320 Arch St., Philadelphia, through Nov. 8.
The post How a Jewish play from 1908 enshrined the idea of America as a cultural ‘melting pot’ appeared first on The Forward.
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Will this election end the battle over drafting Haredi men into the Israeli army?
(JTA) — Whether to extend military conscription to haredi men, a longstanding question fueling political tensions in Israel, has boiled over since Hamas launched the current war with Israel with its deadly raids on Oct. 7, 2023.
Hundreds of thousands of Israeli soldiers and reservists battled on Israel’s southern and northern fronts and the manpower needs, especially in combat units, increased dramatically. Reservists served for extended periods and many of those serving in the standing army were forced to remain for an extra four months or longer – at an enormous price to soldiers’ families and to Israel’s economy. For the ultra-Orthodox, the Torah study that young men carry out in place of military service provides an important spiritual defense for the Jewish state. Community leaders are extremely fearful that young men will be unable to practice or outright abandon a haredi lifestyle as a result of army service with secular and modern Orthodox Jews.
In some parts of the country, families continue to bury their dead from the battlefield, while in others Haredi protestors block roads and tussle with police to avoid the draft. The preferred political solution of kicking the can down the road on this deeply divisive issue – which has lingered in legislative limbo for decades – might finally come to an end with the Oct. 27 elections.
Which Israelis are currently drafted to the army, and what are their conditions of service?
Most Jewish Israeli men and women are subject to compulsory service at age 18. Men currently serve 32 months, and women generally serve 24, although some roles require longer service. Conscripts are generally allowed to defer service for a year or two in order to attend pre-military programs. Exemptions for service may apply for medical, religious, family or other legally recognized reasons. Druze and Circassian men are generally drafted, while Israeli Arabs are generally not. Conscripts who ignore draft orders are subject to sanctions that can ultimately lead to imprisonment.
Upon completion of compulsory service, most soldiers are placed in reserve units, and are called up periodically for training and for active duty in wartime. Reserve duty is generally mandatory until age 40 for non-officers and 45 for officers. Enforcement of a call up order for reserve duty is traditionally less severe than enforcement of compulsory service; sanctions against reservists who avoid call ups are rare.
Following the outbreak of war on Oct. 7, hundreds of thousands of reservists were called up for extended periods. Between the outbreak of war and the end of 2025, some 28% of male reservists and 20% of female reservists served for over 150 days. Current IDF policy allows for up to 55 days of reserve duty per year for combat soldiers, compared to a cap of 54 days over three years (18 days per year on average) prior to the war.
Are Haredim legally exempt from IDF service?
No. Historically, a small number of full-time haredi yeshiva students were allowed to defer service until they aged out of eligibility, amounting to a de-facto exemption. As the share of Haredim in the population grew, so did legal challenges to their exemption, on grounds of inequality. Since June 2023, there are no longer any legal exemptions in place for haredim, and all haredi men face the same legal requirement to enlist as non-haredim.
What is the mainstream haredi approach to IDF service?
Haredim generally oppose IDF service, although recently some small groups of modernizing haredim appear more open to it. Haredi officials and spiritual leaders argue the Torah study that young men carry out in place of military service provides an important spiritual defense for the Jewish state. At the same time, haredi community leaders view the IDF as a bastion of secularism and are fearful that haredi men will not be able to maintain their lifestyle during service.
Historically, how did the draft exemption for Haredi men begin?
In 1948, Prime Minister David Ben-Gurion agreed to exempt about 400 yeshiva students so Torah scholarship could be rebuilt after the Holocaust. The arrangement expanded gradually, as the military and political leadership tolerated the arrangement for practical and coalition-building reasons. In 1977, Menachem Begin’s government removed important limits on the haredi exemption. As a result, the number of draft-age Haredi men outside the army grew from roughly 7,000 in the late 1970s to tens of thousands by the 2020s.
When did opposition to the exemption first arise?
Opposition grew sharply in the 1980s and 1990s as the haredi IDF exemption grew significantly. Legal challenges to the exemption were initially rebuffed by the court, but were eventually successful, as the Supreme Court in 1998 first deemed the exemption illegal, and ruled that such an exemption needed to be anchored in legislation that met constitutional standards of equality.
Following the 1998 ruling, how did ensuing coalitions deal with this issue?
The two decades following the 1998 ruling saw various legislative and policy proposals aimed at increasing haredi enlistment. Two laws passed, in 2002 and 2014, but both were eventually struck down by the court on grounds of inequality, as they still enabled widespread haredi exemptions. The second law was struck down in 2017, but the court approved numerous extension requests by the government for the provisions of the law to continue to apply until it could come up with a new law. This left the de-facto exemption in place until the law finally expired in June 2023.
Why did coalitions keep trying to exempt significant numbers of haredim instead of drafting them?
First, haredi parties wield significant political power. In recent decades they have usually occupied 15-20 seats in the 120-member Israeli Knesset, and since 2009 have been part of Netanyahu’s right-wing bloc, save for two years (2013-2015). Governments have been wary of enlisting haredim en masse so as not to lose the support of haredi politicians.
Second, the IDF has not always been keen on drafting haredim. Haredim require special accommodations in terms of Kashrut and mixed-gender military bases. Haredim also go through an autonomous education system and special efforts are required to instill in them the motivation and sense of duty that are prevalent in general Israeli society.
So have any haredim served in the IDF in recent decades?
Yes, some specific programs have opened up for haredim, mainly in technology-oriented units. The numbers of annual haredi draftees has fluctuated, but in the years leading up to the expiration of the draft law the average was slightly over 1,000.
What changed in the IDF’s perspective and the perspective of the general public after Oct. 7?
The mass call-up of reservists for extended periods of time brought many Israelis to experience the inequality between them and the haredi public first hand. In addition, the expansion of the war to numerous fronts and new security requirements led to a manpower shortage in the IDF, especially of combat soldiers. Officials have described the shortfall as a national-security issue, and the roughly 100,000 Haredi men aged 18 to 29 are viewed as the only large available pool of potential combat recruits. Researchers have also pointed out that without a new policy the inequality in Israeli society will continue to grow – by 2050 over 40% of the 18-year-old potential male Jewish recruits will be haredi.
What was the outgoing Netanyahu government’s policy after Oct. 7?
The government did not implement significant policy changes to begin drafting haredim in significant numbers, and refrained from instituting sanctions that could have increased the price of draft evasion. The government’s inaction was challenged in court, and the Supreme Court ruled in June 2024 that barring a new law, the continued exemption was illegal. However, the government has continued to push back on attempts by the Attorney General, who leads Israel’s law enforcement apparatus, to abide by the ruling and begin taking measures to increase haredi draft numbers. The government argued in its defense that it was working on a new law which required time.
Did the government pass a new law?
No. The Netanyahu government attempted to pass a new law that would have incrementally increased haredi draft numbers while enabling the majority of haredim to remain exempt. The attempts failed due to push back from legal authorities, the political opposition, the general public, and a number of politicians from within the coalition. Instead, in July 2026, in the final weeks of parliamentary activity prior to the election recess, the Netanyahu-led coalition passed a law to freeze enforcement against haredi draft evaders until after the election. On September 3rd, the Supreme Court struck down this law as well.
So haredi draft numbers have remained at pre-war levels?
No. In order to abide by the 2024 Supreme Court ruling and the Attorney General’s interpretation of that ruling, government officials working within the different ministries removed certain subsidies and privileges from draft evaders, and the police and IDF gradually increased their enforcement efforts. The number of haredi draftees rose as a result. Between July 2025 and the end of June 2026, some 4,298 haredim enlisted, as opposed to 2,811 haredim in the parallel period in 2024-25.
How have haredi rabbis, politicians and the general public responded to growing demands that they enlist?
Leading rabbis affiliated with the three main haredi parties – the non Hasidic Degel Hatorah party, the Hasidic Agudat Yisrael party and the Sephardic Shas party – forcefully opposed IDF service, with some explicitly calling on young haredi men to ignore draft orders should they receive them. Politicians from the three parties also voiced strong opposition to a large increase in haredi draftees, and were willing only to consider minor increases.
A large majority of haredim who received draft orders ignored them, and approximately 90,000 haredi men are legally considered draft evaders, with levels of severity increasing the longer they ignore the orders. Some arrests of draft evaders were met by mass protests and disturbances, including in recent weeks. Some more modernized haredim have increasingly expressed a willingness to serve. These views are represented in two new haredi parties participating in the current election, called Hakahal (roughly translated as “the community”) and Hatzibur Haharedi (“the haredi public”).
Is the haredi draft issue prominent in the election campaigns?
Yes. In a recent poll by the Israel Democracy Institute, a proposition that the next government should draft haredim equally received the most support among a series of propositions. Nearly all of the Zionist opposition parties have made their intention to increase the haredi draft a prominent part of their campaigns. Some opposition party leaders have attempted to frame the election as a choice between the “draft evasion bloc” and the “bloc that serves.” On the other hand, some haredi rabbis and party leaders have expressed their disappointment with Netanyahu’s failure to manufacture a new exemption, and have stated that they no longer view themselves as part of the Netanyahu bloc. However, they have not stated support for any other candidate and are likely to side with Netanyahu again if he is able to form a new government.
What are the most likely scenarios after the next government is formed?
Three outcomes are plausible:
- A compromise: full-time Torah scholars receive a narrow exemption, while others perform military or civilian service under threat of sanctions.
- Continued stalemate: the government delays enforcement, leading to further court battles and coalition crises.
- Broad enforcement: a government less dependent on haredi parties implements substantially wider enlistment.
The first scenario is probably the most politically workable, but the details will determine whether the courts accept it.
This article originally appeared on JTA.org.
The post Will this election end the battle over drafting Haredi men into the Israeli army? appeared first on The Forward.
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The discovery of a Jewish Negro League star forces a rewrite of Jewish baseball history
(JTA) — For more than a century, Oscar Levis was hiding in plain sight.
He pitched a no-hitter and dominated the Cuban Winter League. He tallied five straight seasons without losing a game against one of the Northeast’s toughest white semiprofessional clubs. He was so dominant that W. Rollo Wilson, the preeminent Black sportswriter of his era, held him up as a benchmark of pitching excellence — the kind of player a younger star would aspire to equal.
For all of that, Oscar Levis does not appear on any official roster of Jewish major leaguers.
The reason is straightforward and ugly: the Negro Leagues — the professional leagues Black players built and played in after being barred from the White major leagues — were not recognized as major leagues until 2020. For decades, that exclusion meant that players like Levis were not considered major leaguers at all.
And there was another reason: Levis was Black, and the prevailing assumption was that Blackness and Jewishness were identities that seldom, if ever, overlapped.
But months of archival research, family testimony, and genealogical detective work have now established what Levis’ contemporaries occasionally hinted at but never fully acknowledged: Oscar Levis was Jewish. The son of a Jewish father from Jamaica whose family roots stretched through the Caribbean back to Portugal, Levis carried a Jewish identity that his world did not know how to fully accommodate — and that baseball history, until now, did not know how to find.
A clue left in the digital margins
In 2018, Gary Ashwill, the foremost authority on Negro League statistics and co-creator of the comprehensive database Seamheads, published an article identifying Oscar Levis as Jamaican by birth — a fact that had itself been hidden for decades, since Levis routinely identified himself as Panamanian, the country where he grew up and learned to pitch. Ashwill noted that Levis’ father was a man named Amos DaCosta Levy, but that beyond the name, he had been unable to learn much more about him.
What happened next was the digital equivalent of a message in a bottle. Readers who recognized the Levy name began leaving comments on Ashwill’s webpage. One, who identified himself as Amos Levy’s great-great-nephew, wrote that Amos was Jewish. Another commenter was more specific. “I’ve never heard of [Oscar],” she wrote, “but just wanted to say that Amos DaCosta Levy is one of my ancestors. He was not a black man, he was a white, yes Jewish, man.”
Those comments caught my attention. My previous foray into Jewish baseball history had already produced one meaningful discovery — the posthumous identification of one-game major leaguer Monte Pfeiffer as Jewish. But where Pfeiffer had played a single game, Levis had played and been a star for more than a decade.
The blog comments served as a starting point, not a conclusion. Tracking down their claims took months. I reviewed digitized editions of The Gleaner, Jamaica’s newspaper of record, which confirmed DaCosta Levy’s public prominence — his election to the Legislative Council, his Masonic leadership, his business dealings. Jamaican civil and ecclesiastical records, accessible through genealogical archives, corroborated the synagogue marriage record for DaCosta Levy’s parents. I contacted historians specializing in Caribbean Jewish history, including Stanley Mirvis, whose scholarship on Jamaican Jewry provided crucial context for understanding how Jewish identity operated in that world.
I communicated directly with DaCosta Levy’s descendants, who were able to confirm, from within their own family history, what the blog commenters had suggested. And I called Shaare Shalom Synagogue in Kingston — the historic heart of Jamaica’s Sephardic Jewish community — where staff were able to confirm the existence of records connecting the Levy family to the congregation. The picture that emerged from these independent sources was consistent: DaCosta Levy was a member of Jamaica’s Jewish community, and Levis was his son.
When the evidence pointing to Levis’ Jewish identity began to solidify, I reached out to Rebecca Alpert, a professor of religion at Temple University who had spent years thinking about exactly this kind of story. Her 2011 book, “Out of Left Field: Jews and Black Baseball,” examined the largely overlooked history of Jewish involvement in the Negro Leagues — and her expertise at the intersection of religion and sports made her the ideal partner for a discovery that sat squarely in both. Together, we reviewed the historical record, stress-tested the evidence and considered what Levis’ story means for our understanding of Jews in baseball — a conversation that only deepened my confidence in what the research had found.
An upbringing at the margins of Jamaica’s Jewish world
DaCosta Levy was born in 1848 in Port St. Mary, Jamaica, to parents whose marriage is recorded in synagogue records. According to family history, DaCosta Levy’s family lineage traced to Portugal, where his ancestors had been mariners — almost certainly Sephardic Jews who scattered across the Atlantic world after the Inquisition. By the late 19th century, DaCosta Levy had built a prosperous mercantile firm, Levy Brothers & Company, that imported goods from the United States and England. He was elected to Jamaica’s Legislative Council for St. Mary’s Parish. He was also a Worshipful Master of the Caledonian Masonic Lodge, helped found Jamaica’s Masonic Benevolence Association, and served as a justice of the peace. A 1919 article in the Kingston Daily Gleaner, written when DaCosta Levy was living in Panama, called him “the oldest foreign Mason on the Isthmus” and praised him for “faithful services.”
Levis’ mother, Theodosia Foreman, was a Black Jamaican woman who worked as a dressmaker. The union between DaCosta Levy and Foreman was not uncommon in the Caribbean Jewish world of the era. Mirvis has explained that relationships between Jewish men and women of color were relatively widespread in Jamaica and throughout the Caribbean, shaped by the power dynamics of the plantation economy. The children of such relationships occupied a complicated place — neither fully inside nor fully outside the Jewish community, a status scholars have described as “peripheral inclusion.” Contemporary observers, including one 20th-century American rabbi, noted that many Black Jamaicans bore Jewish surnames and took pride in their heritage. Levis was among them.
That identity, however, needs to be understood on its own historical terms — rooted in the Caribbean Sephardic world Levis was born into, not the standards prevalent elsewhere. Mirvis has explained that Jamaica’s Jewish community in this period was composed almost entirely of former Portuguese conversos and their descendants, a population that had never developed the same rigidity around matrilineal descent that characterizes Orthodox practice. Within this particular Sephardic tradition, patrilineal descent carried more communal weight than it did elsewhere — a distinction that shaped how men like Oscar were understood by those around them. In the Caribbean context specifically — where relationships between Jewish men and women of color were common and children of those unions were frequently integrated into Jewish social and economic life, however conditionally — the boundaries of who belonged were porous in ways that defy easy categorization.
Levis appears to have understood himself within this tradition. His family has confirmed that he was proud of his Jewish heritage and aware of it throughout his life, though he rarely foregrounded it publicly — a pattern consistent with Black Jews of the period, who frequently navigated skepticism from both White Jewish communities and the broader Black community. Jewish Baseball News — an independent organization that maintains the definitive roster of Jewish players in professional baseball — applies a deliberately inclusive standard. “We define the term ‘Jewish’ broadly,” the organization states. “If a player has at least one Jewish parent … does not practice another faith, and is content to be identified as a Jew, we include him.” Levis had a Jewish father, was publicly identified as Jewish by contemporaries and his family confirms he was proud of that heritage throughout his life.
Growing up on the color line
By the time Levis was a young man, his family had relocated to Panama, drawn by the economic opportunities opening up around the canal. It was a decision that shaped him as much as his father’s bloodline.
The U.S.-controlled Panama Canal Zone was a masterclass in racial hierarchy. White American workers received higher wages, better housing and superior facilities on what the system called the “gold roll.” Black workers — among them the tens of thousands drawn from Jamaica and Barbados to perform the most grueling excavation labor — were paid lower wages, housed in substandard quarters, and segregated at pay windows, hospitals, and schools. Levis, known locally as “Chick Levy,” would have understood the color line intimately before he ever set foot in the United States.

Despite those conditions, it was in Panama that he became a baseball star. He emerged as the premier pitcher on the isthmus, a “popular figure in the baseball world” celebrated for his dominance of the local clubs. Even after his American career took off, Levis returned in 1923 to pitch for a combined Panama–West Indian All-Star team before massive crowds at Balboa Stadium. Two years later, the Panamanian government awarded him a medal for his baseball achievements, and in the 1930s, he was offered – but declined – the opportunity to coach Panama’s national team for the Central American Olympics.
The Cuban stars and a career in the shadows
Levis arrived in New York in 1918. By 1921, Alex Pompez — the Cuban-American entrepreneur who owned the Cuban Stars and would eventually be inducted into the Baseball Hall of Fame — had recruited him to join the team. Levis became one of the first non-Cuban international players in the Negro leagues, and one of their most effective pitchers.
What followed was a career of genuine distinction. Levis pitched in the Negro leagues for the Cuban Stars (East) and the Hilldale Daisies across more than a decade, supplementing the short Negro League season with year-round appearances in exhibition games, barnstorming tours and the Cuban Winter League, where he pitched for the Almendares, the Habana Reds and the Marianao Grey Monks. On Oct. 11, 1924, he threw the first no-hitter in Cuban baseball history. He was voted to the All-Eastern Team in 1925 and led the Eastern Colored League in shutouts in 1927. He went five straight seasons without losing a game to a rival club which fielded white players, the Brooklyn Bushwicks. Cuban sports editor Jose Massaguer calculated that Levis pitched in more than 500 games across his career, and Cuban pitching records attributed to him reportedly stood for decades beyond his retirement.
None of that success saved him from the color line that excluded Black players from what was known at the time as Major League Baseball. Ashwill, the statistician, has assessed Levis as a very good pitcher whose talent was more than sufficient for the white majors — a verdict echoed by sportswriter Rollo Wilson, who in 1929 called Levis one of the sharpest and most effective right-handers in the game.
In 2020, Major League Baseball officially recognized the Negro Leagues as major leagues, and in 2024 incorporated their statistics into its historical record. By that accounting, Levis pitched in 102 major league games and accumulated a career WAR (wins above replacement) of 12.9, which ranks eighth all-time among Jewish pitchers: Sandy Koufax (48.9), Max Fried (32.3), Ken Holtzman (27.3), Dave Roberts (23.6), Barney Pelty (19.2), Steve Stone (17.1) and Erskine Mayer (13.5).
Based on his officially recognized statistics alone, Levis had the most successful professional career of any Jewish player in the 1920s.
Hidden in plain sight
What makes Levis’ story even more compelling is that his Jewish identity was not entirely hidden — it surfaced in scattered notices buried in the newspaper record.

In 1926, after Max Rosner — the Jewish immigrant who owned the rival white semi-pro team the Brooklyn Bushwicks — signed Levis’ naturalization papers, a Brooklyn newspaper ran the headline: “Oscal, Cuban Pitcher, Is a Spanish Jew.” The following year, a New York sportswriter named Aloysious Palma made the point plainly. John McGraw, manager of the (baseball) Giants, had recently signed a Jewish infielder named Andy Cohen specifically to attract Jewish fans to the Polo Grounds. Palma wrote that Levis had the talent and ability to pitch for the New York Giants — that he should have been McGraw’s Jewish star. He was the right religion. He had the right arm. He was the wrong color.

A third article, published during his managerial tenure in the 1930s, again noted his Sephardic Jewish heritage. “Oscal Levis, pitcher and manager,” the Brooklyn Times Union reported, was “of Spanish-Jewish extraction.”
Taken together, the three articles form a quiet paper trail — Levis’ Jewish identity was occasionally noted, but never coherently recognized or integrated into the broader baseball record.
He was neither the mainstream white Jewish player typically celebrated in the New York press, nor the Black player whose Jewish identity was fully acknowledged and chronicled in the Black press. He belonged to both worlds, an identity for which mainstream America had no framework.

Harlem, and the life after
When Levis’ playing and managing days ended, he built a second life in Harlem, New York. He and his wife, Lovana, operated Chick’s Bar and Grill on Seventh Avenue — a short walk from the Apollo Theater — for 35 years, making it a mainstay of the neighborhood. He served as chairman of the Harlem Riverside Tavern Owners Association, raising money for hospitals, the YMCA, the Police Athletic League and the Boy Scouts. He organized interracial boxing events at the Golden Gate Arena to keep youth out of trouble. And he was a 33rd-degree Prince Hall Freemason — the highest rank of the Scottish Rite — following directly in the tradition of his father, who had served as Worshipful Master of a Masonic lodge in Jamaica.
But even in retirement, Levis never left the game of baseball. Friends recalled that he loved to “stick his finger in the baseball pie whenever he got a chance.” He returned to Cuba just to sit in the stands “day and night.”
He was also, in his own quiet way, a witness to the great transformation of the sport he had played under the cruelest constraints. As chairman of the Jackie Robinson Day Committee, Levis helped organize the celebration and personally presented the ceiling-shattering Black major leaguer with gifts from fans across the country. New York Amsterdam News reporter George Palmer captured what the day meant to him:
“He claims that one of his biggest thrills was Jackie Robinson Day — when he had the chance to see how the public took to Jackie. He, as a former ball player, knew the hardships and obstacles which Jackie had to overcome to reach the top. To him, Jackie Robinson’s Day was what every colored ball player dreams about — so much so that it was like a dream come true.”
A name that belongs on the list
In 1943, Rollo Wilson wrote a column pushing back against the habit of comparing Black ballplayers to white stars. The “Black Babe Ruth” formulation, he argued, was both lazy and diminishing — to the player being praised and to the tradition being ignored. Black baseball had produced its own immortals, and Wilson listed Oscar Levis among them. To be considered their equal, Wilson wrote, was a standard worth chasing for any young baseball star.
Just as Wilson named Levis among the immortals of Black baseball, this research names him among the greats of Jewish baseball. His inclusion changes the historical record — and adds a dimension to the story of Jewish contributions to the game that has long been hiding in plain sight.
He was one of the finest pitchers of his era. He was Black and he was Jewish. And for a century, baseball didn’t have the categories to say so.
It does now.
This article originally appeared on JTA.org.
The post The discovery of a Jewish Negro League star forces a rewrite of Jewish baseball history appeared first on The Forward.

