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Israel’s dual crises, explained
If it feels like there’s an overload of news out of Israel — a sea of flags at a Jerusalem protest, police sirens outside of a synagogue — that’s because there is. Israel has been consumed by two escalating crises that both appear to be crescendoing at the same time. And even though they feel separate, they’re intertwined in at least one big way.
Allow us to explain:
Israel is simultaneously contending with two things: a wave of Palestinian terror attacks and Israeli military raids in the West Bank, and massive protests of a government plan to constrain the courts. Each of these two news stories is significant by itself, and would likely command the world’s attention if it were happening alone. But it’s not exactly a coincidence that they’re happening together.
What is happening right now?
The Israeli news that has captured the world’s notice over the past few weeks — and drawn criticism from President Joe Biden — is the ongoing right-wing effort to sap the power of Israel’s courts. The Israeli government that took power in December wants to take control over the appointment of judges and effectively remove the Supreme Court’s ability to strike down laws. Backers of the plan say the courts have essentially become an instrument of the country’s left-wing minority, leaving the right-wing majority unable to pass laws and govern.
But one poll found that just a quarter of Israelis support the plan in its current form, and hundreds of thousands have taken to the streets in protest. Satellite protests have sprung up in cities outside of Israel, organized by people who oppose Israeli Prime Minister Benjamin Netanyahu due to his ongoing trial for corruption.
Observers warn that the court reform will remove a key element of what makes democracies democratic — the separation of powers between the executive and judicial branches. Entrepreneurs in Israel’s tech sector are pulling their business out of the country in protest of the decision.
Nevertheless, in the face of a 100,000-person protest in Jerusalem on Monday, the government pushed the plan forward — though it has also signaled that it’s open to negotiations over the proposal.
Alongside the social unrest, a series of violent attacks have shaken the West Bank and eastern Jerusalem. Two Friday attacks by Palestinians in Israeli eastern Jerusalem neighborhoods — one in late January and one on Feb. 10 — killed 10 civilians, including three children.
The homes of the perpetrators will likely be demolished, and in response to the attacks, Israel authorized nine settlement outposts it had previously considered illegal. The United States condemned the decision.
On Monday, an Israeli border police officer died after being stabbed by a 13-year-old Palestinian and then being hit with friendly fire from a security guard. It’s the latest in a string of attacks by teenagers.
Those attacks have taken place against the backdrop of Israeli military raids in the West Bank that have killed dozens of Palestinians. According to Israel and its supporters, the dead are almost entirely militants. But last month, two civilians were killed in an Israeli raid on the northern West Bank City of Jenin that saw 10 total fatalities. Several teenagers have also been among the Palestinians killed. On Saturday, an Israeli settler shot and killed a Palestinian man following an altercation.
And this week, violence in the West Bank again received global attention when a staff writer for the New Yorker filmed an Israeli soldier beating a Palestinian activist in Hebron. The soldier was jailed for 10 days.
Are these two stories connected?
No, and yes.
On one hand, one of these stories is legislative and the other concerns the Israeli-Palestinian conflict. The street protesters are, by and large, not coming out in opposition to Israel’s policies in the West Bank — and the Palestinian attackers almost definitely aren’t motivated by an opposition to judicial reform.
But on the other hand, both the judicial reform and the escalation are taking place under the watch of Netanyahu’s new government, the most right-wing in the country’s history. The same right-wing factions that are trumpeting the judicial reform are pushing for a harsher and more widespread crackdown on the Palestinian attacks — and looser rules of engagement for soldiers. Meanwhile, the same Supreme Court that the government wishes to restrain also rules on the legality of certain counterterrorism measures — including the demolition of attackers’ homes.
Finance Minister Bezalel Smotrich, whose Religious Zionism party is leading the charge on constraining the courts, also tweeted on Monday that teenage Palestinian attackers “blossom in a violent and inciting society that brainwashes them with hatred of Israel.” He called on Israel to “exact a heavy price” for such incitement. His ally, far-right National Security Minister Itamar Ben-Gvir, protested the military’s decision to punish the soldier who beat the Palestinian activist.
“I support the soldier who didn’t stay quiet with all my strength,” Ben-Gvir tweeted. “Soldiers need to receive support, not jail time.”
Is there going to be another intifada?
The second intifada — in which a series of Palestinian terror attacks in cafes, buses and other public spaces in the early 2000s killed approximately 1,000 Israelis — traumatized a generation of Israelis. Israeli retaliatory measures during that time killed thousands of Palestinians, and since then, hopes for peace have faded.
There have been waves of terrorism in the intervening decades, though none as intense as the intifada 20 years ago. It is too soon to tell whether attacks will rise to that level, though the violence does not appear to be ending anytime soon. According to Israeli reports, Palestinian terror groups are encouraging teenagers to carry out attacks on Israelis.
And members of Israel’s government are agitating for an escalation of counterterror measures in ways that recall Israeli actions during the intifada. In 2002, in response to the terror attacks, Israel launched Operation Defensive Shield, which saw Israeli soldiers enter Palestinian population centers in the West Bank to root out terror groups. Following Friday’s terror attack in Jerusalem, Ben Gvir proposed “Defensive Shield 2.”
“I am determined to bring about Defensive Shield 2 in Jerusalem,” he tweeted, pledging to “demolish illegal buildings, to arrest more than 150 targets and to spread out across the houses, to stop the incitement in the mosques, to stop those who owe tax money and much more.”
Is Israeli society collapsing?
Fears of a societal break are growing, and even President Isaac Herzog warned of looming disaster. Herzog, whose role is largely ceremonial, gave a landmark speech on Sunday begging for negotiations and compromise over the judicial reforms.
“For a while, we have no longer been in a political debate, but are on the brink of constitutional and social collapse,” Herzog, a former leader of the Labor opposition party who once ran against Netanyahu, said early in the speech. “I feel, we all feel, that we are in the moment before a clash, even a violent clash. The gunpowder barrel is about to explode.”
In response, the government delayed part of the bill’s legislative advance, but it remains to be seen whether there will be meaningful negotiations over its content. In the interim, Israelis are broadcasting fears of civil war. On Tuesday, former Prime Minister Naftali Bennett, an opponent of Netanyahu, shared a video from a Jewish think tank announcing a societal dialogue initiative.
Over the melody of Israel’s national anthem, the video reviews past moments of societal rupture — among them the assassination of Prime Minister Yitzhak Rabin in 1995, and Israel’s withdrawal from Gaza a decade later — and then says, “February 2023: We did not begin a civil war.”
Netanyahu has responded to the protests by decrying calls for violence, accusing his opponents of fomenting anarchy, and calling for calm. But in a speech on Sunday, he reiterated that his government won a majority and intends to legislate accordingly.
“This government received the trust of the people in democratic elections, and a clear mandate from Israel’s citizens,” he said. “No one here can doubt that.”
It’s hard to say what the future will hold, but it’s clear that this moment has the potential to transform into something more dangerous than what has already taken place.
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The post Israel’s dual crises, explained appeared first on Jewish Telegraphic Agency.
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At Berlin screening, former Israeli hostages see film about their captivity rewritten after redemption
(JTA) — BERLIN — They stood outside Berlin’s Babylon theater, bundled against the cold, laughing and dragging on cigarettes: the Cunio twins David and Eitan, and their younger brother Ariel.
David and Ariel were among the last Israeli hostages released in October from Hamas captivity, after 738 days. Their presence in Berlin — for a screening of a film about them, now recut with a redemptive ending — felt almost like an apparition. On the other side of two heavy glass doors were hundreds of theatergoers, people who had long waited for this moment.
The brothers and their extended family were in Berlin for a second premiere of Tom Shoval’s film “Letter to David.” The original film, shown in 2025 at the Berlin International Film Festival, or Berlinale, dove deep into the struggles of a family whose members had been abducted from Kibbutz Nir Oz on Oct. 7, 2023. By then, six kidnapped members of the family, including three children, had been freed. But David and Ariel remained in captivity.
“Last year I was standing before the screening with a poster of David and Ariel. I was determined, every time I showed the film, to say that it’s an unfinished film,” Shoval told the sold-out audience at the theater in former East Berlin.
“And now I’m standing here. I have David in the audience, and I have Ariel in the audience,” he continued. “This is a precious, precious moment.”
The film “is a testament to love, hope and all the people who did not give up during the two years I was in captivity,” David Cunio said in Hebrew, standing on the stage with his extended family. “You gave me a voice when I could not be present. You were there for me.”
The film’s second showing came as tensions over the war in Gaza and Germany’s support for Israel roiled the Berlinale. After the jury’s president, director Wim Wenders, brushed off a journalist’s exhortation for the festival to take a stand against Israel, the Indian author Arundhati Roy announced she would not attend, and some 80 filmmakers and stars signed an open letter of protest.
Festival director Tricia Tuttle issued a statement saying that “artists should not be expected to comment on all broader debates about a festival’s previous or current practices over which they have no control. Nor should they be expected to speak on every political issue raised to them unless they want to.”
Journalists and filmmakers continued to raise the issue, even on the festival’s final weekend, when some award winners — including the Syrian-Palestinian director Abdullah Al-Khatib, who won best debut film — swatted back at the festival jury, criticizing what they see as Germany’s general support for Israel. Al-Khatib’s allegation that Germany has been “partners in the genocide in Gaza by Israel” prompted a German minister to walk out of the awards ceremony on Sunday.
Friday’s screening of “Letter to David” was by contrast a love fest, and the two police cars out front and uniformed officers circulating inside appeared to have little to do. The audience gave the entire family a standing ovation before the screening.
“I think this is a piece of history,” audience member Nirit Bialer, an Israeli who has lived for years in Berlin, said in an interview. “Just seeing the family, and just following the story about this family on the media, going to the Hostages Square in Israel every time I was there in the last two years: Wow, I’m speechless.”
The film’s original ending showed twins David and Eitan Cunio as actors, grappling with each other in an embrace that is both tender and violent, in a scene from Shoval’s feature film, “Youth,” screened at the Berlinale in 2013.
That ending now segues into a new conclusion, in which the reunited Cunio family embraces. They also view the film together, and Shoval captures their faces as the projector beams from behind.
Shoval said in an interview that he had not changed anything in the first part of the film. “I wanted to leave it as a time capsule, in a way, of how we perceived it back a year ago,” he said.
Though he had been invited to be with the family at their reunion, he chose not to, explaining, “I thought it’s a moment that belongs to them and not to me.”
But he spoke with David soon after he was released. And shortly afterward, he visited Sharon and David Cunio at their home. “I came in the morning and we sat until sunset together and we talked. Even when I’m thinking about it now, I’m getting emotional, because it was really…” He paused. “You’re waiting for a moment for this for so long.”
The Friday screening was not an official part of the Berlinale, but the beleaguered festival director Tuttle made a point of taking the stage herself. The film has been “finished in the way that Tom only hoped and dreamed and believed that he would be able to finish it,” she told the audience.
“We were horrified along with the world and all of you when David Cunio and many members of his family were abducted by Hamas,” she said. And on their release “we rejoiced with everyone as well.”
Saying that the new version was completed too late to be included in the festival schedule, Tuttle thanked two co-production companies that work closely with Israeli artists for backing Friday’s screening: the Israel-based Green Productions and the Berlin-based Future Narrative Fund.
Audience members seemed loath to leave the theater after the screening, lingering over what some described as mix of happiness and worry.
“The fact that David is able to see the movie makes us see the movie in a different way,” commented Konstantin, who had seen the original version last year. A young Jewish actor who lives in Berlin, he asked that his full name not be used, out of concerns about antisemitism. “With the ending, it’s like a full circle, completed.”
Seeing the film again with the Cunio family present “was very uplifting and very happy,” said Berliner Julia Kopp, who also saw the film last year. “But at the same time, it’s not a happy ending … I also have a bit of a heavy heart,” worrying about “how life will go on for them.”
Both brothers have indicated that reentry into everyday life has been challenging after two years of captivity for them and two years of traumatized advocacy by their loved ones. And Ariel Cunio and his partner Arbel Yehud, who was held in captivity until January, have raised nearly $1.8 million since launching a crowdfunding campaign last week aimed at allowing them the time and space to “come back to life.”
A crowdfunding campaign launched on behalf of David and Sharon Cunio their twin daughters, also former hostages, says, “The family not only has to deal with the trauma that follows being held hostage and the events that transpired on October 7th, but also needs to rebuild their entire lives from scratch.”
Shoval said the film — and the screening — offered a vision for what a more settled future might look like.
“For me, the film is about the unification of the brotherhood, and what that means to be torn apart from each other, but also to get back,” Shoval said. “They can sit in the theater and they can see themselves. They can see what they missed, what happened. They can project about the past, about the present. This is a power of cinema, I feel. It felt natural for me to do that: to bring them back.”
The post At Berlin screening, former Israeli hostages see film about their captivity rewritten after redemption appeared first on The Forward.
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He may have been the world’s most famous mime, but in this play, he won’t shut up
There is a kind of sublime poetry in Marcel Marceau’s first act.
As a young man in occupied France, Marceau (then Mangel) forged identity papers and shepherded dozens of Jewish children across the Alps to Switzerland. In scenarios where staying quiet was essential for survival, Marceau soothed his charges into silence with his own.
In Marcel on the Train, Ethan Slater and Marshall Pailet’s play of Marceau’s pre-Bip life, the world’s most famous mime is anything but silent.
The action of the play, which bounces through time back to Marcel’s father’s butcher shop and forward to a P.O.W. camp in Vietnam (don’t ask), unfolds over the course of a train ride. Slater’s Marceau is chaperoning four 12-year-old orphans, posing as boy scouts going on a hike.
The kids — played by adults — are a rambunctious lot. Marceau tries to put them at ease juggling invisible swords, performing Buster Keaton-esque pratfalls and exhausting his arsenal of Jewish jokes that circle stereotypes of Jewish mothers or, in one case, a certain mercenary business sense.
Pailet and Slater’s script toggles uncomfortably between poignancy and one-liners with a trickle of bathroom humor (the phrase “pee bucket” recurs more often than you would think.)
The terror of Marceau’s most melancholy escortee, Berthe (Tedra Millan) is undercut somewhat by her early, anachronistic-feeling declaration, “Wow, we’re so fucked.” The bumptious Henri (Alex Wyse) would seem to be probing a troubled relationship with Jewishness and passing, but does that discussion a disservice when he mentions how it wouldn’t be the biggest deal if he “sieged a little heil.” Adolphe (Max Gordon Moore) is described as “an exercise in righteousness” in the script’s character breakdown. Sure, let’s go with that.
The presence of a mute child, Etiennette (Maddie Corman), is tropey and obvious. It doesn’t suggest that she inspired him to abandon speaking in his performances, but it doesn’t dismiss that possibility either.
But the chattiness and contrived functions of the fictive children are made more disappointing by the imaginative staging maneuvering around the shtick. Slater, best known for his role in the Wicked films and as Spongebob in the titular Broadway musical, is a gifted physical performer.
When things quiet down, Pailet’s direction, and the spare set by scenic designer Scott Davis, create meadows of butterflies. Chalk allows Marceau to achieve a kind of practical magic when he writes on the fourth wall. One of the greatest tricks up the show’s sleeve is Aaron Serotsky who plays everyone from Marceau’s father and his cousin Georges to that familiar form of Nazi who takes his torturous time in sniffing out Jews.
Surely the play means to contrast silence and sound (sound design is by Jill BC Du Boff), but I couldn’t help but wonder what this might have looked like as a pantomime.
While the story has been told before, perhaps most notably in the 2020 film Resistance with Jesse Eisenberg, Slater and Pailet were right to realize its inherent stage potential. It’s realized to a point, though their approach at times leans into broad comedy that misunderstands the sensibilities of its subject.
Like Slater, who learned of the mime’s story just a few years ago, Marceau was an early acolyte of Keaton and Chaplin. But by most accounts he cut a more controlled figure — that of a budding artist, not a kid workshopping Borscht Belt bits on preteens.
The show ends with a bittersweet montage of Bip capturing butterflies (not jellyfish — you will probably not be reminded of Mr. Squarepants). It means to frame Marceau’s established style as a maturation that nonetheless retains a kind of innocence, stamped by the kids he rescued.
“You’ll live,” Berthe tells him in a moment of uncertainty. “But I don’t think you’ll grow up.”
In Marceau there was, of course, a kind of Peter Pan. But there’s a difference between being childlike and being sophomoric.
Marcel on the Train is playing through March 26 at Classic Stage Company in New York. Tickets and more information can be found here.
The post He may have been the world’s most famous mime, but in this play, he won’t shut up appeared first on The Forward.
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US soldier who protected Jews in POW camp during WWII to be awarded Medal of Honor
(JTA) — An American soldier who is credited with saving the lives of 200 Jewish comrades in a prisoner of war camp in Germany during World War II will receive the U.S. military’s highest decoration, the Medal of Honor.
The award to Roddie Edmonds, who died in 1985, was announced last week. It comes more than a decade after Israel’s Holocaust memorial, Yad Vashem, recognized him as a “Righteous Among the Nations” for his bravery and six years after President Donald Trump recounted his heroism during a Veterans Day parade.
Edmonds, a sergeant from Knoxville, Tennessee, was the highest-ranking soldier among a group taken prisoner during the Battle of the Bulge in January 2045 when the Nazis asked him to identify the Jews in the group. Understanding that anyone he identified would likely be killed, Edmonds made the decision to have all of the soldiers present themselves as Jews.
When a Nazi challenged him, he famously proclaimed: “We are all Jews here!”
The show of solidarity came to light only after Edmonds’ death, when a Jewish man who had been among the soldiers at the camp shared his recollection with the New York Times as part of an unrelated 2008 story about his decision to sell a New York City townhouse to Richard Nixon when Nixon was having trouble buying an apartment following his resignation as president.
When they found the article several years later, it was the first that Edmonds’ family, including his pastor son Christ Edmonds and his granddaughters, had heard about the incident. Soon they were traveling to Washington, D.C., and Israel for ceremonies honoring Edmonds, one of only five Americans to be credited as Righteous Among the Nations, an honor bestowed by Israel on non-Jews who aided Jews during the Holocaust.
As the family campaigned for a Medal of Honor, Edmonds was also the recipient of bipartisan praise from two American presidents.
“I cannot imagine a greater expression of Christianity than to say, I, too, am a Jew,” President Barack Obama said during remarks at the Israeli embassy in Washington, D.C., on International Holocaust Remembrance Day in 2016.
Three years later, President Donald Trump recounted the story at the New York City Veterans Day Parade. “That’s something,” he said. “Master Sergeant Edmonds saved 200 Jewish-Americans — soldiers that day.”
Last week, Trump called Chris Edmonds to invite him to the White House to receive the Medal of Honor on his father’s behalf, Chris Edmonds told local news outlets. The Medal of Honor ceremony is scheduled for March 2.
The post US soldier who protected Jews in POW camp during WWII to be awarded Medal of Honor appeared first on The Forward.