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Jerry Springer, son of Jewish refugees whose eponymous talk show was known for conflict, dies at 79
(JTA) — Jerry Springer, the son of Jewish refugees who set aside a promising political career to become the ringleader of a circus-like syndicated talk show featuring feuding couples, angry exes and frequent fisticuffs, died Thursday morning at his home in the Chicago area.
A family spokesperson told TMZ that Springer, who was 79, had been battling a “brief illness.”
Over nearly 5,000 episodes beginning in 1991 and lasting until 2018, Springer transformed daytime television conventions with a program designed to encourage conflict among its guests. Where rivals like Oprah Winfrey and Phil Donahue were interviewing celebrities and tackling more serious issues, Springer would bring on everyday people and pit them against one another in shows about incest, adultery and polyamory.
In an interview last year, he acknowledged the critics — including prominent British rabbis — who decried his version of “tabloid television” and said it had fueled divisions in society. “I just apologize,” he said. “I’m so sorry. What have I done? I’ve ruined the culture.”
Springer’s path to television notoriety was not preordained. He was born in a London tube station in 1944 during a German bombing raid to parents, Richard and Margot Springer, who were German-Jewish refugees from the Nazis. They escaped from what was then Prussia (now present-day Poland) and arrived in Britain in 1939 just before the outbreak of World War II. Twenty-seven other members of Springer’s family were killed in the Holocaust.
The family moved to the United States in 1949, settling in the Kew Gardens neighborhood of Queens in New York City. Springer’s first career after earning a law degree from Northwestern University was in politics. He worked on the 1968 presidential campaign of Robert F. Kennedy that ended with Kennedy’s assassination, then ran a failed campaign for U.S. Congress in 1970 before being elected to Cincinnati’s City Council in 1971.
Springer’s only electoral success came in 1977, when he was elected mayor of Cincinnati and, under a power-sharing arrangement between his Democratic Party and a third party, served a single one-year term — by most accounts responsibly and effectively.
After serving as mayor, he anchored the news for the NBC affiliate in Cincinnati for 10 years before making the leap to syndicated TV.
“The Jerry Springer Show” started with more high-minded intentions before, as ratings dipped, he embraced the sensational. The television series was produced and aired by NBCUniversal and CW, and earned Springer a fortune: In 2000, Broadcasting & Cable reported, Springer was given a five-year, $30 million contract extension paying him $6 million per year.
The show’s high ratings and queasy critical reception (“family values” groups such as the Parents Television Council and the American Family Association called for boycotts) also obscured his own sober and tragic Jewish family story.
In 2008, Springer investigated his relatives’ fates on the BBC1 program “Who Do You Think You Are?” He broke down in tears at the train station where his maternal grandmother was sent to her death in the Chelmno extermination camp.
In 2015, Springer visited London to support a British Holocaust refugee project preserving the archive of what was originally known as the Central British Fund for German Jewry and later World Jewish Relief. The group helped tens of thousands of European Jews escape the Nazis to Britain in the 1930s and 1940s — including thousands of children as part of the Kindertransport and Springer’s parents.
“We are immensely grateful to Jerry Springer for giving his time to us and supporting our archives,” World Jewish Relief vice-chair Linda Rosenblatt said at the time.
“I was deeply touched when I received the records of my parents’ immigration,” Springer said. “These papers are a piece of my family history which I will treasure forever.”
After his talk show went off the air in 2018, he attempted a comeback with a courtroom show, “Judge Jerry.” It ran for three seasons. His last TV appearance came last season on “The Masked Singer,” where he performed as “The Beetle,” singing a Frank Sinatra tune.
In 2018, an off-Broadway version of the musical “Jerry Springer: The Opera,” opened in New York. Originally staged in London 15 years earlier, it featured songs celebrating the Springer ethos: “Fat people fighting / Open crotch sighting / Pimps in bad suits / Mothers who are prostitutes.” Nevertheless, a reviewer said the musical was “surprisingly free of the sometimes savage cruelty that distinguished the [talk] show from its wimpy competitors.”
In 2009, Springer joined the cast of the Broadway revival of the musical “Chicago,” playing the part of a slick lawyer whose adulterous client is facing charges in a tawdry murder case. It echoed a notorious incident from the real-life “Springer” show: In 2002, a man was convicted of killing his ex-wife hours after they and another woman were featured on an episode about love triangles.
In a 2004 interview with the public radio program “This American Life,” Springer put his tumultuous career in perspective.
“Well, we certainly made a difference in television. I’m not sure people are happy about it,” he told Alex Blumberg. “I try not to think about it too much. Life is what it is. And you take what’s handed and you work as hard as you can and, hopefully, you’ll be successful. But I just don’t spend too much time worrying about that. I do my show. I’ve always said it’s a stupid show. I’ve had a wonderful life because of it and all that, but I’ve never, for a second, thought that it’s important. It’s trivial. It’s chewing gum, and I recognize that.”
According to The Hollywood Reporter, his survivors include his wife, daughter, son-in-law, grandson and sister.
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The post Jerry Springer, son of Jewish refugees whose eponymous talk show was known for conflict, dies at 79 appeared first on Jewish Telegraphic Agency.
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Orthodox Jewish man stabbed in midtown Manhattan
(New York Jewish Week) — An Orthodox Jewish man is in stable condition after being stabbed on Wednesday evening in the Diamond District of midtown Manhattan. Police are investigating the attack as a possible hate crime.
Police told the Jewish Telegraphic Agency that the NYPD’s Hate Crimes Task Force is investigating the incident as a possible antisemitic attack, and Manhattan Shomrim — the Jewish community watch group — has asked people to share footage as police search for the suspect. No arrests have been made.
The victim was identified by police as a 26-year-old man, and Orthodox Jewish outlet COLLive identified him as a resident of Crown Heights, the neighborhood that is home to the Chabad-Lubavitch Hasidic movement’s headquarters.
He was taken to Bellevue Hospital in stable condition. Police said they were called at about 5:50 p.m. on Wednesday after the man was stabbed in the back with “an unknown sharp object” on 47th Street near Fifth Avenue. ABC7 reported that the victim told investigators he believed he was stabbed with a needle or syringe.
According to the Chabad website, which published an interview with the victim, he is a recently ordained Hasidic rabbi named Joseph, who commutes to Midtown each day to wrap tefillin with Jewish merchants. The attacker, Joseph told the website, was a woman who seemed to be following him prior to the stabbing.
The attack comes as Jewish New Yorkers have been targeted in more than half of the hate crimes committed in New York City this year, despite making up about 12% of the city’s population.
In July, an assailant stabbed two men on the Upper West Side, including one who was leaving a synagogue, while yelling “Allahu akbar,” and was charged with committing hate crimes.
Louis Keene contributed reporting.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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