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Meet the 2 Jews of Guyana, a South American nation with a tradition of religious tolerance
(JTA) — When Janet Jagan, an immigrant from the United States, made history by becoming Guyana’s prime minister in 1997, she was thought to be the country’s only Jew.
In fact, another Jew had recently purchased an island off the coast of Guyana, and 25 years later, there are at least two Jews living in the tiny South American nation. One is a Guyanese-British-Israeli guesthouse operator who has been working in Guyana since the 1970s. The other is a former Madison Avenue marketing executive from Chicago who until recently ran the country’s largest tour operator.
Both offer a window into three dynamics that define Guyana: a government that embraces all faiths, an economy based on extractive industries and an expansive rainforest the country hopes will be a draw for its growing ecotourism industry.
Guyana, an English-speaking country of roughly 800,000, came to international prominence in 1978 as the site of the Jonestown massacre, in which more than 900 followers of cult leader Jim Jones were killed, either by suicide or murder.
These days, though, the country is drawing attention for the recent discovery of oil off its coast. ExxonMobil announced the discovery in 2015 and promptly began developing Guyana’s oil resources. With over 11 billion barrels of reserves and producing over 350,000 barrels per day, Guyana is on track to produce more than 1 million daily barrels by 2030, potentially transforming one of South America’s poorest countries.
It was an earlier extractive industry that first brought Raphael Ades to Guyana. Born in Tel Aviv in 1951 to an Italian-Jewish mother and a Syrian-Jewish father, Ades had a peripatetic childhood. The family moved first to Milan when Ades, who goes by Rafi, was 11, after his father Meyer entered the diamond trade, then two years later to southwestern Germany. They landed in Pforzheim, known at the time as Goldstadt because of the prominence of jewelry and precious stone trading locally.
But the family was not yet settled: In 1967, Meyer took the family to London, where Ades finished high school and took his university entrance exams, excelling in all of the languages he had picked up — English, French, Italian, German and Hebrew. As a psychology student at the University of London, Ades began helping his father, who maintained an office in London’s diamond district, at work. His father contracted out the polishing, and one of the polishers was Indo-Guyanese.
“That day, my dad took out the atlas and started to read up on Guyana,” Ades recalled. “‘This is somewhere I want to go,’ he told me.”
During a trip to visit an Israeli friend in Venezuela, Meyer went on a prospecting trip to Guyana, and registered the Guyana Diamond Export company. When he suffered a heart attack, Ades and his mother flew to Georgetown to be with him. Barely 21, Ades stepped in to take a larger role in the business. He flew with other diamond buyers into the rural mining areas, and learned the operations were producing thousands of carats of diamonds.
“I stayed in Guyana through the second half of 1972 and fell in love with the place,” Ades recalled. “I went to the [main] Stabroek market in Georgetown, seeing all of the iguanas and macaws. When my dad recuperated, I started going back to Guyana myself.”
His mining business thrived. In 1997, he bought Sloth Island, a 160-acre outpost about a two-hour journey from Guyana’s capital, Georgetown, requiring an hour-long car ride through the small villages that dot the Atlantic coast, and then an hour’s boat ride down the widening Essequibo River, passing pristine forests lined with mangroves and Indigenous villages.
When Ades bought the property, it was mostly underwater. He brought in workers from neighboring villages to pump out the water, build up the sand and retaining walls and add structures. Sloths were already there, but he brought ocelots and monkeys from neighboring islands, as well as other birds. (The ocelots, he said, used to eat the electrical wires and open the fridge.)
Now anchoring Sloth Island is a blue and white guesthouse, a series of covered huts for dining and hammock relaxation and a wooden walkway for nature walks through partially cleared forest. Indigenous guides identify the numerous species of plants and birds. The pandemic has receded as a threat to business, and the island hosts tourists every weekend — though climate change is presenting new issues.
“There are many times that the river floods part of the island and I lose sand and soil,” Ades said. “We have to keep on pumping out water and repairing damage to the buildings when that happens.”
The year after he bought the island, his widowed mother, then living in Belgium, broke her hip. When she was well enough to travel she moved to Guyana to be with her son, dividing her time between Georgetown and Sloth Island. When she died in 2009, Ades was at a loss given the lack of a Jewish cemetery, synagogue, and minyan required to say the Mourner’s Kaddish. He was interested in burying her across from Sloth Island, on a hill in the mining town of Bartica just across the river. But a Jewish friend from France facilitated a connection with the Surinamese Jewish community, who prepared the body for burial in the cemetery adjacent to Paramaribo’s main synagogue.
“That’s the last time I was in a synagogue, in 2010, after my mother passed,” Ades recalled.
A view of Raphael Ades’ resort on Sloth Island. (Seth Wikas)
The absence of Jews in Guyana is a notable lacuna in a country that otherwise boasts a broad range of religions. History records a colony of Dutch Jews who settled in northwestern Guyana in the 17th century to produce sugarcane, but the English destroyed that colony in 1666, dispersing the Jewish residents. Jews from Arab lands moved to Guyana in the late 19th and 20th centuries to escape persecution but then migrated elsewhere; Jews fleeing Europe came in 1939 but did not settle long enough to establish a sustained community.
Janet Jagan was an anomaly: Born Janet Rosenberg in Chicago, she married a Guyanese man in the United States and moved with him to Guyana in 1947. Her father Cheddi Jagan was trained as a dentist but entered politics as Guyana gained independence from Great Britain, serving as the first premier of the semi-independent colonial government in the early 1960s and then as the country’s fourth president in the 1990s. When he died in 1997, Janet Jagan was sworn in as his replacement and then won a term of her own later that year. She died in 2009.
According to the 2012 census, Guyana is about two-thirds Christian, a quarter Hindu, and less than 10% Muslim, with smaller populations of Rastafarians and Baha’is. Guyana’s cities and towns are dotted with churches, mandirs and mosques, and the country has enshrined freedom of religion in its constitution. Christian, Hindu and Muslim holy days are national holidays.
“We embrace all faiths and are always looking to build bridges across communities,” Mansoor Baksh, a leader within the country’s Islamic Ahmadiyya movement, told JTA. Omkaar Sharma, a member of the country’s Hindu Pandit Council, said something similar: “We have a long tradition of co-existence and celebrating each other’s holidays. It’s what makes Guyana special.”
On the occasion of the Hindu festival of Diwali last month, President Mohamed Irfaan Ali, South America’s only Muslim head of government, emphasized the country’s inclusivity when he told the nation: “Under the One Guyana banner, our people are coming together, rejecting the forces of division and hatred, and uniting in the pursuit of peace, progress and prosperity.”
The sentiments have had practical implications for the country’s two Jews. In 2017, when a Guyana Tourism Authority group was slated to travel to Suriname for a conference on travel catering to Muslim tourists, the Mauritanian organizer of the event protested the presence of Jewish participants. There were supposed to be two: Ades, and Andrea de Caires, then head of the country’s largest private tour operator, Wilderness Explorers.
“I got a call from the Guyanese Tourism Minister at 1 a.m., who asked me if I was Jewish, and he explained the situation. And I thought, this [antisemitism] is still going on in the world?” de Caires remembered.
The Guyanese tourism minister refused to abide by the ban, de Caires proudly said, and told the Surinamese hosts and conference organizers: “If Jews aren’t allowed, then none of us are going.” The Surinamese, long known for their religious tolerance, also refused to accept the prohibition, and said that all participants were welcome (in Suriname’s capital Paramaribo, a mosque stands next to a synagogue and they share a parking lot). Both de Caires and Ades attended the event.
“When I arrived at the conference, the Surinamese minister of tourism welcomed me, and the director general of Guyana’s tourism ministry gave me the microphone to open the conference. We [Rafi and I] went in with our heads held high,” de Caires said.
De Caires has lived in Guyana since 2010 but her path to Guyana took a different route from Ades’. Born Andrea Levine in Chicago as the granddaughter of a rabbi, she traveled extensively as a child with her physician father, who taught her the importance of creating a Jewish home.
“Judaism was always a part of my life — we celebrated the holidays, lit candles on Friday night, but my father would often say, ‘Going to temple doesn’t make you Jewish,’” Caires said.
De Caires moved to New Jersey and trained as a jeweler, working with clients that included Tiffany’s. She transitioned to working at Bloomingdale’s in sales and then management, and then she moved on to the cosmetic company Borghese, where she became vice president of sales and marketing.
“I got caught up in Madison Avenue, a single mom of three kids, and then I met Salvador,” she recalled. “And I knew there was no point in pursuing a relationship if I wouldn’t move to Guyana.”
Salvador is Salvador de Caires, her Guyanese husband whom she met through her sister. Visiting Guyana for the first time in 2008, she fondly recalled her first visit to the Karanambu Lodge in the country’s south, a former cattle ranch that is now a conservation hub sitting at the center of Guyana’s forests, rivers, and savannahs. The most accessible route is via airplane from Georgetown and then four-by-four vehicle. While based at the lodge, de Caires continued to take conference calls for her New York-based career, while learning more about Guyana and the business of running a tourist destination off the beaten path. She and Salvador moved permanently to Guyana in 2010 to take over the day-to-day management of the lodge.
“When we moved to Guyana, it never occurred to me there would never be a Jewish community here. There’s a Jewish community everywhere,” de Caires remembered thinking. “That was pretty startling.”
Andrea de Caires is shown with Guyanese President Irfaan Ali. (Courtesy of de Caires)
So when they moved from Karanambu in 2016 to work at (and eventually lead) Wilderness Explorers in Georgetown, de Caires was committed to opening her home to Guyanese friends and neighbors with Hanukkah parties and Passover seders.
“The first year we had a Hanukkah party, our invitation went out for latkes and black cake (a traditional Guyanese dish), and we had government ministers, ambassadors and local friends over,” she recalled. “I told the story of the holiday and we lit the candles.”
It wasn’t the first time de Caires had been single handedly responsible for the fostering Jewish traditions in Guyana. She recalled an incident in 2012 when a Colombian-Jewish tourist came to Karanambu Lodge during Passover and asked her to make matzah brei. Under a thatched roof, she was able to make the holiday delicacy for her visitor.
For Ades, too, it is hosting that makes him most appreciate his chosen home in Guyana.
“I will always remember Feb. 1, 1963, the day we left Israel. We had always planned to return,” he said. “But I’m still here. Between then and now I have lived in so many places, and Guyana has been my home for a very long time. One of the best parts of my week is meeting new people who come to Sloth Island — people of different backgrounds from around the world. It is wonderful to welcome them all.”
De Caires plans to share her Jewish traditions once again next month, hosting another Hanukkah party for her Guyanese friends and neighbors. And with the worst of the pandemic in the rearview mirror, both Ades and de Caires are looking forward to booming tourist seasons. De Caires and her husband are also ready to begin a new professional chapter: They recently accepted new positions with a Guyanese conglomerate to develop its tourism operations at a riverine resort.
Does de Caires feel like she has lost something by establishing roots in a place without an established Jewish community?
“If I left here, that would mean there’s one less person to support others [including Jews],” de Caires replied. “I think it’s interesting Rafi and I are both in tourism — you need to have a lot of tenacity, but it’s important that we welcome others to this beautiful country.”
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The post Meet the 2 Jews of Guyana, a South American nation with a tradition of religious tolerance appeared first on Jewish Telegraphic Agency.
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Jewish sleepaway camp made them comedians, so they made a movie about it
Jewish sleepaway camp is where parents send their children to forge a lasting connection with their ancient peoplehood. Perhaps regrettably, many also leave having developed something else: shtick.
“It’s a breeding ground for comedy bits,” said filmmaker Michael Lewen, 36, a proud alumnus of Camp Modin in Belgrade, Maine. “Everyone learned how to be a comedian at summer camp. This is where you first try out your stuff.”
Years after retiring his color-war uniform, Lewen, a regular collaborator of Judd Apatow, is returning to the cradle of his comedy career. His sophomore feature Tiny Fugitives, hitting theaters Sept. 18, takes us to Camp Fineman, where 12-year-old Jacob Udell (Benjamin Pajek) commands a cool-kid cachet apart from his public-school tormentors.
Jacob’s goals for the summer start off simple — a bunk-wide record for “ask outs” to the social and telling his longtime crush how he feels. But when his parents show up on visiting day to announce their divorce, and that they may not have the money to send him for another season, Jacob and his best friend Charnis (Aaron Harris) hatch a plan: When the buses leave camp, they won’t be on them. They will live at camp year-round.
It’s a notion not completely foreign to Lewen’s co-writer, Jacob Kaplan, 28.
While Kaplan spent less time than Lewen at his own camp (Young Judea in Amherst, New Hampshire), he keeps finding fresh material in the experience. He toured a standup show, Kings of Camp, about those halcyon days of canteen privileges and Capture the Flag. Lewen connected with Kaplan after reading a cartoon pilot he wrote about an alien child who sends dispatches back to his home planet from a Jewish summer camp, mistakenly believing his idiosyncratic environs to be representative of human civilization.
Kaplan remembers camp as his first brush with independence. The divorce plot is drawn from his life and he remembers it as a merciful break from parental logistics.
The jokes are an amalgam of his and Lewen’s field notes from back in the day and ideas from their capable cast of 12-year-olds, one of whom does a credible impression of Barack Obama saying kiddush. The foil to Jacob and Charnis’ great escape is a “lifer” named Bob, played by Johnny Knoxville, who gives chase and is often grievously injured in the pursuit. Thank Hashem for the infirmary.
“There was definitely some push and pull with the stunt coordinator,” Lewen said of Knoxville’s presence on set. Coming off of the later Jackass films, he wanted to drive his ATV without his glasses and urged people to hit him harder.
But for all the slapstick, Bob, based on a familiar archetype of a fanatical counselor is, along with Charnis and Jacob’s friendship, the heart of the film. His message, and one I’ve heard from many a counselor of my own: camp is special because it ends.
If it didn’t quite end for Lewen and Kaplan, who got to relive those days on the set of a couple different Toronto camps, and recreate some of the magic for their actors, they insist they’ve now had enough.
Tiny Fugitives Lewen said, is indebted to Stand By Me, includes visual nods to Francis Ford Coppola films like Apocalypse Now and The Conversation and seems to have no anxiety about the influence of another raunchy two-hander like Superbad (Seth Rogen and Evan Goldberg produced). It owes a less obvious debt to Michael Mann’s Heat, Lewen said, only “instead of De Niro and Pacino, it’s Johnny Knoxville and a 12-year-old who both want the same exact thing out of life, and only one of them is going to get it.”
Among the comedy’s most understated features is its ambient Jewishness, in no way essential to the plot, as it is in another recent camp film The Floaters, but key to its sensibility.
The kids find ancient Manischewitz in a dining hall. Jacob pads his elbow with a loose kippah to break the frame to a map of the old camp grounds. In a fanciful moment, he suggests laundering petty cash in $18 sums to skirt suspicion. A line, delivered out of context and without elaboration: “Charnis, what do you mean a three-state solution?”
Asked if the film might have been more marketable with a generic sleepaway camp, Kaplan and Lewen seemed to have heard that note a lot.
“For the comedy you want to go from what felt the most true to your life and the situations and what actually happened and painting as vivid a picture as possible,” Kaplan said, invoking Wet Hot American Summer, which presented a Jewish summer camp without ever quite announcing that it was one.
Lewen said they focused on the bigger idea when they went out to pitch: “When you’re young, there are places where you feel like you make sense. For some people, it’s the baseball team. For some people, it’s debate camp. For some people, it’s your cousin’s house. And for us, it was Jewish summer camp.”
The producers are betting big on Tiny Fugitives’ cross-quadrant appeal, making it a rare R-rated comedy to play theatrically. Among the hoped-for viewers are some actual 12-year-olds, who will need a parent or guardian owing to the film’s coarse language, which is likely not very scandalous to the tween set it’s depicting.
“I actually think it’s a totally good movie for young people to see,” Lewen said. “I just remember being that age and watching stuff that felt a little bit real, and like I actually saw myself in it, and it’s so satisfying and cathartic.”
To that end, he said, Knoxville is chartering a bus to take camper-aged kids to the theater.
“I think it’s cool for there to be a cool movie that’s also Jewish,” Lewen said. “It’s the same reason I like Jewish summer camp and want my kid to go there.”
The post Jewish sleepaway camp made them comedians, so they made a movie about it appeared first on The Forward.
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‘Long overdue’: Henry Ford home to confront his antisemitism
(JTA) — DEARBORN – The bust of Henry Ford looked on sternly as hundreds of Jewish professionals flooded his pool room.
The visiting Jews admired the views of the Rouge River from Ford’s windows and strolled through his immaculately maintained garden. They studied a mock-up for a Navajo rug in his basement woven with a particular pattern — one that appeared to resemble a Nazi swastika.
The staff at Fair Lane, the historic Dearborn home of Henry and his wife Clara, welcomed the Jewish educators, historians and museum staff. Why they did soon became clear during a panel discussion in that pool room. When the home reopens to the public in June 2027, after a 17-year closure for restoration, staff will teach visitors about Ford’s antisemitism.
This facet of the pioneering industrialist’s life was hardly incidental. The onetime richest man in America published venomous conspiracy theories in his newspaper, The Dearborn Independent, for years. Hitler was a professed admirer, and Nazi Germany awarded him a medal.
Leaders of Jewish groups greeted the news that the home would address Ford’s antisemitism with optimism.
“We applaud Fair Lane’s commitment to addressing Henry Ford’s antisemitism publicly,” Catherine Cangany, CEO of the Jewish Historical Society of Michigan, told the Jewish Telegraphic Agency in a statement. “This history happened, it caused harm, and it continues to have consequences we all must confront.”
Cangany, who has research expertise on the Dearborn Independent, sat on the June panel with Fair Lane’s curators but is not involved in the antisemitism initiative itself. Local Jewish groups including hers have been pushing for Ford’s enterprises to acknowledge his antisemitism for years.
“The reckoning is long overdue, and we all will be better for it,” she said.
The curators did not broach specifics of their plan with their Jewish audience in June. For the rest of the summer, as Fair Lane proceeded with its renovations, most of the Detroit area’s Jewish leaders were kept in the dark.
More than two months after the conference, top staffers Austin Eighmey and Hannah McCready sat down with JTA in Ford’s library to outline their educational plans in more detail.
Surrounded by replicas of books on German race science that helped to inform Ford’s attitude toward Jews, they explained that they viewed discussions of antisemitism as core to the revitalized Fair Lane’s statement of purpose. Such information would sit, they said, alongside other unflattering aspects of Ford’s character, such as his union-busting activities.
“Our mission is to illuminate the lives and legacy of Henry and Clara Ford,” Eighmey, senior director of historic resources, said. Part of that legacy, he said, was noting that “he was an ignorant man, fed a lot of poor information that he himself sought out.”
“It’s our job to tell a more full picture and give people a lens with which to view history,” added McCready, the site’s director of interpretation and education.
In the Detroit area, where Ford’s name still looms large nearly 80 years after his death, such a commitment is notable. In 2023 the former president of the Ford Foundation, the family’s charitable arm, acknowledged and condemned its namesake’s antisemitism. Other local institutions devoted to historic purveyors of antisemitism have reckoned with their own legacies in recent years, including the church founded by demagogic “radio priest” Father Charles Coughlin.
But as Ford the man continues to be heavily mythologized today, by new generations of entrepreneurs and gearheads — and white supremacists — the physical museums and educational institutions in the region that bear Ford’s name and have connections to his family largely have not broached his antisemitism.
Those include The Henry Ford, a museum built around his personal collections; Greenfield Village, a historic reenactment village that includes a restoration of the mogul’s childhood home; and the Ford Piquette Avenue Plant, a Detroit heritage site where Ford’s Model Ts were built.
For a long time Fair Lane, too, didn’t touch the subject. After Ford’s widow Clara died in 1950, the property was turned over to the Ford Motor Company, which brokered a deal with the University of Michigan to build a Dearborn satellite campus on the site.
For decades the university offered tours of the grounds on a largely volunteer basis, also using it as an events space. The house has been closed to visitors since 2010, as the team undertook an extensive restoration project with an eye toward reopening for the public.
Eighmey said the plan to teach about antisemitism had been the goal since the restoration’s early days. The staff met with representatives from the Zekelman Holocaust Center, the state’s flagship Holocaust museum, to discuss how such a project would look.
“They were straightforward about Henry Ford’s antisemitism and hope that it will be incorporated into the interpretive narrative where appropriate but, at the same time, they respectfully acknowledged many of Henry Ford’s strengths and expressed a deep regard for Fair Lane’s stories, physical spaces, and current restoration work,” reads one executive summary of the focus group that a consultant shared with JTA.
A spokesperson for the Zekelman declined to comment to JTA for this article.
Local controversies in the interim called such educational commitments into question. In 2019 the city of Dearborn — where the Ford Motor Company is the largest employer — quashed a planned historical magazine that would have discussed Ford’s antisemitism, tied to the 100th anniversary of his acquisition of the Dearborn Independent.
In what Eighmey today refers to as “the whole fiasco here in Dearborn,” the city’s then-mayor, John “Jack” O’Reilly, fired the magazine’s editor, prompting outcry. O’Reilly died last year. His son, Devon O’Reilly, now serves as Fair Lane’s CEO.
Despite this history, the younger O’Reilly is supportive of the plan to teach Ford’s antisemitism on the site, the curators said. “We have not talked about his personal life, really, and his familial connections at all,” Eighmey said of O’Reilly.
The team has developed talking points about Ford’s antisemitism as part of their “non-negotiables,” museum terminology for facets of history that every visitor will encounter. Donna Braden, a museums consultant who formerly worked with The Henry Ford and who is Jewish herself, was hired to give her feedback on the plan and drafted her own proposed “non-negotiables” for the subject.
“Explaining the true story of Henry Ford’s antisemitism to non-Jewish people will help them understand why it is so important to the Jewish community,” Braden told the Fair Lane team in a report on their efforts.
In a summary she shared with JTA, Braden also advised the team to “be aware of many people who are unaware of Henry Ford’s antisemitism, and it will surprise them.”
Braden drew from “The People’s Tycoon: Henry Ford and the American Century,” an acclaimed 2006 biography by Steven Watts. Unlike other Ford biographers before him, Watts tackled his subject’s antisemitism head-on. His approach would later find surprising admirers within the Ford dynasty, leading to him presenting on the subject in 2018 to a room full of The Henry Ford staff and Ford family members.
“It was, I must say, quite an experience, because I spoke pretty frankly about all of this,” Watts, an emeritus history professor at the University of Missouri, recalled to JTA about his 2018 talk. “Most of the staff that talked to me about it actually indicated that they were a little relieved, I think, to have this brought out into the open in a fairly frank way.”
The talk, co-presented with the Jewish Historical Society of Michigan, did not lead to change — at least not at The Henry Ford, which has a separate ownership structure from Fair Lane. Today, no mention of Ford’s antisemitism can be found in The Henry Ford’s physical museum space, despite efforts from Braden and others to add such material. Some pages of its website now include some brief words on the subject.
Amid new efforts to push Ford’s family on the subject, Watts returned to Dearborn in 2024, partially to address Fair Lane at Braden’s invitation.
“I hope that they will move forward to bring Henry Ford’s antisemitism to the public,” he said, of both Fair Lane and The Henry Ford. “I got the idea when I was there that they were thinking strongly about a more frank and open approach to all of this, and I guess I would hope that is the approach that they take, and not the ‘sweep it under the rug’ maneuver.”
He told JTA that Ford’s antisemitism became most pronounced in the 1920s, shortly after the height of his business success.
Watts traces Ford’s antisemitism not to any one specific root cause, but rather to a confluence of factors, including the mogul’s economic populism; his failed efforts to send a “Peace Ship” of dignitaries to Europe during World War I, which he came to blame on a “Jewish financial interest in Europe”; and his embrace of conservative cultural signifiers, including square dancing.
“He basically begins to argue that Jews lay behind the corruption of that old-fashioned kind of rural, WASP cultural virtue, that Jews were behind jazz music, Jews were behind Hollywood movies, and that there was a kind of moral degradation that was at work,” Watts said.
Fair Lane has a separate ownership structure from The Henry Ford and Greenfield Village, both of which are largely built around other subjects Ford was passionate about, such as American innovation, rather than the mogul himself. Fair Lane, its curators say, is the natural place for visitors to learn about the Fords’ personal lives and beliefs.
Ford descendants still weigh heavily on Fair Lane’s board — including chair Edsel Ford II, Henry’s great-grandson, whom Eighmey refers to as “the Deuce.”
The family was onboard for this reappraisal, the curators said. Fair Lane’s models in the museum space include Monticello, Thomas Jefferson’s plantation in Virginia that has taught visitors about his slaveholding; and the Frick museum in Pittsburgh, where industrialist Henry Clay Frick comes under scrutiny for his fierce anti-union stance.
Visitors to Fair Lane, Eighmey promised, will “never leave here thinking, ‘Oh, it wasn’t that big of a deal.’”
The Fair Lane team chose to restore the house to its condition in 1919 — in part because the home was photographed for an architectural magazine that year, allowing the curators to use it as a visual reference.
The date is significant for another reason. 1919 was also the year that Ford acquired the Dearborn Independent, which he would soon use to publish a series of antisemitic conspiracies called “The International Jew” as well as the Russian forgery “The Protocols of the Elders of Zion,” which purported to outline secret Jewish plans for world domination.
Ford would require his dealerships to distribute copies of the paper with every automobile purchase, making the Independent, for a brief time, one of the country’s highest-circulated newspapers. Ford’s role as newspaper publisher was, in Watts’ estimation, the most notorious and seismic way the mogul’s antisemitism manifested in his lifetime.
The choice to reset his home to the year he launched the paper “is further bringing all of this together as a narrative throughline,” McCready said.
After the paper shut down in 1927, owing in part to a libel suit brought against Ford by Jewish attorney and labor activist Aaron Sapiro, Ford — with the help of Jewish community figures — publicly apologized for spreading antisemitism. Around the same time, the celebrated Jewish architect Albert Kahn helped renovate Fair Lane.
The planned 90-minute Fair Lane tour, which is currently being workshopped, touches on the Peace Ship and Ford’s wielding of the Dearborn Independent. McCready described the tour’s intended arc: “He fails with the Peace Ship. He decides that there is a hostile press that’s controlled by financiers that’s against him. He purchases this failing local newspaper and starts getting really obsessed with his image in the media, and we kind of take it from there.”
It does not get into the Sapiro trial, though tour guides will discuss the topic if visitors bring it up. They also don’t plan to discuss the medal Ford received from Nazi Germany in the late 1930s when Hitler publicly expressed admiration for him, noting that it falls nearly two decades after the time period represented by the house’s restoration.
Watts, the Ford historian, told JTA that Ford had suffered two strokes at the time he received the medal, and “was in very bad shape” — possibly impairing his judgment.
“I think Ford’s got a lot to answer for, but I don’t think he was a Nazi,” Watts said. “I think things kind of went off the rails there.” By 1942, Ford was again publicly renouncing antisemitism, calling it “a distinct disservice to our country.”
At the Jewish museums conference, Cangany, the Jewish Historical Society of Michigan CEO, suggested the Fair Lane team should display copies of the Dearborn Independent around the house to demonstrate the effects of Ford’s worldview. That’s not part of the plan, Eighmey said: “It’s not on the site, and it never was.”
But the house does have other eye-catching artifacts. A room in the basement, in keeping with historic specifications, will be outfitted with a Navajo rug stitched with the ancient “whirling logs” symbol, which the Nazis later co-opted as the swastika. Ford had acquired the rug and displayed it in his home beginning in the 1910s, well before the Nazi swastika was popularized.
Maintaining an honest assessment of its founder’s troubling history is a tall order for any museum in modern times. Even Monticello, which Fair Lane held up as a model, has faced right-wing backlash from figures who want the site to minimize discussions of slavery.
Meanwhile, Ford’s legacy continues to shape the modern era as new conservative cultural figures from the business world push similar brands of populism.
In 2022, amid a dispute with the tech mogul Elon Musk over the prevalence of antisemitism on his social network X, the Anti-Defamation League’s CEO, Jonathan Greenblatt, called Musk “the Henry Ford of our time.”
Greenblatt later apologized for the comparison -– but some commentators noted that it was even more apt than he may have meant. “Twitter is to Musk as The Dearborn Independent was to Ford,” the writer Parker Molloy wrote at the time.
Last month in Dearborn, which today has a large Arab/Muslim community, neo-Nazi activists wearing swastika armbands staged an anti-Muslim rally. Their choice of venue carried historical echoes: They organized outside the Henry Ford Centennial Library.
The Fair Lane team is aware of the modern significance of Ford’s antisemitism, they said.
“Populist movements, they always end up using antisemitism as some sort of way to recruit people to their cause,” Eighmey told JTA. “And it’s a reality that I hope, after people leave their experience here, they do reflect on it and see, ‘Wow, wait a minute. Is this happening right now around me?’”
This article originally appeared on JTA.org.
The post ‘Long overdue’: Henry Ford home to confront his antisemitism appeared first on The Forward.
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Jewish artists face a relentless culture war over Israel. Some are building a way around it.
The pop star P!nk went into Rosh Hashanah explaining herself.
After sharing a post calling for rapper Macklemore to be dropped from Ed Sheeran’s tour over his pro-Palestinian performances, the Jewish singer faced a backlash of her own. On Friday, she clarified that she supported Palestinian humanity, opposed silencing artists and wanted room to express Jewish fear without being accused of endorsing Israel’s war.
Macklemore, meanwhile, said his criticism of Israel was not directed at Jews. Their exchange captured how quickly an argument about a performance can become a fight over identity — and who gets to define someone else’s.
Nearly three years after the Oct. 7 Hamas attacks, those fights are becoming part of the ordinary business of culture: promoting a movie, booking a concert, selling a manuscript. And some Jewish artists and executives are responding by building new places to take their work.
Consider Gal Gadot. While promoting her new Prime Video thriller, The Runner, the Israeli actress and former IDF soldier appeared on Jimmy Kimmel Live! last week, where she and Kimmel blew shofars for Rosh Hashanah. “Why platform her?” read a typical comment under the video on social media. Even sharing an episode became a point of contention: A member of MUNA, the musical guest, subsequently said the band’s performance had been prerecorded and that it hadn’t known who else would appear, adding a message supporting Palestinian freedom.
Artists critical of Israel face their own confrontations. Last month, Paramount accused Mark Ruffalo of invoking antisemitic tropes after he attacked the Ellison family’s corporate interests and Oracle’s work with the Israeli military. Ruffalo rejected the accusation, saying he was criticizing executives and government policy. The disputes involve different conduct and different stakes, but they keep returning to the same contested boundary between political criticism and prejudice.
In publishing, the consequences can be harder to see. Jewish and Israeli authors told The Wall Street Journal that agents had dropped them, editors had sought to remove Jewish or Israeli elements from manuscripts, and overseas publishers had become unwilling to buy their work. Some agents explicitly reject submissions from Zionists.
The picture is uneven: Jewish writers across the political spectrum continue to produce bestsellers, and a rejected manuscript alone cannot establish discrimination. But the accounts have helped spur new businesses.
A wave of new publishers has emerged to give Jewish and Israeli writers a home after agents and editors say mainstream houses have quietly frozen them out since Oct. 7: Neil Blair, best known as J.K. Rowling’s literary agent, launched High Line Publishing Studio last week to publish authors he says have been shut out elsewhere; Canary Publishing opened this month with the same mission; and Meg Keene Books, a new fiction imprint, will publish the American edition of Howard Jacobson’s Howl, which struggled to find a U.S. publisher despite its Booker Prize-winning author.
A similar response is taking shape in Hollywood. Former NBC co-chairman Ben Silverman is among the backers of SHOOQ, a new platform connecting Jewish filmmakers with investors and philanthropists. Its founders say talented storytellers need help finding the funding to get their projects made.
These ventures offer something practical to people exhausted by defending their right to participate: a publisher, a financial introduction, a way to keep working. They also raise a question that will outlast the latest celebrity argument: Can new Jewish cultural institutions help artists reach a wider public, or will an increasingly divided industry leave them speaking mainly to their own?
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