Connect with us

Uncategorized

Meet the Jewish actor who plays the lone Jewish character in Broadway’s ‘New York, New York’

(New York Jewish Week) — Broadway actor Oliver Prose and I met on a bench outside of the iconic Bow Bridge in Central Park in the middle of a sunny afternoon. He’s nearly six months into his Broadway debut in “New York, New York” — and two days fresh off a performance at the Tony Awards — but he shows no signs of slowing down.

Prose chose this scenic spot for our meeting because it’s the real-life inspiration for one of his favorite sets on the show, which nabbed a Tony on Sunday for Best Scenic Design of a Musical.

“In all of the scenes — Grand Central, Bow Bridge, Penn Station — all these iconic locations are recreated with the sets,” he said. “It’s aesthetically one of the most beautiful shows I’ve ever seen.”

“New York, New York,” is a dance-heavy musical from legendary songwriters John Kander and Fred Ebb. It weaves multiple narratives about musicians trying to make it in New York City in 1946, portrayed here as a post-war era of possibilities and potential. Among a diverse cast of characters, Prose plays the musical’s lone Jewish character: Alex Mann, a young violinist auditioning for Juilliard who fled Poland just before the Holocaust began.

As tourists strolled by scarfing down cart hotdogs, taking selfies and listening to tour guides, Prose and I talked about what it’s like to be Jewish on Broadway right now — both in and out of the dressing room — in a moment when Jewish stories are receiving a lot of attention. Case in point: Antisemitism-themed “Parade” and “Leopoldstadt” won the Tonys for best revival of a musical and best play, respectively. The theme will continue with Alex Edelman’s “Just for Us,” which opens this summer, followed by Barry Manilow’s “Harmony” in the fall and “Prayer for the French Republic” in the winter. 

As we chatted on a bench across from the bridge, I happened to notice a blue “chai” pendant peeking out of his casual black collared shirt. I asked him if the necklace is part of the show, like Michaela Diamond’s Jewish star that she wears as her “Parade” character, Lucille Frank.

It’s not, “but I did buy this for the opening of the show,” he said. “I’ve never worn any jewelry really, ever. There was never really a moment for me before that made me feel like I needed to project: ‘This is my Jewishness.’ But for this show, it really felt right.”

“I never really felt super comfortable, or the need to say ‘I’m Jewish,’ because I don’t practice that often,” added Prose, who grew up in Greenwich, Connecticut, and now lives in Brooklyn. “I haven’t been to temple since I was a teenager. I celebrate holidays with my family, but it’s always been something that I relate to my family. I’ve never really felt it personally before, but because of this role, I have really started to feel proud to be Jewish.”

Playing a Jewish character as his first role on Broadway feels “appropriate,” he said. And, as it happens, the part in “New York, New York” is one of the first shows, on or off Broadway, that he has worked on since graduating from New York University’s Tisch School of the Arts in 2019. For the last few years, he has been working as an administrative assistant at NYU while sending out self-tape auditions.

“When the semester ended, I had no idea what I was going to do,” he said.

After sending out an audition tape for the musical in late December last year, Prose had one in-person callback in January — later that night, his agent called to tell him he got the role. 

“I never would have expected to be in a Susan Stroman-directed Kander and Ebb musical for my first Broadway experience,” Prose said, emphasizing that he’s “not a song and dance guy” — his last role was in a three-person show in Arizona. “If you had told me a year ago that I was going to be doing that — specifically at the Tonys — I would have said you’re completely crazy.” 

“It’s been an eye-opening experience as a young, emerging artist,” he added. 

“New York, New York,” designed for Broadway’s tourist crowd, is loosely based on the 1977 Martin Scorsese film of the same name, although Alex Mann and several other supporting characters were written specifically for this production, as part of the book by David Thompson. It features the catchy tunes from the movie, including its title song — you know the one — as well as new songs written by “Hamilton” legend and “Fiddler on the Roof” fan Lin-Manuel Miranda

The plot centers around the volatile relationship between bright-eyed, aspiring musicians Francine Evans (Anna Uzele), who has come to New York via Philadelphia, and the jaded, multi-instrumentalist Jimmy Doyle (Colton Ryan). Along the pair’s up-and-down journey to success they cross paths with several other musicians trying to make it in the big city — like Prose’s Alex Mann, a violin protegé.  

“It’s a show that’s trying to cover a lot of stories,” Prose said. “A lot of them really don’t have to do with being Jewish and what Judaism meant to that time.”

But Prose acknowledges how “Jewish stories are being explored on Broadway in a variety of ways,” right now, he said. “From a broad perspective, on Broadway, it’s something that’s being celebrated and recognized. But it’s also being opposed, which is what really tells me that the world is listening. People are hearing this and like, people don’t like it — and that makes it even more important.”

“I feel a part of all of that,” he added.

We finish our interview walking across the bridge and out of the park. Prose described how he’s still getting used to the nighttime work schedule. We say our goodbyes; I head to Midtown to write this article, while Prose makes his way to the St. James Theater to take a nap in his dressing room before that evening’s curtain call.


The post Meet the Jewish actor who plays the lone Jewish character in Broadway’s ‘New York, New York’ appeared first on Jewish Telegraphic Agency.

Continue Reading

Uncategorized

Jewish Americans Shouldn’t Be Shocked by Scott Wiener’s Genocide Lie

Califronia State Senator Scott Weiner (Source: Youtube/Dr. Phil)

California State Sen. Scott Wiener. Photo: Screenshot

At first glance, California State Sen. and Democratic candidate for US Congress Scott Wiener is representative of what many consider a genuine American Jewish success story: a Jewish boy from New Jersey whose childhood memories were shaped by parents who helped build a local Conservative synagogue.

Wiener possesses the boy-next-door charm and familiarity of a Jewish American who came of age in the 1980s and early 1990s, was academically gifted, and later graduated from Harvard Law School.

The budding lawmaker soon found his footing in politics and eventually rose to become a state senator in the nation’s most populous state.

The youthful-looking Wiener, who calls himself “one of the strongest LGBTQ civil rights champions in the nation,” also co-chairs the California Legislative Jewish Caucus.

The one critical wrinkle to Wiener’s path to Jewish political prominence is that the 55-year-old politician recently promoted the disgusting blood libel that Israel is committing genocide in Gaza.

After enduring jeers from left-wing attendees at last week’s candidate debate featuring Wiener and two other Democrats vying to succeed retiring Congresswoman Nancy Pelosi (D-CA), Wiener pivoted from his initial refusal to characterize Israel’s actions as genocide and made the decision, days later, to turn against the Jewish state in a 90-second cringe-inducing video unveiled Sunday on the social media platform X.

For those following evolving attitudes toward Israel within liberal Jewish spaces, where Zionism is increasingly disassociated from Judaism, Wiener’s comments condemning Israel are perhaps the least shocking development in the progressive Democrat’s political career.

Jewish communities across America have spent decades nurturing ideological identities that focused on cultivating loyal liberals rather than strong Jews.

Moreover, when support for Israel is passed down from one generation to the next, with little explanation of the moral, legal, and historical rights undergirding the Jewish people’s right for self-determination, Zionism is treated as another dispensable political movement.

It’s a phenomenon that leaves people like Wiener susceptible to the anti-Israel animus entrapping a rising cohort of Jewish Democrats. It’s why anti-Zionists like New York City Mayor Zohran Mamdani will be quick to denounce a swastika plastered at a Jewish school in Brooklyn but grant a pass to violent pro-Hamas mobs descending on New York City synagogues that aim to disrupt Israel-related events.

Absent a firm framework explaining why it is a Jewish imperative to advance a pro-Israel narrative, the strategy to widen the wedge between Zionism and one’s Jewish identity will yield more Jews like Wiener who cave to the whims of keffiyeh-wearing voters.

Wiener is not alone.

In New York, 25-year-old Jewish progressive Cameron Kasky was, until this week, running for Congress in the state’s 12th district and recently returned from a Palestinian-led trip to Israel.

In a nod to his deep hatred of the Jewish state, Kasky, who grew up in South Florida attending Hebrew School, lists “Stop Funding Genocide” as his first policy priority on his website.

It was only 10 years ago when such overt antisemitic positions would have earned a candidate a place on the political sidelines.

Since then, the landscape has changed dramatically. A Washington Post Jewish Americans poll conducted in September revealed that the distorted views espoused by Israel’s detractors in the diaspora align with a significant portion of American Jewry.

In the study, 61 percent of American Jews responded that they believe Israel is committing war crimes against Palestinians in Gaza, with nearly 40 percent accusing the Jewish state of “genocide.”

The troubling spike in anti-Israel attitudes among American Jews became more conspicuous over the last several years, as social justice movements surrounding climate change, the women’s march movement, and George Floyd gave Jews who harbor little interest in following the traditional tenets of Judaism an avenue through which to wield their cultural Judaism.

In an effort to keep sanctuaries full and congregants satisfied, non-orthodox institutions coalesced around cultural issues that accelerated a liberal and increasingly secularized world order.

Ammiel Hirsch, senior rabbi of Manhattan’s Stephen Wise Free Synagogue, has repeatedly demanded that Jewish leaders meet the “historical demands of our time” and is among several leaders calling for a course correction within the Reform movement.

Still, since Wiener has now planted himself on the side of the Democrats’ anti-Israel faction, the Jewish organizations Wiener was so eager to frequent as a guest speaker in the past released a joint statement that was charitable in their repudiation of the candidate’s use of the term “genocide.”

The truth is that Wiener has long fashioned himself a progressive who rarely shies from admonishing Israel.

His regurgitation of the genocide lie reflects less of a shift and more of a sharpening of previous statements where he publicly charged Israel’s government with deliberately starving Palestinians.

Wiener also has a history of treating Hamas and Israel as “moral equivalents” and has gone on record saying that he will not accept donations from the American Israel Public Affairs Committee (AIPAC).

Put simply, it was obvious long ago that Wiener would not emerge as the Democrats’ next John Fetterman, a US senator from Pennsylvania who, amid criticism from his own party, has remained a steadfast supporter of Israel.

The seeds of Wiener’s disgraceful break with the Jewish state were planted long ago.

Raised with a scant appreciation or understanding on the importance of a Jewish homeland, the state senator fell under a secularized umbrella of “universal human rights.”

Sadly, his views on Israel are symbolic of what constitutes the path to political success in today’s Jewish Democratic Party orbit.

Irit Tratt is a writer, an American and pro-Israel advocate. Follow her on X @Irit_Tratt.

Continue Reading

Uncategorized

Iranian Regime’s Deadly Crackdown Quells Protests, Residents and Rights Group Say

Iranian demonstrators gather in a street during anti-regime protests in Tehran, Iran, Jan. 8, 2026. Photo: Stringer/WANA (West Asia News Agency) via REUTERS

Iran‘s deadly crackdown appears to have broadly quelled protests for now, according to a rights group and residents, as state media reported more arrests on Friday in the shadow of repeated US threats to intervene if the killing continues.

The prospect of a US attack has retreated since Wednesday, when President Donald Trump said he’d been told killings in Iran were easing, but more US military assets were expected to arrive in the region, showing the continued tensions.

US allies, including Saudi Arabia and Qatar, conducted intense diplomacy with Washington this week to prevent a US strike, warning of repercussions for the wider region that would ultimately impact the United States, a Gulf official said.

Israel’s intelligence chief David Barnea was also in the US on Friday for talks on Iran, according to a source familiar with the matter, and an Israeli military official said the country’s forces were on “peak readiness.”

The White House said on Thursday that Trump and his team have warned Tehran there would be “grave consequences” if there was further bloodshed and added that the president was keeping “all of his options on the table.”

The protests erupted on Dec. 28 over economic hardship and swelled into widespread demonstrations calling for the end of clerical rule, which culminated in three days of mass violence at the end of last week.

According to opposition groups and an Iranian official, more than 2,000 people were killed in the worst domestic unrest since Iran‘s 1979 Islamic Revolution. Some media reports have said the death toll was as high as 12,000-20,000, with thousands of additional demonstrators arrested.

But several residents of Tehran reached by Reuters said the capital had now been comparatively quiet for four days. Drones were flying over the city, but there had been no sign of major protests on Thursday or Friday. Another resident in a northern city on the Caspian Sea said the streets there also appeared calm. The residents declined to be identified for their safety.

As an internet blackout eased this week, more accounts of the violence have trickled out.

One woman in Tehran told Reuters by phone that her daughter was killed a week ago after joining a demonstration near their home.

“She was 15 years old. She was not a terrorist, not a rioter. Basij forces followed her as she was trying to return home,” she said, referring to a branch of the security forces often used to quell unrest.

The US is expected to send additional offensive and defensive capabilities to the region, but the exact makeup of those forces and the timing of their arrival was still unclear, a US official said speaking on condition of anonymity.

The US military’s Central Command declined to comment, saying it does not discuss ship movements.

PAHLAVI CALLS FOR INCREASED PRESSURE

Reza Pahlavi, the US-based son of Iran‘s last shah who has gained increasing prominence as an opposition figure, on Friday urged the international community to ramp up pressure on Tehran to help protesters overthrow clerical rule.

“The Iranian people are taking decisive action on the ground. It is now time for the international community to join them fully,” said Pahlavi, whose level of support inside Iran is hard to gauge.

Trump this week appeared to downplay the idea of US backing for Pahlavi, voicing uncertainty that the exiled royal heir who has courted support among Western countries could muster significant backing inside Iran. Pahlavi met US envoy Steve Witkoff last weekend, Axios reported.

Iranian-Kurdish rights group Hengaw said that there had been no protest gatherings since Sunday, but “the security environment remains highly restrictive.”

“Our independent sources confirm a heavy military and security presence in cities and towns where protests previously took place, as well as in several locations that did not experience major demonstrations,” Norway-based Hengaw said in comments to Reuters.

REPORTS OF SPORADIC UNREST

There were, however, still indications of unrest in some areas. Hengaw reported that a female nurse was killed by direct gunfire from government forces during protests in Karaj, west of Tehran. Reuters was not able to independently verify the report.

The state-affiliated Tasnim news outlet reported that rioters had set fire to a local education office in Falavarjan County, in central Isfahan Province, on Thursday.

An elderly resident of a town in Iran‘s northwestern region, where many Kurdish Iranians live and which has been the focus for many of the biggest flare-ups, said sporadic protests had continued, though not as intensely.

Describing violence earlier in the protests, she said: “I have not seen scenes like that before.”

Video circulating online, which Reuters was able to verify as having been recorded in a forensic medical center in Tehran, showed dozens of bodies lying on floors and stretchers, most in bags but some uncovered. Reuters could not verify the date of the video.

The state-owned Press TV cited Iran‘s police chief as saying calm had been restored across the country.

A death toll reported by US-based rights group HRANA has increased little since Wednesday, now at 2,677 people, including 2,478 protesters and 163 people identified as affiliated with the government.

Reuters has not been able to independently verify the HRANA death toll. An Iranian official told the news agency earlier this week that about 2,000 people had been killed.

The casualty numbers dwarf the death toll from previous bouts of unrest that have been suppressed by the state, including in 2009 and 2022.

Continue Reading

Uncategorized

The Department of Labor told us to embrace ‘Americanism.’ What’s that?

“Embrace Americanism,” reads a graphic shared by the U.S. Department of Labor on X, featuring a photo of George Washington’s bust on Mt. Rushmore. “America is for Americans,” the accompanying post says.

What, exactly, is Americanism? Though it may sound like a made-up term that Donald Trump might sling in his speeches off the cuff, in fact it has been around for at least two centuries, since the early days of the U.S.

Yet its definition has never been clear. While the word connotes some ideology of adherence to American values, a unified culture or an idealized vision of the nation, the exact vision of what that set of values or culture is remains so vague that the term has been used by  Theodore Roosevelt, the American Communist Party and the Ku Klux Klan.

Early American figures, including John Adams, simply used Americanism to mean a belief in a new republic defined by Democratic ideals and freedom of religion, a commitment to the culture of America. But that culture had not yet been defined — was it white and Christian, or was it a diverse melting pot?

Since its first use, the term has been claimed most often by the KKK. A 1926 paper by Klan Imperial Emperor and Wizard Hiram Wesley Evans, published in The North American Review, is titled “The Klan’s Fight for Americanism.” In it, Evans says that the KKK arose as an answer to an influx of “aliens and alien ideas” in the country — namely that of Jews, Catholics and Black people.

Evans does not define the Americanism he’s fighting for. But he’s clear about what it isn’t. He praises the Klan’s work fighting “radicalism, cosmopolitanism, and alienism of all kinds” — “rootless cosmopolitanism” being a pejorative regularly levied at Jews — and says that “racial instincts” are essential to preserving Americanism.

Those racial instincts are necessary, Evan writes, because anyone who is not an “old-stock American” of “Nordic blend” is fundamentally incapable of understanding or upholding Americanism. (The article largely avoids the term “white” to exclude groups like Eastern and Southern Europeans, as well as Jews and Catholics, who today we might consider white.)

The 1920s were a time of great debate over Americanism, but the term has largely fallen out of use in the modern day. So is this the Americanism the Department of Labor is telling people to embrace one that excludes Jews, Black people, Asians, Catholics and anyone who isn’t a white Protestant — is it a dog whistle for the nativist, KKK ideology that defined the term when it was last popular? The DOL did not respond to a request for comment in time for publication, so we can’t know how the government came to adopt the word. But without specifying which Americanism they mean, it will be easy for white nationalists to see a post from the government using a term with a long racist history, and feel emboldened.

Still, maybe the values of Americanism they meant are something new entirely, synonymous with the Trump administration’s fight against trans people and DEI, or perhaps a simple declaration of patriotism.

Or maybe the DOL used Americanism in the sense that Earl Browder, president of the American Communist party in the 1900s, did when he attempted to reclaim the term and proclaimed that “Communism is 20th century Americanism.”

Probably not, though.

The post The Department of Labor told us to embrace ‘Americanism.’ What’s that? appeared first on The Forward.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News