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Meet the Jewish actor who plays the lone Jewish character in Broadway’s ‘New York, New York’

(New York Jewish Week) — Broadway actor Oliver Prose and I met on a bench outside of the iconic Bow Bridge in Central Park in the middle of a sunny afternoon. He’s nearly six months into his Broadway debut in “New York, New York” — and two days fresh off a performance at the Tony Awards — but he shows no signs of slowing down.

Prose chose this scenic spot for our meeting because it’s the real-life inspiration for one of his favorite sets on the show, which nabbed a Tony on Sunday for Best Scenic Design of a Musical.

“In all of the scenes — Grand Central, Bow Bridge, Penn Station — all these iconic locations are recreated with the sets,” he said. “It’s aesthetically one of the most beautiful shows I’ve ever seen.”

“New York, New York,” is a dance-heavy musical from legendary songwriters John Kander and Fred Ebb. It weaves multiple narratives about musicians trying to make it in New York City in 1946, portrayed here as a post-war era of possibilities and potential. Among a diverse cast of characters, Prose plays the musical’s lone Jewish character: Alex Mann, a young violinist auditioning for Juilliard who fled Poland just before the Holocaust began.

As tourists strolled by scarfing down cart hotdogs, taking selfies and listening to tour guides, Prose and I talked about what it’s like to be Jewish on Broadway right now — both in and out of the dressing room — in a moment when Jewish stories are receiving a lot of attention. Case in point: Antisemitism-themed “Parade” and “Leopoldstadt” won the Tonys for best revival of a musical and best play, respectively. The theme will continue with Alex Edelman’s “Just for Us,” which opens this summer, followed by Barry Manilow’s “Harmony” in the fall and “Prayer for the French Republic” in the winter. 

As we chatted on a bench across from the bridge, I happened to notice a blue “chai” pendant peeking out of his casual black collared shirt. I asked him if the necklace is part of the show, like Michaela Diamond’s Jewish star that she wears as her “Parade” character, Lucille Frank.

It’s not, “but I did buy this for the opening of the show,” he said. “I’ve never worn any jewelry really, ever. There was never really a moment for me before that made me feel like I needed to project: ‘This is my Jewishness.’ But for this show, it really felt right.”

“I never really felt super comfortable, or the need to say ‘I’m Jewish,’ because I don’t practice that often,” added Prose, who grew up in Greenwich, Connecticut, and now lives in Brooklyn. “I haven’t been to temple since I was a teenager. I celebrate holidays with my family, but it’s always been something that I relate to my family. I’ve never really felt it personally before, but because of this role, I have really started to feel proud to be Jewish.”

Playing a Jewish character as his first role on Broadway feels “appropriate,” he said. And, as it happens, the part in “New York, New York” is one of the first shows, on or off Broadway, that he has worked on since graduating from New York University’s Tisch School of the Arts in 2019. For the last few years, he has been working as an administrative assistant at NYU while sending out self-tape auditions.

“When the semester ended, I had no idea what I was going to do,” he said.

After sending out an audition tape for the musical in late December last year, Prose had one in-person callback in January — later that night, his agent called to tell him he got the role. 

“I never would have expected to be in a Susan Stroman-directed Kander and Ebb musical for my first Broadway experience,” Prose said, emphasizing that he’s “not a song and dance guy” — his last role was in a three-person show in Arizona. “If you had told me a year ago that I was going to be doing that — specifically at the Tonys — I would have said you’re completely crazy.” 

“It’s been an eye-opening experience as a young, emerging artist,” he added. 

“New York, New York,” designed for Broadway’s tourist crowd, is loosely based on the 1977 Martin Scorsese film of the same name, although Alex Mann and several other supporting characters were written specifically for this production, as part of the book by David Thompson. It features the catchy tunes from the movie, including its title song — you know the one — as well as new songs written by “Hamilton” legend and “Fiddler on the Roof” fan Lin-Manuel Miranda

The plot centers around the volatile relationship between bright-eyed, aspiring musicians Francine Evans (Anna Uzele), who has come to New York via Philadelphia, and the jaded, multi-instrumentalist Jimmy Doyle (Colton Ryan). Along the pair’s up-and-down journey to success they cross paths with several other musicians trying to make it in the big city — like Prose’s Alex Mann, a violin protegé.  

“It’s a show that’s trying to cover a lot of stories,” Prose said. “A lot of them really don’t have to do with being Jewish and what Judaism meant to that time.”

But Prose acknowledges how “Jewish stories are being explored on Broadway in a variety of ways,” right now, he said. “From a broad perspective, on Broadway, it’s something that’s being celebrated and recognized. But it’s also being opposed, which is what really tells me that the world is listening. People are hearing this and like, people don’t like it — and that makes it even more important.”

“I feel a part of all of that,” he added.

We finish our interview walking across the bridge and out of the park. Prose described how he’s still getting used to the nighttime work schedule. We say our goodbyes; I head to Midtown to write this article, while Prose makes his way to the St. James Theater to take a nap in his dressing room before that evening’s curtain call.


The post Meet the Jewish actor who plays the lone Jewish character in Broadway’s ‘New York, New York’ appeared first on Jewish Telegraphic Agency.

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US Aircraft Carrier Enters Middle East Region, Officials Say

The USS Abraham Lincoln (CVN-72), a Nimitz-class nuclear-powered aircraft carrier, at Naval Air Station North Island in San Diego, California, US, Aug. 11, 2025. Photo: REUTERS/Mike Blake

A US aircraft carrier and supporting warships have arrived in the Middle East, two US officials told Reuters on Monday, expanding President Donald Trump’s capabilities to defend US forces, or potentially take military action against Iran.

The aircraft carrier USS Abraham Lincoln and several guided-missile destroyers have crossed into the Middle East region, which comes under the US military’s Central Command, the officials told Reuters.

Trump said on Thursday that the United States had an “armada” heading toward Iran, but hoped he would not have to use it.

The warships began deploying from the Asia-Pacific region earlier this month, as tensions between Iran and the United States escalated following a crackdown on protests across Iran.

Trump had repeatedly threatened to intervene if Iran continued to kill protesters, but the countrywide demonstrations have since abated. The president said he had been told that killings were subsiding and that he believes there is currently no plan for the executions of prisoners.

The US military has in the past surged forces into the Middle East at times of heightened tensions, moves that were often defensive.

However, the US military staged a major buildup last year ahead of its June strikes against Iran’s nuclear program.

In addition to the carrier and warships, the Pentagon is also moving fighter jets and air-defense systems to the Middle East.

Over the weekend, the US military announced that it would carry out an exercise in the region “to demonstrate the ability to deploy, disperse, and sustain combat airpower.”

A senior Iranian official said last week that Tehran would consider any attack as an “all-out-war against us.”

The United Arab Emirates said on Monday that it will not let its airspace, territory or territorial waters be used for any hostile military actions against Iran.

The US military’s Al Dhafra Air Base is located south of the UAE capital Abu Dhabi and has been a critical US Air Force hub in support of key missions against the Islamic State, as well as reconnaissance deployments across the region.

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Wikipedia, Qatar, and the Future of Knowledge

Qatar’s Prime Minister and Minister for Foreign Affairs Sheikh Mohammed bin Abdulrahman bin Jassim Al-Thani speaks on the first day of the 23rd edition of the annual Doha Forum, in Doha, Qatar, Dec. 6, 2025. Photo: REUTERS/Ibraheem Abu Mustafa

Imagine a world in which facts can be erased from one of society’s key sources of information.

A world where foreign governments and terror-supporters have a say in whether you should know something or not.

A world where truth is malleable and facts are twisted to fit pre-determined narratives.

No, this isn’t an Orwellian dystopia. It’s Wikipedia as it currently operates: one of the world’s most influential websites and a primary source of information for millions.

Because of how it crowd-sources information, Wikipedia is one of the most extensive sources of knowledge on the Internet (and possibly in the entire world). However, this same strength is also Wikipedia’s biggest weakness, leaving it vulnerable to manipulation by autocracies, terror supporters, and other bad actors.

From recently-uncovered Qatari influence to a secret network of anti-Israel activists, we’ll take a look at how the truth is being manipulated on Wikipedia, and what this means for our understanding of the world.

In Qatar’s case, the PR firm Portland Communications was hired after Qatar was selected to host the 2022 World Cup. Its job was to edit Wikipedia articles related to human rights, and to suppress other unflattering facts that threatened the state’s international image.

According to the report, between 2013 and 2024 Portland Communications directed a network of subcontractors to edit Wikipedia articles on human rights in Qatar, as well as entries on Qatari politicians and businessmen accused of corrupt or unethical conduct.

The edits were deliberately small and incremental, designed to evade detection and slip past the scrutiny of other Wikipedia editors.

In short, anyone researching Qatar on Wikipedia has not been presented with a full or nuanced picture of the Gulf state.

Instead, they encountered paid-for reputation management designed to polish its image and suppress unflattering facts. In the process, Wikipedia shifted from an information resource to a vehicle for indoctrination.

Nor is Qatari influence confined to Wikipedia. Analyst Eitan Fischberger has noted that the Qatar Investment Authority has invested billions of dollars in Elon Musk’s xAI. This is a development that has potential implications for how Qatar is portrayed on Grokipedia, xAI’s alternative to Wikipedia.

If this pattern continues, the result is straightforward: future audiences may encounter a curated version of Qatar that downplays human rights abuses and other reputational liabilities. By strategically funding the platforms people rely on for information, a state need not censor facts outright, as it can simply ensure they are never meaningfully encountered.

Wikipedia’s Untrustworthiness on Israel

For those who have followed developments around Wikipedia, the revelation that Qatar actively sought to edit articles in its favor came as little surprise. Abuse of the crowdsourced encyclopedia by bad-faith actors has been documented for years.

In 2024, investigative journalist Ashley Rindsberg published an in-depth exposé about a group of 40 activists who had engaged in a coordinated campaign of anti-Israel disinformation since 2020.

According to Rindsberg, this group accounted for 90 percent of the content on dozens of Israel-related articles and made a combined total of more than two million edits on over 10,000 articles.

This coordinated effort has transformed Wikipedia’s Middle East narrative: Zionism is increasingly framed as inherently evil, Hamas’ violent Islamist ideology is softened or obscured, Iranian human rights abuses are minimized, and the Jewish historical connection to the Land of Israel is routinely challenged or erased.

Rindsberg has also identified another coordinated effort: a group known as Tech for Palestine (TFP), which formed during the recent Israel–Hamas war and edited thousands of Wikipedia articles related to Israel.

In its own welcome message on the platform Discord, the group explained its focus on Wikipedia by noting that the encyclopedia’s “content influences public perception.”

Most recently, independent investigative journalist David Collier conducted a deep dive into a Wikipedia claim that the Israeli town of Ofakim was built on a depopulated Bedouin village. He found that the cited books and maps did not support the claim at all, and that the evidence had been effectively fabricated through misrepresentation.

Yet the claim remains on Wikipedia, upheld by a decision from an anti-Israel activist editor, and it continues to feed into AI systems that treat Wikipedia as authoritative, compounding the misinformation.

Wikipedia’s Israel problem is no longer in dispute. As long as activist editors retain outsized control over key articles, the Internet’s largest encyclopedia remains an unreliable source for understanding Israel, the Palestinians, and the Middle East.

How Wikipedia Influences Your Life — Even Without Your Knowledge

According to Wikipedia’s own data, the site is viewed nearly 10,000 times per second, totaling close to 300 billion page views annually. In practice, this means a significant portion of the world’s population relies on Wikipedia for basic knowledge, often without realizing how susceptible it is to manipulation by bad-faith actors.

And opting out is not an escape. Even users who never consult Wikipedia themselves are still influenced by it, as many AI systems draw on Wikipedia as an authoritative source, recycling its distortions at scale. And to mark its 25th anniversary, Wikipedia has signed content partnerships with major AI companies, including Meta, Microsoft, Amazon, Perplexity, and Mistral AI.

This influence is already embedded in everyday technology. Google’s search results routinely draw on Wikipedia as a trusted reference, while voice assistants such as Alexa and Siri rely on it to answer basic factual queries.

In practice, Wikipedia now functions as a foundational layer of the modern information ecosystem.

Whether you consult Wikipedia directly, ask an AI system for information, or turn to Siri with a question, you are being shaped by the thousands of editors whose collective work forms Wikipedia.

Most of those editors are diligent volunteers committed to accuracy and the pursuit of knowledge. Some, however, are not. They omit facts, introduce disinformation, and quietly reshape narratives to fit an ideological agenda.

The real danger is not Wikipedia’s scale, but the trust it enjoys. Too often, it is treated as neutral while users have no reliable way to distinguish between an article written to inform and one designed to manipulate.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

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Italy Pushes for EU Clampdown on Iran’s Revolutionary Guard Over ‘Heinous Acts’

Italian Foreign Minister Antonio Tajani speaks during an interview with Reuters in Rome, Italy, April 15, 2024. Photo: REUTERS/Guglielmo Mangiapane

Italy will ask European Union partners this week to place Iran’s Islamic Revolutionary Guard Corps (IRGC) on the EU‘s terrorist register, Italian Foreign Minister Antonio Tajani said on Monday, signaling a shift in Rome’s position.

Until now, Rome had been among the governments resisting efforts to brand the IRGC as a terrorist group, but Tajani said a bloody Iranian crackdown on street protests this month that reportedly killed thousands of people could not be ignored.

“The losses suffered by the civilian population during the protests require a clear response,” Tajani wrote on X, adding he would raise the issue on Thursday at a meeting of EU foreign ministers in Brussels.

“I will propose, coordinating with other partners, the inclusion of the Revolutionary Guards on the list of terrorist organizations, as well as individual sanctions against those responsible for these heinous acts.”

Being branded a terrorist group would trigger a set of legal, financial, and diplomatic measures that would significantly constrain the IRGC’s ability to operate in Europe.

Set up after Iran’s 1979 Islamic Revolution, the IRGC holds great sway in the country, controlling swathes of the economy and armed forces, and is also in charge of Iran’s ballistic missile and nuclear programs.

While some EU member states have previously pushed for the IRGC to be listed, others have been more cautious, fearing that it could lead to a complete break in ties with Iran, harming any chance of reviving nuclear talks and jeopardizing any hope of getting EU nationals released from Iranian jails.

However, Iran’s violent crackdown on protests has revived the debate and added momentum to discussions about adding the IRGC, which is already included in the bloc’s human rights sanctions regime, to the EU terrorist list.

Italian, French, and Spanish diplomats raised qualms during a meeting in Brussels earlier this month about adding the IRGC to the list, EU diplomats told Reuters at the time.

If France continues to object, then the move to sanction the IRGC will fail, diplomats have said.

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