Uncategorized
Meet the woman who built a home for Latin Jewish youth in Miami
This article was produced as part of JTA’s Teen Journalism Fellowship, a program that works with Jewish teens around the world to report on issues that affect their lives.
MIAMI (JTA) —After spending her early childhood in Venezuela, it was not always easy for Gabriella Koenig to feel connected to the Jewish community she grew up around in Miami.
“When I moved from Venezuela, I had to leave behind the whole community and my friends. Living in a new place, it was difficult to meet and connect with other Latin Jewish friends. That is until I found La Casa,” said Koenig, 14. “La Casa has allowed me to connect with other Latin Jewish teenagers and has inspired me to learn Torah and grow to a higher spiritual level.”
La Casa is the first Latino chapter of the Orthodox youth group National Conference of Synagogue Youth in the United States. The person responsible for building this community for Koeing and other Latino Jews in Miami is Lea Bekhar.
When Bekhar moved to Miami from Panama at the age of 29 to start working for NCSY, she had one goal in mind: to make a home for the large population of Latin American Jewish teenagers in the Miami-Dade area through La Casa.
“There were no classes for teens, everything available in the area was for young professionals — 20 and up,” Bekhar said. She noticed that the few programs that were available for teens were often tailored for those who did not keep Shabbat, having meetings every Saturday. With this in mind she began running her own events for all teens.
Each Thursday after school, La Casa hosts events mean to be both community-building and educational. The meetings include a meal, religious education and an activity — which ranges from movies to discussions to games — to end the night. There isn’t a physical building; instead, each week a teenager from the group opens their home for the gathering.
Although aimed towards the Latino audience, La Casa is open for all teenagers seeking religious studies, guidance and community. And while the staff and institution is Orthodox, the organization serves Jewish kids from many backgrounds. About 40% of individuals in attendance don’t observe Shabbat or keep kosher and about 1% are not Latino, according to La Casa membership data.
“The slogan is ‘a home for your soul.’ It’s a place where they know there is no judgment, they could ask all the questions and they could find a community of like-minded people that they’re going to feel safe to open up,” Bekhar, 31, said.
Her goals for La Casa stem from her own teenage experience in Panama.
“When I was a teenager, I found that the one thing that kept me grounded was that aspect of faith,” Bekhar said. “And that’s what I want [here]. I want them to thrive for meaning in their life and to find a Jewish family, outside of their nuclear family.”
After teaching Judaic studies at the high school level in Panama for two years and through her previous work in NCSY, Bekhar learned to recognize an engaged community in which members are eager to attend and participate in events and programs. Yet, upon her arrival to the Miami-Dade area she saw first-hand the lack of opportunities for engagement, specifically for Latino teens. The Jewish Latino teens she met that were part of other religious groups didn’t seem to actually enjoy the youth community. La Casa marked a shift in engagement and provided an opportunity which teenagers were excited to participate in, she said.
“I never thought I would see so many kids go to an optional, after-school shiur [Torah lesson] on a Thursday night. Bringing all of us together, from both religious and non-religious backgrounds, La Casa provided us an opportunity to bond and still enjoy some words of Torah,” one teen participant, Jaime Mizrahi, said. “I look forward to the La Casa events throughout the week to be able to enjoy myself with my friends while still learning. In fact, even when I have already studied Torah throughout the day, I still go to La Casa because it is a nice environment to be in.”
Creating an engaged community did not come easy, and Bekhar had to do much research before beginning her mission.
“Every community is different. This is a community of Latin Jews, so it was important to recognize the community in Miami as Latino and treat it as such,” Bekhar said. In one of her first updates to her bosses prior to the September kickoff event, Bekhar recognized that the Latino population mostly lives in the Aventura and Bal Harbor area, and “they are divided into communities according to where they came from.” Some differences she noticed were that “Argentinians are less open about religion” while “Mexicans and Colombians are more open but aren’t part of the same community.”
Bekhar was able to use this knowledge to better target her audience.
“I have had to really mold the program to my audience. Many of the kids who regularly attend are second generation Latinos, so although their parents relate to their Latin origin, many of the kids not so much,” said Bekhar. “The Latin group is very different to their American counterparts culturally. Parents want them to connect not only to their religion, but to their Latin roots.”
Bekhar also incorporated program ideas from the Latin communities in Chile and Argentina.
“Programming made for American teens tends to have a very educational base, ours is more rooted in community,” Bekhar said. “The content is always very morally oriented and is centered on character development.”
One of the biggest hurdles for her was distrust from parents in the community. New and unknown, she had to create “an open relationship with all [the] mothers” in order for them to “feel comfortable voicing any concern.” Her approach worked.
“Since meeting Lea and becoming familiar with La Casa I’ve been impressed with her incredible personality and her ability to connect not only with young people, but with people of all ages. She’s a kind and empathetic young woman who will change the future of many Jewish souls,” said Anat Garzo, a mother to a La Casa teen and former board member of the Jewish Community Services Latin Committee.
Despite troubles she faced at first, Bekhar persevered and in the six months she’s been building La Casa, she grew participation to 120 teens.
One of those teens is Sofia Wengrowsky, a second-generation Mexican teenager. She recognizes the influence La Casa has on all aspects of her life.
“La Casa has allowed me to grow as an individual and has given me the opportunity to open a door to other young teenagers who are looking to grow in Judaism,” Wengrowsky, 17, said. “I leave every activity being able to learn something of impact.”
—
The post Meet the woman who built a home for Latin Jewish youth in Miami appeared first on Jewish Telegraphic Agency.
Uncategorized
VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
Uncategorized
Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
Uncategorized
‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
