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Michael Twitty’s ‘Koshersoul,’ a memoir of food and identity, named Jewish book of the year
(JTA) — “Koshersoul,” chef Michael W. Twitty’s memoir about his career fusing Jewish and African-American culinary histories, was named the Jewish book of 2022 by the Jewish Book Council.
Subtitled “The Faith and Food Journey of an African American Jew,” Twitty’s book provides “deep dives into theology, identity, and, of course, food, allowing one to reexamine the way they think about the Jewish community and giving them permission and impetus to reflect on their heritage and religion in a new way,” the council said in naming “Koshersoul” the Everett Family Foundation Book of the Year.
The winners of the 72nd National Jewish Book Awards were announced Wednesday at the Marlene Meyerson JCC Manhattan as part of its inaugural Books That Changed My Life festival.
Dani Shapiro won her second National Jewish Book Award, and her first JJ Greenberg Memorial Award for Fiction, for her novel “Signal Fires.” Her first novel in 15 years traces the effects of a fatal car crash on a family over a 50-year time span.
Ashley Goldberg won the Goldberg Prize for Debut Fiction with his novel “Abomination,” about a scandal at a Jewish day school and the paths taken in its aftermath by two of its students, one secular and one religious. Miriam Ruth Black won The Miller Family Book Club Award for her novel “Shayna,” a novel of early 20th-century immigrants set in a shtetl and New York’s Lower East Side.
In other nonfiction categories, Michael Frank was the winner in both the new Holocaust Memoir category and the Sephardic Culture category for his book “One Hundred Saturdays: Stella Levi and the Search for a Lost World.” The book is based on his conversations with Levi, a Holocaust survivor who remembers the once-vibrant Sephardic Jewish community that had thrived on Rhodes, an island in the Aegean Sea.
“American Shtetl: The Making of Kiryas Joel, a Hasidic Village in Upstate New York,” by Nomi M. Stolzenberg and David N. Myers, won for best book in American Jewish studies.
Jonathan Freedland won the Biography Award and Holocaust Award for “The Escape Artist: The Man Who Broke Out of Auschwitz to Warn the World,” about Rudolf Vrba, whose eyewitness report of the death camp was largely ignored by the various allied government officials who read it. Kenneth B. Moss’ “An Unchosen People: Jewish Political Reckoning in Interwar Poland,” won the Gerrard and Ella Berman Memorial Award in history.
Danya Ruttenberg’s “On Repentance and Repair,” a rabbi’s rumination on apologies and forgiveness in contemporary culture, won the Contemporary Jewish Life and Practice Award.
The council also honored Ellen Frankel, who served as the editor in chief and CEO of the Jewish Publication Society for 18 years, with its Mentorship Award in Honor of Carolyn Starman Hessel — given in honor of the council’s longtime director, who retired in 2014. Frankel, who herself stepped down in 2009, was cited for mentoring authors, staff and students at the Philadelphia-based publisher, as well as championing women scholars.
Other winners include:
The inaugural Hebrew Fiction in Translation Jane Weitzman Award: Mayan Eitan, “Love” (self-translated)
Children’s Picture Book Tracy and Larry Brown Family Award: Shoshana Nambi, “The Very Best Sukkah: A Story from Uganda,” illustrated by Moran Yogev
Young Adult Literature Award: Susan Wider, “It’s My Whole Life: Charlotte Salomon: An Artist in Hiding During World War II”
Middle Grade Literature Award: Stacy Nockowitz, “The Prince of Steel Pier”
Jane and Stuart Weitzman Family Award for Food Writing and Cookbooks: Benedetta Jasmine Guetta, “Cooking alla Giudia”
Berru Poetry Award in Memory of Ruth and Bernie Weinflash: Sean Singer, “Today in the Taxi”
The complete list of the 72nd National Jewish Book Award winners and finalists can be found here.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
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