Uncategorized
Netflix’s ‘You People’ digs into Black-Jewish relations. It also plays a Kanye West song, twice.
(JTA) – The new Netflix comedy “You People,” about an uneasy union between a Jewish man and a Black woman in Los Angeles, was always aiming to provoke its audience.
“I feel like the movie has something to say,” producer Kevin Misher told the Jewish Telegraphic Agency. “It allows different sides to evolve and understand everybody’s point of view on the world. … People grow to understand each other. And when they don’t understand each other, they understand that there are, in fact, differences.”
But when they shot the movie a year ago, director Kenya Barris (“Black-ish”) and his Jewish co-writer and star Jonah Hill couldn’t have predicted how it would land in the midst of several national stories about Black-Jewish relations, including prominent Black celebrities who have dabbled in antisemitism.
For example, the film’s use of a popular song that includes the N-word in its title at two different intervals — first as a joke about Hill’s character being unable to say the title, then at the end under a hora — takes on a heightened meaning today. Kanye West, who now goes by Ye and is one half of the talent behind the song, recently went on a months-long antisemitic tirade that included him expressing his admiration for Hitler.
Misher, who is Jewish, acknowledges that the track is “a difficult song to play in that moment.” Netflix’s original plans to feature the first scene involving the Ye song in the film’s teaser trailer were scrapped amid his onslaught of antisemitic comments.
But the filmmakers felt the scene needed to remain in the final cut of the film — even as they cut another scene in which their actors spoke Yiddish — because it underlined the uncomfortable racial tensions between Hill’s character, a Jew named Ezra, and co-star Eddie Murphy, who plays Akbar, the soon-to-be father-in-law Ezra is trying to win over.
“It was important, I think, for us to have that song remain, so that it portrayed the divide that they would have to cross,” Misher said. “It wasn’t about the artist of the song, it was about the words in the song.”
Misher also justified the song’s reprisal at the end of the film, noting that Ye himself doesn’t sing on the sample: “Jay-Z is singing at the end.”
“You People” was conceived as a mashup of “Meet The Parents” (which Misher also produced) and “Guess Who’s Coming To Dinner.” In a modern-day twist, the white liberal family, rather than expressing anxiety over the race of their child’s partner, fetishizes her family instead.
Julia Louis-Dreyfus and David Duchovny play the Jewish parents. Although the relationship between Jews and whiteness has been a topic of serious academic debate for generations, and although Lauren London, who plays Hill’s Black love interest Amira, herself has an Ashkenazi Jewish father, the Jews in the movie are simply portrayed as white.
Barris’ team was unable to make him available for a JTA interview prior to the film’s release, and Hill has announced he will no longer do press for any of his films, citing his mental health. But Misher told JTA that he thought the film did an admirable job of portraying a specific “culturally Jewish” Los Angeles family. As a Jew himself, he said it was also important to him that the film’s depiction of Judaism be “authentic.”
To that end, he brought on the rabbi and cantor at his own synagogue, Kehillat Israel in Los Angeles, to play the rabbi and cantor at Ezra’s fictional synagogue in the movie. (Scenes depicting a Yom Kippur service were shot at the Skirball Cultural Center, an L.A. Jewish museum.) He also hired an on-set Jewish cultural consultant from Hebrew Helpers, a nationwide Jewish studies tutoring service.
There are other racially charged moments in the film that may sit uneasily with Jewish viewers. A tense dinner-table conversation with Amira’s family includes discussions of the Holocaust and slavery, including Akbar reminding Ezra’s family that some American Jews owned slaves. (The film’s premiere on Netflix on Friday coincides with International Holocaust Remembrance Day.)
Akbar is a follower of Nation of Islam leader Louis Farrakhan, whose antisemitism gets a small acknowledgement, although the wedding at the end of the film is jointly officiated by a cantor and an imam meant to represent the Nation of Islam. (Most Muslims do not consider the Nation of Islam to be part of the religion.)
Also at the film’s end, Louis-Dreyfus, playing Hill’s mother, apologizes to Amira and Akbar for her series of racist microaggressions “on behalf of all Jewish people.” This follows an apology from Akbar — but only for being mean to Ezra, not for committing his spiritual and political life to an antisemite.
Misher said that while Barris wanted to invoke tense political topics, the core of the film still aimed to be a character-based comedy. Detailed discussions of antisemitism, the filmmakers believed, would have distracted from that.
“If, suddenly, somebody starts standing up at a soapbox and waxing philosophic about the way the world is, I think that would have felt inauthentic to the journey of these specific characters,” he said.
At the end of the day, the makers of “You People” still believe their film has a message worth sharing.
“I feel like we got it right, in terms of how we represented the relationship between these two families,” Misher said.
As for the other conversations about racism and antisemitism these characters could have had, he said, they might come up if Netflix greenlights a sequel.
—
The post Netflix’s ‘You People’ digs into Black-Jewish relations. It also plays a Kanye West song, twice. appeared first on Jewish Telegraphic Agency.
Uncategorized
One of America’s first Jewish farms was nearly lost to history. Now these Brooklyn parents are risking everything to keep their family’s legacy alive.
The 350-square-foot Brooklyn apartment where Malya and William Levin live with their four children is barely big enough for their family, much less their ambitions. From this compressed space, they’re reaching for something vast — the revival of one of America’s first Jewish farms, built by William’s ancestors in rural South Jersey.
Their quixotic quest is larger than acreage; it’s continuity, in a time and place where nothing stays rooted for long. It’s a tight staging ground for an unusually wide dream.
“We aren’t just trying to save land,” Malya said, their toddler Julius perched on her lap. “We are trying to save the story.”
The story she’s referring to reaches back to 1882, when 43 Jewish families fled pogroms in Russia and the Pale of Settlement. They carried what they could — and what they couldn’t bear to leave behind.
Backed by Baron de Hirsch and other Jewish benefactors who believed farming could offer both refuge and respectability, they were sent not to the teeming tenements of Manhattan but to a thousand acres of pine forest and sandy soil.
It was a bold wager: Eastern European Jews, often caricatured in their home countries as “unproductive,” could instead be seen growing their own food as capable, contributing citizens. Those same Jewish immigrants — tailors, peddlers, clerks — could become farmers, rooted and self-reliant, all trying to prove that Jews could stand on American land and make it yield.
“It’s almost a completely different story than we’re used to hearing,” said Adrienne Krone, a religious studies professor at Allegheny College and the author of Free-Range Religion. “We’re used to the Lower East Side and factories and crowded apartments, and what was happening in these farming communities was almost the exact opposite.”
Around the same time, dozens of such Jewish agricultural colonies were established across the United States, including in Louisiana, Utah, and both Dakotas. Yiddish-speaking socialists established a similar settlement, Happyville, in South Carolina.
In New Jersey, they called their 1,000-acre settlement the Alliance Colony.
What began as tents and barracks grew into a rural Jewish community of hundreds of families: homes, vineyards, chicken farms, a school, three synagogues, and a mikvah. The colonists built a tobacco factory that failed, and a button factory that didn’t. Reinvention wasn’t strategy so much as muscle memory.
Among the colony’s early leaders was William’s great-great-grandfather, Moses Bayuk. His generation carved Alliance out of wild ground: clearing land, organizing the community, building the institutions that held it together.
After World War II, a second wave of immigrants arrived in the region — Holocaust survivors who settled in nearby Vineland and Pittsgrove and built successful chicken farms. For decades they sustained a thriving Jewish agricultural center across South Jersey.
But by the 1970s, most families had moved into city jobs. The Jewish presence waned. The land quieted.
What led them back to the farm
For William and Malya, the draw toward Alliance was never just historical. It was personal.
Malya, 41, grew up in New Jersey steeped in Jewish text and memory. She is the daughter of Rabbi Arthur Kurzweil, the noted author whose career has long focused on Jewish continuity. Her childhood was Orthodox, threaded with rituals that made the past feel close enough to touch.
William, 54, arrived at Jewish life differently. He didn’t grow up religious. His first real brush with Judaism came through, of all things, animation: In the early 2000s, before the days of YouTube and social media, he was making viral Jewish videos that somehow found their way across the internet. Several, including a cartoon in which a robot meets 50 Cent and raps about the Ten Plagues, reached millions.
“I didn’t even know what the word frum meant until Frumster hired me,” he said of the Orthodox dating site. “They paid me in a Frumster.com membership.”
It worked.
He met Malya at a Jewish singles event in 2009. They married the next summer, on Tu B’Av, known as the Jewish festival of love.
“We both had a penchant for offbeat stuff,” Malya said. “Neither of us wanted to be accountants and move to the suburbs on Long Island.”
That sensibility carried them to Sukkahfest 2014 at the Isabella Freedman Jewish Retreat Center in Connecticut, where they witnessed a modern Jewish farming movement that wove land, ritual, ecology and community into a single experience.
“It was beautiful and intoxicating,” William said.
“All these young Jews were so into farming,” Malya added. “And we were like: Wait, we have the first Jewish farm.”
Their cramped apartment in Brooklyn feels like the furthest thing from this expansive ideal. A desk presses into a couch, the couch brushes against the mattress where William and Malya sleep. In the lone bedroom, their four children climb into a handmade Jenga-tower of bunk beds.
William opens a cigar box filled with brittle letters from Alliance’s earliest families — the kind of fragile paper that survives only because someone keeps choosing to protect it. For the couple, preserving the land has always meant preserving the story stitched through it.
The idea gained force. The place that kept resurfacing was the 85 acres William’s extended family still owned in the old Alliance Colony, land that had never fully slipped from their hands.
So the couple, an animator and an elder justice attorney, did something audacious: They spent their life savings to buy it back.
When the vision met reality
Their vision was expansive. They imagined retreats, Shabbatons, Jewish holidays at the farm, a hybrid life where city and country sat side by side. But figuring out what the land could actually do required trying almost everything.
They planted organic vegetables and heirloom crops. Built raised beds. Experimented with fruit trees. Started a micro-vineyard. (“Who doesn’t want wine tasting on a kosher vineyard in a historic Jewish farm?” Malya asked.) They considered raising geese, then heritage chicken breeds with old-sounding names. Partnered with local growers. Applied for grants. Taught programs on Jewish agricultural history.
Some ideas lived a season. Some never made it out of the notebook. They tried all these things because not trying felt like betrayal.
They fielded proposals — some compelling, some outlandish. A solar company wanted to cover their fields with panels. A hemp grower pitched them on the green rush. One man wanted to install cryptocurrency servers in the barn, a futuristic-sounding plan that fizzled when William learned the man was tied to a dubious investment scheme.
The Levins were not just fighting weeds and property taxes. They were fighting the economics that hollowed out rural America; the cultural drift that carried Jews away from small towns; the logistical strain of raising four children while holding two demanding jobs.
“We weren’t trying to be homesteaders,” Malya said. “We were trying to find something sustainable that didn’t require uprooting our whole life in Brooklyn.”
Their approach — try, fail, adjust, try again — echoed the original colonists. “Honestly, it’s what we’re doing,” Malya said. “Throwing these things against the wall and seeing what sticks, just like they did.” Reinvention has always been part of Jewish life here, as it is for many small communities trying to stay alive.
Some things they tried did stick.
Descendants began returning for regular Alliance reunions, gatherings that grew each year. Young Jews from the city arrived curious about Jewish farming. And as activity grew, the synagogue — which has hosted High Holiday services continuously since 1889 — flickered back to life, hosting monthly Shabbat services.
A visit to the farm
Driving to the site of the Alliance Colony 60 miles west of Atlantic City, the landscape dissolves into fields of corn, hay and soybeans. The road straightens, the sky widens, and then the white wooden synagogue appears. Tall, narrow, arched windows, still standing after 136 years.
Howard Jaffe is waiting on the steps.
He is 70, with a long white beard, a ponytail, and a gold hoop earring. He looks like a Jewish Santa Claus who once sold jewelry at Grateful Dead concerts — which, as it happens, he did.
His grandfather prayed in this sanctuary. Howard has made it his mission to maintain it. “This place raised me,” he says, and swings the door open. “I guess now I raise it.”
The building is neither grand nor fragile. It simply persists. Inside, the sanctuary offers the cool hush of old buildings: sunlight slanting across pews, floorboards worn to a soft gloss by generations of feet from farmers, factory workers, and families.
He walks upstairs to the women’s gallery, a reminder of the building’s Orthodox roots. From here, the sanctuary stretches below like a diorama. Then Howard opens a small doorway into the attic, a low, sloping space where traveling rabbis once slept, the rafters forming a rib cage of wood.
The Alliance Cemetery, 20 acres across the road, tells the story more plainly than any archive. The early graves belong to the colonists who cleared the land; the later ones to the survivors who arrived after the war and tried to build something new.
Howard stops to brush leaves from one stone. Names repeat across the rows: Gershal, Shiff, Brotman — the same names that mark the roads nearby. Some headstones tilt like old teeth; others sink into the earth as if tired of holding their stories upright. A few mark children. Many bear Hebrew inscriptions weathered thin by rain and time.
Deeper in, on a small rise, stands the cemetery’s most arresting structure: a large Holocaust memorial carved with the names of camps: Auschwitz. Buchenwald. Dachau. Treblinka.
It was built in the 1990s, by Irving and Esther Raab, who met in Auschwitz and immigrated to the area after the war. It’s where they built a successful kosher poultry business, at one point employing 12 butchers. Howard worked for them for a stretch, managing the killing room.
Its heavy stone rises among wooden farmhouses built by immigrants who had fled an earlier era of violence. It’s a reminder that the colony, like so much of American Jewish life, was shaped both by those who fled Europe in the 1880s and those who survived it in the 1940s.
Today, thanks to the Levins’ efforts and a new documentary about Alliance, Howard finds himself giving more tours than he has in years — to school groups, descendants, even curious Mennonites.
The work of reanimation
To the left of the cemetery stands a bright mural, painted last summer, which retells the colony’s story in bold colors. A shtetl burning. A steamship crowded with families. A wide field waiting for them. The present looking back at the past, asking what it still requires.
The last panel centers on William’s own lineage. In vivid purples stands Moses Bayuk holding a cluster of grapes from the Alliance vineyards — grapes that Welch’s once bought from this very farm.
The mural is not decoration. It is instruction: a reminder of how the story began, painted so it cannot be forgotten by whoever comes next.
Past the mural stands William’s grandparents’ home, which had long sat empty. But the bones were good: the clean lines of midcentury design, a peaceful view of fields, the kind of quiet that city families crave.
So the Levins renovated it.
They’ve now opened it as a kosher Airbnb, a place where Jewish families could spend Shabbat, celebrate holidays, or simply breathe outside the city without worrying about kitchen logistics. It wasn’t the centerpiece of their vision, but it became a steady foothold — a way to bring people onto the land, reconnect them with Alliance, and slowly rebuild around the place.
When the Levins go down to Alliance, they line up events — a tour, a talk, a small gathering — that fold into their monthly visits. The point isn’t profit. It’s presence.
For Krone, the professor who studies Jewish agricultural communities, what the Levins are doing at Alliance is not a resurrection. It’s a reanimation.
“Alliance is unique in that they have this historic connection,” she said. “They’re part of a contemporary movement of Jews reconnecting to agriculture, but they’re doing it in a place where there has been that connection before, and they’re very intentional about that.”
In her view, the Levins have already begun shifting the trajectory.
“I think they’ve reinvigorated it,” she said. “They’re growing food through collaborations, hosting events, drawing descendants back at regular reunions, keeping the synagogue active. The community that’s forming around them — that’s already the project.”
In a world where Jewish stories often end with what was lost, Alliance is a rare one still asking what might yet be found.
When William and Malya talk about Alliance now, they sound like hopeful realists with a mortgage. The early, expansive dream has settled into something steadier — less about rebuilding a vanished colony and more about tending what remains so it can keep growing.
“We really like our life in Brooklyn, but we also really like having this other place that is meaningful,” Malya said. “It’s rare for Jewish kids in America to have a place where their family has six generations of history.”
Alliance has always been an exercise in reinvention: first by the colonists, then by the survivors, and now by a family trying to reconcile two very different forms of Jewish life. The Levins move between the noise of one life and the quiet persistence of another.
They are not trying to rebuild the past. They’re trying to keep it from disappearing. And in doing so, they’ve carved out a place where Jewish life, in all its improvisation and resilience, can still take root.
The post One of America’s first Jewish farms was nearly lost to history. Now these Brooklyn parents are risking everything to keep their family’s legacy alive. appeared first on The Forward.
Uncategorized
Liberal Zionist groups criticize Trump administration’s travel ban on those with Palestinian Authority passports
(JTA) — The Trump administration has extended its travel ban to Palestinian Authority passport holders amid a crackdown on legal immigration and travel.
The White House said the ben was needed because “several U.S.-designated terrorist groups operate actively in the West Bank or Gaza Strip and have murdered American citizens.”
“Also, the recent war in these areas likely resulted in compromised vetting and screening abilities,” the announcement continued. “In light of these factors, and considering the weak or nonexistent control exercised over these areas by the PA, individuals attempting to travel on PA-issued or endorsed travel documents cannot currently be properly vetted and approved for entry into the United States.”
The ban formalizes a practice revealed this fall when the United States declined to issue visas to Palestinian officials, including Palestinian Authority President Mahmoud Abbas, to attend the United Nations General Assembly. It includes waivers for certain cases, including athletes traveling to compete in the Olympics or World Cup.
The expansion of the travel ban was condemned by several liberal-leaning Jewish groups, including J Street, a liberal Zionist advocacy and lobby group.
“At a time when the Trump administration claims that it is working to advance the second phase of the Gaza ceasefire deal, its decision to bar Palestinian travel to the US is both deeply damaging and counterproductive,” said Adina Vogel-Ayalon, J Street’s vice president and chief of staff, in a statement. “Rather than advancing stability, this policy further delegitimizes and weakens the Palestinian Authority at the very moment when US policy should be focused on strengthening its capacity to sideline Hamas, improve governance, and help stabilize and secure Gaza and the West Bank.”
Hadar Susskind, the president and CEO of New Jewish Narrative, a progressive Zionist Jewish organization, also criticized the ban.
“We urge the administration to reverse these restrictions and to pursue security policies that are targeted, evidence-based, and consistent with human rights,” said Susskind in a statement. “True security is built through inclusion, engagement, and justice—not through walls or racist bans.”
The White House announced the ban on travelers with P.A. passports on Tuesday along with similar prohibitions on nationals from Burkina Faso, Mali, Niger, South Sudan and Syria.
The countries join 12 others whose passport-holders were barred from entering the United States starting in June, which included Afghanistan, Myanmar, Chad, the Republic of Congo, Equatorial Guinea, Eritrea, Haiti, Iran, Libya, Somalia, Sudan and Yemen.
“AMERICA FIRST SECURITY 🇺🇸,” wrote the White House in a post on X. “President Donald J. Trump just signed a new Proclamation, STRENGTHENING our borders & national security with data-driven restrictions on high-risk countries with severe deficiencies in screening & vetting.”
The new additions come as the White House continues to impose severe restrictions on immigration following the shooting of two National Guard members by a suspect who is an Afghan national last month.
Last week, the Trump administration also rolled out new draft regulations that would require travelers from Israel and dozens of other countries to provide five years of social media history for entry to the United States.
The post Liberal Zionist groups criticize Trump administration’s travel ban on those with Palestinian Authority passports appeared first on The Forward.
Uncategorized
Richmond mayor facing resignation calls over posts calling Sydney massacre ‘false flag’
Bay Area Jewish leaders are calling for the resignation of Richmond Mayor Eduardo Martinez after he re-shared multiple LinkedIn posts that called Sunday’s massacre of Jewish people in Sydney an Israeli “false flag attack.”
Martinez, who was elected by the city just north of Berkeley in 2023, also shared posts claiming that “the root cause of antisemitism is the behavior of Israel and Israelis.”
Martinez has since removed the posts from his account and apologized for sharing them “without thinking” — but he did not disavow the false flag conspiracy theory about the attack. He clarified only that “we know that antisemitism was here before the creation of the state of Israel.”
“As I’ve said many times before, we should not conflate Zionism with Judaism,” Martinez wrote on LinkedIn. “They are two separate beliefs.”
He later added, “I want to assure everyone that these postings are my opinions (or my mistakes) and mine only. They are not statements from my office or the city of Richmond. If I make a mistake, that mistake is mine only. Once again, I apologize for posting in haste without full understanding of the posting.”
He did not discuss the attack, which killed 15 people and injured dozens.
The Jewish Community Relations Council of the Bay Area was outraged by Martinez’s online activity and left cold by his apology. It called for his resignation Thursday in a statement posted to JCRC social media.
“These actions reflect a consistent and deeply troubling disregard for the safety and dignity of Jewish people,” the organization wrote on Instagram. “They erode public trust and send a chilling message to Jewish residents that they are neither protected nor respected by their own mayor.”
The local chapter of the Anti-Defamation League, ADL Central Pacific, also condemned the post.
“There’s no excuse for an elected leader to be amplifying warped antisemitic conspiracy theories that seek to blame the victim,” ADL regional director Marc Levine wrote in a statement to J. The Jewish News of Northern California. “The Australian community has already faced enough tragedy over the last few days. We hope Mayor Martinez will reconsider his hurtful words, which have absolutely no place in public discourse.”
The Forward has reached out to Martinez for comment.
Martinez’s LinkedIn posts were the latest in what local leaders say is a slew of antisemitic incidents during the progressive’s tenure. In 2023, just weeks after the Oct. 7 attacks, Martinez
Martinez, a former schoolteacher, posts regularly about the Israeli-Palestinian conflict on LinkedIn, sometimes multiple times per day.
In August, speaking at the People’s Conference for Palestine in Detroit, Martinez likened the Oct. 7 attack to someone snapping after being bullied on the playground, J. reported, adding that whether he supported Hamas was “complicated.”
The post Richmond mayor facing resignation calls over posts calling Sydney massacre ‘false flag’ appeared first on The Forward.