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Netflix’s ‘You People’ digs into Black-Jewish relations. It also plays a Kanye West song, twice.
(JTA) – The new Netflix comedy “You People,” about an uneasy union between a Jewish man and a Black woman in Los Angeles, was always aiming to provoke its audience.
“I feel like the movie has something to say,” producer Kevin Misher told the Jewish Telegraphic Agency. “It allows different sides to evolve and understand everybody’s point of view on the world. … People grow to understand each other. And when they don’t understand each other, they understand that there are, in fact, differences.”
But when they shot the movie a year ago, director Kenya Barris (“Black-ish”) and his Jewish co-writer and star Jonah Hill couldn’t have predicted how it would land in the midst of several national stories about Black-Jewish relations, including prominent Black celebrities who have dabbled in antisemitism.
For example, the film’s use of a popular song that includes the N-word in its title at two different intervals — first as a joke about Hill’s character being unable to say the title, then at the end under a hora — takes on a heightened meaning today. Kanye West, who now goes by Ye and is one half of the talent behind the song, recently went on a months-long antisemitic tirade that included him expressing his admiration for Hitler.
Misher, who is Jewish, acknowledges that the track is “a difficult song to play in that moment.” Netflix’s original plans to feature the first scene involving the Ye song in the film’s teaser trailer were scrapped amid his onslaught of antisemitic comments.
But the filmmakers felt the scene needed to remain in the final cut of the film — even as they cut another scene in which their actors spoke Yiddish — because it underlined the uncomfortable racial tensions between Hill’s character, a Jew named Ezra, and co-star Eddie Murphy, who plays Akbar, the soon-to-be father-in-law Ezra is trying to win over.
“It was important, I think, for us to have that song remain, so that it portrayed the divide that they would have to cross,” Misher said. “It wasn’t about the artist of the song, it was about the words in the song.”
Misher also justified the song’s reprisal at the end of the film, noting that Ye himself doesn’t sing on the sample: “Jay-Z is singing at the end.”
“You People” was conceived as a mashup of “Meet The Parents” (which Misher also produced) and “Guess Who’s Coming To Dinner.” In a modern-day twist, the white liberal family, rather than expressing anxiety over the race of their child’s partner, fetishizes her family instead.
Julia Louis-Dreyfus and David Duchovny play the Jewish parents. Although the relationship between Jews and whiteness has been a topic of serious academic debate for generations, and although Lauren London, who plays Hill’s Black love interest Amira, herself has an Ashkenazi Jewish father, the Jews in the movie are simply portrayed as white.
Barris’ team was unable to make him available for a JTA interview prior to the film’s release, and Hill has announced he will no longer do press for any of his films, citing his mental health. But Misher told JTA that he thought the film did an admirable job of portraying a specific “culturally Jewish” Los Angeles family. As a Jew himself, he said it was also important to him that the film’s depiction of Judaism be “authentic.”
To that end, he brought on the rabbi and cantor at his own synagogue, Kehillat Israel in Los Angeles, to play the rabbi and cantor at Ezra’s fictional synagogue in the movie. (Scenes depicting a Yom Kippur service were shot at the Skirball Cultural Center, an L.A. Jewish museum.) He also hired an on-set Jewish cultural consultant from Hebrew Helpers, a nationwide Jewish studies tutoring service.
There are other racially charged moments in the film that may sit uneasily with Jewish viewers. A tense dinner-table conversation with Amira’s family includes discussions of the Holocaust and slavery, including Akbar reminding Ezra’s family that some American Jews owned slaves. (The film’s premiere on Netflix on Friday coincides with International Holocaust Remembrance Day.)
Akbar is a follower of Nation of Islam leader Louis Farrakhan, whose antisemitism gets a small acknowledgement, although the wedding at the end of the film is jointly officiated by a cantor and an imam meant to represent the Nation of Islam. (Most Muslims do not consider the Nation of Islam to be part of the religion.)
Also at the film’s end, Louis-Dreyfus, playing Hill’s mother, apologizes to Amira and Akbar for her series of racist microaggressions “on behalf of all Jewish people.” This follows an apology from Akbar — but only for being mean to Ezra, not for committing his spiritual and political life to an antisemite.
Misher said that while Barris wanted to invoke tense political topics, the core of the film still aimed to be a character-based comedy. Detailed discussions of antisemitism, the filmmakers believed, would have distracted from that.
“If, suddenly, somebody starts standing up at a soapbox and waxing philosophic about the way the world is, I think that would have felt inauthentic to the journey of these specific characters,” he said.
At the end of the day, the makers of “You People” still believe their film has a message worth sharing.
“I feel like we got it right, in terms of how we represented the relationship between these two families,” Misher said.
As for the other conversations about racism and antisemitism these characters could have had, he said, they might come up if Netflix greenlights a sequel.
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The post Netflix’s ‘You People’ digs into Black-Jewish relations. It also plays a Kanye West song, twice. appeared first on Jewish Telegraphic Agency.
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‘Text me when you get home’ — on confronting hatred as both a woman and a Jew
There’s a universal language that every young woman I know speaks. It’s an expectation, a pact even, to “text me when you get home.” A baseline understanding that the walk home isn’t always safe for us.
A different dialect of that same universal language exists across our Jewish community. It shows up when my mom texts me to ask, “does your shul have good enough security?” before I walk into Shabbat or high holiday services.
Being a Jewish woman in America means having to constantly do the calculus of how to be safe as a woman and as a Jew. And I know that my experience is not unique. With antisemitism rampant and other forms of hate still deeply embedded in our society, so many people across America with overlapping and intersecting identities — people of color, trans people and others — are also doing this calculus every single day.
The question I keep asking myself is why? Not why we have to do this constant mental exercise, but why it isn’t getting any easier. The FBI reported a decline in hate crimes in 2025, but those numbers don’t tell the whole story. Hate crimes often go unreported, whether because people don’t feel safe reporting to law enforcement or because agencies lack the training, resources and requirements to properly identify and document them. And beyond what gets counted, hateful rhetoric, threats, and violence continue to shape how we move through the world. Hate permeates our daily lives in ways that statistics alone cannot capture.
Turn on the news or scroll through Instagram on any given day and you can see why we don’t feel safer, despite what the data is telling us. You can see that the static noise of hate and violence continues to intrude on every aspect of our lives.
Our lives — across identities and generations — have been marked by hate, by story after story of deadly attacks at synagogues, mosques, churches, schools and supermarkets.
Twelve years ago, a man fueled by his hatred of women killed six and injured 14 people in Isla Vista, California — my hometown. When I think about that time in my life, I don’t think about graduating high school or my senior prom. I think about the flashes of images of my town, of the victims, on the news. And eight years ago today, a gunman took the lives of 11 congregants and wounded six others in an antisemitic attack at the Tree of Life Synagogue in Pittsburgh. It was the day before my 22nd birthday, another moment in my life now marked by grief.
Hate and hate-motivated violence are not new phenomena in our country. But in the last decade, we have seen a normalization of hate that is both new and devastatingly familiar.
We have seen this normalization fester online, where once fringe antisemitic, misogynistic, racist, and anti-immigrant beliefs — like those held by the Isla Vista and Tree of Life attackers — are now part of mainstream conversations. We have seen this normalization take hold in our halls of power, where our president, members of Congress, and leaders around the country not only legitimize but promote hateful rhetoric and conspiracy theories.
And, we have seen this normalization thrive in policy, where hate and violence are being systematized in executive orders and legislation by the same leaders who made it normal. Policy can and should be used as a shield to keep people safe. Instead, it’s being weaponized before our very eyes to foster an environment where hate can thrive.
It’s no wonder we don’t feel safe when our president and many of our lawmakers are using their power to target women, LGBTQ+ people, immigrants, and so many others. It’s no wonder we question whether our institutions will protect us when the Department of Justice cancels grants supporting victims and programs designed to prevent hate and violence. And it’s no wonder survivors of gender-based and sexual violence feel abandoned when this administration is deliberately refusing to use Title IX to protect them but is instead weakening this law to harm trans people.
For people my age, who grew up with social media and the 24-hour news cycle that brought reports of hate directly into our homes, it can be hard to fathom what to do at this moment. But there are people all around us who not only know what to do, but have done it before.
I spend my days at National Council of Jewish Women (NCJW) working to dismantle antisemitism and the hate plaguing all of our communities. I am fortunate to work with and learn from people who have dedicated their lives to building a world where every person can feel safe and thrive. We are fighting every day to ensure that our institutions and our laws protect people from hate, violence, and discrimination. NCJW has been doing this work for over a century, and we know that progress is not inevitable.
The Matthew Shepard and James Byrd Jr. Hate Crime Prevention Act, signed into law 17 years ago this week, was the result of nearly 20 years of advocacy — a reminder that disrupting hate and building a safer world requires perseverance. It takes leaders willing to fight against hatred, not embrace it. And, it takes partners, allies, friends, and neighbors to move the work forward together.
That is why we have no choice but to keep showing up, to keep fighting, even when the hate and violence all around us feels like it has taken over our lives. We have to keep working, every day, to build that world we seek, where our rights, our safety, and our dignity are not up for debate.
And hopefully, one day, we will all live in a world where we don’t have to say “text me when you get home.”
The post ‘Text me when you get home’ — on confronting hatred as both a woman and a Jew appeared first on The Forward.
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Seeking funding for a Yiddish project for kids or young people?
די פֿישמאַן-פֿונדאַציע פֿאַר ייִדישער קולטור האָט געמאָלדן אַז זי נעמט שוין אָן סובווענץ-אַפּליקאַציעס אויף נײַע פּראָיעקטן פֿאַרן יאָר 2027. די פּראָיעקטן דאַרפֿן האָבן פֿאַר אַ ציל דאָס שטאַרקן ייִדיש ווי אַ לעבעדיקע שפּראַך, באַזונדערס בײַ קינדער און דער יוגנט.
דער טערמין פֿאַר אַפּליקאַציעס פֿאַרן יאָר 2027 איז דער 7טער נאָוועמבער 2026. די אויסגעטיילטע סובווענצן וועט מען מעלדן אין דעצעמבער.
אַלע אַפּליקאַציעס מוזן זײַן אָנגעשריבן אויף ייִדיש און דאַרפֿן נאָכפֿאָלגן די אַפּליקיר-אָנווײַזונגען וואָס איר קענט געפֿינען דאָ.
אַפּליקאַציעס וועלן ווערן באַטראַכט אויף קאָנקורס-יסודות. מען בעט מען זאָל אַרײַנשיקן אַן אַפּליקאַציע (מיט אַלע נייטיקע בײַלייגונגען) דורך בליצפּאָסט צו:
applications@fishmanfoundation.org
The post Seeking funding for a Yiddish project for kids or young people? appeared first on The Forward.
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Democrats leader Golan approached by man with knife on Israeli election day
(JTA) — JERUSALEM — Israel Police arrested a man carrying a large knife after he approached Yair Golan, head of the Democrats party, as Golan was campaigning in Tel Aviv on Election Day.
“Contrary to reports, no stabbing attempt occurred,” the police spokesman said in a statement.
The police said officers at the scene noticed a “suspicious object” protruding from beneath the coat of a man standing nearby. When they stopped him for inspection, they found a knife in his possession.
In a statement, Golan’s party said the man approached Golan “in a threatening manner” and that “when Golan’s security guards blocked him, a large knife slipped from beneath his clothing and fell to the ground.”
Police described the suspect as a Jerusalem resident in his 20s. He was arrested and taken to a local police station for questioning. They said the investigation “is ongoing.”
Following the incident, Golan said “incitement and violence will not deter us.” In a statement to the press he blamed the attack on Prime Minister Benjamin Netanyahu’s negative campaigning and highlighted the ties between one of his spokespeople and Qatar.
“This is the direct result of the poison machine operated by Netanyahu and his Qatari agents. I call on everyone who cares about security and democracy to go out and vote now, so that we can ensure the country we love so dearly becomes a free and safe place once again,” Golan said.
This article originally appeared on JTA.org.
The post Democrats leader Golan approached by man with knife on Israeli election day appeared first on The Forward.
