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Netflix’s ‘You People’ digs into Black-Jewish relations. It also plays a Kanye West song, twice.
(JTA) – The new Netflix comedy “You People,” about an uneasy union between a Jewish man and a Black woman in Los Angeles, was always aiming to provoke its audience.
“I feel like the movie has something to say,” producer Kevin Misher told the Jewish Telegraphic Agency. “It allows different sides to evolve and understand everybody’s point of view on the world. … People grow to understand each other. And when they don’t understand each other, they understand that there are, in fact, differences.”
But when they shot the movie a year ago, director Kenya Barris (“Black-ish”) and his Jewish co-writer and star Jonah Hill couldn’t have predicted how it would land in the midst of several national stories about Black-Jewish relations, including prominent Black celebrities who have dabbled in antisemitism.
For example, the film’s use of a popular song that includes the N-word in its title at two different intervals — first as a joke about Hill’s character being unable to say the title, then at the end under a hora — takes on a heightened meaning today. Kanye West, who now goes by Ye and is one half of the talent behind the song, recently went on a months-long antisemitic tirade that included him expressing his admiration for Hitler.
Misher, who is Jewish, acknowledges that the track is “a difficult song to play in that moment.” Netflix’s original plans to feature the first scene involving the Ye song in the film’s teaser trailer were scrapped amid his onslaught of antisemitic comments.
But the filmmakers felt the scene needed to remain in the final cut of the film — even as they cut another scene in which their actors spoke Yiddish — because it underlined the uncomfortable racial tensions between Hill’s character, a Jew named Ezra, and co-star Eddie Murphy, who plays Akbar, the soon-to-be father-in-law Ezra is trying to win over.
“It was important, I think, for us to have that song remain, so that it portrayed the divide that they would have to cross,” Misher said. “It wasn’t about the artist of the song, it was about the words in the song.”
Misher also justified the song’s reprisal at the end of the film, noting that Ye himself doesn’t sing on the sample: “Jay-Z is singing at the end.”
“You People” was conceived as a mashup of “Meet The Parents” (which Misher also produced) and “Guess Who’s Coming To Dinner.” In a modern-day twist, the white liberal family, rather than expressing anxiety over the race of their child’s partner, fetishizes her family instead.
Julia Louis-Dreyfus and David Duchovny play the Jewish parents. Although the relationship between Jews and whiteness has been a topic of serious academic debate for generations, and although Lauren London, who plays Hill’s Black love interest Amira, herself has an Ashkenazi Jewish father, the Jews in the movie are simply portrayed as white.
Barris’ team was unable to make him available for a JTA interview prior to the film’s release, and Hill has announced he will no longer do press for any of his films, citing his mental health. But Misher told JTA that he thought the film did an admirable job of portraying a specific “culturally Jewish” Los Angeles family. As a Jew himself, he said it was also important to him that the film’s depiction of Judaism be “authentic.”
To that end, he brought on the rabbi and cantor at his own synagogue, Kehillat Israel in Los Angeles, to play the rabbi and cantor at Ezra’s fictional synagogue in the movie. (Scenes depicting a Yom Kippur service were shot at the Skirball Cultural Center, an L.A. Jewish museum.) He also hired an on-set Jewish cultural consultant from Hebrew Helpers, a nationwide Jewish studies tutoring service.
There are other racially charged moments in the film that may sit uneasily with Jewish viewers. A tense dinner-table conversation with Amira’s family includes discussions of the Holocaust and slavery, including Akbar reminding Ezra’s family that some American Jews owned slaves. (The film’s premiere on Netflix on Friday coincides with International Holocaust Remembrance Day.)
Akbar is a follower of Nation of Islam leader Louis Farrakhan, whose antisemitism gets a small acknowledgement, although the wedding at the end of the film is jointly officiated by a cantor and an imam meant to represent the Nation of Islam. (Most Muslims do not consider the Nation of Islam to be part of the religion.)
Also at the film’s end, Louis-Dreyfus, playing Hill’s mother, apologizes to Amira and Akbar for her series of racist microaggressions “on behalf of all Jewish people.” This follows an apology from Akbar — but only for being mean to Ezra, not for committing his spiritual and political life to an antisemite.
Misher said that while Barris wanted to invoke tense political topics, the core of the film still aimed to be a character-based comedy. Detailed discussions of antisemitism, the filmmakers believed, would have distracted from that.
“If, suddenly, somebody starts standing up at a soapbox and waxing philosophic about the way the world is, I think that would have felt inauthentic to the journey of these specific characters,” he said.
At the end of the day, the makers of “You People” still believe their film has a message worth sharing.
“I feel like we got it right, in terms of how we represented the relationship between these two families,” Misher said.
As for the other conversations about racism and antisemitism these characters could have had, he said, they might come up if Netflix greenlights a sequel.
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The post Netflix’s ‘You People’ digs into Black-Jewish relations. It also plays a Kanye West song, twice. appeared first on Jewish Telegraphic Agency.
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Board of Peace Members Have Pledged More Than $5 billion for Gaza, Trump Says
A drone view shows the destruction in a residential neighborhood, after the withdrawal of the Israeli forces from the area, amid a ceasefire between Israel and Hamas in Gaza, in Gaza City, October 21, 2025. Photo: REUTERS/Dawoud Abu Alkas/File Photo
US President Donald Trump said Board of Peace member states will announce at an upcoming meeting on Thursday a pledge of more than $5 billion for reconstruction and humanitarian efforts in Gaza.
In a post on Truth Social on Sunday, Trump wrote that member states have also committed thousands of personnel toward a U.N.-authorized stabilization force and local police in the Palestinian enclave.
The US president said Thursday’s gathering, the first official meeting of the group, will take place at the Donald J. Trump Institute of Peace, which the State Department recently renamed after the president. Delegations from more than 20 countries, including heads of state, are expected to attend.
The board’s creation was endorsed by a United Nations Security Council resolution as part of the Trump administration’s plan to end the war between Israel and Palestinian Islamist group Hamas in Gaza.
Israel and Hamas agreed to the plan last year with a ceasefire officially taking effect in October, although both sides have accused each other repeatedly of violating the ceasefire. According to Gaza’s Health Ministry, more than 590 Palestinians have been killed by Israeli troops in the territory since the ceasefire began. Israel has said four of its soldiers have been killed by Palestinian militants in the same period.
While regional Middle East powers including Turkey, Egypt, Saudi Arabia, Qatar and Israel – as well as emerging nations such as Indonesia – have joined the board, global powers and traditional Western US allies have been more cautious.
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Why a forgotten teacher’s grave became a Jewish pilgrimage site
Along Britton Road in Rochester, New York, a brick gatehouse sits across from ordinary homes. Beyond it lies Britton Road Cemetery, its grounds divided into family plots and sections claimed over time by Orthodox congregations and fraternal associations, past and present. Names like Anshe Polen, Beth Hakneses Hachodosh, B’nai Israel, and various Jewish fraternal organizations are found here.
On the east side of the cemetery, a modest gray headstone draws visitors who do not personally know the man buried there, who were never taught his name in school, and who claim no personal connection to his life. Some leave notes. Some light candles in a small metal box set nearby. Others whisper prayers and stand for a moment before going. They come because they believe holiness can be found here.
The grave belongs to Rabbi Yechiel Meir Burgeman, a Polish-born teacher who died in 1938. He did not lead a major congregation or leave behind an institution that bears his name. And yet, nearly a century after his death, people still visit.
Over time, Burgeman has come to be remembered as a tzaddik nistar, a hidden righteous person, whose holiness is known through their teaching and daily life rather than through any title or position. His grave has become a place of intercession. People come to pray for healing, for help in times of uncertainty, and for the hope of marriage. What endures here is not an individual’s biography so much as a practice: the belief that a life lived with integrity can continue to shape devotion, even after the body has been laid to rest.
In life, Burgeman was not known as a miracle worker or a public figure. He was a melamed, a teacher of children, living plainly among other Jewish immigrants in Rochester’s Jewish center in the early decades of the 20th century. At one point, he was dismissed from a teaching post for refusing to soften his instruction. He later opened his own cheder, or schoolroom. There was no congregation to inherit his name, no institution to archive his papers. When he died, he was buried in an ordinary way at Britton Road Cemetery, one grave among many.
What followed was not immediate.
Remembered in return
The meaning attached to Burgeman’s resting place accumulated slowly. Stories began to circulate. People spoke of his kindness, his discipline, his integrity. Over time, visitors came. The grave became a place not of answers, but of belief. For generations, this turning toward the dead has taken this same form. It is not worship. It is proximity. A way of standing near those believed to have lived rightly, and asking that their merit might still matter.
In Jewish tradition, prayer at a grave is a reflection on those believed to have lived with righteousness, asking that their merit accompany the living in moments of need. Psalms are traditionally recited. Words are often spoken quietly.
I have done something similar too. Years ago, before I converted to Judaism and before I had the means to travel, I sent a written prayer through a Chabad service that delivers letters to the grave of the Lubavitcher Rebbe in New York. Someone else carried it. I cannot say with absolute certainty what happened because of it. Only that the practice itself made space for hope that I was seen, and that a prayer was later answered in ways that shaped my life and deepened my understanding of Judaism.
Burgeman’s grave functions in a similar register, though without any institutional frame. People come not because his name is widely known, but because the story has endured. Over time, that story gathered details. The most persistent involves a dog said to have escorted Jewish children to Burgeman’s cheder so they would not be harassed along the way by other youths. The dog then stood watch until they were ready to return home. The versions differ. Some are reverent. Some are playful. Some verge on the miraculous. The story endures because it names something children needed: care, in a world that could be frightening.
In recent decades, Burgeman’s afterlife has taken on a digital form. His name surfaces in comment threads and genealogical forums, passed along by people who never met him and are not always sure how they are connected. Spellings are debated. Dates are corrected. A descendant appears. A former student’s grandchild adds a fragment. Someone asks whether this is the same man their grandmother spoke of. No single account settles the matter. Instead, memory gathers. What once traveled by word of mouth now moves through hyperlinks.
The internet allows fragments to remain visible. Burgeman’s story survives not because it was officially recorded, but because enough people cared to remember it. In this way, his legacy resembles the man himself: quiet, unadorned, sustained by actions rather than declaration.
This story does not offer certainty. It is about remembering a life and asking if we might still learn from it and if, perhaps, it can bring us closer to faith. Burgeman left no grand monument. He left descendants. A grave. A life of Jewish values that continues to teach.
Burgeman did not seek recognition in life. After death, he became something else: a teacher still teaching, not through words, but through the way people continue to act on his memory. That is the lesson. Not any miracle. Not any legend. The quiet insistence that a life lived with integrity does not end when the casket is placed into the earth.
Some graves are instructions.
This one still asks something of us.
The post Why a forgotten teacher’s grave became a Jewish pilgrimage site appeared first on The Forward.
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Turkey Sends Drilling Ship to Somalia in Major Push for Energy Independence
Turkish President Tayyip Erdogan speaks during a ceremony for the handover of new vehicles to the gendarmerie and police forces in Istanbul, Turkey, Nov. 28, 2025. Photo: REUTERS/Murad Sezer
i24 News – Turkey has dispatched a drilling vessel to Somalia to begin offshore oil exploration, marking what officials describe as a historic step in Ankara’s drive to strengthen energy security and reduce reliance on imports.
Turkish Minister of Energy and Natural Resources Alparslan Bayraktar announced that the drilling ship Çagri Bey is set to sail from the port of Taşucu in southern Turkey, heading toward Somali territorial waters.
The vessel will pass through the Strait of Gibraltar and around the coast of southern Africa before reaching its destination, with drilling operations expected to begin in April or May.
Bayraktar described the mission as a “historic” milestone, saying it reflects Turkey’s long-term strategy to enhance national energy security and move closer to self-sufficiency.
The operation will be protected by the Turkish Naval Forces, which will deploy several naval units to secure both the vessel’s route and the drilling area in the Gulf of Aden and the Arabian Sea. The security arrangements fall under existing cooperation agreements between Ankara and Somalia.
The move aligns with a broader vision promoted by President Recep Tayyip Erdoğan, aimed at reducing Turkey’s dependence on foreign energy supplies, boosting domestic production, and shielding the economy from external pressures.
Bayraktar said Turkey is also working to double its natural gas output in the Black Sea this year, while continuing offshore exploration along its northern coastline. In parallel, Ankara is preparing to bring its first nuclear reactor online at the Akkuyu Nuclear Power Plant, which is expected to begin generating electricity soon and eventually supply about 10% of the country’s energy needs.
The current drilling effort is based on survey data collected last year and forms part of Ankara’s wider plan to expand its energy exploration activities both regionally and internationally.