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‘Now it’s our turn to support him’: Crowds throng funeral of Israeli-American man killed in West Bank
RA’ANANA, Israel (JTA) — Recurring bouts of laughter were some of the most remarkable moments of the funeral of Elan Ganeles, the 27-year-old Jewish American from West Hartford, Connecticut, who was shot dead this week when driving through the West Bank.
Descriptions of an incredibly kind, open minded, funny, brilliant and humble young man came in sharp contrast to calls by the official representative of the Israeli government at the funeral to avenge the death of those who harm Jews in the Land of Israel.
“No one will raise a hand against a Jew in the Land of Israel,” said the representative, Rabbi Michael Eliyahu, who serves as Israel’s minister of heritage and is a member of the far-right Jewish Power party.
The contrast played out throughout the funeral, attended by nearly a thousand people in Ra’anana, a suburb of Tel Aviv.
Friends and family members remembered Elan as a caring and unique individual who brought joy to their lives, while those who did not know the recent Columbia University graduate, who was in Israel for a friend’s wedding, framed his heartbreaking story as the latest tragedy in Israel’s decades-old conflict with the Palestinians.
As Ganeles’ brothers and friends took turns, standing before his body wrapped in a shroud and laid out before them, they alternately choked up and laughed as they told stories about his love for learning and, for his friends, his disarming frankness and his “annoyingness.”
Mourners surround the grave of Elan Ganeles, killed Feb. 27 in the West Bank, at his funeral in Raanana, March 1, 2023. (Orly Halpern)
“Elan was intelligent, curious, goofy, idiosyncratic – and most famously lovably annoying,” said Akiva Raklin, a close friend of Elan, who knew him “since birth,” as people laughed aloud. “I know calling someone annoying at their funeral is a little less than traditional, but Elan was the only person on the face of the earth for whom this characteristic was absolutely positive in every way.”
Ganeles, recalled Raklin, would pose “intrusive questions” to his closest friends, making them “blush and cringe,” but they all saw his behavior for what it was: an expression of closeness and caring. “With every comment he made, no matter how irritating it was or how uncomfortable it would make someone, it would just make them closer to him,” he said, sparking chuckles and laughs from those who clearly knew him well.
Some of Ganeles’s friends came from abroad to attend the funeral, as did his family’s rabbi from Young Israel of West Hartford, who accompanied his physician parents on their trip to Israel.
“Elan was the ultimate friend,” said Ari Zaken, his roommate from New York, recounting a conversation they had in which Ganeles pulled out a list of over 100 close friends he made sure to keep in touch with.
Ganeles, an avid learner, traveler and birdwatcher, lived a life packed with knowledge and friends.
“He completed two majors in college, only one of which he planned to use, just because he loved to learn,” said his younger brother, Gabe. “He worked two jobs simply because he had so much interest in what he could learn from both. He was our resident expert in geography, history, travel, birds. He loved trivia and made trivia games for family and friends and he was able to finish the hardest crosswords in record time.”
Gabe ended his eulogy, breaking down in sobs: “Elan was my brother, my best friend and a huge inspiration to me. And I will miss him,”
On Monday, Elan dropped Gabe off at a train station in the north and then made his way south on Route 90, which passes through the length of the West Bank, alongside the border with Jordan, on his way to attend a friend’s wedding in Jerusalem that night. On the road that goes around the city of Jericho, he was shot by a Palestinian gunman.
“I was so lucky that I got to spend the last week of his life with him,” said Gabe, recalling their trips through historical sites in Israel in the past week. ”He used his unique skill of complete unabashedness to bring people together at every chance he got,” said Gabe. “Despite his brashness, Elan was the most thoughtful person I know.”
The Ganeles family tried to avoid turning his funeral into a political event and reportedly requested TV networks not to attend the ceremony. “He’s a friend of ours, not just another victim,” said Jamie Landau, 27, who went to a five-month ulpan in August 2015 with Elan Ganeles on kibbutz Sde Eliyahu. Afterwards, both joined the Israeli army. Elan served in the Mofet Unit as a computer programmer, working on soldiers’ salaries.
Nevertheless, Heritage Minister Michael Eliyahu had a clear message: “I tell you as a minister in the state of Israel … I say, ‘we failed’ and we need to do everything so that won’t happen.” The newly appointed cabinet minister went on to call for revenge following Elan’s murder. “It’s not acceptable that a Jew who comes to this country will be scared to be here,” Eliyahu said. “And if we do have haters, may God avenge their blood and we will avenge their blood.”
As the funeral was being held, Israeli forces raided a Palestinian refugee camp adjacent to the city of Jericho, not far from where Ganeles was killed, and apprehended four Palestinians, one of them suspected of carrying out the shooting attack that killed Ganeles and the other of assisting him. Another Palestinian was killed during the raid.
People pack the funeral of Elan Ganeles, who was killed in a shooting attack in the West Bank, in (Flash90)
Hundreds of people attended the funeral, filling Ra’anana’s old cemetery to the brim. More watched from outside the cemetery walls, listening to a live feed of the eulogies on each others’ cell phones. The majority were religious and did not know Ganeles, showing up out of a sense of duty and a wish to pay respect to the slain Jewish American visiting Israel. Some marched in with large Israeli flags, giving the private funeral ceremony an air of a national event.
Elan Ganeles was raised in a Modern Orthodox family in Connecticut and attended yeshiva in Israel after graduating from high school. He then decided to stay in Israel and served for two years in the IDF before returning to the United States to attend college.
Liora Lutrin, a 15-year-old student from Amit Rananim religious girls’ high school, who made aliyah a year and a half ago, stood with her classmates singing “Our brothers of all of the House of Israel.”
“We came with our school to show respect,” said Lutrin, who had five earrings in her right ear and wore a gray T-shirt and an above-the-knee black skirt. “He sacrificed his life to come here and be a soldier in Israel and even though he didn’t die as a soldier, he supported our country and now it’s our turn to support him.”
Or Cohen, a 25-year-old student wearing sandals, who came during a lunch break from his yeshiva in Ramat Gan, said it “was the least I could do.” Cohen, originally from Otniel settlement, said, “I heard he’s a new immigrant, someone whose parents don’t live here. I came in identification with the pain of the people, to show respect for my brother, who was murdered. This is bigger than us.”
After the funeral ended, dozens of people lingered near the grave.
After the funeral of Elan Ganeles in Ra’anana, Israel, friends loitered by the grave while a beggar, a common presence at Israeli funerals, sat nearby. (Orly Halpern)
Joining them was Mordechai Goldberg, a 70-year-old religious beggar with a stained white shirt and a cheap black suit jacket, who arrived from Jerusalem to attend and to panhandle at the cemetery, a common sight in Israeli cemeteries. Goldberg entered the circle of people around his grave and began saying the Kaddish prayer. The crowd automatically answered with ‘Amen.’ When the prayer ended, he began calling for the death of Arabs. “We will all pray to God that all of the Arabs die under our feet, now,” said Goldberg as some of the people responded with ‘Amen,’ while others remained baffled by the call.
“I don’t think that would represent Elan’s opinions,” said a young religious woman with an American accent, whose eyes were red from crying, and whose brother was another of Elan’s ‘best friends.’ “He wasn’t like that,” she said.
Indeed, Elan’s uncle, Dov Ganeles told the Jewish Telegraphic Agency that Elan marveled over his uncle’s friendship with an Arab colleague.
“He thought it was lovely that such a relationship could exist and be normal,” said Dov Ganeles. “He was proud of that, that that relationship could exist. It was something to cherish.”
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Trump wants to remake Washington — Hitler tried to do the same to Berlin
“It was natural that I also followed my passion for architecture. My faith increased that after many years my dreams would become reality. I was firmly convinced that I would win fame as a builder.”
–Adolf Hitler
“I own buildings. I’m a builder; I know how to build. Nobody can build like I can build.”
–Donald Trump
Adolf Hitler personally drew up architectural plans to remake Berlin into a 1,000-year monument to himself with a three-mile-long “Avenue of Splendors,” on one end an Arch of Triumph that would dwarf the Paris original, and on the other, the domed Hall of the People, which would have been the largest enclosed structure in the world.
Hitler’s grandiose remodeling schemes were suspended in 1943, in order to redirect resources to the war he had begun.
Like Hitler, Donald Trump is also busy designing and creating monuments to himself, including an arch even larger than the one Hitler had planned for Berlin. Unlike Hitler, Trump is proceeding at a fevered pace on completing his legacy projects despite the soaring costs of a war he began.
History is replete with monarchs, emperors, pharaohs and tyrants who sought to immortalize themselves with monuments. In modern times, what sets Trump and Hitler apart is their decision to personally draw up a plan to entirely change the look of a capital city to project their powers.
Hitler began sketching his plans to remake Berlin in the 1920s, years before he came to power. In his postwar book Inside the Third Reich, Hitler architect Albert Speer recalled Hitler showing him two sketches the Nazi leader had already made of his own concept, hoping to recruit the architect to the project. In 1937, the Hitler tasked Speer with making it happen.
Speer started by making a model of the redesigned city, to be renamed Germania. In his book, Speer wrote of Hitler’s glee while inspecting the scaled model.
“He bent down, almost kneeling, his eye an inch or so above the level of the model, in order to have the right perspective, and while looking he spoke with unusual vivacity. These were the rare times when he relinquished his usual stiffness. In no other situation did I see him so lively, so spontaneous, so relaxed,” Speer wrote.
Hitler admired the imperial architectural styles of Rome, Vienna and Paris, but came up with designs for Berlin that were meant to surpass those cities not in elegance, but in expressions of Teutonic power.
The Germania model designed by Speer looks like an elaborate Wagnerian stage set: Visitors disembarking from a new train station would immediately see the 380-foot-tall Arch of Triumph, and as they passed beneath they would follow a wide boulevard lined with about a dozen monumental ministry buildings made of hand-hewn stone, a Soldiers’ Hall with a crypt for the tombs of German field marshals, and, at the terminus of the avenue, the monstrous centerpiece of the whole project — the domed Hall of the People, with enough space to hold 150,000 people.
“He wanted the biggest of everything to glorify his works and magnify his pride,” Speer wrote.
The New Reich Chancellery went up, and some other pieces of Germania were completed. But as Hitler’s regime focused on building concentration camps and death camps, and German invasion forces spread across Europe and the Soviet Union, Hitler had to divert resources to pay for his war crimes.
The Reich suspended work on Germania in 1943. Hitler’s original idea was to complete the transformation in 1950, creating Germania as a new Rome, capital of a vanquished continent. But when the Soviet army entered Berlin, the city had been reduced to ruins. Hitler’s Germania fantasy came to a bloody end on April 30, 1945 when he put a bullet in his head inside the Führerbunker.
Like Hitler, Donald Trump seems to favor classical architectural styles for public buildings, although his love of gaudy glitter – on display inside the White House and at Trump’s own properties — contrasts with Hitler’s preference for a Teutonic austereness.
A few days ago Trump gave the White House press pool a tour of work that he has directed to be done on and around the White House. It reminded me of Speer’s description of Hitler’s glee while inspecting Speer’s model of Germania.
“I’m fixing the country. We’re fixing the White House too. One thing I know how to do is build,” said Trump, who spoke of having columns of the White House repaired, its exterior cleaned, of work on his ballroom and the “military complex” that would be built beneath it. He staged the dog-and-pony show to show off a helipad that was under construction.
“It’s ridiculous the way this place was taken care of. Nobody, including presidents, they didn’t see it. But I see it because I was very good at real estate, like maybe the best in a lot of ways,” said the man who went through multiple bankruptcies and has a history of failed business ventures: Trump University, Trump Steaks, and Trump’s airline, to name only a subset of available examples.
Despite Trump’s boasts, his vanity projects have hit some rough patches. There’s the reflecting pool debacle, a court ruling that his name had to come off the John F. Kennedy Center for the Performing Arts. Some Senate Republicans tried to stop him from spending taxpayer money on his garish ballroom.
But because of a Supreme Court ruling, it looks like the ballroom will go up after all. And Trump is not about to abandon other legacy projects – like his Triumphal Arch, and a National Garden of American Heroes.
Trump’s powers are cracking faster than he can build these monuments to himself. His approval ratings are abysmal. Global respect for America is tanking. Allies who have tried to mollify him are beginning to defy him. Iran has outsmarted him. Former MAGA loyalists like Marjorie Taylor Greene and Tucker Carlson have abandoned him. Trump is increasingly looking like an empty shell – a man who has chosen building narcissistic monuments, and corruptly enriching himself and his family, over paying heed to Americans who are suffering because of his self-aggrandizing rule.
Economist Paul Krugman just released a video titled Der Untergang, and subtitled “How badly will Trump punish America?” Der Untergang, German for “downfall,” is the title of a 2004 movie about Hitler’s last days in the Führerbunker. Krugman says that Trump’s obsession with his vanity projects is an indication that Trump knows his powers are rapidly vanishing, and that Trump is becoming perilously desperate.
“In many ways he is behaving like somebody who knows that his days of supreme power are about to end,” Krugman said.
Krugman argues that Trump is showing a deranged proclivity to tear things down rather than preserve them, as evidenced by his demolition of the beloved East Wing. And now Trump is threatening to raze the Kennedy Center for the Performing Arts, simply because he can’t get his name on it.
History has shown how perilous things can become when a despot finds himself backed into a corner. As we approach the mid-term elections, we should all worry about the wreckage Trump is capable of wreaking while watching his powers vanish. Trump’s downfall, whenever and however it may come, must not also be America’s.
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John Galliano bows out of Met exhibition as backlash over antisemitism mounts
(JTA) — John Galliano withdrew from a planned exhibition of his work at the Metropolitan Museum of Art in response to a rapidly escalating controversy over the museum’s decision to honor the fashion designer despite his history of antisemitic and racist remarks.
Galliano said Monday that, after discussions with the Met and others involved in the exhibition, he had decided that it was best for the show not to take place “at this time.” He said he remained accountable for the pain caused by his past words, particularly to Jews and Asians, and recognized that an exhibition honoring his work could be painful for some. The Met said it agreed with his decision.
The reversal came less than a month after the Met announced that Galliano would be the subject of its spring 2027 Costume Institute exhibition, a rare honor that would have made him only the third living designer to receive a solo show there. The exhibition was to open in conjunction with the Met Gala, one of New York’s biggest annual cultural and celebrity events.
Opposition to the exhibition appeared to mount steadily in recent weeks. Early public pushback came from Dana Thomas, Galliano’s biographer, who wrote in an Aug. 6 New York Times guest essay that the Met had made a serious error in choosing to honor him. The criticism then broadened, with Jewish leaders, museum donors and New York politicians publicly urging the museum to reconsider.
Those criticizing the exhibition were New York City Council Speaker Julie Menin, who called the decision deeply painful for Jewish New Yorkers. Prominent Met donor Alice Tisch described the planned exhibition as a “whitewash,” according to the Times.
The reversal is also a setback for Anna Wintour, Condé Nast’s chief content officer and the driving force behind the Met Gala. She had championed Galliano for decades and was among the Met figures most closely associated with bringing the exhibition to the museum.
The controversy was complicated by the fact that some prominent rabbis had actually met with Galliano before the exhibition was announced and had come away believing that his repentance was sincere, as JTA reported earlier this month.
Rabbi Rick Jacobs, president of the Union for Reform Judaism, said Galliano had shown the contrition necessary to earn his return to the fashion world. Rabbi Joshua Davidson of Congregation Emanu-El, a Reform synagogue in New York, likewise said he was convinced by Galliano’s statements of remorse and his efforts to educate himself about Judaism and the Holocaust. Neither rabbi endorsed the Met’s decision to honor Galliano, however. Rather, both told the museum that if it proceeded, it had a responsibility to make Galliano’s antisemitic conduct and the lessons of his repentance an explicit part of the exhibition.
That distinction was reflected in the Met’s original plans. Andrew Bolton, the Costume Institute’s curator, said in announcing the exhibition that it would address Galliano’s antisemitic and anti-Asian conduct, as well as his firing from Dior, a hate speech conviction in France and his subsequent treatment for addiction and public acknowledgment of his actions.
Galliano, among the most celebrated designers in the world, was fired by Christian Dior in 2011 after a video surfaced showing him praising Hitler and making antisemitic remarks in a tirade in a Paris cafe, and directing an anti-Asian slur at the partner of a Jewish woman. A French court convicted him of making public insults based on race, religion and ethnicity.
After entering treatment for substance abuse, he embarked on a process of rehabilitation and eventually returned to the fashion industry. Abraham Foxman, then national director of the Anti-Defamation League, met privately with Galliano repeatedly; in 2013 the ADL said that Galliano had demonstrated “true contrition.”
After the initial announcement of the exhibition, Jonathan Greenblatt, CEO and national director of the ADL, noted that the organization had “long since accepted his apology,” but added that he understood “why some Jews may question the decision to include Galliano’s work in an exhibit given the massive spike in antisemitism in recent years.”
In a statement Monday, Greenblatt appeared to take a harder line in welcoming Galliano’s withdrawal.
“With antisemitism at crisis levels, the Met honoring John Galliano at this moment was misguided, and even Galliano ultimately recognized what the Met should have done from the start,” Greenblatt wrote on X. “This was the wrong move at the wrong moment. Timing matters.”
Galliano’s withdrawal leaves the Met without a planned spring 2027 Costume Institute exhibition. The museum said information about a replacement exhibition and the 2027 Met Gala will be announced later.
This article originally appeared on JTA.org.
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Julie Moos Named as the Forward’s New Editor-in-Chief & Chief Content Officer
The Forward today announced the appointment of Julie Moos as Editor-in-Chief & Chief Content Officer. This newly created executive position merges newsroom leadership with audience strategy, positioning the nation’s premier independent Jewish news outlet to accelerate digital growth and serve audiences across platforms.
The appointment was announced by Forward Publisher & CEO Rachel Fishman Feddersen.
Moos, who joined the Forward in 2024 as Managing Editor for Audience, previously served as Interim Editor-in-Chief and Vice President for Audience & Strategy. In these roles, she advanced the publication’s digital content strategy and helped secure major grant funding, including a prestigious Luce Foundation award to support the “Holy Ground” series chronicling Jewish life and reinvention across rural and small-town America.
Under Moos’ leadership, the Forward has hit unprecedented growth milestones:
- Record Audience Scale: Surpassed 100 million total audience views in 2025 across web, video, audio and social channels, as measured by Brandwatch.
- Social Acceleration: Grew social media reach by 280%, expanding video reporting to meet the audience where they are.
- Critical Acclaim: Led the Jewish journalism field in reporting awards, including record recognition from the New York and Los Angeles press associations.
- Product Innovation: Successfully relaunched specialized newsletter offerings, including Antisemitism Decoded.
“Julie’s new role marks a pivotal shift toward a fully integrated structure that meets the demands of the rapidly changing news environment,” said Feddersen. “By bringing editorial stewardship and audience strategy under unified leadership, we can ensure our high-impact reporting meets readers where they consume media today, expanding our reach and amplifying the Forward’s mission to elevate issues vital to the American Jewish community.”
Joel F. Brown, Chairman of the Forward Board of Directors, added: “Julie has made important contributions to the Forward from her first days with us and our franchise will accelerate its growth significantly under her editorial leadership. She has a deep and authentic devotion to Jewish communal life which she braids brilliantly with her excellence in journalism and her advanced command of media distribution strategy. I am confident that her leadership will ensure the Forward remains the premier, trusted media source for American Jews.”
Moos said, “I’m honored to lead this incredible team at a moment of dramatic change in the Jewish world and in the media. For over a century, the Forward has been a trusted guide and voice of Jewish life in America. Today, that requires deep, principled reporting, groundbreaking storytelling and ongoing innovation — from dynamic newsletters to video and live events — to ensure our work invites conversation and connection everywhere people watch, listen, read, talk and meet.”
Moos is a nationally recognized editor and media leader who has served in senior roles at McClatchy Media, the National Press Club Journalism Institute and The Poynter Institute. She edited the New York Times bestseller President Obama Election 2008: A Collection of Newspaper Front Pages Selected by the Poynter Institute.
She lives in Alexandria, VA. She is a graduate of Barnard College and earned a nonprofit management certificate from Georgetown University, where she taught digital journalism at the graduate level. She serves as an ambassador for Central Synagogue’s online community, The Neighborhood, and co-hosts the DC-area chapter. Julie has served for decades as a synagogue board member, staff member and active congregant in North Carolina, Florida and Chicago.
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