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On a new Israeli TV show, the secret lives of Orthodox Jewish atheists
When we think about “off-the-derech” Jews, those who have left Orthodoxy behind, we tend to think of rebellious youths in their teens and 20s, those who party and do drugs to shed the religious yoke. But there’s another category of Jews who’ve left the fold, ones who’ve lost their faith and yet remain Haredi. First documented in “The Impostors Among Us,” a 2011 article published in Ami magazine by the pseudonymous Raphael Borges, this category of “duplicitous, heretical infiltrators” are now the subject of a new Israeli TV show from Kan, Behasture, which translates to “In Hiding.” The show’s English language title is Ambiguity.
Set during the height of the COVID pandemic, Behasture opens with Rochal’e intentionally catching the virus to gain access to a quarantine apartment. Accompanied by her mother, we see her enter a space for Haredi women dressed in full modesty garb. However, the moment her mother exits the compound, the transformation begins. The women remove their sheitels and frumpy dresses to reveal their hidden secular selves. Men emerge from adjoining rooms. They’re all secret heretics, and this compound is their Ir Miklat, their safe refuge.
While the article in Ami called these Jews “fifth columnists,” on their secret Internet blogs, they usually refer to themselves as “in the closet” or “orthoprax.” In Israel, they are called “anusim” (forced ones), inverting the term used for crypto-Jews, who believed in Judaism but were forced to act Christian. By staying in their Orthodox communities, the anusim become ghosts going through the motions of Haredi life; no one can truly see them, and no one knows their true thoughts. Secret apartments like the one featured in Behasture are the only places they can be themselves.
Although their belief in God has fallen away, they remain deeply culturally Haredi. They say traditional blessings before eating or drinking, and give dazzling Torah sermons while holding shrimp up to their mouths. As viewers, we get a voyeuristic peek into this liminal space which straddles the boundaries between Haredi and secular. There’s something surreal, uncanny even, about watching a character with a beard and curly peyos but without a yarmulka, or a woman in a tank top strumming her guitar to Hasidic niggunim.
The theme song that opens each episode, the Shabbos standard “Lecha Dodi,” sung soulfully to the tune of “The House of the Rising Sun,” represents this blend of secularism and holiness. Singing happens frequently at the compound where the men and women sing heartfelt Hasidic melodies, dance together and enjoy treyf, relishing in their small freedoms. At the head of this secret family are Yossi Zuchmir and Aviva, who serve as father and mother figures.
The story of Aviva, the matronly woman who plies everyone with delicious food and emotional support, is explored in just a handful of scenes. Zuchmir, however, plays a central role in each episode and is perhaps the show’s most intriguing character. He hasn’t believed for a long time, but he refuses to leave the Haredi world. Instead of dealing with the family issues at home that a life of secrets causes, he’s having an affair with another woman at the compound: Gitty, his Rebbe’s wife.
Zuchmir finds meaning in these in-between spaces and exults in his small community of anusim who treat him as their Hasidic Rebbe. He mourns the members of the compound who leave for the secular world, and fails to see the tragedy in a life full of secrecy and lies. When a fellow member’s teenage daughter wants to join the anusim, Zuchmir trills about the prospect of a “father-daughter” duo, even as the girl’s father warns her off this torturous path.
In Ayala Fader’s 2020 landmark study, Hidden Heretics, which explores the lives of these secret non-believers, the author identifies two areas that lead to doubt: social issues, and intellectual ones. While these categories sometimes intersect, they are usually split along gender lines. Men, who are socialized around Talmudic debate, usually tend to frame their doubt as a more intellectual, text-based journey. The doubts of women, who are barred from reading the Talmud, are often a reaction to the crushing burden placed on wives in the Haredi community, or sometimes to covered-up sexual crimes.
In Behasture too, the male characters’ doubts stem from intellectualizing; one character even references Spinoza. Their issues come only after they lose their faith. The women, on the other hand, face challenges in their patriarchal homes: Michal joins the compound to escape her abusive husband; Sarah is forced to admit to her husband that she’s both a secret atheist and a lesbian; Gitty’s arc accurately portrays the cover-up of sexual abuse in the Haredi community and the trauma that follows.
One scene in particular highlights the intense intellectual socialization men receive in yeshiva. When Gitty’s husband discovers she’s having an affair with Zuchmir, his reaction isn’t one of heartbreak, but of legalistic contextualization. According to Halacha (Jewish law), a woman who cheats is forbidden to her husband. He quotes rabbinic texts to prove that halachically, she isn’t believed to have had an affair, even though there are pictures of her and Yossi together. “You are still muttar (permitted) to me!” he insists desperately.
The show’s authenticity, and its deep understanding of anxieties over Jewish law, stems from its co-creators. Yossi Madmoni is a veteran of Haredi drama, while Avi Tfilinski lived as a secret atheist himself for 12 years even as he remained an esteemed rabbi and head of a yeshiva. After he left, he faced the very consequences all anusim fear: He lost contact with his children for seven years, before eventually reconnecting.
These severe social consequences — losing your entire social circle and even your relationship with your children — are the primary reasons Hidden Heretics identified for why anusim stay in the community. Economic dependence is another strong factor, as Haredi schooling doesn’t offer secular education and graduates rely on jobs they couldn’t find outside the Haredi community. Finally, the cultural attachment to the separate insular community can be too strong. Leaving for the secular world can be as jarring as moving to a new country.
Perhaps because of the story of Avi Tfilinski’s own tragic exit, there are no uplifting stories of escape where a shining secular world embraces the poor anusim. Instead, we see the vast cultural gulf between the two communities. In one episode, we meet Henry who leaves his wife and child to make a new life for himself in Tel Aviv. There, however, he stumbles on the societal expectations and cultural norms of the secular world. Yossi Zuchmir berates him for attempting to leave, saying, “Idiot, our girls are a thousand times better than theirs.”
The show demonstrates the extremes some will go to stay in the community and keep their family. Shmuel Eizner, the scion of a Hasidic dynasty who goes by the name “Donald Trump” to protect his identity, is caught by his father, the famed Admor of Yashi. His father then reveals that he too once had doubts. He calls it a family curse and explains his moments of disbelief as psychotic episodes, for which he takes Zyprexa. In a horrifying scene, he convinces “Donald” to take these same anti-psychotics.
If the cast of characters in Behasture can feel overwhelming, that’s because each episode focuses on a new character in the compound, and in 45 minutes, there’s isn’t enough time to give everyone’s stories the space they deserve. The showrunners try to solve this issue by grafting on two continuous plotlines throughout.
One plotline involves Yossi Zuchmir, who funds the compound and various anusim events using loans from the criminal underworld. Yehuda, an especially harsh loan shark, beats him up and threatens to expose his secret life to the other Haredim. Guns and violence, however, feel quite out of place in the anusim’s quieter world of shame, secrets and identity shifts. Although there’s a certain lack of courage in shying away from portraying quieter, less melodramatic stories, this plotline does demonstrate the inability of an uneducated Haredi man to make money outside approved channels.
The second plotline is clumsier and involves a romance between Rochal’e and “Donald Trump.” Throughout the show, we’re often pulled away from stories exploring the deep psychology of a character to watch a scene of Rochal’e and “Donald” awkwardly failing to flirt. One wonders why so much time is spent on this contrived story of young love instead of the much more fiery affair between Zuchmir and Gitty, his Rebbe’s wife.
There are other flaws too. While the main characters look like authentic Haredim, costumed with meticulous accuracy, many of the side characters look like caricatures with obvious fake beards and ill-fitting hats. The show also attempts to neatly resolve the characters’ troubles with a deus ex machina finale that feels both contrived and unearned.
Even so, Behasture does an incredible job at highlighting a hidden community on the edges of the Haredi world. Given the popularity of Haredi TV shows like Shtisel and Shababnikim, we can expect to see this show gracing our American screens with English subtitles soon.
The show demonstrates many of the observations about this community that Ami exposed 15 years ago and that Fader made in Hidden Heretics. In one interview, the co-director Tfilinski estimates that there are 30,000 anusim currently living this double life. Let’s hope that those 30,000 in the closet feel seen by Behasture and empowered in their difficult decision to leave or remain in those secret gray areas.
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In North Carolina, a memorial project will honor Martin Luther King and Holocaust victims
(JTA) — Two people lean down from an abstract version of a rail car. Their outstretched hands reach towards a family gathered around the car’s opening. The adults on the ground reach back, either to get help stepping into the car or to say good-bye.
That’s one side of the artist rendering of what will be a Holocaust monument. On the other side, train tracks lead to the entrance of the Nazis’ largest death camp, Auschwitz-Birkenau. A message across the top reads, “They were here. We remember.”
The sculpture by artists David Wilson and Stephen Hayes, called “In Transit: The Weight of Absence,” is emotional on its own. But what makes the project planned for Charlotte, North Carolina, especially noteworthy is what will be alongside it.
Charlotte is the planned home for what its organizers believe is the first memorial plaza in the United States to both honor Dr. Martin Luther King Jr. and remember the Holocaust in the same space. The Circle of Humanity: Monuments for Unity and Remembrance in Marshall Park will feature the 8-foot bronze statue of King currently in the park plus the new Holocaust monument.
Linking the two will be paved walkways, educational reflections and digital resources on the Holocaust, the Civil Rights movement and the combined history of African Americans and Jews in the U.S. School and tour groups will take part in interactive educational experiences.
To those who might wonder why these monuments belong together, Rabbi Ya’aqov Walker points to a common inheritance. “You could just describe it plainly: white supremacy in continental Europe and white supremacy in the southeastern United States,” said Walker, who is Black and serves on the project’s education committee.
The groups also share deep resilience and desire for change, he said, which led to a significant Jewish presence in the civil rights movement in the United States 20 years after the Holocaust.
“It was very prescient in their minds, from King to any major civil rights leader who was committed to nonviolence, to study and learn what the Jewish experience was, and to build relationships with rabbis as fellow spiritual leaders,” said Walker, who co-leads the Charlotte Black/Jewish Alliance.
The new monument will replace a small one dedicated in 1979 that’s hidden in overgrown foliage. Project partners include the Charlotte Black/Jewish Alliance, Mecklenburg County, Queens University of Charlotte, the Stan Greenspon Holocaust Education Center, and the Charlotte-Mecklenburg branch of the NAACP.
After a national search for artists that yielded 57 design proposals, a review committee narrowed the choices to eight finalists. Wilson and Hayes, who are Black and live in Durham, North Carolina, were one of two teams asked to submit their concepts. Though they had never designed a sculpture based on a Jewish theme, they were compelled by its juxtaposition to the King monument, “creating a broader dialogue about injustice, courage and the consequences of hatred,” Wilson told county commissioners during a recent public meeting.
David Wilson, left, and Stephen Hayes are the designers of “In Transit: The Weight of Absence,” the winning design for the Circle of Humanity memorial in Charlotte’s Marshall Park. (Courtesy Circle of Humanity)
Their presentation moved Commissioner Leigh Altman, who is white, to reveal that her great-grandparents and many of their children were murdered in the Holocaust. About 25 to 30 Holocaust survivors live in the Charlotte area today.
“This shared partnership for me is a reminder across one of history’s worst genocides and the worst legacy of what America has done wrong, and brought it together to find a commonality, which was a failed obligation to recognize the humanity of others and to fight for it,” she said.
The second finalist team, Miriam Gusevich and Sal Pirrone from Washington, D.C., envisioned an abstract sculpture with thousands of silver circles to represent those killed by the Nazis. The proposed structure opened to a skylight in the shape of a Star of David. Members of Gusevich’s family died in the Holocaust.
“Circle of Humanity” organizers held 12 community feedback sessions, including at synagogues, a Black church and Johnson C. Smith University, a historically Black university. About 850 community members participated. More than 100 completed written surveys on their preferences. Ultimately, a majority favored the rail car image. At one session, participants audibly gasped when “In Transit” was revealed.
It’s yet to be determined which materials will be used to render the piece. Options range from cast and fabricated metal to large-scale 3-D printing. What likely won’t change is the sculpture’s bronze hue and structure.
“The skin tones can be interpreted in many ways, and it looks very similar to an auction block” used in the trafficking of enslaved people, Walker noted. He recalled that during a feedback session at a Black church, some church members teared up to see the reminder of family separation.
Urban Design Partners in collaboration with Groundworks Studio will develop the plaza, in a design called “Woven Histories.” Potential elements include a stone walkway with a plaid design. The plaid pays tribute to the dress that civil rights pioneer Dorothy Counts-Scoggins wore on the day in 1957 when she faced down an angry white mob to become the first Black student to attend a segregated high school in Charlotte.
The plaza will include benches and may incorporate decorative stone books. Like the monument design, the concept is still open to changes based on additional community feedback. The planned budget is just under $1 million, including a $100,000 endowment for programming and maintenance. If fundraising efforts are successful and the timeline stays on track, the plaza is scheduled to open in May 2027.
Marshall Park has particular resonance as the setting. It is part of the former Brooklyn, a Black neighborhood razed in the 1960s in the name of urban renewal. More recently, Marshall Park has been a familiar site for protests and political demonstrations.
The idea for the innovative combination began with a discussion between Rev. Corine Mack, president of the Charlotte-Mecklenburg NACCP, and Rabbi Judy Schindler, Sklut professor of Jewish studies at Queens University of Charlotte and executive director of Spill the Honey, a national non-profit which produces arts and educational materials intended to empower the Black-Jewish alliance to combat racism and antisemitism.
The Dr. Martin Luther King Jr. memorial statue in Charlotte’s Marshall Park, created by renowned sculptor Selma Burke, was dedicated on April 5, 1980. (Courtesy Arrowmount School of Arts and Crafts)
“It all came out of the same conversation, looking at the Civil Rights movement, looking at the rise in racial slurs and antisemitism, and just really understanding that we have to do something to elevate the importance of not only our cultures, but what love would look like in this country,” Mack said. “I thought it was important that we went back to the root of the civil rights movement, which was us collaborating.”
She acknowledges a few phone calls from members of Charlotte’s Black community who expressed concern about the collaboration in light of the war and political divides opened after the Hamas attacks on Israel on Oct. 7, 2023. Others were unclear about the benefits of bringing the two histories together. But no vocal opposition has emerged to the project. Organizers say on-site education about the history of Black-Jewish ties in America is essential.
Charlotte has its own claims to this history. Humorist and social critic Harry Golden lived in the city and published his commentaries in The Carolina Israelite, a newspaper whose subscribers included Congressional members and well-known writers. In “The Vertical Negro Plan” in 1956, he pointedly noted that whites seemed to have no trouble standing next to Black Americans. It was only when Black people wanted to sit “that the fur begins to fly.” His tongue-in-cheek solution? Remove the seats at schools and lunch counters.
In 1971, attorney Adam Stein, father of N.C. Gov. Josh Stein, was part of the legal team who argued Swann v. Charlotte-Mecklenburg Board of Education before the Supreme Court. The case began the era of busing for school integration nationwide. Busing for that purpose officially ended in Charlotte in 2002, when the Supreme Court declined to take up a challenge to lower-court ruling recognizing local schools as adequately desegregated .
Now, supporters hope the Circle of Humanity will be a catalyst for Black-Jewish collaborations in other cities. Schindler, named after a great-aunt who was killed during the Holocaust, wants the gathering spot to be a place not only for remembrance, but for inspiration and beginnings.
“It’s really important to me that we bring joy to this work,” she said, envisioning the opening ceremony filled with klezmer music as well as both soul food and Jewish noshes. She cautions against “letting those to seek to harm us control our thoughts and our struggles and our fears. We need to celebrate our culture and who we are with pride and joy, so I pray that this will be a centerpiece for cultural celebration of all sorts.”
This article originally appeared on JTA.org.
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Tennessee GOP leaders denounce ‘No wars for Jews’ mailers bearing Young Republicans name
(JTA) — A rural Tennessee region was rocked this week after thousands of homes received mailers encouraging them to join the local Young Republicans chapter with a campaign platform including “No wars for Jews.”
The flyers led to a dramatic showdown at a local GOP meeting, including a state lawmaker’s cry of “I am a Jew!” and a rejoinder from Austin Lee, the young man behind the flyers: “We will not fight wars for you.” Cops escorted the provocateur out.
“Let’s face it, we read about antisemitism and anti-Black or white nationalism, right?” the lawmaker, State Rep. Scott Cepicky, told the Jewish Telegraphic Agency. “We hear about this stuff, and people are like, ‘Well, you know, that’s over there, or that’s in another state, that’s not here.’ Let me tell you something. It came to Maury County.”
The mailers, which encouraged recipients to “support” Lee, also said “Stop the Great Replacement” (a reference to the antisemitic Great Replacement Theory), “Ban Islam and Hinduism” and “Men in charge.”
“Nonwhite foreigners have invaded our country and are replacing White Americans,” read the flyers, viewed by JTA and reportedly sent to around 2,000 households with young white men. “Efforts at mass deportations have failed. No one is coming to save us; we must solve this problem ourselves.”
The flyers were mailed mainly in Maury County, 50 miles south of Nashville, as well as some surrounding counties. In addition to Lee’s name and an invitation to join the Maury County Young Republicans, they contained the prominent logo of the Tennessee Young Republicans — invoking broader concerns that a younger generation of Republicans are trending toward antisemitic and white nationalist ideas.
However, local Republican leaders told JTA the mailers were sent out without permission; that Lee holds no formal leadership role in the county GOP; and that the county’s Young Republicans chapter is currently inactive.
The county GOP chair strongly denounced the content of the mailers to JTA.
“It’s appalling that somebody would send this out,” Jason Gilliam told JTA about his reaction to the flyers. “This kind of thing really disgusts me. I mean, I have an Israeli flag on my bumper — not that that means anything.”
Gilliam said he first became aware of the flyers on Sunday, after households had begun receiving them. At a local GOP meeting the next day, Cepicky condemned the flyers by invoking his own Jewish ancestry.
“I’m a Jew, I’m an Ashkenazi Jew,” Cepicky told the crowd at the GOP meeting in a video taken and later posted by Lee himself. “My family left Israel, moved to Central Europe. In the 30s, you know what happened in Central Europe with Jews. My family immigrated to the United States.”
After Cepicky threatened to “pursue the law on these individuals” who distributed the mailer, Lee, who was also in attendance at the meeting, identified himself.
Cepicky accused Lee of spreading rhetoric “espoused in Europe” in the 1930s. Lee responded, “It was right then, and it is right now. We will not fight wars for you.” Lee was later escorted from the event by law enforcement. Lee has on social media cited Russia’s invasion of Ukraine as a “war for Jews.”
Cepicky told JTA he felt compelled to denounce Lee’s antisemitism in part because he was standing in front of a replica of the preamble to the U.S. Constitution at the meeting.
“It was behind me, and it spurred me to say, ‘That doesn’t say, “We the Christians,” or, “We the Jews,” or, “We the Islamics,” or, “We the men, we the women.” It doesn’t say that,’” he said. “It says, ‘We the people.’”
Cepicky told JTA that he is a practicing Christian who discovered his Ashkenazi Jewish ancestry on 23andMe. He said his family arrived sometime after the 1917 Russian Revolution. He made his first trip to Israel in 2024, to visit the kibbutzim attacked by Hamas on Oct. 7, 2023, and helped found the Tennessee Israel Caucus in the state legislature shortly thereafter.
Gilliam and Cepicky both described Lee to JTA as an infrequent attendee at county GOP meetings who holds no leadership role with the party, and said the county Young Republicans chapter was inactive. They added they would be pushing for an investigation into what they said was his unauthorized use of the county and state Young Republicans name on his mailers.
In social media posts and other interviews following the meeting, Lee continued to assert that he was the president of Maury County Young Republicans. He also referred to Cepicky multiple times as “Jewish Representative Scott Cepicky.”
“I took over that chapter,” Lee said in an interview Wednesday with a local radio station, claiming he had used a “process” to reactivate the local Young Republicans group. He declined to answer questions about who funded his mailers.
In a statement to media, the statewide Tennessee Young Republicans said the use of their logo “was not authorized” and said the group “did not, and does not, authorize, endorse, or support the recent communications published by the Maury County Young Republicans.”
As of press time, the Tennessee Young Republicans list Maury County as an active chapter on their website. Efforts by JTA to contact the group’s statewide director were unsuccessful. In recent months, official Young Republicans chapters across the country have become embroiled in antisemitism controversies.
Whether Lee has any more solid connection with local GOP officials was a matter of dispute. Gilliam claimed he had first been introduced to Lee by Aaron Miller, a local elected GOP county commissioner with whom Gilliam has since had a falling-out over unrelated matters. Asked about his relationship to Miller on the radio, Lee declined to comment.
Reached by JTA on Friday, Miller denied he had any connection to Lee beyond that “we had beers a couple of times.”
“I don’t agree with his politics. I don’t agree with his approach,” Miller told JTA. “I got a mailer and I was like, ‘Oh, OK, this is interesting.’”
Lee did not respond to a JTA request for comment.
Miller did say that young men, feeling unrepresented by the current Republican Party, are seeking out “alternatives to liberal democracy.” He has advocated for the county GOP to reach out more to the population, he said.
“Anything where you’re going to approach an entire group of people with a blanket mindset, I think that’s wicked,” he said. “We’re all made in God’s image.”
Gilliam and Cepicky told JTA that, in addition to the antisemitism, they strongly objected to the mailers’ anti-immigrant rhetoric and misogyny. At a time of Republican-led immigration crackdowns on the national level, and as national figures including Vice President JD Vance have downplayed the rise of antisemitism within the party, these local GOP leaders loudly insisted such forces should be stamped out.
“This kind of stuff is absolutely not going to be allowed. I will not stand for it,” Gilliam said. “If you don’t cut the head off the snake, it’s going to come back, right? It’s not going to stop. It’s only going to fester. It’s going to grow. And this kind of thing, the roots need to be yanked out of the ground.”
This article originally appeared on JTA.org.
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Austria once denied its Nazi past. Now it sends young people abroad to confront it.
(JTA) — For decades after 1945, Austrians often emphasized their own victimhood under Nazi Germany.
Only in the 1980s and ‘90s did they formally and informally acknowledge the role of Austrians as perpetrators and supporters of Nazi crimes.
In 1998, at the peak of this reckoning, the Austrian Service Abroad program was established to provide young Austrians the chance to work with nonprofit organizations that preserve the memory of the Holocaust and its victims.
Young Austrians just out of high school can choose the program as an alternative to military service. They work in non-profits around the world for 10 months, 34 hours each week at no cost to the receiving organization.
“It has been a big boon to our work and allows us to greatly expand our Holocaust educational offerings,” said Olivia Mattis, the president and CEO of the Sousa Mendes Foundation, a Long Island-based nonprofit that perpetuates the memory of Holocaust rescuer Aristides de Sousa Mendes. The Portuguese diplomat issued visas to thousands of refugees fleeing Nazi-occupied France.
“There are things we can now do having this extra hand that we were not able to do before,” said Mattis, whose father was rescued by Sousa Mendes.
This year the foundation, which has been part of the program 2022, has welcomed Robin Bigga-Piskernig, 19, as its fifth Austrian participant.
Bigga-Piskernig said he views the program as a way for Austria to “make amends” for its actions during World War II. He’s available for whatever the foundation needs, which includes the production of various educational materials.
“We just now finished new translations for a graphic novel that’s going to be published in an English version as well as French and German,” said Bigga-Piskernig. “Right now there’s a project that involves old passports from the 1940s and an upcoming program about Freud and how he was saved during the Holocaust.”
Jean Lou Cloos, managing director of Austrian Service Abroad, said in an email interview that there is a direct connection between the program and the country’s belated efforts to come to terms with its past.
The program “grew out of Austria’s long and difficult process of confronting National Socialism and the Holocaust,” Cloos said. “For decades after 1945, Austria often emphasized its own victimhood under Nazi Germany. Later, public and political debate became clearer about the fact that Austrians had also been perpetrators, supporters and beneficiaries of Nazi crimes.”
Some 1,323 Austrians 17 and older have taken part in the program since its founding, 85% of them men. Austrians in the program are now in 66 countries, including Germany and Italy.
“Our volunteers work in Holocaust memorials, Jewish museums, archives, research institutions, survivor-related organizations and educational institutions,” he said. “Volunteers serve where memory is preserved, researched and passed on, whether that is Auschwitz, Yad Vashem, a Jewish museum in Europe, or a Holocaust education center in the United States.”
The participants bring a perspective to Holocaust education that is useful in reaching young people like them. As a result of the work of Bigga-Piskernig and his predecessors, Mattis said her organization since 2024 has had an active Instagram account that enables it to post its “hero of the week,” a rescuer during the Holocaust.
Recently it highlighted Michael Ber Weissmandl, an Orthodox rabbi from present-day Solovakia, who helped Jews escape deportation by bribing Nazis and their local collaborators. “He wrote desperate letters through Switzerland to Allied powers asking that they bomb the gas chambers and the train tracks — and of course that never happened,” said Mattis.
Ber Weissmandl is also featured in a set of 52 poker-sized playing cards, each containing a photo of a Holocaust rescue, created and printed by the Sousa Mendes Foundation. The cards would not have been possible without the effort of the Austrian service workers.
“They researched the background of each of the rescuers,” she said.
The Austrian interns were also “absolutely integral” to the foundation in creating graphic novels that tell the story of Sousa Mendes and the families he saved. “We want to get them into bar mitzvah training programs,” said Mattis.
In addition, the foundation helps to produce Sunday film-and-discussion programs on stories of rescue and resistance. It also developed a children’s picture book about Sousa Mendes and his work, and another about Anne Frank and the Anne Frank Sapling Project.
“When she was in hiding with her family from the Nazis in a secret annex in Amsterdam,” Mattis said, “there was only one piece of nature outside that she could see. It was a tree and watching it was how she could mark the change of seasons. It lived to age 170, dying in 2010. At that point, the Anne Frank House in Amsterdam took saplings from that tree and sent them to sites of remembrance so the Anne Frank story could travel all over the world.”
One of these trees is to be planted at the Sousa Mendes Museum in Portugal and dedicated in July. The foundations invited 20 teachers to the dedication.
“The reason we were so anxious to get this tree is because Anne Frank had a cousin, Jean-Michel Frank, the first cousin of Anne’s father, Otto Frank, and he got his visa from our hero, Sousa Mendes. So we are combining both Anne Frank and Sousa Mendes through this tree.”
Asked about his experience in Austrian Service Abroad, Bigga-Piskernig said his work and the education he has received at the Sousa Mendes Foundation “has helped me better understand the Holocaust and the role of education in helping to reduce antisemitism.”
This article originally appeared on JTA.org.
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