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One rabbi’s lifesaving solution to help Odessa’s vulnerable Jews: jerry-rigged car batteries
This winter, the city of Odessa, Ukraine, feels like the heart of darkness.
The city is constant bombardment by the Russian military, freezing nighttime temperatures commonly fall below zero, and electricity is only available for six hours per day: three in the morning and three at night.
Amid these desperate circumstances, Avraham Wolff, the chief rabbi of Odessa and southern Ukraine, is trying to bring some light — and heat.
He’s doing so with jerry-rigged car batteries to provide warmth and electricity to about 400 Holocaust survivors in the city — the most vulnerable of the vulnerable.
“The ones at greatest risk of starving to death or freezing to death are the Holocaust survivors who were not able to flee this place,” Wolff said in a phone interview from Odessa. “Holocaust survivors are staring death in the face for the second time, and we can’t avert our eyes.”
Wolff is trying to raise $500,000 in funds to purchase heating units powered by car batteries. Placed inside a home, the two car batteries connect to special transistors, which generate sufficient electricity to heat an apartment. Each unit costs $1,400, and Wolff’s organization, Mishpacha Chabad Odessa, is trying to organize 357 units: one for each apartment where a Holocaust survivor lives. Accounting for spouses, the units will provide enough electricity for about 500 people.
This literally can stave off death, Wolff says — not only by providing lifesaving heat, but also the electricity essential to the elderly and frail.
“If they go to the bathroom in the dark and they fall and break their hip, that’s the beginning of the end,” he said. When there is no power, Wolff said, “it’s darkness. But not just darkness. Also cold and hunger.”
About 20,000 Jews remain in wartime Odessa. That’s less than half the Jewish population of 50,000 that was there just a year ago, before Russian invaded Ukraine. Since then, most have fled to safer places either in western Ukraine, elsewhere in Europe or Israel. Odessa’s Jewish schools once taught 1,000 children. Now, only 200 students remain.
Jerry-rigged heating units use a pair of car batteries connecting to transistors to generate the power needed to heat an apartment. (Courtesy of Mishpacha Odessa)
The Holocaust survivors in their 80s and 90s who remain in the city are either too old or infirm to endure a dangerous journey or unwilling to leave the place where their spouse is buried.
“Someone over 90 cannot start life over as a refugee,” Wolff said.
Air raid sirens go off four or five times a day. Most of the incoming Russian rockets are shot down by defense systems, but there are hits on infrastructure, including power plants. Even the six hours per day of light and heat are not reliable, according to Wolff.
“Two days ago, they hit two power plants, so the city had no electricity for 24 hours,” he said on Monday. “We’re constantly under this pressure. We’ve been living in a war zone for a long time.”
Aside from caring for the Holocaust survivors, Mishpacha Chabad Odessa organizes monthly food deliveries of basic supplies to the homebound Jewish elderly, including such essentials as rice, cooking oil, potatoes, meat and hygiene items, and run Jewish schools and preschools still operating in Odessa.
“We want to help these people not just spiritually, but physically,” the rabbi said. “Elderly Holocaust survivors are currently the highest-risk group, but we help everyone.”
Odessa once was home to the world’s second-largest Jewish community. In the 19th century, the city became a major center of Jewish life and culture, with a large and diverse Jewish population. Many Jewish immigrants came to Odessa during this period, fleeing persecution and poverty in other parts of Europe and the Russian Empire.
Before the Holocaust, one-third of Odessa’s population was Jewish. Then the Nazis came, and Jews were subjected to forced relocation, property confiscation and mass extermination. Approximately 25,000 Jews were killed in the city and its surroundings.
A year ago, before the current war, 1.1 million people lived in Odessa. Hundreds of thousands have fled.
Wolff, 52, has lived in Odessa since 1992, when he came to the country from Israel as an emissary of Chabad, the Jewish outreach movement. When war broke out last February, he left Ukraine temporarily to settle a group of orphans in Germany. Then he returned.
After the Russian invasion, many Ukrainian Jewish communities crumbled. People fled, and Jewish institutions and landmarks like synagogues, community centers and cemeteries were destroyed by Russian bombs.
“There is so much destruction,” Wolff said. “We’re going to do all we can to rebuild, with God’s help.”
With the Russian military targeting infrastructure like power plants, residents of Odessa, Ukraine, use candles for the scant electricity and heat they provide. (Courtesy of Mishpacha Odessa)
Despite the immense dangers and challenges, Wolff says he is optimistic about the future.
“I’m sure that after Ukraine wins, and life and peace returns, there will be a rapid return of those who left, and I think others will come because there will be an economic and building boom,” Wolff said. “I believe there’s a bright future.”
Part of Wolff’s job as a Jewish leader and Chabadnik is not only to provide physical aid, but positive morale and spiritual inspiration.
“When I was a child, I heard a story from an old Jew who had been imprisoned in Siberia,” Wolff recalled. “One day, he got up and he felt he couldn’t say Modeh Ani” — the Jewish morning prayer of gratitude — “because the Russian authorities had taken everything from him: his house, wife, yeshiva, grandkids, tefillin, kippah, tzitzit. He was all alone in a Siberian prison with nothing. But then he realized that the one thing Stalin couldn’t take from him was the ability to say Modeh Ani.”
Even in these grim times, Wolff said, there is a spirit that Russian President Vladimir Putin, who is prosecuting this war, cannot take away from Ukraine’s Jews.
“There’s a war, there are challenges, nothing is easy. It’s dark, it’s cold,” Wolff said. “But the ability to smile Putin didn’t take from us and can’t take away. This is what I try to show the community. In the end we’ll win, so let’s smile now, too.”
Those interested in supporting this effort can make a contribution here to fund the battery-powered heating units being deployed to help Odessa’s Holocaust survivors survive this winter.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
