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One rabbi’s lifesaving solution to help Odessa’s vulnerable Jews: jerry-rigged car batteries
This winter, the city of Odessa, Ukraine, feels like the heart of darkness.
The city is constant bombardment by the Russian military, freezing nighttime temperatures commonly fall below zero, and electricity is only available for six hours per day: three in the morning and three at night.
Amid these desperate circumstances, Avraham Wolff, the chief rabbi of Odessa and southern Ukraine, is trying to bring some light — and heat.
He’s doing so with jerry-rigged car batteries to provide warmth and electricity to about 400 Holocaust survivors in the city — the most vulnerable of the vulnerable.
“The ones at greatest risk of starving to death or freezing to death are the Holocaust survivors who were not able to flee this place,” Wolff said in a phone interview from Odessa. “Holocaust survivors are staring death in the face for the second time, and we can’t avert our eyes.”
Wolff is trying to raise $500,000 in funds to purchase heating units powered by car batteries. Placed inside a home, the two car batteries connect to special transistors, which generate sufficient electricity to heat an apartment. Each unit costs $1,400, and Wolff’s organization, Mishpacha Chabad Odessa, is trying to organize 357 units: one for each apartment where a Holocaust survivor lives. Accounting for spouses, the units will provide enough electricity for about 500 people.
This literally can stave off death, Wolff says — not only by providing lifesaving heat, but also the electricity essential to the elderly and frail.
“If they go to the bathroom in the dark and they fall and break their hip, that’s the beginning of the end,” he said. When there is no power, Wolff said, “it’s darkness. But not just darkness. Also cold and hunger.”
About 20,000 Jews remain in wartime Odessa. That’s less than half the Jewish population of 50,000 that was there just a year ago, before Russian invaded Ukraine. Since then, most have fled to safer places either in western Ukraine, elsewhere in Europe or Israel. Odessa’s Jewish schools once taught 1,000 children. Now, only 200 students remain.
Jerry-rigged heating units use a pair of car batteries connecting to transistors to generate the power needed to heat an apartment. (Courtesy of Mishpacha Odessa)
The Holocaust survivors in their 80s and 90s who remain in the city are either too old or infirm to endure a dangerous journey or unwilling to leave the place where their spouse is buried.
“Someone over 90 cannot start life over as a refugee,” Wolff said.
Air raid sirens go off four or five times a day. Most of the incoming Russian rockets are shot down by defense systems, but there are hits on infrastructure, including power plants. Even the six hours per day of light and heat are not reliable, according to Wolff.
“Two days ago, they hit two power plants, so the city had no electricity for 24 hours,” he said on Monday. “We’re constantly under this pressure. We’ve been living in a war zone for a long time.”
Aside from caring for the Holocaust survivors, Mishpacha Chabad Odessa organizes monthly food deliveries of basic supplies to the homebound Jewish elderly, including such essentials as rice, cooking oil, potatoes, meat and hygiene items, and run Jewish schools and preschools still operating in Odessa.
“We want to help these people not just spiritually, but physically,” the rabbi said. “Elderly Holocaust survivors are currently the highest-risk group, but we help everyone.”
Odessa once was home to the world’s second-largest Jewish community. In the 19th century, the city became a major center of Jewish life and culture, with a large and diverse Jewish population. Many Jewish immigrants came to Odessa during this period, fleeing persecution and poverty in other parts of Europe and the Russian Empire.
Before the Holocaust, one-third of Odessa’s population was Jewish. Then the Nazis came, and Jews were subjected to forced relocation, property confiscation and mass extermination. Approximately 25,000 Jews were killed in the city and its surroundings.
A year ago, before the current war, 1.1 million people lived in Odessa. Hundreds of thousands have fled.
Wolff, 52, has lived in Odessa since 1992, when he came to the country from Israel as an emissary of Chabad, the Jewish outreach movement. When war broke out last February, he left Ukraine temporarily to settle a group of orphans in Germany. Then he returned.
After the Russian invasion, many Ukrainian Jewish communities crumbled. People fled, and Jewish institutions and landmarks like synagogues, community centers and cemeteries were destroyed by Russian bombs.
“There is so much destruction,” Wolff said. “We’re going to do all we can to rebuild, with God’s help.”
With the Russian military targeting infrastructure like power plants, residents of Odessa, Ukraine, use candles for the scant electricity and heat they provide. (Courtesy of Mishpacha Odessa)
Despite the immense dangers and challenges, Wolff says he is optimistic about the future.
“I’m sure that after Ukraine wins, and life and peace returns, there will be a rapid return of those who left, and I think others will come because there will be an economic and building boom,” Wolff said. “I believe there’s a bright future.”
Part of Wolff’s job as a Jewish leader and Chabadnik is not only to provide physical aid, but positive morale and spiritual inspiration.
“When I was a child, I heard a story from an old Jew who had been imprisoned in Siberia,” Wolff recalled. “One day, he got up and he felt he couldn’t say Modeh Ani” — the Jewish morning prayer of gratitude — “because the Russian authorities had taken everything from him: his house, wife, yeshiva, grandkids, tefillin, kippah, tzitzit. He was all alone in a Siberian prison with nothing. But then he realized that the one thing Stalin couldn’t take from him was the ability to say Modeh Ani.”
Even in these grim times, Wolff said, there is a spirit that Russian President Vladimir Putin, who is prosecuting this war, cannot take away from Ukraine’s Jews.
“There’s a war, there are challenges, nothing is easy. It’s dark, it’s cold,” Wolff said. “But the ability to smile Putin didn’t take from us and can’t take away. This is what I try to show the community. In the end we’ll win, so let’s smile now, too.”
Those interested in supporting this effort can make a contribution here to fund the battery-powered heating units being deployed to help Odessa’s Holocaust survivors survive this winter.
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The post One rabbi’s lifesaving solution to help Odessa’s vulnerable Jews: jerry-rigged car batteries appeared first on Jewish Telegraphic Agency.
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At Eurovision, Israel’s near triumph shows the limits of tolerance
VIENNA — A keffiyeh was blocking my view, and it bothered me less than I would have expected.
It was around 9:45 pm, and I was standing outside Vienna’s city hall, where the city had erected a “Eurovision village.” The pan-European singing competition was taking place in the former Habsburg capital, grand architecture framing massive public viewing screens.
Security was tight. Visitors weren’t allowed to bring bags inside the area, and we were patted down by two separate guards before we were allowed to enter. In August 2024, a foiled terror attack led to the cancellation of three Taylor Swift concerts, an international embarrassment authorities were keen not to repeat.
And then there were the protests over Israel’s participation.
The day before, an anti-Israel solidarity concert had featured a video call with Unorthodox author Deborah Feldman, who said she was protesting the “whitewashing” of a genocide. A separate “song protest” reportedly escalated from chants of “One love” to “Death, death IDF.” Earlier that day, demonstrators had marched along Vienna’s main shopping boulevard. By the time evening rolled around, a group of clowns had gathered outside the parliament, practicing creepy, Joker-like laughs and holding signs that said “United by Genocide,” a play on the Eurovision Song Contest’s slogan. “United by Music.”
For a contest that insists on being apolitical, Eurovision had become unmistakably political.
I didn’t care much for the music, but world events were unfolding here in Vienna, and I wanted to see them up close.
Israeli singer Noam Bettan was the third to perform. As he got on stage and started singing “Michelle,” a couple of people in the crowd I was standing in started shouting “Free Palestine” at the screen. The chants weren’t loud enough to drown out the performance
Then, someone in front of me raised a keffiyeh, stretching it between both hands and waving it in the air. It blocked my view. I considered asking him to lower it. But did I really want to risk a confrontation? Instead, I stepped sideways – slightly annoyed, but telling myself this was the price of tolerance.
Only later that night did I begin to wonder whether tolerance was, in fact, a shared value.
Back home, I watched the voting. Just before 1 a.m. the audience vote catapulted the Israeli act into the lead. In the previous two years, Israeli entries had also performed strongly with viewers, placing first and second in the public vote without winning overall. The reasons have been debated: diaspora support, savvy promotion, or simply songs that fit the Eurovision formula — catchy, theatrical, sung with a powerful voice. (Israel has won the competition four times, most recently in 2018.)
Israel’s promotional efforts have drawn criticism, but no evidence of manipulation has emerged, and the public broadcaster KAN has responded quickly to European Broadcasting Union reprimands.
It didn’t matter. Social media filled with accusations that Israel had cheated. In the arena, just before Bulgaria’s points were announced, the booing aimed at Israel’s entry grew so loud it was clearly audible on the broadcast.
Bulgaria won, Israel came in second, and I felt something close to relief. At a time when several countries had already stayed away and others were wavering, it seemed less like a celebration than a breaking point. I wouldn’t want to witness what would happen if Eurovision were to be held in Israel next year.
It had been easy to move when the keffiyeh blocked my view. One step to the side, and the problem was gone. However, there was no stepping aside from what came later. Freedom of speech is about making space, but it can also be used to close it.
The post At Eurovision, Israel’s near triumph shows the limits of tolerance appeared first on The Forward.
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Israel’s Noam Bettan takes 2nd at Eurovision, buoyed by scrutinized public vote
(JTA) — The Israeli contestant in the Eurovision Song Contest won second place for the second year in a row, drawing a strong public vote despite protests over Israel’s inclusion in the contest.
Noam Bettan and his song “Michelle” ranked third in the public vote and eighth in the jury vote, which combined to give him second place behind the entry from Bulgaria, which won the contest for the first time.
Bettan thanked his fans in a post on Instagram after leaving the stage.
“I’m still processing everything and trying to find the words for this incredible journey. You guys are amazing and this is all because of you. I love every single one of you!” he wrote. “This is just the beginning, there are so many amazing things in the way! 🤍Am Israel Chai!!!”
Five countries boycotted the contest this year over Israel’s inclusion, citing Israel’s military operations in Gaza. After the competition, a spokesperson for VRT, Belgium’s national broadcaster, said the country was unlikely to participate next year unless the European Broadcasting Union, which runs the contest, makes “a clear statement against war and violence and for respect for human rights.” Belgium came in 21st of 25 competitors in the final.
Bettan faced a smattering of boos both during the semifinal on Tuesday and during the final on Saturday in Vienna, as well as when Israel briefly led the leaderboard during the announcement of the audience votes. He told the Jewish Telegraphic Agency ahead of the final that he believed he had more fans than detractors and that he would focus on them.
Israel scored 220 points in the public vote after drawing a formal warning from the EBU for its campaign urging supporters to send all 10 of their votes to Bettan. Israel’s broadcaster called off the campaign after being told it was “not in line with our rules nor the spirit of the competition.”
Israel also drew 123 points from national juries, more than twice what it earned last year when 22 countries awarded Israel no points at all in a result seen as driven in part by political tensions.
This article originally appeared on JTA.org.
The post Israel’s Noam Bettan takes 2nd at Eurovision, buoyed by scrutinized public vote appeared first on The Forward.
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It looks like a kaffiyeh, but this pro-Israel influencer wants you to wear a sudra
In a recent viral Jubilee video viewed more than 1.5 million times, pro-Israel activist Rudy Rochman sits across from a group of 20 pro-Palestinian activists, debating the Israeli-Palestinian conflict. Draped around his neck is a black-and-gray checkered scarf that looks almost identical to a kaffiyeh.
Look closer, and the pattern resolves into something else: tiny Stars of David clustered together, alongside Hebrew lettering spelling out Am Yisrael Chai — “the people of Israel live,” which has became a mantra after Oct. 7 and the hostage crisis. It’s not a kaffiyeh, Rochman says, but a modern twist on the sudra, a cloth head covering once worn by Jews across the Middle East — and he wants to bring it back.
Since the Gaza War, the kaffiyeh has become an increasingly visible symbol of pro-Palestinian activism. Now, Rochman is part of a small but growing effort to revive the sudra as a marker of Jewish identity rooted in the Middle East. He runs the company My Sudra, promoting and selling the garment online. It has been embraced by a niche but visible group of young pro-Israel influencers.
Rochman, a 32-year-old Jew of Moroccan and Algerian descent, said he and his family wore sudras during celebrations like bar mitzvahs and weddings. In old family albums, Rochman says most photos of his grandfather and great-grandfather show them donning the garment in Morocco.
As a child, Rochman understood the head covering as Middle Eastern rather than distinctly Jewish. Once he learned about its connection to Judaism, he set out to revive it, beginning to create sudras in 2016 while a student at Columbia University.
The term sudra appears in rabbinic literature, including the Mishnah and Talmud, as a general term for a cloth typically worn as the religiously prescribed head covering, though some sources describe Jews wearing it around their necks. Experts say Jews across the Middle East wore sudras, likely before the Middle Ages, with styles varying by region and period.
From the Middle Ages into the modern era, Jews in the Middle East, classified as dhimmis, sometimes faced legal restrictions on dress. One notable prohibition during certain periods was the wearing of a headscarf or turban by Jews, including the sudra.
“This form of headgear by Jewish men was not tolerated in many communities,” said Gillian Vogelsang-Eastwood, a textile historian specializing in Middle Eastern dress. “Men could wear the kippah, but nothing significant in public on the head.”
Over time, she said, those constraints contributed to the fading of the custom.
“For me, it’s about reviving an aspect of our culture that was beaten out of us by force,” said Rochman. “It’s not like we consciously made a decision. ‘Hey, we want to stop wearing sudras.’ We were forced to stop wearing it.”
Historically, sudras did not usually feature identifiably Jewish symbols. The Kurdish sudra is an exception, incorporating circles and dots with religious meaning. Even in Rochman’s own family photos, his ancestors typically wore plain white sudras.
Rochman, however, has deliberately added Jewish symbols to make the garment legibly Jewish to contemporary eyes.
Rochman sells sudras in various colors, including a black and white version that looks exceptionally similar to the Palestinian version of the kaffiyeh. Instead of the pattern of zig-zag stripes and criss-crossed squares that can be found on that kaffiyeh, Rochman’s sudra has stars of David juxtaposed to create a similar checkered pattern, as well as Jewish symbols like the menorah, along with the phrase Am Yisrael Chai.
The resemblance to the kaffiyeh is not accidental.
The kaffiyeh is widely seen today as a symbol of Palestinian identity and resistance, but it did not always carry that meaning.
According to Vogelsang, “The kaffiyeh is basically regarded as a 19th-century development worn by farmers in Syria,” she said. “The Jordanian army later adopted it as part of their uniforms.”
Vogelsang says its political symbolism developed in the 20th century, particularly through its association with Palestinian nationalism and figures such as PLO leader Yasser Arafat, who popularized the black-and-white kaffiyeh widely worn today.
Some say the patterns on the Palestinian black-and-white kaffiyeh represent different aspects of Palestinian culture. The criss-cross lines represent the Palestinian ties to the Mediterranean Sea because of their resemblance to fishnets; the black stripes symbolize trade routes through Palestine; and the curved lines are said to symbolize olive trees.
But Vogelsang and other experts say that this symbolism is a modern interpretation of older patterns. “They didn’t have these meanings. The Palestinian community has given them these meanings,” she said.
Patterns like checks and stripes were often used for garments in the Middle East, not because of any particular symbolism, but because “they are just an easy, convenient design to make,” said Vogelsang. Both Jews and Muslims used whichever fabrics were locally available, often checkered and striped patterns commonly associated with the modern-day kaffiyeh.
In a similar way, Rochman’s sudra takes on explicit political meaning through the inclusion of the phrase Am Yisrael Chai, popularized in the 1960s as a rallying cry for Soviet Jewry and now widely used at pro-Israel demonstrations. In that sense, his garment does not just revive a historical practice, but imbues it with ideological significance.
“Being a Zionist outwardly was kind of seen as excessive before Oct. 7, but after Oct. 7 it became something that was cool again,” Rochman said, adding that interest in — and sales of — his sudras increased following the attacks and the war in Gaza that followed.
I asked Rochman if he’s ever worried about being mistaken for wearing a kaffiyeh or accused of cultural appropriation. Dozens of Reddit threads are dedicated to the topic online. In the Jubilee video, one Palestinian activist tells him, “Are you going to pretend that the kaffiyeh you’re wearing is not a culturally appropriated kaffiyeh? And you just added the Hebrew and all of that to it.”
But he is not particularly bothered by either accusation.
“I look at it as just an opportunity to tell that person, whether a Jew or not a Jew, that doesn’t know anything about a part of Jewish culture, who we are and what we are.”
And while Rochman’s main goal is to help younger generations of Jews understand a part of their history that has faded, he hopes that more Jews wearing the sudra will also foster a greater understanding of Jewish history in the Middle East.
“We need to know where we’re from,” Rochman said. “And if it helps us connect with other Middle Eastern peoples, that’s amazing too.”
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