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‘Parade’ and ‘Leopoldstadt’ each nab 6 Tony nominations in a big year for Jewish Broadway

(JTA) — Shows about the Holocaust and a notorious American antisemitic incident picked up several Tony Award nominations Tuesday morning, as Broadway’s biggest honors made room for a sizable Jewish presence.

Most notably, a revival of the 1998 musical “Parade,” starring Ben Platt as the early-20th-century Jewish lynching victim Leo Frank, scored six nominations, including best revival of a musical and a best actor nod for Platt. Jewish lead actress Micaela Diamond also scored a nomination for playing Leo’s wife Lucille, causing awards presenter Lea Michele to squeal with glee (pun intended) as she read Diamond’s name at the livestreamed nominations ceremony Tuesday morning.

Arriving during a heightened moment of national awareness about antisemitism, “Parade” attracted notice early in its Broadway run when a performance was picketed by neo-Nazis. That incident led to an outpouring of support from Broadway’s Jewish community. Platt himself arrived at last night’s Met Gala wearing a Star of David necklace, further driving home the show’s message.

A view of the cast of “Leopoldstadt,” which focuses on multiple generations of a Viennese Jewish family. (Joan Marcus)

“Leopoldstadt,” Tom Stoppard’s epic, highly personal play about multiple generations of a Jewish Viennese family before, during and after the Holocaust, also received six nominations, including an expected nod for best play. Brandon Uranowitz also earned a nod for best actor in a featured role in a play, and Patrick Marber scored a best direction nomination; both are Jewish. 

Oscar Isaac plays the titular character in a revival of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” at the BAM Harvey Theater in Brooklyn, N.Y. (Julieta Cervantes)

Signs were more mixed for another high-profile Jewish production, “The Sign In Sidney Brustein’s Window,” which eked out two nominations, including best revival of a play. The show, first written by Lorraine Hansberry in 1964 shortly before her death, follows a Jewish bohemian grappling with political and social change in Greenwich Village. It had not been staged on Broadway since its initial run. Neither of its A-list stars, Oscar Isaac and Rachel Brosnahan, earned acting nominations, though Miriam Silverman did receive the show’s lone other nomination for her featured role as Isaac’s character’s sister-in-law — who is casually antisemitic.

Besides “Parade,” the musical revival category was dominated by shows with Jewish roots. Also nominated was a new version of the 1960 classic “Camelot,” billed as “Lerner & Loewe’s Camelot” in recognition of the two Jewish Broadway scribes who crafted the initial production, Alan Jay Lerner and Frederick Loewe. Written by Aaron Sorkin, who is Jewish, and directed by Bartlett Sher, who learned as a teenager that his father was Jewish, the new “Camelot” had five nominations in total. 

Two reinterpretations of Stephen Sondheim standards, “Into The Woods” and “Sweeney Todd: The Demon Barber of Fleet Street,” rounded out the category. The pop singer Josh Groban, whose father was Jewish before converting to his mother’s Christianity, was nominated for playing the lead role in “Sweeney Todd,” while Julia Lester, whose great-grandfather was part of a Yiddish theater in Poland, was nominated for her featured role in “Into the Woods.”

The play “Good Night, Oscar,” about the Jewish entertainer Oscar Levant’s struggles with mental illness, picked up three nominations, including for lead actors Sean Hayes and Rachel Hauck. “Death of a Salesman,” a new revival of the classic play by Jewish playwright Arthur Miller, also picked up two nominations.

Jewish actress Jessica Hecht picked up an acting nomination for her lead role in the play “Summer, 1976,” about a lifelong friendship between two women. Hecht is up against several star performers in the category, including Jessica Chastain, Jodie Comer and Audra McDonald.

Among the other nominees was a modern-day musical reimagining of “Some Like It Hot,” the 1959 cross-dressing comedy. The original movie had plenty of Jewish talent: It was directed by Billy Wilder, co-starred Tony Curtis and Jewish convert Marilyn Monroe, and featured recently deceased Jewish character actor Nehemiah Persoff in a small role. The new musical, by Amber Ruffin and Matthew López, led the pack with 13 Tony nominations including best new musical. Veteran Jewish songwriter Marc Shaiman picked up a nomination for co-writing the show’s score.

Another new musical based on a movie, “New York, New York,” also built off of Jewish talent: the songwriting duo John Kander and Fred Ebb wrote the music for the original 1977 film, and Kander is co-credited with Lin-Manuel Miranda for additional music on the new film. “New York, New York” received nine nominations, including best new musical.

The prolific Jewish theater composer Jeanine Tesori had another Broadway hit this year with the musical “Kimberly Akimbo,” which received eight nominations, including one for her music.

The nominations were co-announced Tuesday morning by Michele, who has been the talk of Broadway since she replaced Beanie Feldstein as the lead of the “Funny Girl” revival. Feldstein was snubbed at the Tonys last year amid tepid reviews for her performance in the musical about Jewish comedienne Fanny Brice.

The Tonys will air on CBS and various Paramount-owned streaming services on June 11.


The post ‘Parade’ and ‘Leopoldstadt’ each nab 6 Tony nominations in a big year for Jewish Broadway appeared first on Jewish Telegraphic Agency.

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The Science Behind Streak-Free Windows: What Professionals Do Differently

When it comes to window cleaning, nothing beats the satisfaction of streak-free, crystal-clear glass. But achieving this pristine finish isn’t as simple as grabbing a cloth and some spray. Professional window cleaners have mastered the science behind streak-free windows, using specific techniques and tools to deliver flawless results. Here’s what they do differently and why their methods are so effective.

1. Using the Right Tools for the Job

Professionals don’t rely on standard cleaning products or paper towels to get the job done. Instead, they use high-quality tools specifically designed for window cleaning. Key items in their arsenal include:

  • Squeegees: The cornerstone of any professional’s toolkit, squeegees ensure even water removal, leaving no streaks behind. The rubber blades are replaced regularly to maintain their effectiveness.
  • Microfiber Cloths: Unlike traditional rags, microfiber cloths are lint-free and highly absorbent, making them perfect for detailing and edge cleaning.
  • Specialized Cleaning Solutions: Professionals often use eco-friendly, ammonia-free solutions that dissolve dirt and grease without leaving residues.
  • Water-Fed Poles: For high-rise or hard-to-reach windows, water-fed poles equipped with purified water systems are used to clean without streaking.

2. The Importance of Purified Water

One of the secrets to streak-free windows lies in the water itself. Tap water contains minerals, salts, and impurities that can leave behind spots and streaks when it dries. Professionals use purified water systems that remove these contaminants, ensuring a spotless finish.

Purified water also has a natural ability to dissolve dirt and grime more effectively than regular water. When combined with the right tools, it creates the perfect formula for crystal-clear windows.

3. Perfecting the Technique

The way professionals clean windows is just as important as the tools they use. Here are some techniques they employ to achieve streak-free results:

  • Pre-Cleaning: Before tackling the glass, professionals remove loose dirt and debris from the surface to prevent scratches.
  • Systematic Movements: Using a squeegee, they clean in overlapping strokes, starting at the top and working their way down. This ensures no spots are missed and prevents water from dripping onto already cleaned areas.
  • Edge Detailing: Professionals pay special attention to the edges and corners of the glass, where streaks are most likely to form. Microfiber cloths are often used for this step.
  • Drying Techniques: Any remaining water is carefully wiped away to prevent streaking. This step is crucial, especially in areas with high humidity.

4. Timing Matters

Professional window cleaners know that timing can make or break the outcome. Cleaning windows on a sunny day might seem like a good idea, but direct sunlight causes cleaning solutions to dry too quickly, leaving streaks behind. Professionals prefer overcast days or cooler parts of the day to ensure optimal results.

5. Safety First

For high-rise buildings or windows in hard-to-reach places, safety is a top priority. Professionals use specialized equipment like harnesses, ladders, and scaffolding to ensure they can clean effectively without compromising safety. This expertise allows them to tackle challenging jobs while maintaining streak-free quality.

6. Experience and Training

What truly sets professionals apart is their experience. Years of practice have honed their skills, allowing them to identify and address potential issues, like hard water stains or stubborn grime, before they become a problem. Their training ensures they can adapt to different types of glass and environments, delivering consistent results every time.

A Trusted Name in Toronto

When it comes to achieving streak-free windows, Toronto Window Cleaners has perfected the art. With over 20 years of experience, their team of fully trained and certified professionals uses advanced techniques and tools to deliver exceptional results. Whether it’s a residential property or a high-rise building, they’ve built a reputation for excellence across the Greater Toronto Area.

In conclusion, the science behind streak-free windows is a blend of using the right tools, employing expert techniques, and understanding the conditions that impact cleaning results. By trusting professionals, you’re not just ensuring sparkling windows—you’re investing in a methodical process that guarantees perfection every time.

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Memoir of child of Holocaust survivors takes riveting twists

Book Review by Julie Kirsh (former Sun Media News Research Director)
Exclusive to The Jewish Post
“We used to Dream of Freedom, A Memoir of Family, the Holocaust, and the Stories We Don’t Tell”
By Sam Chaiton (Dundurn Press) 2024
Sam Chaiton’s memoir of growing up with Holocaust survivor parents in downtown Toronto in the 1950s is a compelling read.
Jeanne Beker, a well known Toronto fashion writer, mentions in her praise for “We used to Dream of Freedom” that her survivor parents talked incessantly about their war experiences.
My own parents, both survivors, would drop tidbits of their stories now and again. I learned to be watchful and vigilant for these rare moments of revelation. However, questioning my parents about the Holocaust, would cause them pain. I knew when to stand down.
In his memoir, Sam Chaiton tells the reader that his parents chose to remain completely silent about their wartime experiences. Poignantly their son was left with a silence that he interpreted as huge empty sound. Although the son could understand some Yiddish, his parents turned to Polish in order to keep the “kinder safe”. Outright denial of illness and death was part of his parents’ way of coping.
Born in the 1950s on Palmerston Boulevard in downtown Toronto, Chaiton paints a vivid picture of his youth as the middle son of five boys. He describes the mayhem of a household of barked orders and punishment by his father’s belt. His mother, as with many other survivors, was obsessed with eating and food. Chaiton learned early that rejecting his controlling mother’s food was one of his few weapons. “It’s hard not to do what a Holocaust survivor wants you to”, he says. Chaiton had to stare down two parents both with tattoos.
Dance proved to be a saving grace for Chaiton. On the dance floor, with a partner, the gates of happiness and permission to be oneself, opened. The Toronto Dance Theatre in Yorkville was a salvation and home for Chaiton. Also important to Chaiton was a family – not his troubled blood family but a chosen one – a commune.
In 1973, after a sojourn in New York, Chaiton decided that he was not a performance dancer. Back in Toronto as he pointedly danced with his mother at his brother’s wedding, she told him that he was her favourite child, imposing “the psychological damage that parental favouritism caused”.
Living in a commune with a chosen family afforded Chaiton the freedom to dig deep into his psyche, face his traumatic upbringing and tear down the rigid rules of society and the biological family. At a certain point, for reasons he explains in the book, Chaiton made the decision to vanish from the lives of his parents and brothers.
In 1980 the commune took up the cause of the injustice and illegal jailing of Rubin “Hurricane” Carter. Carter had been exonerated, released from prison and then reconvicted and sent back to prison.
In hindsight Chaiton wonders if his disengagement from his family caused them the same wounds and feelings of emptiness that Carter had to face when he was reincarcerated.
In 1985 while sitting in a New Jersey prison yard with friends and Carter, Chaiton had the riveting vision that he was in a concentration camp, “on a mission to liberate (his) parents – the dream of every Holocaust survivor’s child.”
In the summer of 1985, Chaiton received the news from Toronto that his parents were involved in a fatal car accident. Only after his mother’s death, was Chaiton able to acknowledge that in spite of her smothering, she gave him a sense of self worth and strength.
In 1988 Chaiton co-wrote the story of freeing Carter. One of his brothers saw him on a news broadcast, contacted him and the 20-year silence between Chaiton and his blood family was over.
Riding on the coattails of the successful release of Carter, Chaiton and some friends established an organization that continues to exist today. Innocence Canada has helped wrongfully convicted people like Guy Paul Morin, David Milgaard and Steven Truscott.
In chapter 16, entitled Wierzbnik, Chaiton finally learns about his father’s testimony published in a book, “Remembering Survival”, by a university professor. Reading about his father’s history helped Chaiton to understand the damage done to survivors, his parents’ trauma and why the home that they created for their sons after the war was so fraught.
Chaiton remarks on the interconnectedness of learning about the sufferings of his parents, his own personal struggles and the gift his father left him of being able to tell his own story.
Sam Chaiton’s profound memoir took courage and brutal honesty to write.
His book teaches that the legacy left by Holocaust survivors, along with a deep sadness, is the innate need of the children to persevere and find their own path of survival and growth.

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Obituaries

CAROL SLATER (née GENSER)

With great courage on Wednesday, November 6, 2024, surrounded by her family.

Treasured daughter of the late Esther and the late Percy. Beloved wife of Ron for 69 years. Loving mother and mother-in-law of Charles and Dina Slater, Erin and Joe Battat, Adam and Kit, Claudia and the late David. Cherished grandmother of Zach, Robert and Hydi, Ben and Martha, Liam and Addison, Thom and Emeline, Max, Ilai, Emanuelle and Eli. Proud great-grandmother of Rafael, Lily, Maya, and Jojo. Special sister and sister-in-law of David and Joan Genser, Roberta and Mayer Lawee; and sister-in-law of Joel and Sheila Slater. Greatly missed by her nieces, nephews, family, friends and by all who knew her.

The family would like to thank Drs. Shamy, Lipes, Chang, the doctors, nurses and staff at the Jewish General Hospital Palliative Care Unit as well as DeyDey, Linette and everyone who took such wonderful care of our Mom.

Funeral service from Paperman & Sons, 3888 Jean Talon St. W., on Sunday, November 10 at 9:30 a.m. Livestream available. Burial in Israel.

Donations in her memory may be made to the “Carol and Ron Scholarship” c/o Mothers Matter Canada 1-604-676-8250
Publish Date: Nov 9, 2024

CAROL SLATER

(née GENSER)


With great courage on Wednesday, November 6, 2024, surrounded by her family.
Treasured daughter of the late Esther and the late Percy. Beloved wife of Ron for 69 years. Loving mother and mother-in-law of Charles and Dina Slater, Erin and Joe Battat, Adam and Kitt, Claudia and the late David. Cherished grandmother of Zach, Robert and Hydi, Ben and Martha, Liam and Addison. Proud great-grandmother of Rafael, Lily, Maya, and Jojo. Special sister and sister-in-law of David and Joan Genser, Roberta and Mayer Lawee; and sister-in-law of Joel and Sheila Slater. Greatly missed by her nieces, nephews, family, friends and by all who knew her.
The family would like to thank Drs. Shamy, Lipes, Chang, the doctors, nurses and staff at the Jewish General Hospital Palliative Care Unit as well as DeyDey, Linette and everyone who took such wonderful care of our Mom.
Funeral service from Paperman & Sons, 3888 Jean Talon St. W., on Sunday, November 10 at 9:30 a.m. Live stream available. Burial in Israel.
Donations in her memory may be made to the “Carol and Ron Scholarship” c/o Mothers Matter Canada 1-604-676-8250

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