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‘Parade’ and ‘Leopoldstadt’ each nab 6 Tony nominations in a big year for Jewish Broadway
(JTA) — Shows about the Holocaust and a notorious American antisemitic incident picked up several Tony Award nominations Tuesday morning, as Broadway’s biggest honors made room for a sizable Jewish presence.
Most notably, a revival of the 1998 musical “Parade,” starring Ben Platt as the early-20th-century Jewish lynching victim Leo Frank, scored six nominations, including best revival of a musical and a best actor nod for Platt. Jewish lead actress Micaela Diamond also scored a nomination for playing Leo’s wife Lucille, causing awards presenter Lea Michele to squeal with glee (pun intended) as she read Diamond’s name at the livestreamed nominations ceremony Tuesday morning.
Arriving during a heightened moment of national awareness about antisemitism, “Parade” attracted notice early in its Broadway run when a performance was picketed by neo-Nazis. That incident led to an outpouring of support from Broadway’s Jewish community. Platt himself arrived at last night’s Met Gala wearing a Star of David necklace, further driving home the show’s message.
A view of the cast of “Leopoldstadt,” which focuses on multiple generations of a Viennese Jewish family. (Joan Marcus)
“Leopoldstadt,” Tom Stoppard’s epic, highly personal play about multiple generations of a Jewish Viennese family before, during and after the Holocaust, also received six nominations, including an expected nod for best play. Brandon Uranowitz also earned a nod for best actor in a featured role in a play, and Patrick Marber scored a best direction nomination; both are Jewish.
Oscar Isaac plays the titular character in a revival of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” at the BAM Harvey Theater in Brooklyn, N.Y. (Julieta Cervantes)
Signs were more mixed for another high-profile Jewish production, “The Sign In Sidney Brustein’s Window,” which eked out two nominations, including best revival of a play. The show, first written by Lorraine Hansberry in 1964 shortly before her death, follows a Jewish bohemian grappling with political and social change in Greenwich Village. It had not been staged on Broadway since its initial run. Neither of its A-list stars, Oscar Isaac and Rachel Brosnahan, earned acting nominations, though Miriam Silverman did receive the show’s lone other nomination for her featured role as Isaac’s character’s sister-in-law — who is casually antisemitic.
Besides “Parade,” the musical revival category was dominated by shows with Jewish roots. Also nominated was a new version of the 1960 classic “Camelot,” billed as “Lerner & Loewe’s Camelot” in recognition of the two Jewish Broadway scribes who crafted the initial production, Alan Jay Lerner and Frederick Loewe. Written by Aaron Sorkin, who is Jewish, and directed by Bartlett Sher, who learned as a teenager that his father was Jewish, the new “Camelot” had five nominations in total.
Two reinterpretations of Stephen Sondheim standards, “Into The Woods” and “Sweeney Todd: The Demon Barber of Fleet Street,” rounded out the category. The pop singer Josh Groban, whose father was Jewish before converting to his mother’s Christianity, was nominated for playing the lead role in “Sweeney Todd,” while Julia Lester, whose great-grandfather was part of a Yiddish theater in Poland, was nominated for her featured role in “Into the Woods.”
The play “Good Night, Oscar,” about the Jewish entertainer Oscar Levant’s struggles with mental illness, picked up three nominations, including for lead actors Sean Hayes and Rachel Hauck. “Death of a Salesman,” a new revival of the classic play by Jewish playwright Arthur Miller, also picked up two nominations.
Jewish actress Jessica Hecht picked up an acting nomination for her lead role in the play “Summer, 1976,” about a lifelong friendship between two women. Hecht is up against several star performers in the category, including Jessica Chastain, Jodie Comer and Audra McDonald.
Among the other nominees was a modern-day musical reimagining of “Some Like It Hot,” the 1959 cross-dressing comedy. The original movie had plenty of Jewish talent: It was directed by Billy Wilder, co-starred Tony Curtis and Jewish convert Marilyn Monroe, and featured recently deceased Jewish character actor Nehemiah Persoff in a small role. The new musical, by Amber Ruffin and Matthew López, led the pack with 13 Tony nominations including best new musical. Veteran Jewish songwriter Marc Shaiman picked up a nomination for co-writing the show’s score.
Another new musical based on a movie, “New York, New York,” also built off of Jewish talent: the songwriting duo John Kander and Fred Ebb wrote the music for the original 1977 film, and Kander is co-credited with Lin-Manuel Miranda for additional music on the new film. “New York, New York” received nine nominations, including best new musical.
The prolific Jewish theater composer Jeanine Tesori had another Broadway hit this year with the musical “Kimberly Akimbo,” which received eight nominations, including one for her music.
The nominations were co-announced Tuesday morning by Michele, who has been the talk of Broadway since she replaced Beanie Feldstein as the lead of the “Funny Girl” revival. Feldstein was snubbed at the Tonys last year amid tepid reviews for her performance in the musical about Jewish comedienne Fanny Brice.
The Tonys will air on CBS and various Paramount-owned streaming services on June 11.
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Hezbollah rejects US-brokered ceasefire deal struck by Lebanon and Israel
(JTA) — Hezbollah appears to have rejected a ceasefire that the United States brokered between Israel and Lebanon, where the Iranian proxy is based.
The deal reportedly would have allowed Israel to remain in southern Lebanon, where it has established a buffer zone, but not permit any attacks in Beirut unless Hezbollah attacked Israel within its own borders. It would also have required Hezbollah fighters to leave the buffer zone.
A top Hezbollah leader said accepting a demand to leave southern Lebanon would amount to “surrender” for the group.
“What we are concerned about is an end to the aggression, ceasefire and Israel’s withdrawal,” Secretary-General Naim Qassem said in a televised statement on Thursday, the Associated Press reported. “We did not make any commitment to any party to stop resisting as long as there is occupation.”
Dozens of Israeli soldiers have died in the fighting, which Hezbollah is increasingly prosecuting with the use of drones.
The rejection comes as the U.S. House of Representatives voted to rebuke President Donald Trump and his war on Iran on Wednesday, narrowly passing a resolution that limits Trump’s power to continue the war without congressional approval.
Four Republicans voted with Democrats on the bill, in a sign of how opposition to the war, which Trump launched jointly with Israel in February, is crossing party lines ahead of high-stakes midterm elections in the United States.
The bill would not require presidential signoff but is seen as unlikely to substantively change Trump’s handling of the war, which he has insisted does not require congressional approval.
Trump called the vote “meaningless” in a post on Truth Social on Thursday morning.
“Yesterday, in a meaningless vote, the House voted, 4 bad Republicans and all of the Dumocrats, to limit my War Powers, right in the middle of my final negotiations to end the War with the Islamic Republic of Iran,” he wrote. “Who would do such an unpatriotic thing.”
The bill now goes to the Senate, where a similar measure has advanced in recent weeks, also with support from a handful of Republicans. It comes at a delicate time, as an uncertain ceasefire struck in early April has now stretched on without a resolution for longer than active hostilities unfolded. Trump has failed to achieve the terms for a deal to permanently end the war that he said he wanted, and this week said he thought the constant negotiations had grown “very boring.” Hezbollah’s apparent rejection of a ceasefire deal is another setback.
Iran has continued to battle during its ceasefire with the United States, though not against Israel: On Wednesday, it struck Kuwait’s main airport, killing one and injuring 60.
Also on Wednesday, Trump confirmed reports that he had called Israeli Prime Minister Benjamin Netanyahu “f—ing crazy” during a call on Monday in which Trump pressed Netanyahu to strike a ceasefire with Hezbollah, Iran’s proxy in Lebanon. Trump told a New York Post podcast that he was “a little perturbed at his constantly fighting with Lebanon” but that he liked Netanyahu and worked well with him.
This article originally appeared on JTA.org.
The post Hezbollah rejects US-brokered ceasefire deal struck by Lebanon and Israel appeared first on The Forward.
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A Yiddish favorite is among the top baby names in New York
Each year around this time, the Social Security Administration releases a list of the most popular baby names for the past year. This year, New York state’s list includes the Yiddish name Gitty, as well as five other traditional Ashkenazi names: Chana, Chaya, Rivka, Chaim and Moshe.
According to this interactive list in the Times Union, 43 of every million babies in the U.S. were given the name Gitty in the past six years.
The vast majority of these babies were apparently born in either Yiddish-speaking Hasidic families or in non-Yiddish speaking Haredi families (often referred to as “Yeshivish”) who maintain the tradition of giving their children Biblical and other traditional Jewish names, often after a deceased relative.
Although some people may be surprised to hear a Yiddish name like Gitty making the list, it lines up with the most recent statistics on language use. According to this study, in households with children aged 5 and under, Yiddish ranks as the third most common home language in New York (spoken by roughly 3% of young children), trailing only English and Spanish.
It also makes sense in light of the most recent demographic breakdown of Jewish families in the New York area. According to this 2023 UJA study, Orthodox families represent about 19% of Jewish households (approx. 430,000 individuals, including children) — a group that’s growing rapidly due to higher birth rates and younger average ages, with about two-thirds identifying as Haredi (ultra-Orthodox) and the rest as Modern Orthodox.
The name Gitty is a variant of the name Gitl, which means “good” in Yiddish. Why then are these babies called Gitty instead of Gitl? This is part of a trend that began years ago, when Haredi children’s names adopted a “y” at the end, apparently mimicking the old American tradition of ending children’s names with a “y” (think Tommy instead of Thomas). As a result, Rivka became Rivky; Moshe (or Moishe) became Moishy and Gitl became Gitty.
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Trump’s humiliation of Netanyahu marks a sea change in the US-Israel relationship
Israeli Prime Minister Benjamin Netanyahu’s carefully cultivated image as a master of geopolitics is on life support after reports that President Donald Trump on Monday cursed and mocked him in a phone call, calling him “f- – – ing crazy” and ordering him to stand down in Lebanon.
In response, Netanyahu’s opponents and even some of his former allies are accusing him of mortgaging Israel’s sovereignty and reducing the country to strategic dependence on Washington. They’re right. Trump is treating Netanyahu less like the leader of a sovereign ally and more like a subordinate expected to obey instructions.
As a result, Israel suddenly looks less like an independent regional power and more like an American client state.
A rupture long in the making
The roots of this humiliation stretch back months, to the beginning of the Iran war itself. In early March, Secretary of State Marco Rubio suggested that the United States entered the war because Israel was preparing to strike Iran and the White House feared that Tehran would retaliate against American forces afterward.
Ever since, American officials, including Trump himself, have disseminated the narrative of the war as a preventive intervention designed partly to manage the consequences of expected Israeli escalation. But as the war has dragged on, becoming exactly the kind of open-ended Middle Eastern entanglement Trump once promised to avoid, the public narrative has instead increasingly become that Netanyahu had talked Trump into a war that backfired, making Trump look foolish.
This week came the payback.
On Monday, Netanyahu publicly threatened major strikes on the Shiite neighborhoods of Beirut if Hezbollah attacks continued. Iran responded by suspending ceasefire talks, apparently gambling that Trump wanted an exit ramp badly enough to restrain Israel rather than risk a wider regional explosion. The gamble worked.
In the Monday call, Trump reportedly ordered Israel to cease fire immediately, demanding to know “what the f – – -” Netanyahu was doing, accusing Israel of causing escalation, and declaring — incorrectly — that he had “kept Netanyahu out of jail,” a reference to his efforts to persuade President Isaac Herzog to pardon Netanyahu in his ongoing corruption trial.
Intentional humiliation
American presidents have pressured Israeli leaders before. Prime Minister David Ben-Gurion withdrew from the Sinai peninsula in 1957 under heavy pressure from then-President Dwight Eisenhower after the Suez Crisis. Washington pressured Israel to stop military operations during the 1973 Yom Kippur War and again during the 1982 Lebanon War.
Yet previous confrontations unfolded differently. American presidents pressured Israeli leaders privately while preserving the appearance of mutual respect between allies. Even when Washington prevailed, both governments generally tried to avoid publicly humiliating each other.
This time the humiliation was part of the strategy — a change that bodes ill for Israel’s standing as an independent regional power.
Trump wants Tehran, Beirut, Riyadh, Doha, Cairo, and every other Middle Eastern capital to understand that he controls the pace of escalation, and that Netanyahu obeyed when ordered to stand down.
That public spectacle explains the intensity of the Israeli backlash.
“There has never been an Israeli prime minister who accepted such a humiliating demand,” former military chief and current prime ministerial candidate Gadi Eisenkot wrote on social media. Former prime ministers Naftali Bennett and Yair Lapid, whose coalition poses a major threat to Netanyahu’s control in upcoming elections, effectively slammed Netanyahu as allowing the U.S. to dictate Israeli military policy, with Bennett accusing Netanyahu of running “a government that has lost control of Israeli sovereignty.”
Even the conservative Jerusalem Post sounded the alarm. Israel had “found itself in the humiliating position of having to seek American approval to defend its own citizens,” the paper argued in an editorial. “The United States is now actively restraining Israel from taking decisive military action.”
Netanyahu’s image in tatters
For years, Netanyahu cultivated an image of himself as uniquely capable of managing Israel’s relationship with the U.S. while preserving Israeli strategic independence. His supporters portrayed him as a geopolitical virtuoso who understood American politics better than any rival and who could navigate complex power dynamics while defending Israeli interests.
Now that image lies in ruins.
Over the last decade, Netanyahu systematically alienated nearly every pillar of Israel’s traditional support structure aside from the American right.
He offended European governments through relentless settlement expansion, confrontations with the European Union, and contempt in response to liberal Western criticism. Europe remains Israel’s largest trading partner, yet Israel now faces the growing possibility of sanctions, diplomatic isolation, and even challenges to its associated nation status with the European Union.
Then came the rupture with the American Democrats.
In 2015, Netanyahu traveled to Washington to campaign openly against then-President Barack Obama’s nuclear agreement with Iran before a joint session of Congress. Strategically, that marked a turning point. Netanyahu transformed support for Israel from a matter of bipartisan American consensus into an increasingly polarized issue.
Afterward, he tied himself even more tightly to the Republican right, and especially Trump. He cultivated the impression that he exercised unusual influence over Trump himself, encouraging supporters to believe that he had effectively turned the White House into an extension of his own political operation.
That illusion has now collapsed spectacularly.
The final and perhaps most reckless step came when reports emerged that Netanyahu sought Trump’s intervention regarding his corruption trial. Even without confirming those reports’ accuracy, the perception that an Israeli prime minister already dependent on Washington for military and diplomatic backing was now personally dependent on an American president for political survival was devastating.
This week confirmed that dependence now defines the U.S.-Israel relationship. Netanyahu, the supposed master statesman, has maneuvered himself — and Israel — into a strategic cul-de-sac. Now the question is: Is there any way out?
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