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Pat Robertson, pastor who personified American Jews’ dilemma with evangelicals, dies at 93
(JTA) — Pat Robertson was trying to pay Jews a compliment.
“They’d rather be polishing diamonds than fixing cars,” he said in 2014 on his show on the Christian Broadcasting Network, the station the Southern Baptist minister founded in 1960 that had grown into an evangelical Protestant powerhouse.
Robertson made his observation — while chuckling — in a conversation with a rabbi who was sympathetic to his conservative beliefs, Daniel Lapin. He clearly thought that diamond polishing was a good thing, and somehow rooted in biblical precepts.
“What is it about Jewish people that make them prosper financially?” Robertson continued. “You almost never find Jews tinkering with their cars on the weekends or mowing their lawns. That’s what Daniel Lapin says, and there’s a very good reason for that, and it lies within the business secrets of the Bible.”
Those remarks were sharply emblematic of a dilemma that has for years dogged the American Jewish establishment and that was personified by Robertson, who died Thursday at 93. Like many evangelicals with a vast television audience and political influence, Robertson was full of admiration for Jews and deeply supportive of Israel.
At the same time, Robertson’s message carried with it the baggage of age-old stereotypes that caused Jews discomfort. Those came alongside a history of statements denigrating feminism, LGBTQ people and Muslims.
“ADL genuinely values the support of Israel these leaders have demonstrated,” an Anti-Defamation League statement said in 1994 after a 60-page report it published on Robertson’s Christian Coalition drew pushback from Jewish political conservatives, led by Lapin. “But this support cannot be used as a shield from legitimate criticism.”
Robertson broadcast his hugely popular “700 Club” show multiple times from Israel, and articulated the argument that biblical prophecy necessitated Christian support for the Jewish state. That view has since permeated the Republican Party.
“The survival of the Jewish people is a miracle of God,” he said in an undated speech posted on his website. “The return of the Jewish people to the land promised to Abraham, Isaac, and Jacob is a miracle of God. The remarkable victories of Jewish armies against overwhelming odds in successive battles in 1948, and 1967, and 1973 are clearly miracles of God. The technological marvels of Israeli industry, the military prowess, the bounty of Israeli agriculture, the fruits and flowers and abundance of the land are a testimony to God’s watchful care over this new nation and the genius of this people.”
Following his death, the American Israel Public Affairs Committee called Robertson “a great friend of Israel and a pioneer in the modern Christian Zionist movement.”
“I was deeply saddened to learn of the passing of Pat Robertson, a brilliant orator and faith leader and an extraordinary friend of Israel and the Jewish People,” David Friedman, former President Donald Trump’s ambassador to Israel, tweeted on Thursday. “Deepest condolences to Gordon and the entire Robertson family. May you derive much comfort from his incredible legacy.”
Yet this “genius” people kept irking Robertson. In 2014, he called the director of the Military Religious Freedom Foundation, which advocates against proselytizing in the military, a “little Jewish radical.” The subject of that epithet, Mikey Weinstein, was not mourning Robertson on Tuesday.
“I know quite well what it felt like to be savaged by him just for being a Jewish person who fights for civil rights in our armed forces,” he said in a statement.
In 1988, when the ADL asked Robertson to condemn the antisemitism that was emerging in protests against Martin Scorcese’s movie, “The Last Temptation of Christ,” Robertson demanded a quid pro quo: that Jewish groups condemn the movie’s Jewish producers.
In 1995, Robertson got into trouble when he tried to get out of trouble for his 1991 book, “The New World Order,” in which he blamed much of the world’s woes on “European bankers” who happened to be Jewish.
Robertson’s defense was a familiar one. The book, he told The New York Times, was “pro-Israel and pro-Jewish” because among its targets was the United Nations. He added that he had “many, many friends in the Jewish community.”
Robertson was so confident of those friends that he thought they would help propel him to the presidency in 1988. “I would anticipate, especially among Conservative and Orthodox Jews, I would have a tremendous body of support,” Robertson said then. “I’m counting on it from everything I’ve seen.”
The support never materialized; Robertson dropped out of the race early. But he consolidated a style of campaigning that mixed Christian piety with politicking, which Jimmy Carter had pioneered a dozen years earlier and that has now become ubiquitous, at least among Republicans. Mike Pence, the former vice president, has made his evangelical faith inseparable from his politics as he launches a campaign for the 2024 GOP political nomination.
Unlike Pence and other Christians running for office, Robertson was never able — our perhaps willing — to obscure the foreboding manifestations of his beliefs, preaching about an apocalypse in Israel and blaming a stroke that struck the late Israeli prime minister, Ariel Sharon, on his withdrawal from the Gaza Strip (a view which made him persona non grata with the Israeli government for a short period).
In 2002, the ADL’s then-national director, Abraham Foxman, summed up the ambivalence many Jews felt when Christian Evangelicals were planning a Washington rally for Israel at a time when it was beset by the second intifada. Jewish groups were neither discouraging nor encouraging the event, he said.
“There is no alliance,” Foxman said. “The relationship is based on this one, specific issue.”
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He may have been the world’s most famous mime, but in this play, he won’t shut up
There is a kind of sublime poetry in Marcel Marceau’s first act.
As a young man in occupied France, Marceau (then Mangel) forged identity papers and shepherded dozens of Jewish children across the Alps to Switzerland. In scenarios where staying quiet was essential for survival, Marceau soothed his charges into silence with his own.
In Marcel on the Train, Ethan Slater and Marshall Pailet’s play of Marceau’s pre-Bip life, the world’s most famous mime is anything but silent.
The action of the play, which bounces through time back to Marcel’s father’s butcher shop and forward to a P.O.W. camp in Vietnam (don’t ask), unfolds over the course of a train ride. Slater’s Marceau is chaperoning four 12-year-old orphans, posing as boy scouts going on a hike.
The kids — played by adults — are a rambunctious lot. Marceau tries to put them at ease juggling invisible swords, performing Buster Keaton-esque pratfalls and exhausting his arsenal of Jewish jokes that circle stereotypes of Jewish mothers or, in one case, a certain mercenary business sense.
Pailet and Slater’s script toggles uncomfortably between poignancy and one-liners with a trickle of bathroom humor (the phrase “pee bucket” recurs more often than you would think.)
The terror of Marceau’s most melancholy escortee, Berthe (Tedra Millan) is undercut somewhat by her early, anachronistic-feeling declaration, “Wow, we’re so fucked.” The bumptious Henri (Alex Wyse) would seem to be probing a troubled relationship with Jewishness and passing, but does that discussion a disservice when he mentions how it wouldn’t be the biggest deal if he “sieged a little heil.” Adolphe (Max Gordon Moore) is described as “an exercise in righteousness” in the script’s character breakdown. Sure, let’s go with that.
The presence of a mute child, Etiennette (Maddie Corman), is tropey and obvious. It doesn’t suggest that she inspired him to abandon speaking in his performances, but it doesn’t dismiss that possibility either.
But the chattiness and contrived functions of the fictive children are made more disappointing by the imaginative staging maneuvering around the shtick. Slater, best known for his role in the Wicked films and as Spongebob in the titular Broadway musical, is a gifted physical performer.
When things quiet down, Pailet’s direction, and the spare set by scenic designer Scott Davis, create meadows of butterflies. Chalk allows Marceau to achieve a kind of practical magic when he writes on the fourth wall. One of the greatest tricks up the show’s sleeve is Aaron Serotsky who plays everyone from Marceau’s father and his cousin Georges to that familiar form of Nazi who takes his torturous time in sniffing out Jews.
Surely the play means to contrast silence and sound (sound design is by Jill BC Du Boff), but I couldn’t help but wonder what this might have looked like as a pantomime.
While the story has been told before, perhaps most notably in the 2020 film Resistance with Jesse Eisenberg, Slater and Pailet were right to realize its inherent stage potential. It’s realized to a point, though their approach at times leans into broad comedy that misunderstands the sensibilities of its subject.
Like Slater, who learned of the mime’s story just a few years ago, Marceau was an early acolyte of Keaton and Chaplin. But by most accounts he cut a more controlled figure — that of a budding artist, not a kid workshopping Borscht Belt bits on preteens.
The show ends with a bittersweet montage of Bip capturing butterflies (not jellyfish — you will probably not be reminded of Mr. Squarepants). It means to frame Marceau’s established style as a maturation that nonetheless retains a kind of innocence, stamped by the kids he rescued.
“You’ll live,” Berthe tells him in a moment of uncertainty. “But I don’t think you’ll grow up.”
In Marceau there was, of course, a kind of Peter Pan. But there’s a difference between being childlike and being sophomoric.
Marcel on the Train is playing through March 26 at Classic Stage Company in New York. Tickets and more information can be found here.
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US soldier who protected Jews in POW camp during WWII to be awarded Medal of Honor
(JTA) — An American soldier who is credited with saving the lives of 200 Jewish comrades in a prisoner of war camp in Germany during World War II will receive the U.S. military’s highest decoration, the Medal of Honor.
The award to Roddie Edmonds, who died in 1985, was announced last week. It comes more than a decade after Israel’s Holocaust memorial, Yad Vashem, recognized him as a “Righteous Among the Nations” for his bravery and six years after President Donald Trump recounted his heroism during a Veterans Day parade.
Edmonds, a sergeant from Knoxville, Tennessee, was the highest-ranking soldier among a group taken prisoner during the Battle of the Bulge in January 2045 when the Nazis asked him to identify the Jews in the group. Understanding that anyone he identified would likely be killed, Edmonds made the decision to have all of the soldiers present themselves as Jews.
When a Nazi challenged him, he famously proclaimed: “We are all Jews here!”
The show of solidarity came to light only after Edmonds’ death, when a Jewish man who had been among the soldiers at the camp shared his recollection with the New York Times as part of an unrelated 2008 story about his decision to sell a New York City townhouse to Richard Nixon when Nixon was having trouble buying an apartment following his resignation as president.
When they found the article several years later, it was the first that Edmonds’ family, including his pastor son Christ Edmonds and his granddaughters, had heard about the incident. Soon they were traveling to Washington, D.C., and Israel for ceremonies honoring Edmonds, one of only five Americans to be credited as Righteous Among the Nations, an honor bestowed by Israel on non-Jews who aided Jews during the Holocaust.
As the family campaigned for a Medal of Honor, Edmonds was also the recipient of bipartisan praise from two American presidents.
“I cannot imagine a greater expression of Christianity than to say, I, too, am a Jew,” President Barack Obama said during remarks at the Israeli embassy in Washington, D.C., on International Holocaust Remembrance Day in 2016.
Three years later, President Donald Trump recounted the story at the New York City Veterans Day Parade. “That’s something,” he said. “Master Sergeant Edmonds saved 200 Jewish-Americans — soldiers that day.”
Last week, Trump called Chris Edmonds to invite him to the White House to receive the Medal of Honor on his father’s behalf, Chris Edmonds told local news outlets. The Medal of Honor ceremony is scheduled for March 2.
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Jewish hockey star Jack Hughes’ overtime goal propels US to historic gold medal in Olympic hockey
(JTA) — Jewish hockey star Jack Hughes scored the game-winning goal Sunday to clinch a gold medal for the U.S. men’s hockey team, its first since 1980.
The New Jersey Devils star center, who had scored twice in Team USA’s semifinal win, sent the puck between the legs of Canadian goaltender Jordan Binnington 1:41 into overtime to give the American team a 2-1 win.
“This is all about our country right now. I love the USA,” Hughes told NBC. “I love my teammates.”
The win broke a 46-year Olympic drought for Team USA, which had not taken gold since the famous “Miracle on Ice” team that upset the Soviet Union on its way to gold in 1980. The United States also won in 1960.
“He’s a freaking gamer,” Quinn Hughes, Jack’s older brother and U.S. teammate said, according to The Athletic. “He’s always been a gamer. Just mentally tough, been through a lot, loves the game. American hero.”
Quinn Hughes is a defender for the Minnesota Wild and a former captain of the Vancouver Canucks who won the NHL’s top defenseman award in 2024. He was also named the best defender in the Olympic tournament by the International Ice Hockey Federation after scoring an overtime goal to send the U.S. team to the semifinals.
The third Jewish member of the U.S. team, Boston Bruins goaltender Jeremy Swayman, won the one game he played, a Feb. 14 preliminary-round victory over Denmark.
The Hughes family — rounded out by youngest brother Luke, who also plays for the Devils — has long been lauded as a Jewish hockey dynasty. They are the first American family to have three siblings picked in the first round of the NHL draft, and Jack was the first Jewish player to go No. 1 overall. They are also the first trio of Jewish brothers to play in the same NHL game and the first brothers to earn cover honors for EA Sports’ popular hockey video game.
Jack, who had a bar mitzvah, has said his family celebrated Passover when he was growing up. Their mother, Ellen Weinberg-Hughes, who is Jewish, represented the U.S. women’s hockey team at the 1992 Women’s World Championships and was on the coaching staff of the gold-medal-winning women’s team in Milan. Weinberg-Hughes is also a member of the International Jewish Sports Hall of Fame.
Hughes’ golden goal ushered in a burst of Jewish pride on social media, with one user calling it “the greatest Jewish sports moment of all time.” The Hockey News tweeted that Hughes was “the first player in hockey history to have a Bar Mitzvah and a Golden Goal! Pretty cool!”
Jewish groups and leaders also jumped on the praise train. “Special shout out to @jhugh86 on scoring the game-winning goal!” tweeted Jonathan Greenblatt, CEO of the Anti-Defamation League. “Beyond his incredible skill on the ice, Jack makes history as a proud representative of the American Jewish community, reminding us that the Jewish people are interwoven into America in her 250th year! Mazel Tov, Jack!”
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