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Rob Reiner asked the big questions. His death leaves us searching for answers.
Can men and women just be friends? Can you be in the revenge business too long? Why don’t you just make 10 louder and have that be the top number on your amp?
All are questions Rob Reiner sought to answer. In the wake of his and his wife’s unexpected deaths, which are being investigated as homicides, it’s hard not to reel with questions of our own: How could someone so beloved come to such a senseless end? How can we account for such a staggering loss to the culture when it came so prematurely? How can we juggle that grief and our horror over the violent murder of Jews at an Australian beach, gathered to celebrate the first night of Hanukkah, and still light candles of our own?
The act of asking may be a way forward, just as Rob Reiner first emerged from sitcom stardom by making inquiries.
In This is Spinal Tap, his first feature, he played the role of Marty DiBergi, the in-universe director of the documentary about the misbegotten 1982 U.S. concert tour of the eponymous metal band. He was, in a sense, culminating the work of his father, Carl Reiner, who launched a classic comedy record as the interviewer of Mel Brooks’ 2,000 Year Old Man. DiBergi as played by Reiner was a reverential interlocutor — one might say a fanboy — but he did take time to query Nigel Tufnell as to why his amp went to 11. And, quoting a bad review, he asked “What day did the Lord create Spinal Tap, and couldn’t he have rested on that day too?”
But Reiner had larger questions to mull over. And in this capacity — not just his iconic scene at Katz’s Deli in When Harry Met Sally or the goblin Yiddishkeit of Miracle Max in The Princess Bride — he was a fundamentally Jewish director.
Stand By Me is a poignant meditation on death through the eyes of childhood — it asks what we remember and how those early experiences shape us. The Princess Bride is a storybook consideration of love — it wonders at the price of seeking or avenging it at all costs. A Few Good Men is a trenchant, cynical-for-Aaron Sorkin, inquest of abuse in the military — how can it happen in an atmosphere of discipline.
In his public life, Reiner was an activist. He asked how he could end cigarette smoking. He asked why gay couples couldn’t marry like straight ones. He asked what Russia may have had on President Trump. This fall, with the FCC’s crackdown on Jimmy Kimmel, he asked if he would soon be censored. He led with the Jewish question of how the world might be repaired.
Guttingly, in perhaps his most personal project, 2015’s Being Charlie, co-written by his son Nick he wondered how a parent can help a child struggling with addiction. (Nick was questioned by the LAPD concerning his parents’ deaths and was placed under arrest.)
None of the questions had pat answers. Taken together, there’s scarcely a part of life that Reiner’s filmography overlooked, including the best way to end it, in 2007’s The Bucket List.
Judging by the longevity of his parents, both of whom lived into their 90s, it’s entirely possible Reiner had much more to ask of the world. That we won’t get to see another film by him, or spot him on the news weighing in on the latest democratic aberration, is hard to swallow.
Yet there is some small comfort in the note Reiner went out on. In October, he unveiled Spinal Tap II: The Beginning of the End, a valedictory moment in a long and celebrated career.
Reiner once again returned to the role of DiBergi. I saw a special prescreening with a live Q&A after the film. It was the day Charlie Kirk was assassinated. I half-expected Reiner to break character and address political violence — his previous film, God & Country, was a documentary on Christian Nationalism.
But Reiner never showed up — only Marty DiBergi, sitting with Nigel Tuffnell (Christopher Guest), David St. Hubbins (Michael McKean) and Derek Smalls (Harry Shearer) at Grauman’s Chinese Theater in Los Angeles. The interview was broadcast to theaters across the country, with viewer-submitted questions like “What, in fact, did the glove from Smell the Glove smell like?” (Minty.) And “Who was the inspiration for ‘Big Bottom?’” (Della Reese.)
DiBergi had one question for the audience: “How did you feel about the film?”
The applause was rapturous, but DiBergi still couldn’t get over Nigel Tuffnell’s Marshall amp, which now stretched beyond 11 and into infinity.
“How can that be?” he asked. “How can you go to infinity? How loud is that?”
There’s no limit, Tuffnell assured him. “Why should there be a limit?”
Reiner, an artist of boundless curiosity and humanity, was limitless. His remit was to reason why. He’ll be impossible to replace, but in asking difficult questions, we can honor him.
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North Carolina Democrats reject Gaza genocide resolution following campaign by Jewish caucus
(JTA) — For weeks, Jewish Democrats in North Carolina worked to block the state’s Democratic Party from passing a resolution declaring Israel’s actions in Gaza a genocide.
On Saturday, they narrowly prevailed.
The measure, titled the “Genocide Accountability Resolution,” was struck down by members of the North Carolina Democratic Party’s State Executive Committee with a vote of 163-130.
For Amy DeLoach, the first vice chair of the North Carolina Democratic Party Jewish Caucus, the victory marked a sign that Jewish Democrats still have a place in the party, even as debates over Israel have roiled Democratic politics across the country.
“Most Jews vote Democratically, and we were feeling abandoned, and now we feel like we have a home again,” said DeLoach, who also sits on the party’s international subcommittee.
The defeat of the resolution comes as support for Israel has dropped dramatically among Democrats, and the U.S.-Israel alliance has increasingly emerged as a third rail within the party.
While resolutions condemning the pro-Israel lobby AIPAC and calling to halt arms sales to Israel have been blocked by the Democratic National Committee over the past year, last June, the North Carolina Democratic Party passed a resolution calling for an immediate arms embargo on Israel.
Joel Wanger, the chief political officer of the Democratic Majority for Israel, welcomed the outcome of the genocide resolution in a statement to the Jewish Telegraphic Agency Tuesday.
“This resolution would have divided Democrats at a time when we should be united in opposing Donald Trump, while doing nothing to advance peace between Israelis and Palestinians,” he said.
The resolution was introduced earlier this year by a member of the progressive, Arab and Muslim caucuses of the North Carolina Democratic Party. It advanced from the precinct level through county, district and state bodies before reaching the State Executive Committee for a final vote Saturday.
The resolution would have added language to the state party platform calling for the “prosecution” and “vetting” of individuals and entities in the United States who “may have participated in or enabled genocide.” The resolution also cited a United Nations Commission of Inquiry that concluded for the first time in September that Israel had committed a genocide in Gaza.
The resolution’s defeat Saturday followed an extensive campaign by the party’s Jewish Caucus to block its adoption.
In a May 27 letter to members of the executive committee, leaders of the Jewish Caucus urged them to reject the resolution, arguing that state parties “should not adopt contested international policy positions” and that its timing would hurt 2026 Democratic candidates and divide voters.
“Jewish, Muslim, Palestinian, Christian, and secular Democrats are united on affordability, public education, healthcare, voting rights, and reproductive freedom,” the letter said. “This resolution forces them to take sides on something most did not join the party to fight about.”
The letter cited “serious factual and legal problems” with the resolution and said Jewish Democrats would support a substitute “affirming NC Democrats’ commitment to ending civilian suffering in Gaza, supporting humanitarian aid, and opposing antisemitism, Islamophobia, and political violence in all forms.”
But the Jewish Caucus was not the only group within the party invested in the outcome of the vote.
Last month, the leaders of the Muslim, Arab, interfaith and progressive caucuses of the North Carolina Democratic Party issued its own a letter calling on members of the State Executive Committee to support the resolution in order to “affirm our party’s commitment to human rights and the protection of civilian life.”
“All too frequently, the burdensome narrative of genocide denial has been heard from those persons and organizations who have 1) either acquiesced to genocide or 2) feared the worst reprisals from those who have supported it,” the letter read. “This silence compromises the faith of many voters in our party.”
The letter, which cited a recent study that found 80% of Democrats have an unfavorable view of Israel, was undersigned by the head of the state party’s Jewish Democrats, a non-Zionist Jewish subgroup within the Interfaith Caucus.
Mark Bochkis, the communications chair of the Jewish Democrats, told JTA that his group and the Jewish Caucus “fundamentally disagree about the divisiveness” of the resolution.
“We believe this is actually an issue that galvanizes the younger base of the party and other other important key voting blocks for the Democratic party,” Bochkis said. “We believe not speaking out on something like this is actually holding the party back.”
Paul McAllister, the chair of the Interfaith Caucus, told JTA that “we don’t want to see anything happen to any member of any community, Jewish or otherwise, but we do want accountability.”
While McAllister said that the language concerning “prosecution” in the resolution could have been “clarified,” he said the Jewish Caucus’ suggestion of an alternative to the resolution attracted little support because he felt it “waters down the need to hold a nation accountable for what it is doing to another people.”
“My major concern is that we have a faction within the party that wants justice for all people equally, Jews and Palestinians, and that there’s some in the party, namely members of the Jewish caucus, who do not comprehend how critical it is that we not only look after our own interest or our own group’s interest, but the interest of others, and this is the struggle,” McAllister said.
DeLoach said the scheduling of the vote last week on Shabbat had bothered members of the Jewish caucus. But she said they had “let that one go” to focus on fighting the resolution.
“We talk about that amongst ourselves, but we’re in a war right now,” she said. “We’re going to pick and choose the battles we fight.”
DeLoach said her group viewed the resolution as a political liability that could potentially force Democratic candidates in the state to either distance themselves from the party or embrace a “difficult divisive issue” on the campaign trail.
“No politician is going to want to run on a platform that includes this,” DeLoach said. “Platforms don’t win elections, and this is going to risk us losing an outrageously important election.”
DeLoach pointed to the campaigns of Roy Cooper, the state’s former governor who’s running for a Senate seat, and Anita Earls, who is running for reelection to the North Carolina Supreme Court.
“Most Democrats in North Carolina really are more concerned about their electric bill right now, and the cost of food,” DeLoach said. “As the vote shows, you know, nobody likes what’s going on in the Middle East. We don’t like what’s going on in the Middle East, but we know that’s not where our focus should be right now.”
Looking ahead, DeLoach said she hoped that the resolution’s defeat would serve as a warning against rhetoric she saw as “adding to a drumbeat of antisemitism that is so prevalent in the country.”
“There’s war crimes on both sides here, but it’s not a genocide, and y’all pounding this drum is making it more and more dangerous for Jews to live in this country,” DeLoach said. “We see the defeat of this resolution not only as a chance for us to start just electing Democrats, but as a hopeful pause, at least, if not a stop to this horrible rhetoric.”
This article originally appeared on JTA.org.
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Tidbits: For the first time, a kosher restaurant has won a Michelin star
Tidbits is a Forverts feature of easy news briefs in Yiddish that you can listen to or read, or both! If you read the article and don’t know a word, just click on it and the translation appears. Listen to the report here:
צום ערשטן מאָל געווינט אַ כּשרער רעסטאָראַן אַ „מישעלין־שטערן“
ייִט״אַ. — ווען מע האָט באַשאָטן דעם ישׂראלדיקן קוכער רז שבתי (ראַז שאַבטײַ) מיט קאָנפֿעטי האָט ער זיך ממש צעוויינט — און זײַנע מיטאַרבעטער האָבן אים וואַרעם אַרומגענומען.
מיט עטלעכע מינוט פֿריִער האָט מען געמאָלדן, אַז זײַן רעסטאָראַן אין מיאַמי, וואָס הייסט „מוטראַ“, איז געוואָרן דער ערשטער כּשרער רעסטאָראַן צו באַקומען אַ „מישעלין־שטערן“ — דעם גרעסטן כּבֿוד אין דער רעסטאָראַן־אינדוסטריע.
„דאָס איז אַ מאָמענט פֿון שׂימחה און פֿון שטאָלץ,“ האָט שאַבטײַ געזאָגט דער ייִדישער טעלעגראַפֿישער אַגענטור. „דעם שטערן באַקומט נישט בלויז ׳מוטראַ׳, נאָר דאָס גאַנצע ייִדישע פֿאָלק.“
שבתי, וואָס האָט שוין געאַרבעט אין אַ צאָל קיכן איבער ניו־יאָרק און ישׂראל, האָט געעפֿנט „מוטראַ“ אין פֿעברואַר 2025, געבנדיק דעם רעסטאָראַן אַ נאָמען נאָך זײַן ירושלים־געבוירענער באָבען, וועמעס קאָכן האָט אינספּירירט זײַן מעניו.
„איך האָב ליב צו באַצייכענען דאָס עסן אין דעם רעסטאָראַן ווי ׳ירושלימער מאכלים׳ אַנטקעגן ׳מיטל־מיזרחדיקע אָדער ישׂראלדיקע מאכלים׳ ווײַל די טעמען וואָס איך פּרוּוו ברענגען צום טיש זענען די טעמען וואָס זענען פֿאַרבונדן מיט מײַנע זכרונות און מיט מײַנע עקסקורסיעס אין מאַרק מיט דער באָבען,” האָט שבתי געזאָגט. „איך דאַרף זײַן געטרײַ די פּאָטראַוועס וואָס די באָבע האָט מיך געהאָדעוועט.“
אַ באַשרײַבונג פֿונעם רעסטאָראַן אויף דער „מישעלין“־וועבזײַט לויבט זײַנע „פּרעכטיקע בוריקעס אין ‘אַהאָ בלאַנקאָ’ (אַ קאַלטע זופּ געמאַכט פֿון מאַנדלען, קנאָבל און עסיק)“ און „שאָפֿנפֿלייש־קאָבאַב מיט גערייכערטן פּאַטלעזשאַן־קרעם און פּאָמידאָרן־בוימל“.
אַ דאַנק דער אָנערקענונג איז „מוטראַ“ געוואָרן איינער פֿון די אָנגעזעענסטע רעסטאָראַנען און באַטרעפֿט אַן אמתן ווענדפּונקט פֿאַר דער כּשרער קיך. פֿאַר שבתי, וואָס האָט אָנגעהויבן היטן כּשרות מיט מער ווי 10 יאָר צוריק, איז די פּרעמיע אַ קלאָרער באַווײַז, אַז קולינאַרע אויסגעצייכנטקייט קען בליִען אין די ראַמען פֿון דער כּשרער קיך.
„איך האָף אַז די דערגרייכונג וועט אינספּירירן אַנדערע כּשרע קוכערס,“ האָט ער געזאָגט.
צו זען דעם אַרטיקל אויף ענגליש, גיט אַ קוועטש דאָ.
To see the article in English, click here.
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Jewish witchcraft isn’t as weird as it sounds
Madonna, incongruously, may be largely responsible for introducing the public to a mystical, magical image of Judaism — one that went beyond old men bent over books, studying laws for keeping kosher or Shabbat. Her red string bracelet and her studies of kabbalah gave the religion a new air of mystery and occultism.
But Judaism has always been full of mystical, magical traditions. Jews made amulets to protect against the evil eye, or for luck and prosperity. They beseeched and pacified the dead. Rabbis wrote protective charms for their flock. Psychics and palm readers told the fortunes of Jews and non-Jews alike.
A new exhibit, “Jews are Magic: Occult Practices from Palmistry to Psychics” from YIVO and the Center for Jewish History, delves into the history of the occult in Ashkenazi Judaism. The display, which pulls from YIVO’s archives, has examples of occultism drawing from two Jewish communities: the shtetl and the city.
One side of the exhibit showcases letters to great rabbis asking for blessings and remedies, as well as written spells and amulets protecting against demons like Lilith. The other features photos and biographies of professional Jewish clairvoyants and fortune tellers, who worked mostly in urban areas serving both Jews and gentiles with seances, palmistry and the like, advertising in newspapers and performing on stages.
It’s a lot to cover, and it’s complicated not only by the history but by a quote from Deuteronomy, highlighted in the exhibit. It explicitly forbids those who “useth divination” as well as those who are an “enchanter, or a witch, or a charmer, or a consulter with familiar spirits, or a wizard or a necromancer.” It is a comprehensive list, and doesn’t mince words, calling all of these magicians “an abomination.” Yet even great rabbis and Talmudists wrote charms. How could magic be so pervasive in Judaism when it is so expressly prohibited?
This is the fundamental question of the exhibit, but the show is small and has limited space to fully examine the contradictions. Its artifacts span so much time that it is difficult to intuit the connections between, say, Terfren Laila — a traveling psychic born Else Terese Frenkel who wore a ruby-adorned turban and pretended to be from Singapore by way of India (despite her Yiddish accent) — and letters asking a Talmud scholar to heal a loved one.
Thankfully, to open the exhibition, YIVO held a panel discussion between two scholars, Rokhl Kafrissen, an expert in Ashkenazi women’s folk magic, and Samuel Glauber, whose expertise is Jewish occultism in the late 1800s and early 1900s. Moderated by YIVO’s Eddy Portnoy, the panelists discussed the ways that superstitions arose in shtetls and were mined by those looking to make a few shekels.
Kafrissen explained that magic was a normal part of Jewish life for centuries, largely practiced by women; their domain was the home, encompassing everything from health to wealth, including charms and remedies. And just because these women’s rituals weren’t a “normative” part of Judaism — which is to say, institutional or recorded by official religious texts — they were certainly a normal part of life. Women led rituals such as cemetery measuring, a practice in which string was used to encircle the graveyard while praying and later used to make “soul candles” for Yom Kippur, and removed the evil eye from anyone concerned they had been cursed — what Kafrissen called “everyday Ashkenazi magic.”
But over time, these rituals — long central to Ashkenazi life — were pushed out as some Jewish leaders hoped to modernize their religion. Science rose to take the place of folk magic, and people began to dismiss these practices, which were rarely written down, as mere superstition.
This sense that Judaism was full of magic, however, fed easily into Christian suspicions about Jewish witchcraft, and perhaps encouraged some of the urban psychics and spiritualists to lean on Judaism to increase their mystery.
Glauber’s research focuses on this latter, urban category, a far cry from the shtetl folk magic. These Jewish men and women took part in a craze that enraptured far more than just Jews — seances and fortune-telling were trendy throughout the Victorian era and beyond, and its Jewish performers did not only serve Jews. (Though those suspected to be Jewish were covered hungrily by the Jewish press.) They worked magic on stage and sold their services to eager consumers hoping to speak to the dead or know the future.
Some of these performers tried to hide their Judaism, like the turban-wearing Laila, who managed to become famous enough to tell the fortunes of celebrity clients in Los Angeles and London. Another was trusted by Stalin.
Others, such as Abraham Hochman, were open about their Judaism; Hochman helped the Jewish immigrant community in New York by using his supposed psychic abilities to help women who had arrived in the city find runaway husbands. (The problem was so pervasive that the Forverts had a “Gallery of Missing Husbands” column to do the same.) One branded himself a mystical rabbi, leaning into Judaism’s mystique, which led to an audience, Glauber said, made up mostly of Christian barmaids.
Much of this information discussed by Glauber and Kafrissen is not included in the exhibit, which largely consists of fragments of papers from YIVO’s archives. The end of their discussion touched briefly on yet another rich source of magic: modern Hasidism. But neither the discussion nor exhibit had space to expand on this topic, making it hard to find the throughline between demon-warding amulets and today’s Judaism.
Still, no exhibit or discussion can capture the subject in its entirety. What “Jews are Magic” does best is spark curiosity, and a desire to learn more. That, in itself, is a kind of Jewish magic.
The exhibit ‘Jews are Magic’ is on display from May 26 to Dec. 31 2026 at the YIVO Institute for Jewish Research in the Center for Jewish History in New York City.
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