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Senior Biden administration official: Israel’s Diaspora minister ‘does not understand the American Jewish Diaspora’

WASHINGTON (JTA) — The Biden administration has joined the chorus of American voices criticizing Israeli Diaspora Minister Amichai Chikli.

A photo making a face at a pro-Israel parade in New York City, and his unapologetic defense of the incident, is evidence that he is out of touch with the U.S. Jewish Diaspora, a senior Biden administration official told the Jewish Telegraphic Agency.

“The fact that a senior Israeli official came to the United States and did not have a single public meeting with the American Jewish community, and the fact [that] his only public interaction is to flip someone off or ask them to smile is telling,” said the official, who deals extensively with Israeli dignitaries.

The official requested anonymity because of executive branch rules that prohibit speaking by name without authorization. His comments are the latest in a series of statements from the Biden administration expressing disapproval of the Israeli government’s policies or the conduct of its senior officials.

During his visit to the United States for the Celebrate Israel Parade on June 4, Chikli had a number of meetings with the leadership of Jewish groups in Washington and in New York. None was open to the public, and Chikli changed the location of the Washington meeting to avoid protesters. Other Israeli ministers also faced protests during recent visits to the United States.

Chikli did appear before a couple of larger audiences. He was one of several Israeli officials to march in the parade, which drew an estimated 40,000 people, and also spoke at a conference in New York hosted by the Jerusalem Post, the Israeli newspaper.

At the parade, Chikli was photographed making what appeared to many to be an obscene gesture toward a group protesting the Israeli government. He and his staff said he did not mean to make the gesture and said he was signaling to the protesters to smile.

The Biden administration official was especially incensed by Chikli’s defense of the incident in an appearance on Monday night on Israel TV, when Chikli called his critics’ tweets about the photograph “fake news.” He did not say the photograph itself was altered in any way.

“Blaming the photographer shows how much he does not understand the American Jewish Diaspora,” the official said. “His comments have ramifications. The Biden administration is watching.”

A spokesperson for Chikli declined to comment on the Biden administration official’s remarks.

Jacob Kornbluh, the Forward reporter who took the photo, defended its authenticity in a Twitter thread, and wrote that Chikli has accused him of “lashon hara,” or the Jewish concept about slander. The image “was not photoshopped and not taken out of context,” Kornbluh wrote.

The photo has become fodder for Chikli’s critics, who have circulated it widely online as evidence of his disdain for protesters who oppose Israel’s government and its efforts to weaken the judiciary. Yair Lapid, the leader of Israel’s parliamentary opposition, tweeted the photo and wrote, “This government never ceases to embarrass us internationally.”

Chikli’s appointment as Diaspora minister has antagonized some liberal segments of American Jewry because of his past statements deriding the Reform movement and the LGBTQ community. In his appearance on Monday he called J Street, the liberal Jewish Middle East lobbying group, “hostile” to Israel and “not important.”

Israel’s governing coalition, which took office in December and includes far-right lawmakers, has repeatedly butted heads with the Biden administration. President Joe Biden and other officials have come out against the government’s efforts to weaken the judiciary, in addition to condemning moves toward settlement expansion in the West Bank and “provocative” conduct from a government minister. Biden has yet to invite Israeli Prime Minister Benjamin Netanyahu to the White House and said in late March that he would not extend an invitation “in the near term.”

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The post Senior Biden administration official: Israel’s Diaspora minister ‘does not understand the American Jewish Diaspora’ appeared first on Jewish Telegraphic Agency.

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VIDEO: A Hasid gives us a tour of Morocco in Yiddish

דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.

אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.

מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.

 

The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.

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Conservative and Christian movies are coming for Hollywood

A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.

These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.

Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.

Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.

Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.

Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.

The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)

For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while  M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.

But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are  bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. —  to the American movie-going public.

This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.

Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”

Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.

But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.

After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.

The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.

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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons

If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.

Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.

“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.

A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.

Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.

“Falcons were up 28-3 at Dunkirk,” that tweet read.

The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.

All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.

The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.

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