Uncategorized
Should Trump get a Nobel Peace Prize for Gaza?
If the Gaza war is winding down, there will be two clear lessons to be remembered. First, United States pressure and leverage are vitally useful; second, the Israelis and Palestinians cannot be left to their own devices without risking catastrophe, so U.S. engagement will be vital going forward.
The deal announced by President Donald Trump Wednesday night is a first-phase agreement in which Hamas consents to release the 47 remaining Oct. 7 hostages — of which 20 are believed alive — and to continue talking about the remainder of Trump’s proposed peace plan. Few expected Hamas to agree to that release, in exchange for Palestinian prisoners, without a full deal to end the war. The assumption, supported by leaks, is that the group has received U.S. guarantees that fighting will indeed not resume.
The expectation, instead, is that in one form or another Hamas will agree to lay down its arms, at least in the Gaza Strip, handing power to a complex governing edifice that will include local Palestinian technocrats, the West Bank-based Palestinian Authority, a multinational Arab force and an international oversight committee chaired by the U.S. If that occurs, it will only have happened because Hamas was under extraordinary pressure from external patrons.
Why did all this happen now? The timing reflects a convergence of domestic, regional and global incentives.
In Israel, Prime Minister Benjamin Netanyahu’s political calculus has shifted. His governing coalition faces looming crises, including budget conflicts and Haredi demands for formal military exemptions. The exhausted public — and a growing minority of the military — has been demanding a resolution to the war, prioritizing the return of hostages, with increasing fury.
Where prolonging the fighting once served Netanyahu by forestalling an inquiry into his failures leading up to the Hamas attack of Oct. 7, 2023, the approach of elections in 2026 now incentivizes a quick end: It’s difficult to envision any route toward electoral success while advancing a broadly unpopular war. Moreover, Netanyahu cannot refuse Trump, who is lionized in Israel.
Now, he’ll attempt to flip the narrative away from the war’s cost to focus on its successes: The ultimate return of the hostages — aside from the dozens killed during the war — the weakening of Iran and its militias, and, hopefully, the freeing of Gaza from Hamas.
Across the Arab world, the pressure was building too. Outrage over Gaza’s devastation made passivity by other Middle Eastern nations politically dangerous.
Egypt faced massive economic damage from the Yemeni Houthis’ Gaza-related disruptions of Red Sea shipping, which emptied Suez Canal revenues. And Israel’s thrashing of the Lebanese militia Hezbollah, the subsequent fall of the Hezbollah-backed dictator Bashar al-Assad in Syria, and the weakening of Iran in the June war with Israel, all emboldened Arab leaders to turn against the militias — like Hamas — that Iran funded around the region.
In July, a historic turning point occurred when key Arab governments, including Qatar, publicly called on Hamas to disarm — a Rubicon in regional politics.
Potentially decisive was the recent addition of Turkey to the array of Muslim countries pressuring Hamas. Turkey had sometimes helped to prop up Hamas, allowing funding channels to the group and occasionally hosting its exiled leaders. But with his economy reeling, President Recep Tayyip Erdogan is seeking defense markets and access to American F-35s, and in Trump he has a U.S. leader indifferent to his authoritarian ways. Signing onto Trump’s effort gave Erdogan an opportunity to work toward those goals, and help shove aside a huge distraction.
Washington used this landscape to orchestrate overwhelming regional pressure on Hamas, with carrots and sticks incentivizing every relevant actor. The most clear-cut case was Qatar receiving, last week, a NATO-style security agreement from the U.S., clearly a down payment to get it to bring Hamas to heel. With the president’s son-in-law Jared Kushner again involved in the talks, it should surprise no one to see conversations about Israeli-Saudi normalization, and similar U.S. security guarantees to Riyadh, soon reentering the discourse.
Trump’s political and personal motivations are, as always, a factor, with public opinion in the U.S. turning against Israel. Just as the war created politically damaging splits in the Democratic Party headed into the 2024 election, it is now creating fissures in Trump’s MAGA movement, with the isolationist branch abandoning Israel and bashing Trump over his alliance with Netanyahu. Resolving the Gaza crisis allows him to demonstrate effectiveness on the international stage, burnish credibility, and even, who knows, be in the running for a Nobel Peace Prize.
In Europe, the war was also becoming a massive political problem, riling up large Muslim minorities in the United Kingdom, France, Germany, Holland, Sweden and elsewhere. Center-left governments like those of British Prime Minister Keir Starmer and French President Emmanuel Macron have watched the backlash strengthen the anti-migrant populist right. Facing these shifts, Europe can be expected to do what it must, diplomatically and financially, to pacify the Middle East.
And there will be much to be done, especially financially. Rebuilding Gaza will require tens of billions of dollars. Mainly, however, Israelis and Palestinians will need close supervision. With all due respect to local agency and principles of sovereignty, the two sides’ failure in managing their century-old conflict is too monumental, and too globally disruptive, to be ignored.
The Palestinians have produced weak, corrupt governance in the Palestinian Authority on one hand, and on the other a truly diabolical array of jihadist groups headlined by Hamas. And Israel has saddled itself with a right-wing government that seems to not understand the imperative of separating the Zionist enterprise from the masses of Palestinians in the West Bank and Gaza.
What should happen going forward is politically difficult but clear. Israel must be prevented by the U.S. from expanding its settlements in the West Bank, which undermine any credible path toward Palestinian statehood. Palestinians must be pressured to reform their governance: ending payments to the families of terrorists, banning all militias, reforming their education system to preach peace, and accepting realistic parameters for eventual statehood.
In the wider region, Arab states must not tolerate militias. Hezbollah must be disarmed in Lebanon. Iranian-backed Shia militias in Iraq must be neutralized or integrated under state authority. The Houthis must be decisively defeated to restore security to the Red Sea.
To follow through on all of this, U.S. involvement remains critical. U.S. pressure cannot always work — for example, it lacks the leverage on Moscow to end the Ukraine war — but in the Middle East, the stars are aligning. Conditional financial support, diplomatic backing, and military guarantees must accompany every step.
The final step, which would be truly worthy of a Nobel Prize, should be the two-state solution ending a century of conflict in the Holy Land.
The post Should Trump get a Nobel Peace Prize for Gaza? appeared first on The Forward.
Uncategorized
VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
Uncategorized
Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
Uncategorized
‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
