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Spielberg’s ‘Fabelmans’ earns 7 Oscar nods, WWII epic with anti-Nazi past gets 9
(JTA) – “The Fabelmans,” Steven Spielberg’s autobiographical drama about his Jewish upbringing, had an expected strong haul of Oscar nominations, picking up seven nods Tuesday morning.
A remake of a movie once targeted by the Nazis, a blockbuster embroiled in a lawsuit with an Israeli family and a documentary by the program director of the San Francisco Jewish Film Festival also got recognized in a list jam-packed with Jewish characters, stories and artists.
Spielberg’s movie overcame an anemic box office showing to score nominations in the major categories of best picture, director and screenplay, for Spielberg and celebrated Jewish playwright and screenwriter Tony Kushner. The directing nomination brings Spielberg’s total nominations in the category to nine, tying him with Martin Scorsese for the second-most directing nominations in Oscar history.
The film also scored acting nods for Judd Hirsch, who is Jewish, and Michelle Williams, who recently said she is planning to raise her two children with Judaism.
“The Fabelmans” was the best picture nominee with the strongest Jewish themes, but it wasn’t the only one. The psychological drama “Tár,” starring Cate Blanchett as a problematic conductor, picked up six nominations, including for picture, actress and director; the film weaves Jewish mysticism into its storytelling.
“All Quiet On The Western Front,” Netflix’s new German-language adaptation of the classic 1929 novel about the horrors experienced by German soldiers during World War I, was also nominated for nine Oscars, including best picture, international feature and adapted screenplay. The film’s source material was once banned and burned by the ascending Nazi Party, which believed its anti-war stance made the German military look weak and constituted a threat to their plans for world domination.
When the book’s initial 1930 film adaptation, directed by Jewish filmmaker Lewis Milestone, was released in Germany, Nazis led by Joseph Goebbels set off stink bombs, released mice into the theaters and called the movie a “Judenfilm” (or “Jewish film”). Germany and Austria banned the film from being shown in their countries, and the public censorship campaign led the novel’s author, Erich Maria Remarque, to renounce his German citizenship (Nazis were erroneously labeling him as a Jew).
In response, Jewish studio head Carl Laemmle Sr., agreed to heavily edit the movie and remove material deemed objectionable to the Nazis in order to improve its commercial prospects in Germany. One possible silver lining for the remake’s producers: The 1930 film went on to win best picture that year.
Tom Cruise at a “Top Gun: Maverick” premier at Leicester Square in London, May 19, 2022. (Neil Mockford/FilmMagic via Getty Images)
Back to this year’s Oscars: “Top Gun: Maverick,” the action blockbuster sequel, picked up four nominations, including for best picture. The film’s distributor, Paramount, is currently embroiled in a copyright lawsuit with the family of Israeli journalist Ehud Yonay, whose magazine article about a Navy fighter pilot school was the basis for the original “Top Gun” in 1986. In November, a judge dismissed Paramount’s attempts to throw out the suit and ruled the Yonay family could proceed with their claims.
The writer, director and actress Sarah Polley also scored a nomination for best adapted screenplay for her drama “Women Talking,” about a group of abused women in an isolated Mennonite community, which was also nominated for best picture. Polley has a Jewish biological father, whose secret parentage she explored in her 2013 documentary “Stories We Tell.”
The Jewish film producer Gail Berman also scored her first Oscar nomination for producing best picture nominee “Elvis,” while Jewish producing partners Darren Aronofsky and Ari Handel scored their own best picture nomination for “The Whale.” The movie, which Aronofsky directed, stars Brendan Fraser (also nominated) as a morbidly obese English professor.
In the performing categories, one actor was nominated for playing a real-life Jewish convert: Ana de Armas received a best actress nomination for her portrayal of Marilyn Monroe in Netflix’s “Blonde.” Monroe converted to Judaism in the 1950s and remained devoted to the religion even after divorcing her husband, Jewish playwright Arthur Miller.
Also, veteran actress Jamie Lee Curtis — whose father, Golden Age Hollywood actor Tony Curtis, was Jewish — picked up her first-ever Oscar nomination for her supporting role as a sinister tax officer in the multiverse sci-fi comedy “Everything Everywhere All At Once.”
Curtis is nominated in the category alongside her co-star Stephanie Hsu, who is also known to fans of the very Jewish TV series “The Marvelous Mrs. Maisel” as Mei Lin, a Chinese restaurant owner who gets together with co-lead Joel Maisel. Early buzz on the upcoming fifth season of “Maisel” says that Hsu’s character will convert to Judaism.
Another “Everything Everywhere” co-star, Jewish actress Jenny Slate, helped a different film score an Oscar nomination in the best animated feature category: the stop-motion mockumentary “Marcel The Shell With Shoes On.” Slate co-wrote the feature with her ex-husband Dean Fleischer-Camp, who directs; Slate also voices the lead role of Marcel. However, she is not one of the nominated producers on the film.
“All The Beauty And The Bloodshed,” a portrait of the outsider artist Nan Goldin and her years-long activism campaign against opioid manufacturers the Sackler family, was nominated in the best documentary feature category and is favored to win. The film documents how Goldin was born to Jewish parents but had an emotionally abusive family life and left home in her teens. The Sacklers are also Jewish.
The documentary short category saw the second nomination in a row for Jewish filmmaker Jay Rosenblatt, whose documentary “How Do You Measure A Year” chronicles many years of his daughter Ella’s birthdays. Rosenblatt is the program director of the San Francisco Jewish Film Festival.
Veteran Polish filmmaker Jerzy Skolimowski was also nominated in the international feature category for his drama “EO,” told from the perspective of a donkey. Skolimowski’s father was a member of the Polish Resistance and his mother hid a Jewish family in their house during World War II.
Jewish composer Justin Hurwitz, who won an Oscar for his work on “La La Land,” was nominated again for the score for “Babylon,” a follow-up production with that film’s director, Damien Chazelle.
And in the original song category, Jewish songwriter Diane Warren extended her nomination streak to 14 for the number “Applause,” from the feminist documentary “Tell It Like A Woman.” Warren has never won a competitive Oscar but did receive an honorary Academy Award last year.
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The Day I Hid My Star of David Necklace
Anti-Israel protesters gather at Museumplein ahead of a 6 km march through the city as part of a protest demanding a tougher stance from the Dutch government against Israel’s war in Gaza, in Amsterdam, Netherlands, Oct. 5, 2025. Photo: REUTERS/Charlotte Van Campenhout
There are moments when a small object can feel unbearably heavy.
For me, it was my Star of David necklace — a delicate piece, inherited through generations, usually worn without a second thought. But recently, for the first time, I left it at home on purpose.
I have spent more than a decade publicly defending Israel in the Netherlands. I am not easily intimidated. I have never believed in lowering my voice to make others comfortable. Yet years of activism have taught me something sobering. Conviction does not shield you from hatred.
In the Dutch debate, hostility toward Israel is often dressed up as principled anti-Zionism. The terminology sounds political, even academic. In practice, it frequently mutates into something far uglier. I have been called a dirty Jew, a child killer, a parasite. I have received death threats online. Eggs were thrown at my home. My car tires were slashed more than once. A dead pigeon was once hung on my door in a plastic bag, a grotesque attempt at intimidation.
The irony is bitter. According to rabbinical standards, I am not considered Jewish enough to qualify for Aliyah under religious law, despite Jewish roots on both sides of my family. Yet to those who despise Israel, I am more than Jewish enough to be targeted.
When I reported the harassment, I was advised to keep a lower profile. Perhaps, I was told, I should refrain from speaking so openly in support of Israel. That conversation taught me a painful lesson. Protection would not necessarily come from institutions. It would have to come from resilience.
Over the years, I have lost professional opportunities and personal relationships. I occupy a strange space. Too Jewish for some. Not Jewish enough for others. Meanwhile, I am accused of being a Mossad agent or a paid operative for advocacy groups such as CIDI. The truth is less glamorous. I am simply a Dutch woman who has studied history and refuses to distort it.
Still, something shifted recently.
I needed to see a cardiologist. A routine appointment, nothing political about it. Out of caution, I searched his public social media profile. He had shared and endorsed extreme anti Israel content, including propaganda portraying Israel as uniquely evil. Suddenly a standard medical visit felt charged.
That morning, I removed my Star of David and placed it on my dresser.
The gesture unsettled me more than I expected. It felt like surrender. The same calculation followed before an appointment with another medical professional, originally from Iran. Check social media. Remove visible symbols. Avoid potential bias. Stay invisible.
I am not proud of that instinct. For years I have urged others to stand tall. Yet when you are alone in a climate of escalating hostility, prudence can override pride. Health is not a battleground on which one wishes to test ideological neutrality.
The broader context explains why this fear is not imaginary. The Netherlands has witnessed a sharp rise in antisemitic incidents. CIDI, the Center for Information and Documentation on Israel, recorded 379 antisemitic incidents in 2023, then 421 in 2024, the highest number since monitoring began. Police figures, using broader criteria, have been even higher. These are not abstract data points. They represent Jewish students harassed in classrooms, mezuzot ripped from doorposts, and families who hesitate before displaying visible signs of identity.
Each year on Holocaust Remembrance Day, including ceremonies marking the liberation of, we solemnly repeat the words “never again.” The phrase echoes with sincerity. But remembrance without vigilance is ritual without substance.
My advocacy for Israel does not stem from blind loyalty. It arises from historical understanding. After two thousand years of exile, persecution, and statelessness, the reestablishment of Jewish sovereignty in 1948 was not a colonial experiment but an act of national restoration. Israel, like any democracy, is imperfect. It debates fiercely within itself. It includes Jews from Europe, the Middle East, North Africa, and Ethiopia. I have written extensively about the rescue of Ethiopian Jews who found refuge and citizenship there. That diversity alone undermines the simplistic caricature of Israel as a racist project.
When activists declare that Zionism is racism and deny Israel’s right to exist, they claim to be advancing justice. In reality, they are singling out the world’s only Jewish state for elimination. It is not surprising that such rhetoric often spills over into open antisemitism.
The consequences are felt far beyond Israel’s borders. Across Europe and America, Jewish communities report heightened violence and terrorism. The Netherlands is not immune. And so a necklace becomes a calculation.
Yet while I may occasionally remove a symbol, I will not silence my voice. If anything, the climate reinforces why speaking out matters.
Unity is essential. Jews and non-Jews alike must reject the normalization of antisemitism, whether it appears under the banner of anti-Zionism or any other fashionable label. This is not about suppressing legitimate criticism of Israeli policies. It is about drawing a moral line when criticism becomes demonization and when political disagreement becomes collective vilification.
One day, I hope, wearing a Star of David in Amsterdam will feel entirely unremarkable. An heirloom necklace will simply be jewelry, not a statement of defiance. Until then, even if I sometimes leave it at home, I will continue to speak publicly and unapologetically.
Because never again is not a slogan. It is a responsibility that begins in the present.
Sabine Sterk is the CEO of Time To Stand Up For Israel.
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History and Archaeological Evidence Shows Jews Were Pioneers in Learning and Education
Inside the National Library of Israel. Photo: © Herzog & de Meuron; Mann-Shinar Architects, Executive Architect.
The opening of a new building for the National Library of Israel was one of the events overshadowed by the October 7 attack on Israel.
The library, almost five million square feet of space containing five million books, did open its doors on October, 29, 2023. The impressive new building, with its state-of-the-art automated book retrieval system, is a far cry from the library’s modest beginnings in 1892.
That the library opened five years before the first Zionist Congress, and well before the establishment of the state of Israel, indicates the importance that the Jewish people place on books and literacy — and also the long connection between Jews and Israel.
In Judaism and Hellenism in Antiquity (1998), Lee I. Levine makes the point that Jews were unique in the ancient world in reading a holy text at religious services and discussing its meaning on a regular basis. (Ezra the Scribe is credited with initiating the reading of the Torah at religious services, in the fifth century BCE, after the return from exile in Babylonia [Nehemiah 8:1-8].)
That Jews are widely associated with literacy is a widespread belief. In fact, the expression “People of the Book” originated in the Koran, as a description for Jews (and Christians). But how literate were they in Biblical times? Scholars such as Meir Bar Ilan suggest that literacy in ancient Israel was low, less than 3% of the population, even as late as the first centuries CE.
After all, with the exception of priests and scribes, why would it be necessary to read and write in an agricultural society? However, recent archeological evidence signals that Jewish literacy in Biblical times was far more widespread than previously thought.
Archeological teams from Tel Aviv University used computer-based analyses to evaluate letters written by a small contingent of 20 to 30 Judean soldiers located at a military outpost at Arad, near the southern border of Judea. The letters, in Hebrew, were written in ink on ostraca (potsherds used as writing surfaces) shortly before the fall of Jerusalem to the Babylonians in 586 BCE.
Computer handwriting analysis used machine learning to digitize, segment, and extract features (for example, separation distances, angles, slopes, curves) from script to identify individuals. A professional handwriting expert also evaluated the writing on the ostraca.
The results, published in academic journals (PNAS, 2016 and Plos One, 2020), show that there were at least 12 different writers. They varied in rank, down to the equivalent of quartermaster (much of the material in the letters dealt with provisions and supplies). Clearly, the society represented by the soldiers at Arad must have included an educational infrastructure capable of ensuring widespread literacy.
In Discovering Second Temple Literature (2018) Malka Z. Simkovich, Crown-Ryan Chair of Jewish Studies at Catholic Theological Union in Chicago, provides a comprehensive view of the extensive literary output by Jewish communities during the period of the Second Temple (539 BCE to 70 CE). While she does not refer to literacy per se, the variety of material she describes, and the volume of letters written between Jews in Judea and those in the Diaspora (mainly between Jerusalem, Alexandria, and Antioch), suggests that the ability to read and write was common.
Some of the writings Simkovich refers to were found in the Cairo Geniza, a trove of more than 400,000 manuscripts, and fragments of manuscripts, discovered in the storeroom (the geniza) of the Ben Ezra Synagogue in Fustat (Old Cairo), Egypt.
Most of this collection was taken to Cambridge University in 1896 and today is being digitized. While much of this material involves the post-Temple period, manuscripts from the earlier, Second Temple period, were also common.
The geniza, a uniquely Jewish concept, is rooted in Jewish law. Any old or damaged liturgical texts or ritual objects that may include G-d’s name must not be casually discarded. The geniza is a temporary repository for such material prior to burial in consecrated ground.
The material in the Cairo Geniza was unusual in that the material stored there accumulated for a long time, between the 8th and 19th centuries. It includes secular material, such as legal contracts, accounting books, and personal letters, along with Biblical texts and rabbinical writings, making it a particularly valuable historical find. But equally important, the existence of the geniza is a reminder of the reverence for the written word that is a part of the Jewish tradition.
Jacob Sivak, a Fellow of the Royal Society of Canada, is a retired professor, University of Waterloo.
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Tucker Carlson’s Huckabee Interview: Confidence Without Comprehension
Carlson floated additional insinuations and conspiracy, including the absurd claim that the United States went to war in Iraq after September 11 because of Israel.
This trope, that Jewish or Israeli influence dragged America into war, has circulated for decades across ideological extremes.
Reducing complex American strategic decisions, Congressional votes, and post-9/11 security policy to “Israel made us do it” is not serious analysis. Yet here it was, presented as such by a former Fox News host watched by millions.
By the end of nearly three hours, a pattern had emerged.
Carlson repeatedly blurred theology into policy, questioned Jewish historical continuity, recycled war-blame insinuations, dismissed counter-evidence, and spoke authoritatively on subjects he appeared not to have mastered.
And he did so with confidence.
That is what much of the media missed.

The story was not Huckabee’s answer to a distorted Biblical question.
It was watching a prominent commentator unravel under the weight of his own thinly sourced claims.
Criticism of Israeli policy is legitimate. Debate over strategy is healthy.
But when interrogation gives way to insinuation, and skepticism morphs into selective credulity, the result is not fearless journalism.
It is confidence without comprehension.
And it was watched by nearly two million viewers in under 24 hours.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
