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Spielberg’s ‘Fabelmans’ earns 7 Oscar nods, WWII epic with anti-Nazi past gets 9

(JTA) – “The Fabelmans,” Steven Spielberg’s autobiographical drama about his Jewish upbringing, had an expected strong haul of Oscar nominations, picking up seven nods Tuesday morning.

A remake of a movie once targeted by the Nazis, a blockbuster embroiled in a lawsuit with an Israeli family and a documentary by the program director of the San Francisco Jewish Film Festival also got recognized in a list jam-packed with Jewish characters, stories and artists.

Spielberg’s movie overcame an anemic box office showing to score nominations in the major categories of best picture, director and screenplay, for Spielberg and celebrated Jewish playwright and screenwriter Tony Kushner. The directing nomination brings Spielberg’s total nominations in the category to nine, tying him with Martin Scorsese for the second-most directing nominations in Oscar history. 

The film also scored acting nods for Judd Hirsch, who is Jewish, and Michelle Williams, who recently said she is planning to raise her two children with Judaism.

“The Fabelmans” was the best picture nominee with the strongest Jewish themes, but it wasn’t the only one. The psychological drama “Tár,” starring Cate Blanchett as a problematic conductor, picked up six nominations, including for picture, actress and director; the film weaves Jewish mysticism into its storytelling.

“All Quiet On The Western Front,” Netflix’s new German-language adaptation of the classic 1929 novel about the horrors experienced by German soldiers during World War I, was also nominated for nine Oscars, including best picture, international feature and adapted screenplay. The film’s source material was once banned and burned by the ascending Nazi Party, which believed its anti-war stance made the German military look weak and constituted a threat to their plans for world domination. 

When the book’s initial 1930 film adaptation, directed by Jewish filmmaker Lewis Milestone, was released in Germany, Nazis led by Joseph Goebbels set off stink bombs, released mice into the theaters and called the movie a “Judenfilm” (or “Jewish film”). Germany and Austria banned the film from being shown in their countries, and the public censorship campaign led the novel’s author, Erich Maria Remarque, to renounce his German citizenship (Nazis were erroneously labeling him as a Jew). 

In response, Jewish studio head Carl Laemmle Sr., agreed to heavily edit the movie and remove material deemed objectionable to the Nazis in order to improve its commercial prospects in Germany. One possible silver lining for the remake’s producers: The 1930 film went on to win best picture that year.

Tom Cruise at a “Top Gun: Maverick” premier at Leicester Square in London, May 19, 2022. (Neil Mockford/FilmMagic via Getty Images)

Back to this year’s Oscars: “Top Gun: Maverick,” the action blockbuster sequel, picked up four nominations, including for best picture. The film’s distributor, Paramount, is currently embroiled in a copyright lawsuit with the family of Israeli journalist Ehud Yonay, whose magazine article about a Navy fighter pilot school was the basis for the original “Top Gun” in 1986. In November, a judge dismissed Paramount’s attempts to throw out the suit and ruled the Yonay family could proceed with their claims.

The writer, director and actress Sarah Polley also scored a nomination for best adapted screenplay for her drama “Women Talking,” about a group of abused women in an isolated Mennonite community, which was also nominated for best picture. Polley has a Jewish biological father, whose secret parentage she explored in her 2013 documentary “Stories We Tell.”

The Jewish film producer Gail Berman also scored her first Oscar nomination for producing best picture nominee “Elvis,” while Jewish producing partners Darren Aronofsky and Ari Handel scored their own best picture nomination for “The Whale.” The movie, which Aronofsky directed, stars Brendan Fraser (also nominated) as a morbidly obese English professor.

In the performing categories, one actor was nominated for playing a real-life Jewish convert: Ana de Armas received a best actress nomination for her portrayal of Marilyn Monroe in Netflix’s “Blonde.” Monroe converted to Judaism in the 1950s and remained devoted to the religion even after divorcing her husband, Jewish playwright Arthur Miller.

Also, veteran actress Jamie Lee Curtis — whose father, Golden Age Hollywood actor Tony Curtis, was Jewish — picked up her first-ever Oscar nomination for her supporting role as a sinister tax officer in the multiverse sci-fi comedy “Everything Everywhere All At Once.” 

Curtis is nominated in the category alongside her co-star Stephanie Hsu, who is also known to fans of the very Jewish TV series “The Marvelous Mrs. Maisel” as Mei Lin, a Chinese restaurant owner who gets together with co-lead Joel Maisel. Early buzz on the upcoming fifth season of “Maisel” says that Hsu’s character will convert to Judaism.

Another “Everything Everywhere” co-star, Jewish actress Jenny Slate, helped a different film score an Oscar nomination in the best animated feature category: the stop-motion mockumentary “Marcel The Shell With Shoes On.” Slate co-wrote the feature with her ex-husband Dean Fleischer-Camp, who directs; Slate also voices the lead role of Marcel. However, she is not one of the nominated producers on the film.

“All The Beauty And The Bloodshed,” a portrait of the outsider artist Nan Goldin and her years-long activism campaign against opioid manufacturers the Sackler family, was nominated in the best documentary feature category and is favored to win. The film documents how Goldin was born to Jewish parents but had an emotionally abusive family life and left home in her teens. The Sacklers are also Jewish.

The documentary short category saw the second nomination in a row for Jewish filmmaker Jay Rosenblatt, whose documentary “How Do You Measure A Year” chronicles many years of his daughter Ella’s birthdays. Rosenblatt is the program director of the San Francisco Jewish Film Festival.

Veteran Polish filmmaker Jerzy Skolimowski was also nominated in the international feature category for his drama “EO,” told from the perspective of a donkey. Skolimowski’s father was a member of the Polish Resistance and his mother hid a Jewish family in their house during World War II.

Jewish composer Justin Hurwitz, who won an Oscar for his work on “La La Land,” was nominated again for the score for “Babylon,” a follow-up production with that film’s director, Damien Chazelle. 

And in the original song category, Jewish songwriter Diane Warren extended her nomination streak to 14 for the number “Applause,” from the feminist documentary “Tell It Like A Woman.” Warren has never won a competitive Oscar but did receive an honorary Academy Award last year.


The post Spielberg’s ‘Fabelmans’ earns 7 Oscar nods, WWII epic with anti-Nazi past gets 9 appeared first on Jewish Telegraphic Agency.

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Thousands of haredi Orthodox Jews protest Israeli military draft in New York City

(JTA) — Upwards of 10,000 haredi Orthodox Jewish men protested on Sunday night outside the Israeli consulate in New York City against the conscription of Orthodox Jews in the Israeli military.

The protest, which was organized by the Central Rabbinical Congress, a consortium of Orthodox Jewish groups, comes amid one of Israel’s tensest political debates: whether haredi men should be subjected to the draft.

Last year, the Israeli Supreme Court unanimously ruled that Israel must draft haredi Orthodox Jews into its army, ending the longstanding exemption for yeshiva students from military service that has existed since the country’s founding.

Since then, haredi men have staged frequent street protests in Israel, including outside the Knesset in Jerusalem, and the debate reached a new flashpoint last month when over 100 haredi Orthodox men were arrested for draft-dodging while attempting to leave the country for an annual pilgrimage for Rosh Hashanah.

Now, the protest movement has spilled over to New York, home to the largest haredi communities outside of Israel. At the rally Sunday night, rabbinic leaders from the anti-Zionist Satmar hasidic sect and Grand Rebbes spoke from cherry pickers above the protesters, who held signs reading “We would rather die as Jews than live as Zionist soldiers,” and “Stop terrorizing religious Jews,” according to footage of the event.

“Americans are unaware of Israel’s horrific treatment of Orthodox Jews. From night raids in Orthodox neighborhoods to checkpoints to arrests of Yeshiva students, Israel is persecuting the very religious people that it claims to protect,” said Rabbi Isaac Green, one of the New York protest’s organizers, in a statement. “Israel should not force Orthodox Jews to join an anti-religious army to fight wars against their religion.”

Rabbis Aaron and Zalman Teitelbaum, the two rival leaders of the Satmar sect, both urged their followers to join in the demonstration, marking one of the rare times they have organized over the past two years due to their policy of not protesting against Israel during times of war.

As more men arrived at the demonstration, the mass of protesters began spilling onto the street, leading to some clashes and shoving matches with police officers trying to control the crowd, according to amNewYork.

Currently, around 80,000 ultra-Orthodox men in Israel are believed to be eligible for service, and the IDF has called for 12,000 recruits to meet the needs posed by the war in Gaza.

The post Thousands of haredi Orthodox Jews protest Israeli military draft in New York City appeared first on The Forward.

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Arthur Waskow, activist rabbi who brought Jewish spiritual wisdom to bear on progressive politics, dies at 92

(JTA) — Rabbi Arthur Waskow, an activist and author of more than two dozen books that refracted progressive causes like civil rights, economic injustice and, most pressingly in his last decade, climate change through the lens of Jewish text and tradition, died Monday at his home in Philadelphia. He was 92.

Starting with his creation in 1969 of the “Freedom Seder,” a version of the Passover Haggadah that introduced contemporary liberation struggles into the ancient story of the Israelite escape from Egyptian bondage, Waskow became one of the leading voices bringing Jewish spiritual wisdom to bear on the progressive political agenda.

Waskow disseminated these ideas as the founder of the Shalom Center in Philadelphia, initially to address the threat of nuclear weapons through a Jewish lens. Over time, the organization came to focus on other concerns, including Middle East peace, interfaith relations and climate change.

In 1993, Waskow co-founded, with Rabbi Zalman Schachter-Shalomi and others, ALEPH: Alliance for Jewish Renewal, a flagship for the Jewish Renewal movement. Waskow was said to have coined the term “Jewish Renewal” — a movement grounded in “Judaism’s prophetic and mystical traditions” — in an issue of Menorah, a magazine for social justice and ritual issues he launched in 1979.

The author of more than two dozen books, several of which have become Jewish classics, Waskow celebrated his 92nd birthday this month while in hospice care at a Zoom launch of two books that he’d written since turning 90. “Tales of Spirit Rising and Sometimes Falling” is an activist’s memoir; “Handbook for Heretics and Prophets: A New Torah for a New World” is a collection of essays by Waskow and fellow Jewish activists.

His reach was so extensive that, in 2012, the feminist icon Gloria Steinem told Oprah Winfrey that it had been Waskow’s urging that kept her going as an activist at a pivotal moment of disillusionment back in 1968. The pair reconnected for the first time since then in a public conversation about their eight decades of activism.

More than an armchair theologian, Waskow was arrested more than two dozen times, first while protesting a segregated amusement park in his hometown of Baltimore in the 1960s and continuing throughout his life. In 2019, Waskow was arrested outside an Immigration and Customs Enforcement office in Philadelphia while protesting the Trump administration’s treatment of migrant women.

Waskow was destined for activism from an early age. Both his parents were politically engaged — his father was a labor organizer who had headed the Baltimore teachers union and his mother registered Black voters. Both were active with Americans for Democratic Action. His grandfather was a precinct organizer for Eugene Debs, the union organizer who ran for president five times as a socialist between 1900 and 1920.

“That was in my bloodstream,” Waskow told the Jewish Telegraphic Agency in 2021.

Waskow received a bachelor’s degree from Johns Hopkins University in 1954 and a Ph.D. in American history from the University of Wisconsin in 1963. He  went to work on disarmament and civil rights for Robert Kastenmeier, an influential longtime member of the U.S. House of Representatives. Later he became a fellow at the progressive Institute for Policy Studies. In 1970, he testified for the defense at the trial of the Chicago 7, Vietnam war protesters who had been arrested for incitement at the 1968 Democratic convention in Chicago. The defendants included the Jewish radicals Abbie Hoffman and Jerry Rubin.

The trial was the first time that Waskow had worn a kippah in a nonreligious setting — the judge tried to have him remove it, but relented at the prosecutor’s urging. At the time, Waskow “was still wrestling with what this weird and powerful ‘Jewish thing’ meant in my life,” as he would write later. Though he had always observed Passover, Judaism had failed to seriously capture his attention until well into adulthood.

That changed on an April evening in 1968 as Waskow headed home to prepare for the Passover Seder. Federal troops were out in force to quell riots sparked by the assassination of Martin Luther King Jr. just days before. Seeing a machine gun pointed at his block in the Adams Morgan section of Washington, D.C., Waskow likened the show of force to Pharaoh’s army.

That insight inspired Waskow to write the “Freedom Seder,” which referred to King and Mahatma Gandhi as “prophets” and introduced quotes from a range of modern thinkers alongside the traditional text, including Thomas Jefferson, the enslaved abolitionist Nat Turner and the Black Power leader Eldridge Cleaver. In 1969, a group of young Jewish activists led by Waskow organized the original Freedom Seder, which was held in the basement of a church in Washington.

Although it was written in a long tradition of adapting the Passover seder script for contemporary issues, the Orthodox Rabbinical Alliance of America denounced the work as “most offensive” for making radical changes to the Haggadah without rabbinic authority and quoting alleged anti-Semites.

“There’s no question, it was chutzpadik,” Waskow said of the book, using a Yiddish expression that roughly means audacious. “I think it turned out to be holy chutzpah.”

The “Freedom Seder” would be the first of many works Waskow would pen that reimagined Jewish tradition to speak more directly to contemporary concerns, initiating a movement that many Jews now take for granted.

Waskow continued in this vein with his 1982 work “Seasons of Our Joy,” a New Age guide to the Jewish holidays (New Age became “modern” in subsequent editions). Written in the DIY spirit of “The Jewish Catalog,” the book reintroduced the earth-based, agricultural roots of the Jewish holidays decades before Jewish farmers and environmental activists would make such linkages seem obvious.

In 1982, when hundreds of Palestinians were massacred by Israel-aligned Christian Phalangists at Sabra and Shatila, Waskow was at a retreat center near Baltimore for Rosh Hashanah. Waskow took the front-page article on the killings from the Philadelphia Inquirer and chanted it as the haftarah at the morning service.

“He was almost a lone voice for a long time, really trying to bring Jewish values to the political situation,” Rabbi Mordechai Liebling, a fellow Philadelphia activist rabbi and the founder of the social justice training program at the Reconstructionist Rabbinical College, said in 2021. “Heschel certainly had done this, and there were two or three other rabbis who did that well — Everett Gendler, some more. But they weren’t as radical as Arthur.”

Waskow decided to seek rabbinic ordination in 1995, when he was 62 and already teaching at the Reconstructionist seminary. He also taught at Swarthmore College, Temple University, Drew University, Vassar College and the Hebrew Union College-Jewish Institute for Religion (where he taught the first course on eco-Judaism in any rabbinical seminary).

In 2007, Newsweek named him one of the 50 most influential American rabbis.

Waskow met Rabbi Phyllis Berman at a conference in 1982, some months after she read “Seasons of Our Joy” and sent Waskow a love letter, which he never answered. (It had been lost in the mail.) Berman confronted Waskow over the lapse and the two struck up a friendship. Four years later they were married and each took on a new middle name — Ocean — inspired by their shared love of the sea.

“People have said that I have softened him,” Berman told JTA in 2021. “And I think that I have. And he has also toughened me. So both things are true. He said to me very recently, in a very precious exchange, that I don’t take any shit from him anymore. And I think I probably did for a long time. He is a frightening man when he’s angry. But I’ve learned to stand in the face of it in a much, much more profound way.”

Waskow told JTA that he hoped his legacy would be a deeper shift in Jewish theology — and by extension in the Jewish psyche. Waskow believed that modernity presented Judaism with a challenge on par with the one faced by the ancient rabbis following the destruction of the Temple. That challenge, reflected in the cascading crises now facing humanity, will require a profound transformation in religious thought — from one centered on serving God as a ruler or king to a more ecological worldview that sees all of creation as part of an organic whole.

“Modernity did to us what Rome, and before Rome Egypt and Babylon, did,” Waskow said. “And the question is now, has modernity gotten so powerful, and so uncaring, and so uncontrollable, it’s going to wreck the whole joint before we can create an effective response. Or can we create an effective response? And that’s what I’ve been trying to do.”

Waskow’s successor at the Shalom Center, Rabbi Nate DeGroot, announced earlier this month, ahead of Waskow’s Oct. 12 birthday, that he had entered hospice care.

Berman survives him, as does a son, David Waskow; a daughter, Shoshana Elkin Waskow; stepchildren Josh Sher and Morissa Wiser, their spouses and five grandchildren.

His other books included “Torah of the Earth: Exploring 4,000 Years of Ecology in Jewish Thought,” “Down-to-Earth Judaism: Food, Money, Sex, and the Rest of Life” and “Godwrestling,” a collection of Torah commentaries.

The post Arthur Waskow, activist rabbi who brought Jewish spiritual wisdom to bear on progressive politics, dies at 92 appeared first on The Forward.

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Antisemitic AI-Generated Videos Flood OpenAI’s New Sora 2 App

Three screenshots from antisemitic AI-generated videos found on Sora 2 on Oct. 20, 2025.

The release of OpenAI’s Sora 2 video generating app last month has prompted a wave of criticisms, notably from the family members of deceased celebrities ranging from Rev. Martin Luther King, Jr. to George Carlin and Robin Williams seeing their loved ones repurposed in tasteless ways. Now, examples have emerged of rampant antisemitic content flooding the app.

Adweek, a publication that tracks the marketing industry, on Friday spotlighted a series of AI-generated videos on the app which featured a man in a kippah immersed in a pile of money. The app allows users to take videos created by others and then remix them with different instructions. A video originally featuring a woman in an apartment filled with soda pop was transformed with the prompt, “Replace her with a rabbi wearing a kippah and the house is full of quarters.”

The platform then featured multiple versions of this Jew-buried-in-coins imagery, including one with a “South Park” visual style. AdWeek noted another video drawing on conventional antisemitic tropes about Jews and money, which featured “two football players wearing kippot, flipping a coin before a third man — portrayed as a Hasidic Jew — dives to grab it and sprints away, an apparent reference to longstanding antisemitic stereotypes about greed. The clip has been widely remixed with nearly 11,000 likes as of Oct. 17.”

On Monday, The Algemeiner conducted a brief search on the Sora app, asking in the “describe what you’d like to see more of” custom tab to see “Rabbi and Jewish.”

The theme of Jews and coins manifested repeatedly:

 

 

 

 

An OpenAI spokesperson told Adweek that Sora uses both multiple forms of internal processes and also teams monitoring trends to adjust safeguards.

When the app debuted on Sept. 30, OpenAI stated that “Sora uses layered defenses to keep the feed safe while leaving room for creativity. At creation, guardrails seek to block unsafe content before it’s made — including sexual material, terrorist propaganda, and self-harm promotion — by checking both prompts and outputs across multiple video frames and audio transcripts. We’ve red teamed to explore novel risks, and we’ve tightened policies relative to image generation given Sora’s greater realism and the addition of motion and audio. Beyond generation, automated systems scan all feed content against our Global Usage Policies and filter out unsafe or age-inappropriate material. These systems are continuously updated as we learn about new risks and are complemented by human review focused on the highest-impact harms.”

Throughout the year, numerous stories have shown the potential for AI to inflame antisemitic narratives.

On March 25, the Anti-Defamation League (ADL) released a report with findings into four AI chatbots, saying researchers had “uncovered concerning patterns of bias, misinformation, and selective engagement on issues related to Jewish people, Israel, and antisemitic tropes.”

ADL chief executive Jonathan Greenblatt said at the time that “artificial intelligence is reshaping how people consume information, but as this research shows, AI models are not immune to deeply ingrained societal biases. When LLMs amplify misinformation or refuse to acknowledge certain truths, it can distort public discourse and contribute to antisemitism. This report is an urgent call to AI developers to take responsibility for their products and implement stronger safeguards against bias.”

In July, following an upgrade, xAI’s Grok Chatbot promoted an antisemitic conspiracy theory about Jewish control of Hollywood.

The technology company issued an apology on July 11, stating, “First off, we deeply apologize for the horrific behavior that many experienced. Our intent for @grok is to provide helpful and truthful responses to users. After careful investigation, we discovered the root cause was an update to a code path upstream of the @grok bot. This is independent of the underlying language model that powers @grok. The update was active for 16 hrs, in which deprecated code made @grok susceptible to existing X user posts; including when such posts contained extremist views. We have removed that deprecated code and refactored the entire system to prevent further abuse.”

OpenAI CEO Sam Altman is Jewish. On Dec. 7, 2023, he wrote on X, “For a long time i said that antisemitism, particularly on the american left, was not as bad as people claimed. i’d like to just state that i was totally wrong. i still don’t understand it, really. or know what to do about it. but it is so f**ked.”

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