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Ted Lerner, real estate developer who brought baseball back to Washington, dies at 97
WASHINGTON (JTA) — Ted Lerner, who died on Sunday at age 97, was as famously workaholic as he was shy.
So it was a big deal when Washingtonian magazine scored an interview with him in 2007, the year after he assumed ownership of the Nationals, the first baseball team in Washington, D.C., since 1971.
In the interview, Lerner described his 18-hour days building up a real estate empire of malls and other developments that has shaped D.C. and its suburbs. He also mentioned the two things that could pull him away from his work: a ball game, and Jewish holidays.
“I just worked,” he said. “I took off for Jewish holidays and a [football] game or two.” But he said his true love was baseball, a game that brought him back to the days of his youth.
“In Washington in the 1930s, that’s all there was — baseball,” he said.
He recalled that as a teenager, he would aim to sell enough Saturday Night Evening Posts to afford the streetcar to the Senators’ Griffith Stadium (price: 3 cents) and the cheapest ticket (25 cents).
He managed to get a gig as an adolescent usher to watch the 1937 All-Star game at the stadium — “when Dizzy Dean was hit on the foot by a line drive,” he told the magazine. “He was never the same after that.” (The injury effectively ended the legendary pitcher’s career.)
When Major League Baseball decided in 2004 that the Montreal Expos’ new home would be in Washington, he secured meetings with the team’s management for himself and his heirs. His son and two daughters, and their spouses, were his sacrosanct inner circle.
Lerner did not schmooze at Major League Baseball confabs and did not mount a publicity campaign. But his seriousness led him to beat out seven other bids for the Nationals.
The payoff for that decision came in 2015, when the stadium he built to house the team hosted Washington’s first All-Star Game since 1969. Lerner brought a memento to that match: the program of the 1937 All-Star Game, with his notations scribbled in the margins.
One aspect of the job Lerner never got used to was public speaking. His high school yearbook dubbed him “Silent Ted.”
Alongside baseball, Lerner made his name by turning northern Virginia into a locus for shopping. The massive mall complex he built from dairy farms, Tysons Corner, gained international renown.
Lerner died at his home in Chevy Chase, Maryland, of complications from pneumonia. He was born and raised in Washington, D.C. to Orthodox Jewish parents. His father immigrated from British Mandatory Palestine, and his mother came from Lithuania. His extensive charitable giving included donations to the Hebrew University of Jerusalem, the U.S. Holocaust Memorial Museum and his synagogue, Ohr Kodesh.
“I never could have dreamed of owning a baseball team,” he said in 2015, receiving the Urban Land Institute Washington’s lifetime achievement award, when he contrasted his style with that of another famous real estate developer.
“And I never could have imagined over my life that I would build over 20 million square feet of commercial and residential space, and very few people would know my name,” he said. “I guess I have a different approach to real estate development than Donald Trump. And I’m fine with that.”
After he purchased the Nationals, the team continued to grow its local fan base but took years for the team to become a contender. General Manager Jim Bowden explained the strategy to Sports Illustrated in 2012.
“The Lerners made it clear: We’re not in a hurry,” Bowden said. “We want to build this through just like we build our buildings, from the bottom up. We don’t build the penthouse first.”
The strategy paid off. A year after Lerner, age 93, handed his son Mark control of the team in 2018, the Nationals won the World Series.
“There were generations of baseball fans who grew up in D.C. without a team,” Mark Lerner told The New York Times at the time. “Now they have one, and one that won a World Series. To put it into context, my father was born one year after we won the last World Series. That says it all.”
In addition to Mark and his wife, Annette, Lerner is survived by his daughters, Debra Lerner Cohen and Marla Lerner Tanenbaum, nine grandchildren and 11 great-grandchildren. His family still owns the team.
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The post Ted Lerner, real estate developer who brought baseball back to Washington, dies at 97 appeared first on Jewish Telegraphic Agency.
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Orthodox Jewish man stabbed in midtown Manhattan
(New York Jewish Week) — An Orthodox Jewish man is in stable condition after being stabbed on Wednesday evening in the Diamond District of midtown Manhattan. Police are investigating the attack as a possible hate crime.
Police told the Jewish Telegraphic Agency that the NYPD’s Hate Crimes Task Force is investigating the incident as a possible antisemitic attack, and Manhattan Shomrim — the Jewish community watch group — has asked people to share footage as police search for the suspect. No arrests have been made.
The victim was identified by police as a 26-year-old man, and Orthodox Jewish outlet COLLive identified him as a resident of Crown Heights, the neighborhood that is home to the Chabad-Lubavitch Hasidic movement’s headquarters.
He was taken to Bellevue Hospital in stable condition. Police said they were called at about 5:50 p.m. on Wednesday after the man was stabbed in the back with “an unknown sharp object” on 47th Street near Fifth Avenue. ABC7 reported that the victim told investigators he believed he was stabbed with a needle or syringe.
According to the Chabad website, which published an interview with the victim, he is a recently ordained Hasidic rabbi named Joseph, who commutes to Midtown each day to wrap tefillin with Jewish merchants. The attacker, Joseph told the website, was a woman who seemed to be following him prior to the stabbing.
The attack comes as Jewish New Yorkers have been targeted in more than half of the hate crimes committed in New York City this year, despite making up about 12% of the city’s population.
In July, an assailant stabbed two men on the Upper West Side, including one who was leaving a synagogue, while yelling “Allahu akbar,” and was charged with committing hate crimes.
Louis Keene contributed reporting.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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