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The Jewish Museum has just completed a major renovation. Here are 7 highlights.
Following a yearlong, $14.5 million renovation, the Jewish Museum — which is housed a 1908 French Gothic mansion on Fifth Avenue — is opening two upgraded floors to the public.
Among the new features on the museum’s reimagined third and fourth floors: a new installation, “Identity, Culture and Community: Stories from the Collections of the Jewish Museum,” which spotlights 200 items from the museum’s permanent collection; four galleries for rotating exhibits and new acquisitions and the Pruzan Family Center for Learning, featuring art-making studios, a touch wall, and an interactive, simulated archaeological dig.
The renovation is the brainchild of the museum’s director, James Snyder, who assumed the helm of the 121-year-old institution in November 2023, following stints as the director of the Israel Museum and deputy director of the Museum of Modern Art in New York.
The renovation “gave us the opportunity to think through an entirely new narrative, an entirely new strategy for what we are all about,” Snyder said during a press event on Tuesday.
“These are complex times — they have been for a while. They’re getting more and more complex every day,” Snyder said. “Our job, particularly for culturally specific museums like this one, is to be the antidote to what’s really a pandemic today — to the xenophobia, the racism, the ignorance that is prevalent everywhere now.”
Here are seven things to see and do at the renovated Jewish Museum’s new galleries.
1. Marc Chagall’s “Self-Portrait with Palette” (1917)
Marc Chagall’s “Self-Portrait with Palette” (1917) is among the new acquisitions at the Jewish Museum. (Jackie Hajdenberg)
This self-portrait by the lauded Jewish artist is in the Cubist style. An oil on canvas, the painting shows Chagall as a young man holding a brush and palette, with his hometown of Vitebsk (in today’s Belarus) in the background.
When the portrait was painted — during the Russian Revolution — Chagall had just returned home after three years at a Parisian art school in order to marry his childhood sweetheart, Bella Rosenfeld, who modeled for many of his works.
The painting, a new acquisition by the museum, was previously in a private collection. It was last publicly exhibited at the Tefaf New York art fair at the Park Avenue Armory in 2022. It hangs “in conversation” with a newly acquired piece by Alice Neel, titled “Nazis Murder Jews,” from 1936, an unusually non-abstract work by Mark Rothko that shows a deconstructed crucifix, and three paintings by Romanian-Israeli painter Reuven Rubin.
2. 130+ Hanukkah lamps, from ancient times to the present
A glass case of more than 130 Hanukkah lamps is part of the Jewish Museum’s identity and culture exhibit, drawn from the museum’s collection. (Jackie Hajdenberg)
The Jewish Museum has more than 1,400 Hanukkah menorahs in its collection, and as part of its new, fourth-floor learning center, more than 130 are on display in a space that is open to a double-height gallery on the third floor.
The installation — featuring menorahs from across the globe, antiquity to the present day — is meant to accentuate “the central meaning of light as a symbol of enlightenment and hope across cultures,” per a press release.
Particular highlights include oil lamps from the 2nd to 1st century BCE, as well as a “Menurkey” — a turkey-shaped menorah, devised by 9-year-old Asher Weintraub in 2013, when Thanksgiving and Hanukkah overlapped for the first time since 1888.
3. “The Return of the Volunteer from the Wars of Liberation to His Family Still Living in Accordance with Old Customs” (1833–34) by Moritz Daniel Oppenheim
‘The Return of the Volunteer from the Wars of Liberation to His Family Still Living in Accordance with Old Customs” by Moritz Daniel Oppenheim. (Courtesy The Jewish Museum)
Considered to be the first Jewish painter in the modern era, Moritz Daniel Oppenheim — born in 1800 in Hanau, Germany — is known for being the first Jew to receive a formal arts education in Europe.
Many of Oppenheim’s works — which are on view at the museum as part of its permanent collection — showcase intimate portraits of Jewish life in Europe. Considered his masterpiece, “The Return of the Volunteer,” depicts a young German Jewish man returning home after helping defend Germany against the Napoleonic armies just as his family is welcoming Shabbat. (Note the challah and kiddush cup on the table.)
Oppenheim created the painting during a time of civil unrest following the 1830 revolutions in France, when some German states passed repressive legislation against the Jews. Per the Jewish Museum, “This painting has been interpreted as a reminder to Germans of the significant role played by Jews in the Wars of Liberation, and its political overtones are unusual in the generally apolitical nature of Biedermeier art.”
4. Letters between George Washington and Moses Seixas
A letter exchange between Touro Synagogue president Moses Seixas and American President George Washington. (Jackie Hajdenberg)
Part of the new “Identity, Culture and Community” exhibit is a section on Jews in the Colonial Era. A highlight here are letters from 1790 between new American President George Washington and Moses Seixas, the president of Jeshuat Israel of Newport, Rhode Island, now known as the Touro Synagogue — the oldest synagogue in the United States.
Washington came to Rhode Island after the state ratified the United States Constitution in order to promote the passing of the Bill of Rights; upon Washington’s arrival in Newport, Seixas read a letter aloud to the president, in which he expressed optimism at the freedom of religion that Americans would see in this new country.
“May the children of the stock of Abraham who dwell in this land continue to merit and enjoy the good will of the other inhabitants —,” Washington wrote in response, adding a quotation from scripture, “while everyone shall sit in safety under his own vine and fig tree and there shall be none to make him afraid.”
The letters are so delicate they’re kept under a window blind that visitors manually pull up and down, to minimize exposure to light.
5. A child-friendly mock archaeology dig
Visitors of all ages can dig for replicas of real ancient artifacts in the Jewish Museum’s newly renovated dig room. (Jackie Hajdenberg)
As part of the Pruzan Family Center for Learning, the Jewish Museum’s new mock archeology dig is three times larger than the previous version. Here, as part of the visitors can dig through four pits, each centered around a different era in time, for replicas of real artifacts, such as an Ottoman-era copper alloy coffeepot from Jerusalem, an ancient Roman oil lamp and a calcite-alabaster jar from ancient Egypt circa 1550 BCE.
The real versions of those artifacts — most of them newly on display in the room — are also on display, accompanied by kid-friendly language. Families are provided with an “Archaeologist’s Notebook” to keep track of their finds.
6. “in full command of every plan you wrecked” (2024) by Zoë Buckman
“in full command of every plan you wrecked” by Zoë Buckman is on view at the Jewish Museum as part of the third floor’s rotating exhibitions. (Jackie Hajdenberg)
Zoë Buckman, 40, is a British Jewish artist whose work has been featured in the UK’s National Portrait Gallery and who has emerged as a prominent voice among artists on antisemitism in the wake of the Gaza war. This ink, acrylic and hand-embroidered piece is Buckman’s debut at the Jewish Museum, which is part of her “Who by Fire” series exploring Jewish personhood.
Located on a third-floor gallery, Buckman’s work depicts a woman sitting on a chair; the piece’s name, “in full command of every plan you wrecked,” a reference to a Leonard Cohen lyric from “Alexandra Leaving.” The loose threads — typically found on the back of such woven pieces — subvert expectations of traditional feminine and domestic textile work.
7. A retrospective on the early works of Anish Kapoor
Some of the early sculptural pigment works of Anish Kapoor at the Jewish Museum. (Jackie Hajdenberg)
Born in India in 1954 to a Punjabi Hindu father and an Iraqi Jewish mother from Mumbai, Anish Kapoor rose to prominence as an artist exploring matter, non-matter, space and voids. “Anish Kapoor: Early Works,” on view until Feb. 26, 2026, is the first American museum presentation showcasing Kapoor’s works from the late 1970s and early 1980s, “when he was still the classic starving artist,” per the New York Times.
Snyder and Kapoor — a winner of the prestigious Genesis Prize — have previously collaborated on exhibits at MoMA and the Israel Museum; the Jewish Museum exhibit opens on Friday alongside the museum’s newly reimagined floors. “He is about this narrative of the experience of the Diaspora and what it does to artists,” Snyder said of Kapoor.
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The post The Jewish Museum has just completed a major renovation. Here are 7 highlights. appeared first on Jewish Telegraphic Agency.
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Majority of House Democrats vote to defeat Lebanon war powers measure
(JTA) — A House resolution aimed at preventing U.S. involvement in hostilities in Lebanon failed Thursday.
Rep. Rashida Tlaib, a Michigan Democrat and fierce critic of Israel, forced a vote on the House floor Thursday. It was defeated 324 to 92, with 91 Democrats voting in favor. The sole Republican vote came from Kentucky Rep. Thomas Massie, who will be departing Congress next year after losing his primary.
The resolution, which would have ordered President Donald Trump to remove U.S. troops from Lebanon within seven days, was defeated after Democratic Party leaders noted in a joint statement that there are “no U.S. servicemembers involved in combat operations or hostilities in Lebanon.”
The statement issued by House Minority Leader Hakeem Jeffries, Minority Whip Katherine Clark and Caucus Chair Pete Aguilar continued: “We stand with the Lebanese people, the government of Lebanon and the Lebanese Armed Forces in their efforts to live peacefully and defeat Hezbollah, a violent terrorist organization that is a sworn enemy of the United States.”
Jewish Democratic Reps. Jerrold Nadler and Dan Goldman of New York also voted “no” on the resolution, writing in a joint press release that their opposition “should not be taken as an approval of Prime Minister Netanyahu’s prosecution of Israel’s military action in Lebanon.”
“To the extent that American armed forces are present in Lebanon, it is to support the current Lebanese government, which deserves our assistance,” the statement continued.
But Tlaib defended her resolution in a post on X Thursday ahead of the vote. “The people of Lebanon can’t wait another month for Congress to act,” Tlaib wrote. “Every day that we do nothing, 11 more Lebanese children are killed or injured by the Israeli military in this U.S.-supported invasion. Congress must pass today’s Lebanon War Powers Resolution.”
Tlaib was citing a UNICEF report of data from Lebanon’s Ministry of Public Health last month that found 77 children in Lebanon had been killed over the course of a week as Israeli strikes continued to pummel the country.
Some of those who opposed Tlaib’s resolution, including Nadler and Goldman, said they would vote for an alternative version of the resolution that would preserve cooperation with the Lebanese Armed Forces in their fight against Hezbollah.
The defeat of the resolution came the same day that Hezbollah rejected the latest ceasefire agreement brokered between Israel and Lebanon, as fighting between the Iranian proxy and Israel has intensified in recent weeks.
On Wednesday, the House narrowly passed a resolution for the first time that would limit President Donald Trump’s power to continue the war in Iran. While the development was largely symbolic, it marked a rebuke of the president’s increasingly unpopular strategy in Iran.
On Friday, 85 members of Congress also signed onto a letter to Secretary of State Marco Rubio calling on the Trump administration to “use every available diplomatic tool to halt imminent settlement construction in the E-1 area of the West Bank,” a corridor east of Jerusalem.
Citing Israeli Finance Minister Bezalel Smotrich’s orders to demolish a Palestinian Bedouin village in the West Bank last month, the letter, which was led by Democratic Reps. Mark Pocan and Jan Schakowsky, who is Jewish, argued that the issue of settlements in the area had reached a “critical and final inflection point.”
“The window for meaningful diplomatic intervention is closing rapidly, and we believe it is not too late for the United States to act,” read the letter, which was also signed by Nadler and Jewish Tennessee Rep. Steve Cohen.
This article originally appeared on JTA.org.
The post Majority of House Democrats vote to defeat Lebanon war powers measure appeared first on The Forward.
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After years of hostile relations with Israel, Slovenia’s new prime minister signals diplomatic reset
(JTA) — Less than an hour after Slovenia’s newly elected prime minister, Janez Janša, was sworn into office by the country’s parliament, he had the Palestinian flag lowered from a government building.
The move marked the first step in a sharp reorientation of Slovenia’s posture towards Israel under Janša. The right-leaning prime minister, who previously held office in 2022, replaced a prime minister for the liberal Freedom Movement party.
Israeli Foreign Minister Gideon Saar announced on Thursday that Israel would open its first-ever embassy in Ljubljana, Slovenia’s capital, writing in a post on X that the move was a statement of “friendship, dialogue, and a shared belief in freedom, democracy, and security.”
“The election of Prime Minister @JJansaSDS marks a new chapter in relations between Israel and Slovenia,” Saar wrote. “After years of the hostility of the previous government- we now have an opportunity to rebuild, strengthen, and deepen a real partnership.”
Saar wrote in another post on X that he had spoken with Tone Kajzer, who was appointed as Slovenia’s minister of foreign affairs under the new administration, and that he had “pledged all the assistance necessary” to ensure the “swift establishment” of the embassy.
Janša replied to Saar’s post Thursday, writing, “Welcome to Ljubljana. 🇸🇮🇮🇱Looking forward to a new era in Slovenia-Israel relations.”
Under Slovenia’s outgoing prime minister, Robert Golob, the country voted to recognize a Palestinian state in June 2024 and became one of the few European Union countries to label Israel’s war in Gaza a “genocide,” a charge Israel firmly rejects. It was one of five nations to boycott the Eurovision song contest this year over Israel’s participation.
Last year, Slovenia also became the first EU country to impose a travel ban on Israeli Prime Minister Benjamin Netanyahu, as well as far-right ministers Itamar Ben Gvir and Bezalel Smotrich.
For the country’s Jewish population, which numbers just 100, the spate of anti-Israel measures adopted by the former government contributed to a growing sense of isolation in the country.
But now, Janša, an admirer of President Donald Trump and an ally of former Hungarian Prime Minister Viktor Orbán, appears eager to reset relations with Israel.
On Friday, days after an Israeli passenger plane was denied entry to the country by Slovenian authorities in a protest against the Israeli government, Slovenian politician Jernej Vrtovec announced that the airline Israir had “once again been granted authorization to operate flights between Tel Aviv and Ljubljana.”
“The time has come for a responsible Slovenian 🇸🇮foreign policy based on facts, Slovenian national interests and international law,” Janša wrote in a post on X. He added that the “politically and economically harmful period of government support for activist anti-Semitism” had ended.
This article originally appeared on JTA.org.
The post After years of hostile relations with Israel, Slovenia’s new prime minister signals diplomatic reset appeared first on The Forward.
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Israel gives in to the politics of debasement
A small episode this week crystallized the broader pathology of Israeli Prime Minister Benjamin Netayahu more clearly than any grand speech or ideological argument ever could: the Knesset vote for state comptroller, one of the most sensitive institutional positions in Israeli public life.
In Israel, the 120 members of the Knesset elect the comptroller by secret ballot. The office audits government ministries, investigates failures of governance, oversees public integrity, and possesses enormous influence over public accountability. In the aftermath of the Hamas attack of Oct. 7, 2023, and the Gaza war, the role carries even greater significance. The comptroller may shape future investigations into catastrophic national failures and wartime decision-making.
This week — in a move straight out of United States President Donald Trump’s playbook — Netanyahu nominated his longtime personal lawyer, Michael Rabello, for the role.
Historically, the comptroller’s office has been occupied by senior judges, jurists, or respected public servants with reputations for independence. Figures such as Miriam Ben-Porat, Eliezer Goldberg, and Micha Lindenstrauss embodied a certain ethos: they were stern institutional guardians standing somewhat above partisan warfare.
The idea of placing the prime minister’s own attorney into the country’s central oversight institution struck many Israelis as grotesquely inappropriate.
Yet the truly astonishing part came during the voting itself, in which the opposition candidate was a former justice on the Supreme Court — an institution Netanyahu’s coalition has long vilified. The first round reportedly revealed substantial defections among Netanyahu’s coalition. His preferred candidate fell short. Panic spread.
Suddenly, allegations and reports emerged that coalition lawmakers were being encouraged to photograph or film their ballots in order to prove their loyalty. There was a pause in the proceedings as the Knesset speaker, Likud’s Amir Ohana, received legal advice to not allow phones in the voting area. He restarted the vote anyway. Israeli media filled with coalition lawmakers posting images of themselves voting the right way. The images and reports were the excruciating stuff of banana republics.
I cannot recall ever seeing a similar scene in a functioning democracy. Rabello was elected.
Secret ballots exist precisely because democracies understand that free voting collapses when superiors can verify obedience. The entire purpose of ballot secrecy is to protect individuals from coercion, intimidation, retaliation and patronage systems.
Modern democracies adopted secret ballots in the nineteenth century to break the power of bosses, landlords, oligarchs, and political machines that demanded proof of loyalty.
The blatant violation of these norms by Netanyahu’s coalition helps explain why so many Israelis react to him not merely with opposition, but with exhaustion, fury, and moral revulsion.
It’s not just the corruption trials, the permanent manipulation, the serial falsehoods, the failed strategic assumptions about Hamas, the relentless cultivation of tribal resentment, the attacks on state institutions, the politics of personal loyalty and the transformation of every disagreement into an existential struggle between patriots and traitors. It’s the cumulative exhaustion of watching every institutional norm eventually be subordinated to the most vulgar politics imaginable.
The episode revealed something larger than one parliamentary scandal: the culture Netanyahu has spent years cultivating. It is a system organized increasingly around personal allegiance rather than institutional responsibility. A political environment in which independent judgment becomes suspicious, dissent becomes betrayal, and every institution gradually bends toward one man’s political ambition.
So we have here a prime minister under criminal indictment pushing his own lawyer into a top civil service oversight role.
Opposition leaders Naftali Bennett and Yair Lapid plan to appeal Rabello’s election to the Supreme Court, calling the vote “tainted.” Even that might not work. Several government ministers, including the justice minister, have suggested in recent months that they no longer consider court decisions binding.
And that is what outsiders often miss about Netanyahu fatigue in Israel. The anger does not emerge from one scandal, one trial, one war, or one speech. It comes from the constant sense of humiliation. This week, inside Knesset voting booths that were meant to be hidden from view, Israelis saw the whole story compressed into a single degrading scene.
The post Israel gives in to the politics of debasement appeared first on The Forward.
