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The legacy of Isaac Babel, Russia’s Jewish Hemingway, is dissected in new Chicago play
CHICAGO (JTA) — All writers strive for a good story. How far they will go to find it depends on their ambition, their wherewithal and their sanity.
Isaac Babel, a Russian-Jewish writer who came from a relatively stable, privileged background in Odessa in the late 1800s, would go to war among Cossacks who murdered Jews, make friends with Soviet agents and then cuckold one of them. The reason why Babel constantly put himself in harm’s way may have been simple, according to another writer.
“I think he wanted something to write about,” said Rajiv Joseph, whose play at Steppenwolf Theater in Chicago, “Describe the Night,” centers on Babel. “He was a young man who had wanted to be a writer but had nothing to write about.”
“Describe the Night” blends three stories from different eras that engage with questions of who controls the truth. The first portrays Babel, the Soviet secret police head Nikolai Yezhov and Yezhov’s wife, Yevgenia, with whom Babel begins an affair. The second follows a young Soviet agent rising through the ranks just before the Berlin Wall falls, and the third dives into a conspiracy behind a 2010 plane crash near Smolensk, Russia.
Babel himself may not rise to the ranks of Tolstoy or Dostoevsky in terms of immediate name recognition in the United States, but the journalist, author and playwright is remembered as one of Russia’s preeminent 20th-century writers. His modernist and bloody tales in “Red Cavalry,” a collection of short stories inspired by his time on the frontlines of the Polish-Soviet War of 1919, vaulted him to the status of a Russian Hemingway. The pithy American war correspondent once expressed his admiration, perhaps even jealousy, of Babel’s writing, saying “Babel’s style is even more concise than mine.”
Like Hemingway, Babel went to war in search of a good story. Combat itself was not the only threat to him: as a Jew, he bore witness to the Cossack cavalry’s antisemitic atrocities. Babel tamped down his Jewish identity while covering the war, though he would feel a sense of isolation in both societies or as his grandson would later describe him “a Jew among the Cossacks, and a Cossack among the Jews.” In his own diary, Babel wrote “Talking to the Jews, I feel kin to them, they think I’m Russian and my soul is laid bare.”
Joseph, who is not Jewish and authored the Pulitzer-nominated play “Bengal Tiger at the Baghdad Zoo,” had read “Red Cavalry” years ago but was inspired to write “Describe the Night” after discovering the poetic journal Babel had kept during the war. The title of the play comes directly from the diary, which repeats the word several times in Babel’s own prompts to describe things ranging from kitchens to marketplaces to women to horses. Sometimes Babel successfully answers his own prompts by forcing himself to write, and other times he doesn’t, Joseph said.
Lead actor James Vincent Meredith is also not Jewish and admitted he had concerns about “the choice of casting a black man in the role of a Jewish man living in the world of Russia, the Ukraine and Paris.” He partly found his way to the character by watching the 2015 documentary “Finding Babel,” which follows Babel’s grandson across Russia and Ukraine as he searches for his famous ancestor’s remains.
“I can read Babel’s work (I have), I can travel to Israel (I have, decades ago), I can take Hebrew as an elective in college (I did, not very well), I can read Chaim Potok (I have). But these are at their best, however well intentioned, tourist pursuits for one who is not Jewish,” he said. “I will never come close to knowing the true soul of a Jewish person. Thankfully, Rajiv has created this character that by his design, anyone can inhabit.”
Yasen Peyankov and James Vincent Meredith in a scene from the play about Isaac Babel. (Michael Brosilow)
He added that the play isn’t meant to be historically accurate. “The character of Isaac, as well as others in the play, is meant to be an entry point into a world where the scalpel crafting the ‘truth’ is rarely placed in the hands of those who are adversely affected by it. As a black male and father of a black male in the U.S., I’m certainly cognizant of that world.”
Joseph feels that he and other artists share the instinct Babel had to leave his comfort zone. He wanted to be a writer, but growing up in suburban Cleveland gave him little inspiration. After college, he joined the Peace Corps and spent three years in West Africa.
“That was a real life-changing event for me that opened my world and opened my mind,” Joseph said. “Not nearly as traumatic as traveling with the cavalry through Poland in 1920, but the same impulse to break out of your norms.”
Yet Joseph believes Babel’s desires went beyond pushing boundaries and into a deep, pathological need to associate with danger.
“The thing I find really interesting about Babel, both through his writing and through his personal life, is this inexorable draw towards danger and filth,” Joseph said, adding that Babel would hang out in taverns with Soviet soldiers, members of the secret police and executioners like Yezhov. “He was already treading on such thin ice. So he had a recklessness, you could call it a death wish if you want.”
Meredith was also stunned by the writer’s intense flirtations with danger.
“Why get that close to the flame? That to me is one of the things that really appealed to me about this guy,” Meredith said. “I tend to play it safe, as safe as an actor can play it, but I see this guy who had these kinds of desires, he had this quest to make this amazing art as far as his stories and I just I’m just so attracted to that.”
Joseph said he saw some parallels between Babel’s story and the exodus of some of his artistic peers in Russia, who have fled to Europe. In his time, Babel was seen as subversive by nature, existing as a Jewish man in early Soviet Russia. His relished writing about prostitutes and mobsters, transforming underworld characters into urban legends. His 1935 political play “Maria” was canceled during rehearsals and by 1939, Soviet police arrested him and confiscated his writing. Throughout the 1940s, his works disappeared from circulation. Though some believed Babel had spent time throughout that decade in a prison camp, the government had executed him in 1940.
“In the 1930s and ‘40s, I think if you are a Jewish creative writer, you’re automatically subversive,” Joseph said. He noted one pivotal scene where Nikolai Yezhov labels Babel as such because his writing portrays Russia as gloomy rather than inspiring.
“If you’re telling the truth, you are subversive,” Joseph added. “So I think that pretty much any creative writer worth his or her weight would be considered subversive at that moment.”
“Describe the Night” runs until April 9 at the Steppenwolf Theater in Chicago.
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Musée d’Orsay Opens Permanent Exhibition Space Dedicated to Nazi-Looted Artwork
Inside the Musée d’Orsay. Photo: ZUMA Press Wire via Reuters Connect
The Musée d’Orsay in France opened a new permanent exhibition room on Tuesday dedicated to works of art that were owned by Jews and looted by the Nazis across Europe during World War II before being returned to France after the war.
The new gallery room is titled “To whom do these works belong?” and will feature rotating installations of works of art recovered after World War II also known as Musées Nationaux Récupération (National Museums Recovery) pieces. Provenance investigators and researchers are still working to identify the original owners of these MNR artworks.
“Over time, the room is intended to evolve to present to the public the discoveries resulting from this research, some of which could allow new restitutions,” said the museum. “It thus constitutes a space of memory, transparency and active research, at the heart of contemporary issues related to the history of the collections.”
Now on display in the exhibition is 13 works, including the 1879 painting “Dinner at the Ball” by Edgar Degas, according to The Times. The painting was previously owned by Fernand Ochsé, a Jewish merchant and art collector living in France who was murdered in the Auschwitz concentration camp during the Holocaust along with his wife. The painting was among thousands of artworks stolen by the Nazis or forcibly sold to Nazi occupiers in France. Also on display in the exhibit is Pierre-Auguste Renoir’s portrait “Madame Alphonse Daudet” from 1876.
The new gallery room and research done by provenance investigators is being funded with support from the nonprofit organization American Friends of Musées d’Orsay et de l’Orangerie (AFMO). According to the organization, 60,000 artworks looted by the Nazis during World War II around Europe were returned to France by 1950 and 224 of those recovered artworks are housed at the museum and in need of further provenance research to find their original owners. Fifteen MNRs kept at the Musée d’Orsay have already been returned to its rightful owners.
Over the next few years, AFMO will fund a team of art historians and researchers, led by provenance expert Dr. Ines Rotermund-Reynard, and they will focus on finding the owners of the 224 recovered artworks in the Musée d’Orsay’s collections, but also approximately 200 additional pieces acquired by the museum after 1933.
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California Man Pleads Guilty to Killing Jewish Pro-Israel Protester; Judge Weighs Light Sentence
Chalk drawer Elena Colombo of the Hamakom Synagogue draws a blue star around blood at the exact location on the sidewalk where Paul Kessler was attacked in Thousand Oaks, California, US, Nov. 7, 2023. Photo: Mike Blake via Reuters Connect
Prosecutors in Ventura County, California have obtained a felony conviction against a community college professor who caused the death of an elderly Jewish man he struck in the face with a megaphone during a heated argument which started at the interstice of dueling demonstrations over the Israel-Hamas war.
Loay Alnaji, 54, on Tuesday pleaded guilty to involuntary manslaughter and battery causing serious injury, along with a special allegation and aggravating factor that he personally used a weapon to strike pro-Israel protester, 69, according to the Ventura County District Attorney’s Office.
The killing occurred in November 2023, when pro- and anti-Israel protesters confronted each other in the city of Thousand Oaks, in the early days of the Gaza war. Prosecutors said Alnaji hit Kessler in the head with a megaphone. Kessler fell to the ground, hit his head on the pavement, and died the next day.
However, even though the charges carry a maximum of four years in prison, Alnaji faces a much lighter sentence when he appears in court on June 25 for his sentencing. Ventura County Superior Court Judge Derek Malan, who is presiding over the case, has promised to honor an agreement to limit his sentence to three years of “formal probation” and “up to” one year in jail for a guilty plea.
Following the proceedings, the Ventura County District Attorney’s office said that so light a punishment, reportedly negotiated directly between Alnaji and Malan ahead of Tuesday’s hearing, is contrary to the preferences of the prosecutorial team which fought to hold him fully accountable for the weight of the crime.
“Alnaji should be sentenced to prison for his violent behavior, and our office strongly objects to any lesser sentence,” district attorney Erik Nasarenko said. “While no amount of punishment will ever fully account for the Kessler family loss, a prison commitment underscores the severity of this crime and will deter others from committing similar acts of violence.”
As previously reported by The Algemeiner, Kessler sustained two impacts — the blow to his head and a second from the concrete to which he fell after being knocked down. Given the charged political climate in which the killing occurred, law enforcement officials hesitated for days to pronounce that the matter would lead to criminal charges, citing conflicting witness accounts of the altercation. At one point, Alnaji’s only interaction with the Ventura County Police Department was a traffic stop initiated while officers conducted a search of his home.
Ultimately, 10 days passed before police officers arrested him on the charges to which he pled guilty on Tuesday — and he almost evaded those when Judge Ryan Wright, the first judge presiding over the case, ruled that there was insufficient evidence to hold a trial.
Since being assigned to the Kessler case in March following the death of its former presiding judge, Malan has avoided relating Alnaji’s actions to rising antisemitic hatred in the US, downgrading the deadly encounter to a disagreement between “two old guys.”
Doing so miscarries justice, the leader of a Jewish civil rights organization told The Algemeiner on Wednesday, stressing the importance of the justice system’s responding to antisemitic violence and hate crimes with a meaningful deterrent.
“The outrageously lenient plea deal offered to Loay Alnaji is a devastating failure of justice that minimizes the death of 69-year-old Jewish man Paul Kessler and sends a chilling message about how seriously antisemitic violence,” said Liora Rez, executive director and founder of StopAntisemitism. “By intervening against the district attorney’s recommendation and dismissing this killing as merely ‘two old guys’ having a dispute, Judge Derek Malan ignored both the deadly consequences of Alnaji’s actions and the disturbing reality that someone promoting pro-Hamas propaganda helped fuel the environment that led to Kessler’s death.”
Follow Dion J. Pierre @DionJPierre.
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Israel Prepares for Possible Return to War in Gaza as Ceasefire Talks Stall, Hamas Rejects Disarmament
Israeli soldier on guard in Gaza, February 2026. Photo: Jonathan Sacerdoti / The Algemeiner
As the Palestinian terrorist group Hamas continues to reject disarmament and further stalls progress on the US-backed Gaza ceasefire deal, Israeli officials are weighing contingency plans for a renewed military campaign should negotiations collapse entirely.
According to multiple media reports, the Israel Defense Forces believes the current negotiations are unlikely to result in either Hamas’s disarmament or the full demilitarization of the Gaza Strip, warning that the terrorist group is exploiting the diplomatic pause to rebuild its capabilities, consolidate control, and further entrench its governance in Gaza.
“Hamas is deliberately dragging its feet. It is exploiting attention on Iran and Lebanon and, in the meantime, is entrenching itself in the Gaza Strip — reasserting control over the territory, establishing governance structures, and rebuilding its military capabilities,” a military source told the Israeli news outlet Walla.
“As things stand, there are two possibilities: a US declaration that the negotiations have reached a deadlock and a return to fighting, or Washington pushing a partial, ‘perforated’ agreement on Israel that would significantly undermine our security interests and erode the operational gains achieved so far,” he continued.
As regional tensions continue to mount, Maj. Gen. Yaniv, commander of the IDF Southern Command, on Wednesday presented Israel’s political leadership with a new operational plan pushing the military to brace for a potential return to combat and initiate a wide-ranging reassessment of its ground maneuver strategy and operational approach.
For months now, the US-led Board of Peace has been conducting parallel negotiations with Israel and Hamas, attempting to tie the large-scale reconstruction of the war-torn enclave to the complete dismantling of the terror group’s weapons arsenal.
However, after continued failed attempts to reach an agreement, the Board of Peace will not hold Israel to the terms of last year’s ceasefire any longer if Hamas again rejects the proposed disarmament framework, according to a document obtained by The Times of Israel.
The board’s High Representative for Gaza Nickolay Mladenov has previously warned that Hamas’s refusal to disarm could trigger a resumption of the war. But now, the official is reportedly signaling that Israel would not be expected to halt military operations or guarantee humanitarian access to Gaza if the ceasefire framework collapses.
Hamas has consistently refused to relinquish its weapons, insisting that Israel must first fully comply with phase one of the ceasefire — including expanded humanitarian aid deliveries, full reopening of the Rafah crossing, and withdrawal of Israeli forces to the agreed Yellow Line — before any disarmament process can proceed.
For its part, Israel has warned that the Islamist group must fully disarm for the second phase of the ceasefire to move forward, pointing to tens of thousands of rifles and an active network of underground tunnels still under the terrorist group’s control.
If Hamas does not give up its weapons, Israeli officials have vowed not to withdraw troops from Gaza any further or approve any rebuilding efforts, effectively stalling the ceasefire agreement.
Under the ceasefire, the Israeli military currently controls over 50 percent of Gaza, while Hamas remains entrenched in the nearly half of Gazan territory it still controls, where the vast majority of the population lives.
In its latest counterproposal, the terrorist group said that any transfer of its weapons would only be possible as part of a wider process leading to the establishment of a Palestinian state.
As the second phase of the Gaza ceasefire agreement remains stalled, Israeli officials have warned that Hamas is quietly exploiting the pause in fighting to tighten its control over civilian life while simultaneously rebuilding its military capabilities behind the scenes.
Last month, local elections saw the Palestinian Authority (PA) record notable gains, with results appearing strong on the surface. However, experts warn the outcome actually reinforced Hamas’s political theater, projecting an image of shifting authority while the group effectively maintains its control on the ground.
According to a report by Israel’s Channel 14, although newly elected municipal figures are formally affiliated with Fatah, the party of PA President Mahmoud Abbas, the presence of Hamas-linked representatives still signals the group’s continued political penetration at the local level.
Beyond official political appointments, Hamas-linked personnel are widely believed to remain embedded within municipal administrative structures, enabling the group to maintain effective control over day-to-day governance away from public view.
At the same time, through checkpoints, strict regulation of goods, and control over key public institutions, including hospitals, the Palestinian terrorist group has been quietly reestablishing its civilian governance structures across the war-torn enclave, with its authority still visibly enforced on the ground.
Hamas has also been reactivating internal security mechanisms to enforce day-to-day order, while conducting extensive intelligence operations aimed at identifying alleged collaborators with Israel and suppressing any opposition.
In an effort to reassert control and shore up its weakened position, the group has launched a violent internal campaign against armed militias and local gangs, targeting those it labels “lawbreakers and collaborators,” with the crackdown escalating into widespread clashes and violence as Hamas members move to seize weapons and eliminate remaining pockets of resistance.
Even after more than two years of war, the group is also rebuilding its military capabilities, including recruiting new operatives, conducting field and command-level training, restoring intelligence and surveillance networks, and reconstructing underground tunnel systems and weapons stockpiles.