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The legacy of Isaac Babel, Russia’s Jewish Hemingway, is dissected in new Chicago play
CHICAGO (JTA) — All writers strive for a good story. How far they will go to find it depends on their ambition, their wherewithal and their sanity.
Isaac Babel, a Russian-Jewish writer who came from a relatively stable, privileged background in Odessa in the late 1800s, would go to war among Cossacks who murdered Jews, make friends with Soviet agents and then cuckold one of them. The reason why Babel constantly put himself in harm’s way may have been simple, according to another writer.
“I think he wanted something to write about,” said Rajiv Joseph, whose play at Steppenwolf Theater in Chicago, “Describe the Night,” centers on Babel. “He was a young man who had wanted to be a writer but had nothing to write about.”
“Describe the Night” blends three stories from different eras that engage with questions of who controls the truth. The first portrays Babel, the Soviet secret police head Nikolai Yezhov and Yezhov’s wife, Yevgenia, with whom Babel begins an affair. The second follows a young Soviet agent rising through the ranks just before the Berlin Wall falls, and the third dives into a conspiracy behind a 2010 plane crash near Smolensk, Russia.
Babel himself may not rise to the ranks of Tolstoy or Dostoevsky in terms of immediate name recognition in the United States, but the journalist, author and playwright is remembered as one of Russia’s preeminent 20th-century writers. His modernist and bloody tales in “Red Cavalry,” a collection of short stories inspired by his time on the frontlines of the Polish-Soviet War of 1919, vaulted him to the status of a Russian Hemingway. The pithy American war correspondent once expressed his admiration, perhaps even jealousy, of Babel’s writing, saying “Babel’s style is even more concise than mine.”
Like Hemingway, Babel went to war in search of a good story. Combat itself was not the only threat to him: as a Jew, he bore witness to the Cossack cavalry’s antisemitic atrocities. Babel tamped down his Jewish identity while covering the war, though he would feel a sense of isolation in both societies or as his grandson would later describe him “a Jew among the Cossacks, and a Cossack among the Jews.” In his own diary, Babel wrote “Talking to the Jews, I feel kin to them, they think I’m Russian and my soul is laid bare.”
Joseph, who is not Jewish and authored the Pulitzer-nominated play “Bengal Tiger at the Baghdad Zoo,” had read “Red Cavalry” years ago but was inspired to write “Describe the Night” after discovering the poetic journal Babel had kept during the war. The title of the play comes directly from the diary, which repeats the word several times in Babel’s own prompts to describe things ranging from kitchens to marketplaces to women to horses. Sometimes Babel successfully answers his own prompts by forcing himself to write, and other times he doesn’t, Joseph said.
Lead actor James Vincent Meredith is also not Jewish and admitted he had concerns about “the choice of casting a black man in the role of a Jewish man living in the world of Russia, the Ukraine and Paris.” He partly found his way to the character by watching the 2015 documentary “Finding Babel,” which follows Babel’s grandson across Russia and Ukraine as he searches for his famous ancestor’s remains.
“I can read Babel’s work (I have), I can travel to Israel (I have, decades ago), I can take Hebrew as an elective in college (I did, not very well), I can read Chaim Potok (I have). But these are at their best, however well intentioned, tourist pursuits for one who is not Jewish,” he said. “I will never come close to knowing the true soul of a Jewish person. Thankfully, Rajiv has created this character that by his design, anyone can inhabit.”
Yasen Peyankov and James Vincent Meredith in a scene from the play about Isaac Babel. (Michael Brosilow)
He added that the play isn’t meant to be historically accurate. “The character of Isaac, as well as others in the play, is meant to be an entry point into a world where the scalpel crafting the ‘truth’ is rarely placed in the hands of those who are adversely affected by it. As a black male and father of a black male in the U.S., I’m certainly cognizant of that world.”
Joseph feels that he and other artists share the instinct Babel had to leave his comfort zone. He wanted to be a writer, but growing up in suburban Cleveland gave him little inspiration. After college, he joined the Peace Corps and spent three years in West Africa.
“That was a real life-changing event for me that opened my world and opened my mind,” Joseph said. “Not nearly as traumatic as traveling with the cavalry through Poland in 1920, but the same impulse to break out of your norms.”
Yet Joseph believes Babel’s desires went beyond pushing boundaries and into a deep, pathological need to associate with danger.
“The thing I find really interesting about Babel, both through his writing and through his personal life, is this inexorable draw towards danger and filth,” Joseph said, adding that Babel would hang out in taverns with Soviet soldiers, members of the secret police and executioners like Yezhov. “He was already treading on such thin ice. So he had a recklessness, you could call it a death wish if you want.”
Meredith was also stunned by the writer’s intense flirtations with danger.
“Why get that close to the flame? That to me is one of the things that really appealed to me about this guy,” Meredith said. “I tend to play it safe, as safe as an actor can play it, but I see this guy who had these kinds of desires, he had this quest to make this amazing art as far as his stories and I just I’m just so attracted to that.”
Joseph said he saw some parallels between Babel’s story and the exodus of some of his artistic peers in Russia, who have fled to Europe. In his time, Babel was seen as subversive by nature, existing as a Jewish man in early Soviet Russia. His relished writing about prostitutes and mobsters, transforming underworld characters into urban legends. His 1935 political play “Maria” was canceled during rehearsals and by 1939, Soviet police arrested him and confiscated his writing. Throughout the 1940s, his works disappeared from circulation. Though some believed Babel had spent time throughout that decade in a prison camp, the government had executed him in 1940.
“In the 1930s and ‘40s, I think if you are a Jewish creative writer, you’re automatically subversive,” Joseph said. He noted one pivotal scene where Nikolai Yezhov labels Babel as such because his writing portrays Russia as gloomy rather than inspiring.
“If you’re telling the truth, you are subversive,” Joseph added. “So I think that pretty much any creative writer worth his or her weight would be considered subversive at that moment.”
“Describe the Night” runs until April 9 at the Steppenwolf Theater in Chicago.
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Academic Associations Fail to Address Antisemitism, New ADL Report Finds
A pro-Palestinian protester holds a sign that reads, “Faculty for justice in Palestine,” during a protest urging Columbia University to cut ties with Israel, Nov. 15, 2023, in New York City. Photo: Sipa USA via Reuters Connect
Top US professional associations for academics have allowed antisemitism to “flourish unchecked” by excluding Jewish members and promoting antisemitic and biased anti-Israel narratives in their work, according to a new report.
The Anti-Defamation League (ADL) on Thursday published the new study, which found that 42 percent of Jewish faculty feel that these organizations, including the Middle East Studies Association, alienate Jews intentionally if they publicly align with Zionism.
According to the data, 25 percent resort to concealing their Jewishness due to the hostile environment, and another 45 percent say their colleagues lectured them on what does and what does not constitute antisemitism.
The report “reveals alarming, patterns of marginalization, leadership failures, and systematic exclusion of Jewish members from their professional communities and academic homes,” the ADL said in a statement.
Some academic bodies, such as the American Philosophical Association and the American Political Science Association, were conferred high ratings based on Jewish faculty not reporting any “major incidents,” while others, including the American Anthropological Association and several others, were labeled as “major concerns” requiring significant remedial action.
“Antisemitic biases in progressional academic associations are widespread and reveal a problem that goes far beyond traditional scholarly circles,” ADL chief executive officer Jonathan Greenblatt said in a statement. “When antisemitism and biased anti-Israel narratives are normalized within these influential spaces, they seep into curricula, research, and public discourse, quietly but profoundly shaping how students and future professionals interpret the world.”
He added, “By assessing these associations and how they are responding, we are delineating a path forward to ensure that academic spaces remain intellectually rigorous, inclusive and free of antisemitism, and accountable to the public they serve.”
The Middle East Studies Association (MESA), which was categorized as a group with “major concerns,” has a long history of alienating Jewish members and politicizing the discourse of a field of study which explores some of the most nuanced and complex subjects in all of academia.
In March 2022, it endorsed the Palestinian-led boycott, divestment, and sanctions (BDS) campaign against Israel. The association’s president, Eve Troutt Powell, later said that its members clearly decided “to answer the call for solidarity from Palestinian scholars and students experiencing violations of their right to education and other human rights.” MESA’s board would seek to “ensure that the call for an academic boycott is upheld without undermining our commitment to the free exchange of ideas and scholarship,” she added.
Launched in 2005, the BDS campaign opposes Zionism — a movement supporting the Jewish people’s right to self-determination — and rejects ‘right to exist as a Jewish nation-state. It seeks to isolate the country comprehensively with economic, political, and cultural boycotts. Official guidelines issued for the campaign’s academic boycott state that “projects with all Israeli academic institutions should come to an end,” and delineate specific restrictions that adherents should abide by — for instance, denying letters of recommendation to students who seek to study in Israel.
An overwhelming majority of Middle East scholars support boycotting Israel, according to a survey published in November 2022, which shows that only nine percent of 500 responding experts from MESA and the American Political Science Association (APSA) would “oppose all boycotts of Israel.” A striking 91 percent said they “support at least some boycotts,” and 36 percent responded they favor “some boycotts” but not against Israeli universities.
In 2023, the American Anthropological Association, established in 1902, endorsed BDS. It had considered doing so before, but the idea was rejected in November 2015, when a measure similar was defeated by razor thin margin of 39 votes, with 4,807 total votes cast.
Another academic association, the American Association of University Professors (AAUP), which has promoted anti-Zionism through its work and expressed support for academic boycotts, was not named in the ADL’s report, but The Algemeiner has covered its activities extensively.
In October, the AAUP, the largest and oldest US organization for defending faculty rights, picked a fight over the University of Pennsylvania’s efforts to combat antisemitism, arguing that a range of faculty speech and conduct considered hostile by Jewish members of the campus community are key components of academic freedom.
In a letter to the administration regarding antidiscrimination investigations opened by Penn’s Office of Religious and Ethnic Interests (OREI), the group charged that efforts to investigate alleged antisemitism on campus and punish those found to have perpetrated can constitute discrimination. Its argument reprises recent claims advanced by the Council on American-Islamic Relations (CAIR) group, notorious for its defense of Sharia law and alleged ties to jihadist groups such as Hamas, in a lawsuit which aims to dismantle antisemitism prevention training at Northwestern University.
Additionally, the AAUP described Penn’s efforts to protect Jewish students from antisemitism as resulting from “government interference in university procedures” while arguing that merely reporting antisemitism subjects the accused to harassment, seemingly suggesting that many Jewish students who have been assaulted, academically penalized, and exposed to hate speech on college campuses across the US are perpetrators rather than victims. The group also argued that other minority groups from “protected classes,” such as Arabs and African Americans, are disproportionately investigated for antisemitism.
The AAUP had defended allegedly antisemitic speech before.
In 2014, for example, it accused the University of Illinois Urbana-Champaign of violating the tenets of academic freedom when it declined to approve the hiring of Steven Salaita because he uttered a slew of antisemitic, extramural comments on social media, such as “Zionists transforming ‘antisemitism’ from something horrible into something honorable since 1948,” “Every Jewish boy and girl can grow up to be the leader of a murderous colonial regime,” and “By eagerly conflating Jewishness and Israel, Zionists are partly responsible when people say antisemitic s—t in response to Israeli terror.”
An AAUP report that chronicled the incident, which mushroomed into a major controversy in academia, listed those tweets and others but still concluded that not hiring Salaita “acted in violation of the 1940 Statement of Principles of Academic Freedom and Tenure” and “cast a pall of uncertainty over the degree to which academic freedom is understood and respected.” At the same time, the AAUP said that it was “committed to fighting systemic racism and pursuing racial justice and equity in colleges and universities, in keeping with the association’s mission to ensure higher education’s contribution to the common good.”
Follow Dion J. Pierre @DionJPierre.
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Is the movie ‘Nuremberg’ about the wrong Jewish psychiatrist?
Douglas Kelley, the real-life U.S. Army psychiatrist portrayed by Rami Malek in the recently released motion picture Nuremberg, wrote a book titled 22 Cells in Nuremberg that came out in 1947, a year after he finished his five-month stint at the Nuremberg trials.
Nearly 60 years later, interviews conducted by Leon Goldensohn, a Jewish psychiatrist who replaced Kelley at the historic war crimes trials, were published in The Nuremberg Interviews: An American Psychiatrist’s Conversations with the Defendants and Witnesses. Goldensohn who spent more time with Nazi prisoners than Kelley did, and this book, translated into 16 languages, arguably sheds more light on the Third Reich criminals.
Goldensohn and Kelley were responsible for monitoring both the physical and mental health of the Nazi prisoners, and both their lives ended tragically: Goldensohn died of a heart attack in 1961, five days after his 50th birthday; Kelley died by suicide in front of his family at the age of 45.
Leon Goldensohn’s son Dan, now 77, said that his father’s interactions with the prisoners were deeper than the ones Kelley had.
“There’s a couple of defendants who say in Leon’s book how much they preferred talking to him,” Dan Goldensohn told me.
One of those defendants was Hermann Goering, the commander of the Luftwaffe, the German air force, who complimented Goldensohn on his technique as a psychiatrist.
“I feel freer to talk to you than to some other psychologists,” Goering told him.
I checked in with Leon Goldensohn’s sons and daughter and their cousins when the movie Nuremberg opened and the actor portraying Douglas Kelley appeared larger than life on the silver screen. The movie was about “the wrong psychiatrist,” Dan Goldensohn told me over the phone.
“We lost our chance to have Leon’s work once again in the public eye, because of Kelley,” Dan said. “When people talk about an Army psychiatrist at Nuremberg, Kelley’s name comes up. Leon’s name hardly does. Anyway, we have our jealousies.”
A French production company did make an hour-long program based on the Goldensohn book that aired on The History Channel, but the psychiatrist’s surviving relatives said it was not well done. Dan Goldensohn said the family came close to signing a deal with an Italian company for a film or TV series based on the book.
“It suddenly collapsed as soon as they heard that this other movie was signed with real actors and a real director,” he said.
‘The best brother in the world’
Dr. Eli Goldensohn, a world-renowned neurologist at Columbia University who died in 2013 at 98, took up the book project when he retired at the age of 83. Eli, who was four years younger than Leon, spent 10 years gathering and organizing materials, writing short summaries of all the interviews, and transcribing all those that hadn’t been transcribed. Eventually, he donated his brother’s papers to the U.S. Holocaust Memorial Museum.
When the book was published in the fall of 2004, Eli Goldensohn told me his only disappointment was that it “didn’t really describe Leon’s wonderful war record.” Leon Goldensohn had been Division Psychiatrist of the 63rd Infantry Division, which fought in France and Germany, and received several decorations for service on the front lines.
Eli remembered his older brother fondly.
“The Nazi prisoners respected Leon because he was an objective person and was fundamentally a gentleman who was able to meet them on any level,” Eli told me back in 2004. “He was the best brother in the world. I did this book to memorialize the existence of one of the finest people I ever knew.”
Anticipating Hannah Arendt
Eli Goldensohn’s son and daughter assisted him on the book. Ellen Goldensohn, who had served as editor-in-chief of Natural History magazine for many years, helped with the copyediting. Her brother Marty Goldensohn, a veteran of public radio newsrooms, introduced Eli to his friend Jim Bouton, the former Yankee pitcher and best-selling author, who convinced Eli to pursue a deal with a major commercial publisher. (Eli ended up signing with Knopf, where the interviews were turned into a book by Ashbel Green, the editor who had worked with such dissident writers as Andrei Sakharov, Jacobo Timerman and Vaclav Havel.)
Ellen Goldensohn said her uncle Leon’s work was prescient, given that it came 17 years before Hannah Arendt’s Eichmann in Jerusalem: A Report on the Banality of Evil.
“In 1946 he really knew the banality of evil and what was asked of these people who ran the Nazi regime,” she told me.
Marty Goldensohn remembers that his mother Betty, who lived to be 101, complained about her husband commandeering the extra bedroom in their assisted living apartment for the book project.
“Eli, get these file boxes out of here or I’m going over to the other side,” she joked, the other side being the Third Reich.
Marty said his father’s labor of love on the book was motivated, in part, by a sense of history, something he shared with his brother Leon.
“Leon was a Jewish doctor and he had compassion,” Marty told me. “He was in the middle of something that the historian Tony Judt once described as ‘a seam of evil.’ He was at the seam and how could he resist asking the key questions that had to do with the horror that had been perpetrated?”
The ‘Good’ German
Of the 476 pages in The Nuremberg Interviews, 33 are devoted to Goering, who told Goldensohn he was nauseated by Picasso, referred to the virulently antisemitic newspaper Der Sturmer as “that stupid journal” and claimed that of all the accusations leveled against him, the charge of looting art treasures caused him the most anguish.
In conversations with Goldensohn, Goering insisted that he was never antisemitic, that Adolph Hitler was a great leader who was betrayed by some of his subordinates and that he, Goering, would go down in history as a man who did much for the German people.
When Leon Goldensohn pressed Goering on his culpability in the genocide of European Jewry, the prisoner gave a classic “Good German” defense: “Certainly, as second man in the state under Hitler, I heard rumors about mass killings of Jews, but I could do nothing about it and I knew that it was useless to investigate these rumors and to find out about them accurately, which would not have been too hard, but I was busy with other things,” he said. “And if I had found out what was going on regarding the mass murders, it would simply have made me feel bad and I could do very little to prevent it anyway.”
The post Is the movie ‘Nuremberg’ about the wrong Jewish psychiatrist? appeared first on The Forward.
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Hamas, Islamic Jihad Announce Hostage Body Handover
A Red Cross vehicle, escorted by a van driven by a Hamas terrorist, moves in an area within the so-called “yellow line” to which Israeli troops withdrew under the ceasefire, as Hamas says it continues to search for the bodies of deceased hostages seized during the Oct. 7, 2023, attack on Israel, in Gaza City, Nov. 12, 2025. Photo: REUTERS/Dawoud Abu Alk
The armed wings of Palestinian terrorist groups Hamas and Islamic Jihad said on Thursday they would hand over the body of a hostage at 8 pm local time (1800 GMT), though Israel said it had not received any official notification of a planned transfer.
Islamic Jihad, which is allied with Hamas and also seized hostages during the Oct. 7, 2023, attack that precipitated the Gaza war, said the body was recovered in the southern Gaza city of Khan Younis.
Under an October ceasefire deal, Hamas released all 20 surviving hostages still held in Gaza in exchange for nearly 2,000 Palestinian prisoners and wartime detainees held by Israel.
The agreement also provided for the return of the remains of 28 hostages in exchange for the remains of 360 militants.
Until Thursday, the remains of four hostages were still held in Gaza.
An Israeli government spokesperson told reporters Israel was unaware of any planned return, despite media reports suggesting the handover could take place later on Thursday.