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The Pope Benedict I knew: A keeper of his faith with a deep respect for Judaism
(JTA) — I was first introduced to Cardinal Joseph Ratzinger, later to become Pope Benedict XVI, in the late 1980s when he was visiting Jerusalem. Teddy Kollek, mayor of Jerusalem, was eager for me to meet with the cardinal, telling me that I would discover a very different person from the image portrayed in the general media. He was so correct.
That image was in no small part the result of Pope John Paul II having made him the head of the Vatican Office for Doctrine and Faith, to enforce orthodox Catholic teaching. In addition, the fact that Ratzinger was a shy man with a professorial background and attitude often led people to see him as aloof and even cold.
He could not have been more different. I discovered a man of warmth and humor whose company was enjoyable and stimulating. Most significant for me was the discovery of the depth of his respect for Judaism and the Jewish people, something that always impressed me in the course of more than a dozen encounters with him when he was Pope, most of which were in my capacity as the American Jewish Committee’s international director of interreligious affairs.
He always reiterated his commitment to continuing the path of his predecessor in advancing Catholic-Jewish relations, and he highlighted the unique relationship between Christianity and Judaism.
Benedict XVI, who died Dec. 31 at age 95, was the first pope to ever invite Jewish leaders both to the funeral of a pontiff, and above all, to the celebration of his own coronation at which I was privileged to be one of those present.
Already during the first year of his pontificate he received many Jewish delegations and notable individuals, including the chief rabbis of Israel and the chief rabbi of Rome. In receiving the latter, he declared, “the Catholic Church is close and is a friend to you. Yes, we love you and we cannot but love you, because of the Fathers: through them you are very dear and beloved brothers to us.”
The last time I met him personally was well after he had demonstrated his genuine and impressive humility in stepping down as pontiff and devoting himself to study and prayer. I visited him at the Mater Ecclesiae Monastery in the Vatican gardens. While he was physically weak his mind was still lucid.
We spoke in particular about the positive treatment of the Jewish scriptures in the work of the Pontifical Theological Commission that dealt with this subject, and which was published under his imprimatur. At that time, I recalled our first conversation in Jerusalem when he said to me, “your duty as a believing Jew is to be true to Torah, and everything that is holy for you must have theological meaning for us.”
I said to him, “You know there are many of us who see religious significance in the return of the Jewish people to its homeland.”
“Of course, I know,” he replied. “We must also view it as a sign of God’s fidelity to His covenant with the Jewish people that has sustained you, even if we cannot attribute to it the same theological meaning as you might.”
Cardinal Ratzinger was a member of the papal commission that ratified the Fundamental Agreement between the State of Israel and the Holy See, establishing full diplomatic relations between the two. It was my great privilege to have been part of the Israeli negotiating team that concluded that agreement.
One of Ratzinger’s closest Israeli friends, the late professor Zvi Werblovsky of Hebrew University, told me that the cardinal phoned him from Rome to express his joy and congratulations on the agreement, declaring it to be a fulfillment of Nostra Aetate, the Second Vatican Ecumenical Council declaration of 1965 that revolutionized the Church’s teaching and approach towards Jews and Judaism.
During Benedict’s papacy a couple of serious crises in Jewish-Christian relations emerged relating to the Society of Saint Pius XII and to the wider provision of the Latin Mass and its text. These crises, as much a result of church governance mismanagement as anything else, were followed by clarifications that emphasized the Vatican’s commitment to Nostra Aetate; its unqualified rejection of antisemitism as a sin against God and man, and a complete disavowal of proselytization of Jews.
Unfortunately, they still did not completely repair the damage to Benedict XVI’s papacy. Nevertheless, Benedict explicitly and sincerely strove to continue to advance the paths of his predecessor, especially regarding the relationship between the Church and the Jewish People.
In repeating his predecessor’s dramatic gestures of going to the great synagogue in Rome; of paying homage in Auschwitz to the victims of the Holocaust, and of making a pilgrimage to the Holy Land, where he paid respects to the State of Israel’s highest national civic and religious authorities, Pop Benedict institutionalized such steps, demonstrating the sincerity of Catholic-Jewish reconciliation for the Church as a whole.
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The post The Pope Benedict I knew: A keeper of his faith with a deep respect for Judaism appeared first on Jewish Telegraphic Agency.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
