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The US wants citizens to help Ukrainian refugees settle here. Jewish New Yorkers are stepping up.
(New York Jewish Week) — A year ago, Diana and Vitalii Nakonechnyi never expected that they and their two young kids would be living in Riverdale, a leafy neighborhood in the Bronx. Then again, they also never expected a war would force them to evacuate their hometown of Kharkiv, Ukraine.
“We heard it was a possibility, but we never would have expected this to happen in our lives,” Diana told the New York Jewish Week via a translator. “And we never thought we’d ever live in as big of a city as New York.”
The Nakonechnyis, a family unit of five — including Vitalii’s mother — are among the nearly 100,000 refugees who have fled Ukraine for the United States since the Russian invasion of Ukraine began in February 2022.
They first went to Poland, then stayed in Germany through the summer. There, they heard via Telegram, a global messaging service, that HIAS and other refugee resettlement agencies like it were helping bring people to the United States. HIAS, formerly known as the Hebrew Immigrant Aid Society, was created in 1881 to aid Jewish refugees fleeing Eastern Europe. In recent years, however, HIAS has pivoted to resettling non-Jewish refugees, as well as mobilizing the American Jewish community around advocating for immigrants and asylum-seekers.
As it turns out, the Nakonechnyi family were not resettled directly by HIAS or another refugee resettlement organization — a process that can often take years due to bureaucratic red tape. Instead, they were among a growing cohort of arrivals who were greeted at the airport, set up in new homes and introduced to life in the United States by trained “Welcome Circles,” a private sponsorship group, enlisted by HIAS, that consists of everyday Americans who volunteer to help resettle a refugee family. Within the span of just a few weeks, with the assistance of local community members, the Nakonechnyi family settled in the Bronx at the end of September 2022.
“Nobody really believed that there would be some help on the other side, that everything would be taken care of with housing and airline tickets,” Diana said. “Little by little, we are adjusting.”
The Northwest Bronx Coalition — the Welcome Circle of around 10 individuals that has helped welcome the Nakonechnyis in Riverdale — is largely made up of members from local congregations: Riverdale Temple, Conservative Synagogue Adath Israel of Riverdale, Hebrew Institute of Riverdale and Congregation Tehillah. It’s the latest iteration of how Jews, once refugees themselves, are now using their expertise and experience to resettle others.
“Ukraine is so pivotal in so many of our own histories and our own refugee stories, said Holly Rosen Fink, the president of the Westchester Jewish Coalition for Immigration who, working with HIAS, helps organize and mobilize Welcome Circles. “Nine times out of 10, when you ask [Jewish] people in Westchester where their families are from, it’s usually that part of the world. So it stirred a lot of people’s hearts.”
Welcome Circles like the Northwest Bronx Coalition are made up of five to eight community members who have committed themselves to accommodating and resettling a refugee family for the first six months of their time in the United States. These volunteers handle everything a resettlement agency would: helping secure housing and employment, organizing medical appointments and bills, and smoothing over any other logistics required in the transition to a new country. The groups commit to raising $2,275 for each person they are going to help resettle.
Leading the Northwest Bronx group is Irina Kimmelfeld, who came to the United States when she was 13 as an emigre from the Soviet Union in 1988. “I did feel that I was in more of a unique situation to help because I have the language and some degree of commonality of experience right from that same region,” Kimmelfeld told the New York Jewish Week. “But it really came from feeling so helpless about the war and needing to be able to do something.”
Kimmelfeld, an accountant, has been translating for the Nakonechnyis, helping them find and furnish an apartment, guiding them through public transportation, finding a house of worship (the family is Ukrainian Baptist) and showing them around the city. She’s also helped with social and medical services for Diana, who is eight months pregnant, and her son Filipp, who has special needs.
For Rosen Fink, resettling non-Jewish refugees is undoubtedly a Jewish issue. “After visiting a [refugee] camp during the Syrian refugee crisis, I just became determined to not let that happen again to anybody, not just Jewish people,” she said. “So, for me, it’s a very ingrained issue.”
Rosen Fink operates as a liaison between HIAS and New York Jewish communities, encouraging members to join these Welcome Circles in honor of their Jewish values. “We’ve been going into the community, finding the people that want to step up and giving them the tools and the resources and funding to connect with HIAS and start hosting a family,” Rosen Fink said. “We inspire people to do this work because we see this through a Jewish lens because of our history and values.”
Until recently, Welcome Circles such as the Northwest Bronx Coalition were considered part of an emergency government response towards the Afghan and Ukrainian refugee crises, and not an official resettlement policy in the United States. But as of Jan. 19, the Biden Administration announced the implementation of the “Welcome Corps,” a federally backed private sponsorship program in which refugee resettlement agencies will be able to train American citizens to help resettle refugees on a long-term basis with route to citizenship — a departure from the emergency response programs which only offered short-term, humanitarian parole.
The Welcome Corps, which the New York Times called “most significant reorientation of the U.S. refugee program since its inception more than four decades ago,” will allow an increased number of refugees to resettle in the United States for less of a cost to the government.
As such, programs like HIAS’s Welcome Circles will become an even more common way to resettle more refugees more quickly. In the last 18 months, HIAS has helped establish 80 Welcome Circles in 17 states. In New York City and Westchester, 15 of HIAS’s Welcome Circles have assisted in the resettlement of more than 50 refugees.
“It’s an exciting program that’s is opening up the opportunity for many more volunteers on the ground to get involved with supporting refugee resettlement in areas where they might not have resettlement agencies, or where resettlement agencies do not have the capacity to bring in the people themselves,” said Isabel Burton, the senior director of community engagement initiatives at HIAS.
For now, the Nakonechnyis are still getting used to the city, which is a lot bigger than their hometown (Kharkiv’s population is approximately 1.4 million). They’re not sure yet if New York will be their permanent home — the idea of planning for the future, Diana said, feels like it has been taken away from them.
“You do feel helpless — and this is something you can do,” Kimmelfeld said. “You can’t help everybody but you can make a difference for one family.”
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In 1989, Harold Pinter and Jerry Schatzberg made the perfect Holocaust movie for 2026
The first hint that Reunion is an unusual kind of Holocaust film comes from a music cue.
An older man has traveled from New York City to Stuttgart, a trip that has clearly brought him immense psychological pain. His flashbacks to Nazi marches lead us to assume he lived in the German city during Adolf Hitler’s rise — but he doesn’t seem to know any German, opening every conversation by asking if the other party speaks English. Then he arrives at a warehouse, presumably to filter through belongings left to fester for decades after World War II, and begins a journey down a hallway that seems almost infinitely long.
As he walks the path back toward his past, the music marking his steps, composed by Philippe Sarde, is buoyant and lilting. The tune comes as a surprise. What’s this tripping sense of joy doing, following this man toward what we have every reason to assume is a museum of miseries?
Reunion, a 1989 film by director Jerry Schatzberg, with a screenplay by Harold Pinter based on a novel by Fred Uhlman, barely made a splash when it premiered in the United States, despite a largely positive European reception. Now, it’s being re-released, beginning with a two-week run at Manhattan’s Film Forum that opens this weekend. It’s almost a perfect Holocaust movie for our times — because it chronicles a moment much like our own, in which the gradual dissolution of society began to make itself known through the gradual dissolution of personal relationships. (Spoilers follow.)
The old man is Henry Strauss (Jason Robards) — who was once Hans (Christien Anholt), a lonely Jewish teenager at an elite all-boys Stuttgart school. The trip to Germany is his first since before the Holocaust. And the music, we quickly learn, is the soundtrack of what seems to have been the one great friendship of his life: it recurs at moments of particular meaning or joy during his brief, almost romantic engagement with an aristocratic boy called Count Konradin von Lohenburg (Samuel West).
The story of that adolescent friendship is the core of the film, an extended flashback to a time of great happiness as well as great peril, threaded through with that same uplifting melody.
Konradin is a bright, brave boy — ready to defend Hans to an antisemitic relative, or join his friend in striking back at Nazi youth who bully those without swastika armbands. But it’s also clear that he’s destined to get sucked into the Nazi machine: everything about his heritage, not to mention his prototypically Aryan looks, foreshadows that future. So from the first moment of his friendship with Hans, when the two connect over a shared love of collecting — with Konradin’s choice of companion clearly shocking a school in which Hans, as a Jew, resides somewhere far below the bottom of the social ladder — there’s a dominating sense of an invisible clock, counting down.
But oh, the halcyon days of this doomed duo.
They walk one another home from school, giggling in the age-old manner of teenagers for whom political upheavals are not yet real. They practice archery. They bicycle through the Black Forest, staying overnight at inns without the oppressive presence of their parents, whom both boys find embarrassing. (Konradin’s mother hates Jews, and Hans’ father is painfully enamored of Konradin’s elevated status.) When Konradin confesses that Hans is his first true friend, and Hans grins with quiet glee, it’s impossible not to hope that, somehow, they’ll stay this way — lovely, young and unchanged by the times in which they live.
For months, the Nazi threat only hovers around the edges of their relationship. Then it overtakes them. Rapid ruptures follow. And then it’s the 1980s, and Hans is back in Germany, seeking to figure out what happened to his old friend.
What prompts him to make the trip? There’s never a clear explanation. But it’s hinted that Hans has come to feel that he needs, at long last, some resolution to this passionate, formative relationship. He’s willing to risk his sense of self — the identity of the man who escaped to the U.S., and refused to ever speak a word of German again — to close that loop.
The sense that Hans’ whole life has turned on the events that marked his friendship with Konradin makes Reunion a profound watch, one that I suspect will be more effective for audiences in 2026 than it proved in 1989. Many of us have had once-close relationships begin to crack under the pressure of extreme polarization, and the insidious tensions of a political environment characterized by conspiratorial suspicion. Many of us love people we can no longer talk to, at least not freely.
It’s tempting to write these rifts off as personal. Reunion‘s terse message: don’t. A society doesn’t collapse all at once. It succumbs to hairline fractures; provoking a critical number of them is a strategy.
A Holocaust movie that spends so much of its runtime on a period of real contentment is an odd object. The break between its heroes comes late, meaning much of Reunion is a pleasure to watch. That is the point: under authoritarianism, life is still good until it’s not. Citizens have freedom, until they don’t. Friendship is trustworthy, until human weakness interferes. Liberal values are easy to hold onto, until you shake the demagogue’s hand.
But what makes Reunion most timely isn’t its somber portrayal of the connection between the minor tragedy of Hans and Konradin and the major one of World War II and the Holocaust. It’s that the film is hopeful.
To spoil the ending would be a shame. It is enough to know that Hans’ searching leads him to unexpected places, and while some are miserable and vicious, others are not. To let things stay broken, or assume that humans can’t change for good as well as for ill, is a choice. So is hearing and following the better music — the call to connect, and to resist being persuaded of something you know is wrong.
The post In 1989, Harold Pinter and Jerry Schatzberg made the perfect Holocaust movie for 2026 appeared first on The Forward.
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3 more men arrested in London arson of ambulances owned by Jewish emergency service
(JTA) — Three more men have been arrested in London in connection with a series of fires on ambulances owned by the Jewish emergency service corps Hatzola, London’s Metropolitan Police Service announced on Wednesday.
Two British men, ages 20 and 19, and a 17-year-old dual British and Pakistani citizen were arrested on suspicion of conspiracy to commit arson. The men were arrested at three different addresses, which were being searched, the police said.
The arrests follow the arrest last week of two British men, ages 45 and 47, in connection with the arson. Those two suspects were released on bail and are being closely monitored while they await a hearing, police said, and their identities have not been made public.
The ambulance arson, which occurred in London’s Jewish neighborhood of Golders Green, is being treated by law enforcement as an antisemitic crime, but authorities have not labeled it as terrorism even as the Metropolitan Police’s counter-terrorism unit is leading the investigation.
“Since this appalling attack last week, we have been working continuously to investigate and identify those responsible,” the unit’s commander, Helen Flanagan, said in a statement. “We know concern among the Jewish community remains high, but I hope these arrests show that we are doing everything we can to bring those responsible to justice.”
A group called Harakat Ashab al-Yamin al-Islamiya, or the Islamic Movement of the People of the Right Hand, has claimed responsibility for the attack.
French authorities announced Wednesday they suspect that the same group is also behind an attempted bomb Saturday on a Bank of America building in Paris. The group has has claimed responsibility for a number of attacks throughout Europe in recent weeks, all of them up to now on Jewish institutions. Security analysts know little about the group, which was unheard of until early March, but say it may be tied to pro-Iranian cells based in Europe.
The London ambulance arson has given rise to a new set of antisemitic conspiracy theories. On Monday, the mayor of Bath, England, resigned from his position after drawing criticism for sharing social media posts amplifying claims that the ambulance fires were a “false flag” attack staged by Jews or Israelis.
Police in London said they would deploy drones to monitor security in Jewish neighborhoods during the Passover holiday, with concerns about additional attacks running high.
This article originally appeared on JTA.org.
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Influencer Myron Gaines performs Nazi salute, denies Holocaust death toll at Ohio University event
(JTA) — The influencer Myron Gaines visited Ohio University last Thursday as part of a national campus tour, performing a Nazi salute and claiming that the Holocaust’s death toll had been purposefully distorted.
Seated at a table on the campus of Ohio University wearing a hoodie that read “Let Em Cook – Oy Vey,” a meme mocking Jews who were murdered in the Holocaust, Gaines greeted the students gathered with a Nazi salute before saying, “Number one, women are stupid, Jews control America and Blacks are criminals.”
Later during the event, Gaines, whose real name is Amrou Fudl, was asked by a Jewish attendee how many people he believed had been killed by the Holocaust, to which he replied “271,000 at best.”
During the ensuing debate, Gaines attempted to cut off the student, saying “hold on one sec, Jew,” claimed that Israel had propagated lies about the Holocaust’s death toll to serve its “victim narrative” and denied evidence that rape occurred during Hamas’ Oct. 7, 2023, attack on Israel.
Referring to the war in Gaza, Gaines said, “If they could deny a genocide in 2023 all the way to 2026 with 1080p footage, what makes you think they won’t lie about a tragic event from World War II, from which they derive their victim narrative.”
Gaines’ visit to the school follows a series of incendiary campus appearances, including at the University of Florida and the University of South Carolina.
Best known for co-hosting the popular podcast “Fresh and Fit,” which centers on misogynistic views about dating and gender roles, Gaines has increasingly embraced antisemitic conspiracy theories since the summer of 2023, according to the Southern Poverty Law Center.
In October, Gaines defended a leaked group chat where Young Republicans operatives praised Adolf Hitler, writing on social media, “Yeah we like Hitler. No one gives a f–k what you woke jews think anymore.” In January, Gaines was among a host of far-right influencers including Nick Fuentes and Andrew Tate who drew outcry for singing along to Ye’s “Heil Hitler” at a Miami nightclub.
The Hillel chapter of Ohio University decried Gaines’ appearance on campus in a post on Instagram and hosted a lunch during the time period that he was slated to speak to offer students an alternative to his program, according to the Cleveland Jewish News.
“We are deeply troubled by the decision of our fellow Bobcats to invite a podcaster with a long and horrible track record of antisemitic, misogynistic, and homophobic content,” the Ohio University Hillel wrote. “At a time when our students are feeling especially vulnerable due to rising antisemitism, this choice is especially concerning.”
The editorial board of the school’s student newspaper, The Post, criticized the university administration for not releasing a statement denouncing Gaines’ appearance in an op-ed published on Tuesday. Ohio University did not immediately respond to a request for comment from JTA.
“A man who promotes antisemitic conspiracy theories, claims Jewish people control the world — as evident by the shirt reading ‘The Great Noticing’ worn by one of Gaines’ lackeys — and performs a Nazi salute on a college campus is not engaging in meaningful dialogue,” the op-ed read. “That is not a thoughtful debate, it is hate made into spectacle.”
This article originally appeared on JTA.org.
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