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This Jewish couple ended their three-country wedding tour with a colorful Oaxacan ceremony
(JTA) — For the third of their three weddings, Hallie Applebaum and Elan Raffel set up a chuppah in Oaxaca, the Mexican city where they first confessed their love for each other.
Oaxaca is a vibrant hub of Mexican folk art and incredible food, but Jewish life? Not so much. Nonetheless the couple chose there to wed in an egalitarian Jewish ceremony led by the groom’s sister, Libby Smoler, on Feb 26. And when seven family members and friends gave their own interpretations of the seven traditional blessings, one of Applebaum’s sisters wished them a lifetime of adventures and delicious meals.
The wedding came just over three years after the pair met — online, from their parents’ houses early in the pandemic.
Applebaum’s parents weren’t subtle about wading into her dating life after she moved home to Portland, Maine, in early 2020, the only one of their four children to do so. Her father showed her a video about dating apps and her mother asked her for a demonstration.
Applebaum, 35, downloaded Hinge. The next thing she knew, her mother was hooked. “She’s swiping and swiping, and saying, ‘This is fabulous,’” Applebaum recalled, adding with a joke, “I told her, ‘You have to have some standards.’”
In Los Angeles, where Applebaum had been living, she had been focused first on her job as a producer of external communications for the educational technology division of the World Bank, and her all-consuming side project as the founder of Future of Women, which hosts breakfast events around the world and hosts a podcast for women leaders.
But in her childhood home, with no timeline for when life would resume, she decided to dive into dating, drawing on her extensive experiences living and traveling abroad to experiment with what would generate the most promising results.
“I put my location as different places, like Mexico City or London, for the fun of it,” she said. “When we were so isolated, to have contact with people in these places was nice. But, then, I put myself in a more realistic location.”
That location was New York City, where she soon encountered Raffel, an attorney in the tech industry.
Elan Raffel breaks the glass during his wedding ceremony with Hallie Applebaum, in Oaxaca, Mexico, Feb. 26, 2023. (Mónica Godefroy)
The pair matched and soon learned that they had a lot in common. Like Applebaum, Raffel had moved back in with his parents at the start of the pandemic — in his case Pikesville, a heavily Jewish suburb of Baltimore. Both had attended Jewish day schools growing up; both had spent time living abroad (Applebaum in Guatemala, Ecuador and while pursuing a master’s degree at the London School of Economics and Raffel in his mother’s native Israel); and both enjoyed fine food and off-the-beaten-path adventures.
After months of phone calls and probing conversations — some fueled by “The 36 Questions that Lead to Love” as appeared in The New York Times — they decided that Raffel would join Applebaum for a camping trip in Maine’s Acadia National Park.
“We had an out,” Raffel recalled. “If either of us had a terrible experience, we could back out.”
That wasn’t needed. Instead, they extended their time together — after kicking it off with an unplanned first meeting for Raffel with Applebaum’s parents when she forgot a cooler of food at their house.
“We joke that our first date was two weeks long,” said Raffel.
Soon after, Applebaum met Raffel’s family for Rosh Hashanah dinner. Then, Raffel rented a home in Los Angeles after Applebaum returned there.
With remote work the norm, and a few months dating now behind them, they began considering living and working elsewhere. They decided on Mexico, spending one month in Merida and one month in Oaxaca.
With its vibrant food scene and colorful arts and culture, the couple both fell in love with Oaxaca, and with each other. It was there that they first said, “I love you.”
Hallie Applebaum and Elan Raffel pose with dancers who joined their public wedding procession in Oaxaca. (Mónica Godefroy)
They returned to Mexico in the summer of 2022 while their new condo in Santa Monica was undergoing renovations; it was there that they became engaged. They now regularly host Shabbat dinners in their L.A. home through the nonprofit OneTable.
The first of their three wedding ceremonies took place on Sept. 30, 2022, when they were legally married at the Los Angeles County Courthouse.
The next event took place in Israel, where Raffel’s mother had long hoped that one of her three children would marry. He was her last hope, so the couple said yes to what they thought would be a small wedding there planned by her.
But Shuli Raffel’s plans grew larger and larger, until finally, Applebaum’s parents decided to come and her London-based sister, too. Rabbi Shira Levine of Kibbutz Hanaton, rooted in the Conservative movement of Judaism, officiated a religious ceremony on Oct. 14 at Bistro de Carmel in Zichron Ya’akov with 90 guests present.
Hallie Applebaum and Elan Raffel held one wedding ceremony in Israel, where Raffel’s mother is from. (Taylor Applebaum)
Levine had guided the couple via video calls in writing their own text for the Jewish wedding contract, the ketubah.
“We spoke to the rabbi about our relationship, our household, and how do we make this concrete and what traditional things do we want to modify and make more egalitarian,” Applebaum said, adding, “Since I do a lot of work in women’s empowerment, it was important to me to have a woman rabbi.”
Then, over Thanksgiving weekend, the couple held an Israeli brunch in Philadelphia, attended by their grandmothers — Applebaum’s is 102 — who would not be traveling to Mexico. From there, they flew directly to Oaxaca for a menu tasting, where, because Applebaum is vegetarian, it fell to Raffel to try all the fish and meat options they might offer their guests.
The couple returned to Oaxaca for the main affair — a multi-day event that included a day-long tour to a facility where mezcal, a Oaxacan spirit, is made; visits to craftspeople; and two nights of dinners.
On Feb. 26, they had their third and final wedding in front of 72 guests at Cardenal Oaxaca, an events venue. Spicy pineapple mezcal cocktails kicked off the celebration, and a festive meal that won accolades even from foodie guests followed the ceremony.
At their Oaxaca wedding, Hallie Applebaum and Elan Raffel served guests a native corn milk epazote sponge cake with lime cream. (Hallie Applebaum)
“It was amazing,” said Ori Zohar, a guest who is also the co-founder of spice company Burlap & Barrel. “The wedding meal was a procession of Mexican and Oaxacan specialties with an international twist. Beets were grilled and paired with pumpkin seeds and pickled mustard seeds. Duck enchiladas came slathered in a black mole sauce and aged cheese. The main dishes were shared plates, so each guest got to try a little of everything before going back and polishing off the rest of their favorite.”
In one highlight of the day, the couple partook in a local custom where tall likenesses of the couple are made out of paper maché and carried, and people toast the bride and groom. It was, Applebaum said, a perfect way to show off a beloved place to their friends and family.
“Our guests went from this beautiful ceremony that his sister put together,” she said, “to being immersed in this celebration in the streets.”
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Translation series connects English readers to prewar Eastern European Jewish life
דאָס איז איינער פֿון אַ סעריע קורצע אַרטיקלען אָנגעשריבן אױף אַ רעלאַטיװ גרינגן ייִדיש און געצילעװעט אױף סטודענטן. די מחברטע איז אַלײן אַ ייִדיש־סטודענטקע. דאָ קען מען לײענען די פֿריִערדיקע אַרטיקלען אין דער סעריע.
אַ דאַנק אַ סעריע נײַע ענגלישע איבערזעצונגען פֿון מיזרח־אײראָפּעיִשע ייִדישע ווערק, האָבן ענגליש־לייענערס הײַנט אַ געלעגנהײט זיך צו באַקענען מיטן ייִדישן לעבן־שטייגער פֿאַרן חורבן.
די סעריע, „ייִדישע שטימען“ — אַ בשותּפֿותדיקער איניציאַטיוו פֿון ייִװאָ און דעם פֿאַרלאַג בלומסבערי — איז שוין צו ניץ געקומען סײַ לערערס פֿון קורסן, וווּ די סטודענטן פֿאַרשטייען ניט קיין ייִדיש, סײַ לייענערס מיט אַן אינטערעס צו דער ייִדישער געשיכטע.
„ייִדישע שטימען“ באַשטייט פֿון ביכער װאָס זענען קײן מאָל פֿריִער ניט איבערגעזעצט געװאָרן אױף ענגליש. זיי נעמען אַרײַן אַ ברײטע גאַמע אידעעס און פּערספּעקטיװן װאָס האָבן צוגעטראָגן צו דער מאָדערנער ייִדישער קולטור אין (און מחוץ) מיזרח־אײראָפּע.
זינט 2023, װען די סעריע איז לאַנצירט געװאָרן, זענען אַרױס פֿינעף בענד, װאָס צװײ פֿון זײ — „מיסיסיפּי“ און „די חסידישע װאַרשע“ — זענען ערשט דערשינען מיט אַ פּאָר װאָכן צוריק. ביז איצט האָט מען איבערגעזעצט בלויז ייִדיש־שפּראַכיקע װערק אָבער מיט דער צײַט װעט מען איבערזעצן טעקסטן פֿון אַנדערע לשונות, אַזױ װי פּױליש און העברעיִש, וואָס מע האָט ביז איצט ניט איבערגעזעצט אויף ענגליש.
די סעריע, סובסידירט פֿון דער משפּחה פֿון האַריעט יאַסקי, װערט רעדאַקטירט פֿון אַליסאַ קװינט און עליסאַ בן-פּורת. (איך אַלײן אַרבעט מיט זײ װי אַן אַסיסטענטקע). קװינט איז אַ היסטאָריקערין פֿונעם ייִדישן טעאַטער, און בן-פּורת איז אַ היסטאָריקערין פֿונעם ייִדישן לעבן אין רוסלאַנד און אין סאָװעטן־פֿאַרבאַנד. ס׳איז דערפֿאַר נישט קײן חידוש אַז דער סעריעס קוקװינקל איז אַ היסטאָרישער. כאָטש די איבערגעזעצטע װערק רעפּרעזענטירן פֿאַרשײדענע קאַטעגאָריעס — למשל פּיעסעס, זכרונות און דערצײלונגען — איז דער עיקר זײער היסטאָרישע רײַכקײט.
„מיר קלײַבן אױס טעקסטן װאָס װאַרפֿן אַ שײַן סײַ אױף ברײטע טענדענצן, סײַ אױף ספּעציפֿישע פֿראַגעס װעגן ייִדיש לעבן אין מיזרח־אייראָפּע, און אין אַנדערע לענדער װוּ מיזרח־אייראָפּעיִשע ייִדן האָבן געװױנט װי אימיגראַנטן אָדער פּליטים. אַפֿילו די ׳ליטעראַרישע׳ װערק װי דערצײלוגען און פּיעסעס פֿאָרשן מיר פֿון אַ היסטאָרישן שטאַנדפּונקט“, האָט מיר קװינט געזאָגט.
צוליב דעם דאָזיקן שליחות שפּילט אַ װיכטיקע ראָלע דער אַרײַנפֿיר צו יעדן באַנד, װאָס איז תּמיד געשריבן פֿון אַ היסטאָריקער. אַ מאָל איז דער מחבר פֿון דער הקדמה אױך דער איבערזעצער, און אַ מאָל נעמען אונטער באַזונדערע מענטשן די צװײ אױפֿגאַבעס. „דעם היסטאָריקערס אַרבעט אינעם אַרײַנפֿיר איז אַרױסצוציִען און צוצובינדן די ביאָגראַפֿישע, גײַסטיקע און געזעלשאַפֿטלעכע אַספּעקטן פֿונעם װערק, אױף אַן אופֿן װאָס איז גלײַכצײַטיק װיסנשאַפֿטלעך און צוטריטלעך צו אַלע לײענערס, אַרײַננעמענדיק די װאָס האָבן פֿריִער ניט געװוּסט קײן סך װעגן דער טעמע,“ האָט בן-פּורת געזאָגט.
ביז אַהער באַשטײט די סעריע פֿון די דאָזיקע בענד, װאָס זענען אַלע בראָשירטע ביכלעך גרינג אַרומצוטראָגן אין אַ רוקזאַק און צו לײענען אַבי װוּ:
— „דרײַ ייִדישע פּיעסעס פֿון פֿרױען׃ װײַבערשע ייִדישע פּערספּעקטיװן“, איבערגעזעצט פֿון אַלען לויִס ריקמאַן, מיראָ מניעװסקי און אליע פּיאַצאַ, מיט אַ הקדמה פֿון אַליסאַ קװינט. דאָס בוך נעמט אַרײַן דרײַ פּיעסעס אָנגעשריבן פֿון דראַמאַטורגינס אין דער רוסישער אימפּעריע, אין פּױלן און אין ברוקלין, ניו־יאָרק, צװישן 1880 און 1920. אַלע דרײַ באַהאַנדלען קאָנטראָװערסיעלע „װײַבערשע“ טעמעס אַזױ װי חתונה און גט, שװאַנגערשאַפֿט, קינדל־קאָנטראָל און פּראָסטיטוציע. דראַמעס װאָס באַטראַכטן איבערלעבונגען דורך װײַבערשע אױגן זענען אַ זעלטנקײט אין דער ייִדישער ליטעראַטור.
— „חורבן דובאָװע׃ אַ פּינקס פֿון אַ טױטער שטאָט“, פֿון רחל פֿײַגנבערג (1926), איבערגעזעצט פֿון סינטיע און אַלבערט מאַדאַנסקי, מיט אַן אַרײַנפֿיר פֿון עליסאַ בן-פּורת (לײענט װײַטער דאָ). פֿײַגנבערג באַשרײַבט דאָס לעבן און דעם טראַגישן אוקמום פֿונעם שטעטל דובאָװע אין אוקראַיִנע, װוּ כּמעט אַלע ייִדן זענען בעת דער רוסישער בירגערקריג אין 1919 אָדער פֿאַרטיליקט אָדער פֿאַרטריבן געװאָרן. װען נישט פֿײַגנבערגס רירנדיקע דערצײלונג װאָלט דאָס ייִדישע לעבן אין דובאָװע אין גאַנצן פֿאַרגעסן געװאָרן. איר נאַראַטיװ האָט געדינט פֿאַר אַ גבֿית־עדות אינעם מישפּט פֿון שלום שװאַרצבאָרד אין 1927.
— „די מוטער פֿונעם ייִדישן טעאַטער׃ זכרונות פֿון אסתּר־רחל קאַמינסקאַ“ (1927-1926), איבערגעזעצט און מיט אַ הקדמה פֿון מיכל יאַשינסקי (לײענט װײַטער דאָ). קאַמינסקאַ איז געװען די באַרימטסטע ייִדישע אַקטריסע פֿון איר דור — טאַקע אַ „סופּערשטערן“ סײַ אױף דער בינע, סײַ אין ייִדיש־שפּראַכיקע פֿילמען. זי איז געװען ספּעציעל באַקאַנט פֿאַר אירע מאַמע־ראָלעס: דער טיטל פֿון דער איבערזעצונג פֿאַררופֿט זיך סײַ אױף דעם, סײַ אױף איר השפּעה אױף דער אַנטװיקלונג פֿון ייִדישן טעאַטער. קאַמינסקאַס זכרונות זײַנען פֿול מיט אומפֿאַרגעסלעכע געשיכטעס װעגן די פֿריילעכע מאָמענטן און די שװעריקײטן פֿונעם טעאַטער־לעבן, און מיט באַמערקונגען װעגן דער טעאַטער־קונסט װאָס זי האָט געהאָלפֿן אױספֿורעמען.
— „מיסיסיפּי׃ אַ ייִדישע פּיעסע װעגן דעם סקאָטסבאָראָ־ענין“ (1935), פֿון לײב מלאך, איבערגעזעצט פֿון עלען פּערעצמאַן, מיט אַן אַרײַנפֿיר פֿון אַליסאַ קװינט (לײענט װײַטער דאָ). מלאך האָט אָנגעשריבן די פּיעסע בתּשובֿה אױפֿן טרויעריק באַרימטן סקאָטסבאָראָ־ענין אין די דרום־שטאַטן, װען נײַן אַפֿריקאַנער־אַמעריקער זענען פֿאַלש באַשולדיקט געװאָרן אין פֿאַרגװאַלדיקן צװײ װײַסע פֿרױען אין אַ באַן. די װאַרשעװער טרופּע „יונג טעאַטער“, רעזשיסירט פֿון מיכל װײַכערט, האָט געשפּילט „מיסיסיפּי“ איבער 100 מאָל. דער ייִדישער עולם האָט מיטגעפֿילט מיט די שװאַרצע פּערסאָנאַזשן, סײַ פֿון אַ הומאַניסטישן שטאַנדפּונקט, סײַ צולוב די אײגענע איבערלעבונגען מיט אַנטיסעמיטיזם אין פּױלן.
— „די חסידישע װאַרשע׃ ר׳ זלמן און דאָס אַלעקסאַנדער־שטיבל“ (1960), פֿון יחיאל האָפֿער, איבערגעזעצט און מיט אַ הקדמה פֿון יונתּן בױאַרין (לײענט װײַטער דאָ). די מעשׂיות דערצײלן די אָפֿט־הומאָריסטישע טווּנגען פֿון ר׳ זלמן, אַן עקסצענטרישער לופֿטמענטש און אַ חסיד פֿונעם אַלעקסאַנדער־רבין. דורך זלמנס אַוואַנטורעס שילדערט האָפֿער דאָס לעבן פֿון אַ װאַרשעװער שטיבל, װוּ מענער האָבן געדאַװנט, געלערנט תּורה, געגעסן און זיך אויסגעטענהט. די דערצײלונגען מאָלן אױס אַ לעבעדיק בילד פֿון פֿאַר־מלחמהדיקן חסידות אין װאַרשע, װאָס איז געבליבן פֿעסט, נישט־געקוקט אױף דער ייִדישער מאָדערניזירונג ביזן חורבן.
אין 2027 און 2028 װעט „ייִדישע שטימען“ אַרױסגעבן:
— די דראַמאַטישע זכרונות פֿון שמעון דזשיגאַן, פֿונעם גאָר באַרימטן קאָמעדיע־פּאָר, דזשיגאַן און שומאַכער (איבערגעזעצט פֿון מרים אייזיקס, מיט אַן אַרײַנפֿיר פֿון דיעגאָ ראָטמאַן).
— חיים גראַדעס נישט־פּובליקירט מײַסטערװערק, „די פֿרױען פֿון דער געטאָ“, װעגן אַ גרופּע פֿרױען װאָס האָבן איבערגעלעבט די װילנער געטאָ (איבערגעזעצט און מיט אַ הקדמה פֿון דוד פֿישמאַן).
— די פּױליש־שפּראַכיקע זכרונות פֿון יולאַ װאַלד, די טאָכטער פֿון אַ חסידישן קרעטשמער אין דער צײַט פֿון דער ערשטער װעלט־מלחמה (איבערגעזעצט פֿון מאַרטאַ דודזיק־רודקאָװסקאַ, מיט אַן אַרײַנפֿיר פֿון גלען דײַנער).
— אױטאָביאָגראַפֿישע מעשׂיות װעגן די רײַזעס פֿון יוסף יצחק שניאורסון (דעם ריי״ץ), דער זעקסטער ליובאַוויטשער רבי (איבערגעזעצט און מיט אַן אַרײַנפֿיר פֿון אלי רובין).
„מיר האָבן כּמעט ניט קײן צײַט אָפּצוכאַפּן דעם אָטעם“, האָט אַליסאַ קװינט געזאָגט. „יעדער פּראָיעקט איז אַן אוצר, מיטן אײגענעם קוקװינקל אױף די דערפֿאַרונגען און געדאַנקען פֿון מיזרח־אײראָפּעיִשע ייִדן. ס׳איז אַ פּריװילעגיע זיך צו טײלן מיט אַזעלכע באַטײַטיקע טעקסטן מיט ענגליש־רעדנדיקע לײענערס.“
קױפֿט דאָ אַלע פֿינעף בענד פֿון דער סעריע ( כּדי צו פֿאַרשפּאָרן 20%, ניצט דעם קאָד YIDDISHVOICES בעתן באַצאָלן).
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Orthodox students to rally outside Mamdani’s home. Alumni of their schools want them to stay home.
With two Orthodox schools planning a joint protest outside Gracie Mansion, home to New York City Mayor Zohran Mamdani, a group of parents and alumni have organized a petition calling on administrators to stand down.
Ramaz and SAR, prominent Modern Orthodox schools in Manhattan, plan to send hundreds of high school students Friday morning to hold prayer services outside the official residence of the mayor, an outspoken critic of Prime Minister Benjamin Netanyahu.
SAR principal Rabbi Binyamin Krauss told the Jerusalem News Syndicate the intended message was “We’re here. We’re Jewish. We want to be safe and express our Zionism.”
The planned gathering was first reported by Jewish Currents, which noted that an email to parents did not express a specific reason for the event — and quoted two members of the community expressing displeasure with the approach.
Now, a petition to the heads of the two schools to cancel the event has collected more than 180 signatures from parents, alumni and current students. Roughly one-third of the signatures are anonymous, with only the school and graduating class listed.
“This gathering needlessly inflames tensions between the mayor and the Modern Orthodox Jewish community, as opposed to inviting him into conversation as a potential ally working for the shared safety of all New Yorkers,” the petition reads. “Additionally, members of our community do not all share the same opinions regarding Mayor Mamdani. Choosing to gather outside of his residence, whatever the stated purpose, inaccurately portrays the Modern Orthodox community as a political monolith opposed to the mayor.”
The gathering — which the school was careful not to label a protest in an email to parents — reflects an oppositional approach to Mamdani from pro-Israel Jewish New Yorkers that dates back to his campaign. And it is timed to a particularly intense moment both in the Jewish tradition — a period of heightened spiritual importance known as the Ten Days of Repentance between Rosh Hashanah and Yom Kippur— and in Mamdani’s tenure, as Israeli Prime Minister Benjamin Netanyahu is scheduled to visit New York City next week to address the United Nations General Assembly.
Mamdani has repeatedly castigated Netanyahu during his time in office and campaigned on arresting him, part of the mayor’s broader critique of Israel, its war in Gaza — which the mayor calls a genocide — and the country’s treatment of Palestinians.
Mamdani said at a press conference Wednesday, said he won’t join protests against Netanyahu during his U.N. visit, and said he has “never encouraged” New Yorkers to demonstrate againt Netanyahu either. It’s a softening of his earlier rhetoric toward the Israeli leader.
Some Jewish New Yorkers think Mamdani’s criticism of Israel is itself antisemitic; others believe it has fostered an antisemitic environment in the city, evidenced by an uptick in hate crimes against Jews during his tenure.
‘Political pawns’
The prayer program and the petition it prompted also revealed a divide between Modern Orthodox institutions and some of their community members. Ramaz and SAR, located respectively in the Upper East Side and Riverdale, are two of the leading college preparatory Orthodox schools in the country, liberal-minded — Judaic studies classes are coed — and fiercely pro-Israel.
About 240 students from Ramaz and SAR are expected at the event, SAR principal Rabbi Binyamin Krauss told JNS, adding that he hopes other schools also join. SAR will send 8th, 9th, and 10th graders.
The petition also highlighted the students’ age in their letter to the rabbi.
“We are also concerned that this planned prayer gathering has the appearance of using the children of our community as political pawns, presenting them as ‘lead[ing] the way,’ when they are being brought to an event planned by adults,” the letter said.
Mamdani acknowledged the event in his media briefing Wednesday, but said he did not expect to be there.
“I welcome them,” he said. “They can have a vigil, or I’ve heard some describe it even as a ‘protest.’ Whatever it is intended to be, they have the room and space to do so outside of Gracie Mansion. I think that at the time that they are there, I will probably be somewhere else across the city.”
Rabbi Joshua Lookstein, Ramaz’s associate head of school, said, “The mayor is the one to change that so that we his citizens feel safe. We think he will get that message whether he is there or not.”
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Ed Sheeran’s support acts bail on Loop Tour after Macklemore dropped
(JTA) —
All of Ed Sheeran’s opening acts and his backing band have withdrawn from his Loop Tour after the pro-Palestinian rapper Macklemore was dropped as an opening act amid pressure from Robert Kraft and other stadium owners.
Kraft, the Jewish and pro-Israel billionaire who owns the Boston-area stadium where one of the tour stops had been scheduled, said on Monday that he had told Sheeran’s team that Macklemore wouldn’t be allowed to perform there.
Macklemore was subsequently dropped from the tour following pushback from unnamed venues that “will not allow a concert to take place with Macklemore on the lineup,” Rolling Stone reported on Monday.
At a Macklemore performance at MetLife Stadium in East Rutherford, N.J., earlier this month, the rapper declared “Free Palestine” before performing his 2024 song, “Hind’s Hall,” referring to Columbia University’s Hamilton Hall. Pro-Palestinian protesters occupied the building and unofficially renamed it for Hind Rajab, a 6-year-old Palestinian girl who was killed during the war in Gaza. Israel is investigating her killing.
Sheeran said Tuesday that he wasn’t behind the tour promoter’s decision to drop Macklemore.
“I am not complicit,” Sheeran wrote in a statement on Instagram Tuesday, saying that Macklemore leaving the tour “was the promoter’s decision, it was not mine.” It was Sheeran’s first public statement on the controversy.
Hours after Sheeran’s comments, acts began pulling out of the tour.
His backing band, Beoga, said in an Instagram post that it was leaving the tour “following the silencing of Macklemore by zionist lobbies.”
“We believe in dialogue as a means of progressing the plight of the Palestinian people,” they added. Beoga’s management did not immediately respond to requests for further comment.
Kraft’s decision to bar Macklemore from performing at Gillette Stadium in Foxboro, Mass. got the backing of the Jewish Community Relations Council of Greater Boston.
“Mr. Kraft drew a clear moral line in the sand about the demonization and offensive conduct that he will not allow in ‘his home’,” Jeremy Burton, the JCRC CEO, said, referring to the stadium. “He also showed leadership and complexity … by rejecting those who would diminish the suffering of innocent Palestine people.”
“This decision is not about diminishing the suffering of innocent Palestinians or denying anyone the right to advocate on their behalf,” Kraft had said in his statement. “Their pain and loss are real.”
Other acts scheduled to support Sheeran on the Loop tour, including Aaron Rowe, Finneas and Lukas Graham, also withdrew Tuesday. Rowe and Lukas Graham were supposed to replace Macklemore on the remaining U.S. dates, AP reported.
It’s not yet clear what the fate of the tour is, given the withdrawal of his backing band. At least one Israeli musician joked that he was ready to put together a replacement band for “unlimited beer.”
Sheeran’s own note added, “I am appalled by the conflict between Israel and Palestine.” The British singer-songwriter wrote that he had been “involved in direct talks” between Kraft and various promoters “to try and find a mutual resolution for all.”
Sheeran didn’t mention Jews in his statement, but noted, “I have always used my platform and music to bring people from all backgrounds and cultures together and this won’t ever change.”
He also had some veiled criticism of his tourmate’s methods. “Those who come to my shows do not expect a political forum,” Sheeran wrote. “I respect Macklemore’s strength of purpose to stand up for what he believes. However, there is room for multiple approaches to the same end: peace… If we only focus on shouting the loudest, nothing will ever change.”
The Israeli-American Council, which organized a boycott against Macklemore following his New Jersey show, criticized Sheeran in a statement to the Jewish Telegraphic Agency.
“It’s time to take responsibility for giving a stage to antisemitic messaging,” the IAC said, of Sheeran. “This isn’t just ‘criticism of Israel.’ It’s a message that crosses the line between legitimate political criticism and antisemitism. This is Ed Sheeran’s stage, it’s the tour that carries his name — and so the responsibility for what happens on it is his too.”
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