Connect with us

Uncategorized

This Orthodox Jewish model made history at New York Fashion Week

(New York Jewish Week) — When disability activist Lily Brasch was asked if she would walk the runway as a model for New York Fashion Week, she didn’t know if she would be able to do it. 

That’s not because she has a rare form of muscular dystrophy, which weakens muscles and limits her ability to walk. Rather, it was unfortunate timing: The show was set for Friday evening, when the weekly Jewish holiday of Shabbat begins. 

But Brasch, who is Orthodox and goes by the stage name Lily B., quickly devised a workaround: She took her turn on the catwalk in Midtown at 5:00 p.m. and, instead of schlepping back uptown to her Morningside Heights apartment, quickly headed to a nearby hotel to welcome Shabbat with her sisters.

Brasch, center, and her sisters, who also live in New York, celebrated Shabbat at a nearby hotel after Brasch walked the runway. (Courtesy)

And so on Friday, Feb. 10, Brasch became the first model with muscular dystrophy to walk the runway unassisted at New York Fashion Week, and the second person with the condition ever to appear. (The first was actress and model Jillian Mercado in 2020, who used a wheelchair.)

“It felt really good — it felt freeing,” said Brasch, 22, who modeled a gold sari from the brand Randhawa, which specializes in modern South Asian style. “I definitely never thought I would do something like this.”

“I prioritize representing disability, and pride, and just bringing joy to that community, but I also prioritize remaining truthful to my faith,” Brasch said. “It was great teamwork to get me on the stage and represent disability, and then come right off to go celebrate Shabbat.”

When Brasch was 16, she was diagnosed with centronuclear myopathy, a rare form of non-progressive muscular dystrophy. She was told she would never be able to walk or lift heavy objects unassisted due to her disability. At the time she was disheartened — but she said she used the diagnosis as motivation to “prove barriers are meant to be broken.” 

Walking in New York Fashion Week — which runs through Wednesday — is the latest in a series of triumphs for Brasch, who moved to New York last August to attend Columbia University. Last March, Brasch climbed Camelback Mountain in Scottsdale, Arizona —  a feat which she calls “My Everest.” She’s also competed in body-building competitions and loves going to the gym.

She also founded the Born to Prove foundation, which promotes disability awareness and breaking barriers. 

Though the Chicago native has not always been outward about her Judaism in her activism — in fact, at first she was advised by friends and family not to bring attention to it — Brasch has come to realize how much her religion guides her. 

“My Jewish identity has inspired me in that we’re all put on this earth for a reason. Every single one of us has a purpose and that’s what my religion has helped me find,” she said. Her purpose, Brasch added, is to represent strength and beauty for people with disabilities in the next generation.

She also wants to be an inspiration within the Jewish community. “There is a lack of representation in the Jewish community, at least in my Orthodox community, of people with disabilities actually achieving things,” she said. “It’s not really talked about and it’s looked down upon.” Groups like RespectAbility and the Rudin Family Foundation have been working to change that.

She was worried about posting on social media from Fashion Week, knowing her observant friends might question the timing around Shabbat. But Brasch said she was pleasantly surprised when so many congratulated her on representing disability and  Judaism and staying true to herself on the runway. “That was one of the best things for me to see because that was my initial goal: to show that there are people with disabilities in the Jewish community and things are changing,” she said.

Brasch is also partnering with Movinglife, an Israeli manufacturer of folding mobility scooters — a deal she inked just before she found out she would walk in Fashion Week. The company partnered with rabbis as well as researchers from the Zomet Institute in Israel to ensure that their scooters could be used on Shabbat even though they are electric, said Brasch, who currently uses the scooters to get around. 

With her modeling debut behind her, Brasch said she would walk in Fashion Week again — but she’d rather see other models with disabilities on the runways. “I hope that next time it’s not me — it’s the next girl,” she said.

“The feeling of overcoming something and the feeling of being put out there and being cheered on is something everyone should feel,” Brasch added. “Often, with a disability, I hear ‘poor you.’ It can’t be like that anymore.”

—
The post This Orthodox Jewish model made history at New York Fashion Week appeared first on Jewish Telegraphic Agency.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Uncategorized

Sydney Sweeney went to shul. But did she choose the right occasion?

Jewish internet spaces are alight this week with reports that actress, model and political lightning rod Sydney Sweeney was spotted in the pews on Rosh Hashanah.

According to GreenwichTime and The Free Press, Sweeney — who is not Jewish — attended services at Temple Sholom in Greenwich, Connecticut, with her boyfriend, music mogul Scooter Braun (who grew up there). Gossip rag DeuxMoi has since claimed that Sweeney, who has been linked with Braun since at least June 2025, is also contemplating conversion.

One can speculate on whether the most in-demand actress on the planet might be leaning a bit too hard into her Marilyn Monroe character arc. At the Forward, though, we’re wondering whether Sweeney’s Jewish beau picked the right holiday to bring her to shul.

After all, there’s a wide range of experiences when it comes to prayer services, and you want to make a positive first impression. You’d want their day in shul to be accessible, fun and not too long. That’s a Sydney Sweeney movie, though, not Rosh Hashanah services. So without further ado, here’s the official undisputed rankings of Jewish calendar days on which to bring your non-Jewish partner to shul.

Going from least to most desirable:

Erev Tisha B’av

I would have to respect the audacity of someone bringing their partner to synagogue for the first time on Tisha B’av, the day Jewish people grieve the destruction of the Holy Temple in Jerusalem. It’s an intentionally unpleasant time to be in shul — you’re sitting on the floor, reading Lamentations. Also, you’re not supposed to greet people at all, which would almost certainly be awkward for a first-timer, considering how uncomfortable it is for regulars. On the flip side, if you’re Sydney Sweeney, that rule means no one can bother you for a selfie, either.

Shemini Atzeret

We pray for rain, which is an ancient word that means sustenance, but at this point everyone’s running on fumes for the High Holiday season, so you probably won’t get your senior rabbi delivering the sermon. Some years (including this one), your synagogue might be reading Ecclesiastes, which is both melancholy and long. Hard sell.

Passover

Passover isn’t known for its prayer services — the main event is, of course, the seder. If you’re taking a non-Jewish partner to services for the first time on Passover, it usually means one of two things: 1) You don’t want anyone to meet this person, because nobody goes to shul on Passover or 2) You didn’t have enough fun at the seder, because if you did, you’d be sleeping in with the rest of us.

One Passover plus: On the Shabbat that falls during the holiday, services also include the reading of the Song of Songs, the most risqué text in the Jewish canon.

Shavuot

In the height of summer, we read the story of Ruth — Judaism’s great conversion story. (Hint hint.) We also celebrate the receiving of the Ten Commandments, which your partner may already be familiar with from the movies, if not public school.

Shavuot morning is also a good service to go to because — at least in synagogues that observe two days of the holiday — the first day’s early services are led at a breakneck pace so that people who stayed up all night studying Torah the night before can go straight to sleep. No sermon! You’ll be out of there faster than you can say Na’aseh V’nishmah.

Simchat Torah

sydney sweeney scooter braun
I’d say they’re about 60% of the way to Yom Kippur attire. Photo by Luigi Iorio/GC Images

Like Sukkot, but swap out the lulav and etrog for Torah scrolls, which don’t smell as good or shake as well. Many synagogues (over-)serve alcohol on this holiday, which is a double-edged sword for a day you’d prefer everyone to be on their best behavior.

Yom Kippur

I’m gonna call this one underrated. There are surprisingly some things going for the Jewish day of repentance. The themes of atonement and forgiveness have universal appeal, and Jewish people do them well. You’ll probably get one of the rabbi’s strongest sermons of the calendar cycle. There’s a strange ecstasy that comes from being trapped in a room with hundreds of fasting people; the story of Jonah and the whale is one of our highlights. (This is also the only holiday I can attest to: My parents had their first date — ever! — on Yom Kippur services, and they’re still together.)

At the same time, Yom Kippur tends to have the longest prayer services of the year. It’s a fast day, so there’s no free food at the end of afternoon services (though you might get bagels at the break-fast). You usually have to pay to get in, plus there’s often a fundraising appeal woven into the service. And due to the prohibition on wearing leather shoes, you’d also be surrounding your partner with people wearing Crocs with dress clothes, which may scare them away from Judaism even if you try to explain it.

Sukkot

People like to call this our most pagan holiday, but marching around in circles with a giant asparagus and lemon is objectively fun, and the Four Species can represent basically anything you want. Let’s just hope your partner isn’t a willow.

Rosh Hashanah

Scooter Braun isn’t the first person to drag their partner to shul on Rosh Hashanah, and for good reason. Everyone wears their finest clothing, the shul will be beautifully decorated and the prayers are musically extravagant. The rabbi’s sermon will emphasize renewal and the commitment to doing better. There’s a decent chance apples dipped in honey will be served in the lobby. And above all else, the shofar blowing — done right — is arguably the highlight of the year in shul.

Plus, everyone’s there, so you can introduce your partner to everyone they need to know in one fell swoop. The only downside is you usually have to buy a ticket. (And on behalf of synagogue offices everywhere, if you’re the Jewish partner in the relationship, don’t try to arrange this over email 24 hours before the holiday.)

Purim

This is one thing Nobody Wants This got right: Purim is the ideal holiday for introducing a non-Jewish partner to the community. What better way to show up than in costume? You learn a foundational story of Jewish survival, a tradition that transforms our vulnerability into comedy.  It’s also a family-oriented holiday — kids in face-paint, everyone with their graggers — which makes it a perfect picture-this set piece.

But the best thing about Purim? Thanks to the tradition of drinking ‘til you drop — if the relationship doesn’t work out, no one will remember a year later.

The post Sydney Sweeney went to shul. But did she choose the right occasion? appeared first on The Forward.

Continue Reading

Uncategorized

How Toronto Jews spread the Gospel of ‘Godspell’

To wander into a screening of You Had to Be There, Nick Davis’ documentary about the famed 1972 Toronto production of Godspell, is to have a Jewish come-to-Jesus moment.

The first thing you hear, after the voice of a 22-year-old Martin Short, testing a microphone in a furtive recording taken at the Royal Alexander Theatre, is a shofar sounding a tinny tekiah. It’s maybe not what you’d expect from a musical built around the Gospel of Matthew. But the film, which features interviews with original 1972 cast members Eugene Levy and Victor Garber, composer Stephen Schwartz and the production’s musical director Paul Shaffer, makes a strong case for Jewishness being the secret sauce that made the show take off.

Davis, who grew up in a secular Jewish home, began this project as a Godspell skeptic, trying to understand how so many subversive comedic talents broke out in a “hippie-dippy musical about Jesus.”

“I could imagine SCTV ripping Godspell apart with the Godspell that I knew,” Davis said in a video call from Chicago, where he was in town for a screening at the Music Box Theater. “Almost from the very beginning, they were like, ‘You don’t understand what Godspell was.’”

The show was picketed by Christians who took exception to the apostles, and Jesus himself, depicted as clowns clad in overalls. The key to the success of the Toronto Godspell, one of a number of regional productions that sprang up in the 1970s, was its invitation to performers to improvise within a sacred text.

“My feeling now is they were attracted to this material because this material encouraged them to be their biggest, best, most brilliant comic selves,” said Davis.

In the case of Hamilton, Ontario-native Eugene Levy or Gilda Radner, who came over from Detroit to audition, this meant introducing a Jewish sensibility to a work that was rooted in the writings of a First Century Jew. Whether they knew it or not, the cast was soon following a Jewish schedule of worship.

Perhaps more legendary than the show, composed by an early career Schwartz, later to write Wicked, with a book by his Carnegie Mellon classmate John-Michael Tebelak, were the after-parties, dubbed “Friday Night Services” and held at the shared home of Short and Levy.

It was here, with some chemical assistance — that the cast and their friends, among them John Candy, developed bits and worked on characters. (Thankfully, they had the presence of mind to record these confabs, which can be heard in the film and are animated in a style a la The Brady Kids.)

It wasn’t quite Bible study, but in his interviews, Eugene Levy briefly reflects on the significance of his turn as Jesus, following Victor Garber and Don Scardino, who later became a prolific comedy director for shows like 30 Rock and Crazy Ex-Girlfriend.

“I think I was the first Jewish-looking Jesus that any of the productions had,” Levy says in the documentary. “They went more Ronald McDonald with that look but I definitely was sporting my ethnicity and a little hair.”

Levy refused to manscape for the role of Jesus, who traditionally makes his entrance in just his boxers, and so he had to wear an undershirt. At one point the actor considers if, in the moment after Jesus is “crucified” on a chainlink fence, and lifted by the company in a sort of resurrection, he was doing something sacrilegious.

In the end, he concludes, it just felt like good theater.

The call of Godspell remains strong, Davis said. Not every member of the company — some of whom are related by marriage — still sees each other in person, but they’re all on an email chain. Davis embarked on the film thinking it would be a study on “the fickleness of fame,” with the cast of 10 about evenly divided between household names and ones who didn’t quite hit, but from the first interview he found people asking when he’d arrange a reunion.

The moment finally arrived in 2025, which, due to the exigencies of scheduling, happened to be the first night of Passover. There was a cake, but you can see Paul Shaffer electing to snack on matzo. (When cast member Valda Aviks asks him if he shouldn’t be at a Seder, he simply says “eh.”)

“I did bring a Seder plate that we had, a little fun thing for them to play with if they wanted,” said Davis. “All they wanted to do was sing by the piano.”

Davis considers Godspell, the Jesus musical written by a “nice Jewish boy from Long Island,” an example of the way Jews succeed through assimilation and entertainment. While he came in thinking the show was cornball, he now understands how it paved the way for the barrier-breaking comedy its alumni would produce

“There’s something Jewish fundamentally at the core of it,” Davis said. Like the Jewish teacher at its center, it is “radical.”

The post How Toronto Jews spread the Gospel of ‘Godspell’ appeared first on The Forward.

Continue Reading

Uncategorized

Sunkist Fruit Gems return after panic over loss of synagogue staple

(JTA) — Sunkist Fruit Gems, candies beloved for their throwable qualities at Jewish celebrations, will return after a brief panic over their discontinuation.

The sugar-coated gummies will be on shelves in early 2027 following an outpouring of “overwhelming support and enthusiasm shown by Sunkist Fruit Gems fans in recent days,” Sunkist confirmed to the Jewish Telegraphic Agency.

The company said it will collaborate with CandyRific, a Kentucky-based confectionery company, to continue the legacy of Sunkist Fruit Gems days after reports of the gummies’ demise.

The fruit gems tick crucial boxes for being hurled at bar and bat mitzvahs, wedding celebrations and other happy occasions: They are kosher, soft enough to avoid injuring celebrants and individually wrapped so they don’t get stuck on the floor.

Those attributes will be preserved in their relaunch. “Consumers can expect the same key product characteristics they know and love, including individually wrapped pieces, a soft texture, fruit flavors, and kosher certification,” Sunkist said.

EJewishPhilanthropy first reported Thursday that the fruit gems were being discontinued by Ferrara, a Chicago-based candy company, prompting memorial tributes in Jewish communities throughout the United States.

The fruit gems have been a staple at synagogues for generations. They were born from an overabundance of citrus in the 1930s, when the citrus harvester Sunkist transformed its surplus fruit into byproducts, according to a history published by the company. The candies evolved from Christopher’s Fruit Gems to take the Sunkist name in the 1960s.

Protests against their disappearance included an appeal in eJewishPhilanthropy penned by Sara Fredman Aeder, the executive vice president of programming at the Jewish Community Relations Council of New York, headlined “Save the Fruit Gems.”

Sunkist’s announcement on Instagram that the fruit gems were “not going anywhere” was met with grateful replies.

“I panic-bought in bulk for my wedding next year,” said one commenter on Instagram. “Now I feel foolish lol. But enjoying a bunch of very yummy gummies.”

This article originally appeared on JTA.org.

The post Sunkist Fruit Gems return after panic over loss of synagogue staple appeared first on The Forward.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News