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Was Teddy Roosevelt’s favorite play the original ‘Nobody Wants This’?
The Emmy-nominated Netflix show Nobody Wants This, a series about the challenges of an interfaith romance between a “hot rabbi” and his non-Jewish girlfriend, is now back for a sophomore season. When it debuted last fall, Nobody Wants This sparked heated criticism for trafficking in negative stereotypes about Jewish women. A writer for Glamour called her own mother to lament of the series: “I can’t imagine any guy who watches this show who would then say, ‘I really want to date a Jewish girl!’”
The commentary on Nobody Wants This is just as noteworthy for what it does not emphasize: the possible implications of interfaith marriage for the perpetuity of the Jewish people. That silence is all the more notable given the Jewish reaction more than a century ago to another dramatization of Jewish-Christian romance: The Melting-Pot, by the British Jewish playwright Israel Zangwill.
Whereas the early 20th-century play provoked outrage for seeming to endorse Jewish self-erasure, the modern TV program has not stoked such existential angst. Comparing Jewish reactions to these two tales of interfaith love reveals how much the landscape of Jewish life has shifted to accept blended families.
Noah Roklov, the hot rabbi in question played by Adam Brody, confronts professional and familial pressure to leave Joanne Williams (Kristen Bell) in favor of a Jewish substitute; Joanne—memorably described by Noah’s senior rabbi and boss as a “nice blonde crabcake”—struggles to confront the reality that she might have no place in his future.
When Nobody Wants This debuted, there was practically instantaneous pushback to its portrayal of Jewish women, all of whom were depicted as either materialistic, nagging or controlling—or some combination thereof. There’s Noah’s ex-girlfriend, Rebecca, who cares far more about achieving the milestone of marriage than about who she would be marrying. Even worse is Esther, Noah’s sister-in-law, whose principal purpose in life is to berate her daffy husband into obeisance.
The apex of Nobody Wants This’ deeply flawed Jewish female representation is that of Noah’s mother Bina, who tries to puppeteer her son out of his relationship with Joanne through both cajoling and sabotage. (Would it even be a hackneyed Jewish trope without the archetype of the overbearing Jewish mother?)
In contrast to the portrayal of Jewish women, the communal response to a rabbi in an interfaith relationship was notably muted. The show itself was very much alive to those stakes—Noah’s boss cautions that his path with Joanne, absent her conversion, would lead to a world in which every Jew “marries a goy, then there are no more Jewish children, and then our people become extinct.” Yet critiques of the series overwhelmingly focused on its unflattering portrayal of Jewish women.
This relative silence from critics about Jewish continuity would have stunned Jewish audiences of Theodore Roosevelt’s era, who railed against the celebration of Jewish-Christian romance in The Melting-Pot. That play tells the tale of David and Vera, both emigrants from Russia who found their way to New York. David is a Jewish survivor of the notorious Kishinev pogrom, a real-life massacre in what is now Moldova that took place in 1903. Vera is the Christian daughter of a Russian military official.
Their improbable romance takes root in the assimilative soil of the New World. The young couple is even able to overcome the morbid revelation that Vera’s father had ordered troops to shoot innocent Jews during the Kishinev pogrom. Yet in Zangwill’s idealized version of the United States, newcomers like David and Vera could free themselves from the tired identities and bitter tragedies of the Old Country and smelt their ethnicities into an unadulterated American identity.
In the play’s closing scene, David watches the sun set over the Western horizon and reflects in awe, “There she lies, the great Melting Pot. … Celt and Latin, Slav and Teuton, Greek and Syrian, black and yellow.” Vera warmly presses into David and adds, “Jew and Gentile.” He goes on, “Yes, East and West, and North and South, the palm and the pine, the pole and the equator, the crescent and the cross—how the great Alchemist melts and fuses them with his purging flame!”
The Melting-Pot premiered in October 1908 at the Columbia Theatre, mere blocks from the White House. Then-president Theodore Roosevelt himself was in attendance on opening night. After the final curtain, the president called down to Zangwill from his box, “A great play! A great play!” Roosevelt’s Jewish constituents did not share his enthusiasm.
Across the country, Jews denounced The Melting-Pot for ostensibly making a virtue of self-annihilation through interfaith marriage. A throng flooded into the Free Synagogue on the Upper West Side to hear Rabbi Leon Harrison condemn Zangwill’s production. The rabbi warned that “the little Jewish race would be diluted to extinction” if life imitated Zangwill’s art. Harrison excoriated the playwright for “sacrificing the ancient sanctities of his people’s faith on the altar of sentimental claptrap.”
The repudiation was no less pointed on the other side of Central Park, where Rabbi Judas Magnes of Temple Beth-El seethed against Zangwill’s “pernicious” play. “The melting process glorifies disloyalty to one’s inheritance,” Magnes griped. He saw in The Melting-Pot the alarming prospect of voluntary eradication, insisting, “We cannot be thankful to anyone for preaching suicide to us.”
Even as Zangwill’s fantasy of mass assimilation into the American Dream applied to all subgroups, Rabbi Magnes argued that intermarriage posed a particular menace to the Jewish people. After all, the new immigrant from Ireland or Germany could marry outside their heritage while resting assured that back home, their people would endure from generation to generation. But the Jew had no homeland where fellow coreligionists would ensure Jewish survival. “America spells his great hope for the preservation of Judaism,” Magnes pleaded.
The divergent reactions to Nobody Wants This and The Melting-Pot are striking. Perhaps one reason that the TV show has prompted a muted response regarding Jewish perpetuity might be that multi-faith matches have become normalized. When Zangwill’s play first ran, interreligious unions for Jews were exceedingly rare; his idealization of Jewish-Gentile love shocked the Jewish conscience.
But nuptials between a Jew and non-Jew are now more common than not, especially outside the Orthodox community. A 2020 study from Pew found that 72% of non-Orthodox Jews who had married in the preceding decade were wedded to non-Jews. Another possible explanation why Nobody Wants This did not elicit angst about Jewish self-erasure is that the children of Jewish-Gentile couples are increasingly likely to identify as Jewish. That same Pew study determined that among children resulting from interfaith marriages, those under 50 were more than twice as likely to identify as Jewish as their older peers.
This trend might preempt worries that intermarriage inevitably marks the end of Jewish tradition for that family line. Still another factor is Israel: no longer do Jews lack a homeland designed to safeguard their peoplehood.
The Jewish responses to Nobody Wants This and The Melting-Pot are in a sense mirror images of each other—the former effectively criticizes Jewish characters for being too insular, the latter for not maintaining enough distance. After all, the Jewish women of Nobody Wants This are at their worst in their rage-laden rejection of Joanne. Critics’ consternation about the show’s gender stereotyping can be understood, then, as a kind of plea: “America, don’t believe this show. Jews are actually warm and welcoming, not gratingly clannish.”
It is telling that the most favorably depicted Jewish female character, Noah’s former Jewish camp counselor, is also the one most favorably disposed toward his Gentile girlfriend. The Jewish reaction to The Melting-Pot was, of course, just the opposite, inveighing against any embrace of interfaith romance.
But in another sense, critics then and now have really wrestled with the same question: how should Jews navigate the fraught relationship between belonging and survival? To win the acceptance of Gentiles is to ensure Jewish security. Yet when acceptance becomes so complete that Gentiles are willing to marry Jews and raise children together, then Jews risk dissolving into the broader society. Belonging could well spell the end of survival.
Such is the tightrope walk of the Jew. Too little inclusion can threaten your safety; too much might result in your self-induced disappearance. Whether to shift your weight more to one side or the other in order to maintain equilibrium will depend on the contingencies of the day.
With season two of Nobody Wants This finally here, our own critical reaction—even more than the show’s plot—will suggest much about how Jews think they can best maintain an always precarious balance in our own uncertain moment. To stick to the tribe at all costs, or melt into the culture around you? No matter the decade, the same Jewish questions persist.
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Meet the only Jewish president of a Catholic university
Synagogue president and Catholic university president aren’t typically jobs one holds concurrently.
But in 2023, Greg Weiner became president of both Assumption University, a Catholic college in Worcester, Mass., and Congregation Beth Israel, a Conservative synagogue in the area.
Weiner’s inauguration in March of that year made him the first and only Jewish president of a Catholic university — one with the motto “Until Christ be formed in you.”
To him, the combination just made sense.
“I never had any hesitation at all about whether being a Jewish president would work — quite the opposite,” Weiner told the Forward. “The divide in society between people who do and don’t treat religion seriously is much wider than between particular religions.”
Shortly after Weiner’s inauguration, college presidents found themselves in the national spotlight as pro-Palestinian protesters built tent encampments on college campuses across the country in the aftermath of Oct. 7
During that time, Weiner became a figurehead for an unconventional idea: that Jewish students who felt unwelcome at secular universities ought to consider attending Catholic institutions like Assumption instead.
Now, Weiner continues to make the case that Catholic schools have much to offer Jewish students.
“The challenge for Jewish families, Jewish parents, Jewish students, is we have to ask ourselves: Do we value education, or do we simply value the prestige that’s associated with certain universities?” Weiner said. “Because, in a lot of cases, those seem to be inversely correlated.”
How Weiner became president
To state the obvious: Appointing a non-Catholic to head a Catholic university was not a risk-free choice.
How would students, faculty and trustees react? Would the university, founded in 1904 by the Catholic Augustinian order known as the Assumptionists, be accused of turning away from its Catholic history, character and mission?
Historically, Catholic universities were exclusively led by priests from the Catholic order that founded the school. Universities like Notre Dame have continued that tradition; every president since its founding in 1842 has been a priest of the Congregation of Holy Cross.
But as Catholic universities have increasingly sought to attract students of all faiths — and as the number of priests available to lead universities has declined — more laypeople have taken the helm. For instance, Loyola University in Chicago named the first laywoman instead of a priest as president in 2016. The Jesuit Fordham University did the same in 2022, breaking with its 200-year tradition.
“I wouldn’t entirely downplay some tensions here, as much as the motto of our university is ‘Until Christ be formed in you,’” said the Rev. Dennis Gallagher, an Assumptionist priest who serves as Vice President for Mission at Assumption University. “Clearly, he’s not going to give personal credence to that particular expression.”
But Gallagher said he was won over by how Weiner articulated the value of a Catholic liberal education, which emphasizes inquiry and debate — values that also happen to be very Jewish.
An Assumption education asks humanity’s’ “enduring questions,” and attracts the kind of students who “haven’t determined that they know the answers to those things before they arrive,” Gallagher said.
Weiner, who draws parallels between Talmudic debate and Assumption’s inquiry-driven approach to education, was well-positioned to promote those ideals, Gallagher said.
Weiner was also not an outsider at Assumption. After a career in Democratic politics that included working as press secretary for then-Nebraska Sen. Bob Kerrey and getting his PhD in government at Georgetown University, Weiner joined the faculty at Assumption in 2011 as a political science professor. He quickly rose the ranks, becoming provost and vice president for academic affairs in 2019. After former Assumption President Francesco Cesareo announced his retirement in 2022, Weiner became interim leader.
Gallagher said he didn’t think trustees were seriously considering Weiner for the job of president at the time. But when Weiner excelled in the interim role, the choice became clear.
“I remember saying, ‘I think what we’re looking for is right here with us,’” Gallagher said. “Somebody that can both understand and communicate what a Catholic — albeit not being Catholic himself — what a Catholic liberal education is about.”
In the end, Weiner’s appointment drew far more celebration than controversy, with the university actively embracing his Jewish identity. A rabbi bestowed a special blessing upon Weiner at his inauguration.
A Jewish haven?
Weiner, who grew up as a member of the lone Jewish family in the small town of Luling, Texas, is comfortable with being the only Jew in the room.
When a childhood friend expressed concern that Weiner was going to hell, he took it as “a very ham-handed way of expressing genuine caring,” he said. “I was born without the gene that tells you to get offended quickly.”
That same instinct carried into his career. At first, Weiner said, he didn’t publicly lean into his Judaism as part of the presidency. But in the aftermath of the attacks of Oct. 7, he felt “a particular responsibility to speak out.”
In December 2023, Weiner made a splash with a Wall Street Journal op-ed suggesting Jewish students feeling alienated from Ivy League campuses ought to consider Catholic schools like Assumption.
At the time, other Catholic schools were also explicitly courting Jewish students amid turmoil over Israel and antisemitism on college campuses across the country.
Still, it was an unconventional pitch: Assumption has no Hillel or Chabad on campus, and students are required to take Catholic theology courses where they learn about Christian morality, sacraments and other church doctrine.
But whatever Assumption lacked in Jewish religious life, Weiner said it has made up for in campus culture. Assumption had no student encampments protesting Israel after Oct. 7, in part, Weiner said, because Assumption students are more interested in arguing over ideas in a philosophy class than organizing a protest.
Weiner, who has written four books on political theory and previously worked as a political aide for several Democratic politicians, said students on campus hold a range of views about Israel. But Assumption is not a place filled with student activists.
“Too many campuses have encouraged moral certainty, intellectual certainty, when Socrates says, ‘Philosophy begins with a confession of ignorance,’” Weiner said. “Education requires a certain amount of humility.”
Eli Beberman told the Forward he initially chose Assumption in 2018 because it was close to home and had a strong secondary education program. He expected being Jewish at a Catholic school might require some adjustment. He never imagined the university’s president would become Jewish his senior year.
“Seeing upper level leadership at Assumption also be Jewish was a really cool experience for me,” Beberman said.
Assumption was a place where interfaith friendships thrived, Beberman said. Though there was no Hillel on campus, Beberman was able to pray in an interfaith space with a Torah. He also celebrated Jewish holidays with non-Jewish friends, hosting Shabbat dinners and a Hanukkah party in the dorms, where his parents brought over their “famous brisket.”
“I was able to practice my religion how I wanted to, and I felt very comfortable on campus being a non-Catholic student,” Beberman said.
Jewish faculty members, too, said Weiner’s presidency changed how they saw the university.
Samantha Goldman, a Jewish associate professor of special education at Assumption, said she didn’t seek out a job at a Catholic institution. But once she got there, she was surprised at how natural the environment felt.
“Having a Jewish president of a Catholic institution really communicates this sense of welcoming and inclusivity that might not otherwise be apparent,” she said.
Others were drawn specifically to the culture Weiner fostered. In 2024, Mary Jane Rein left her job as executive director of the Strassler Center for Holocaust and Genocide Studies at Clark University. She said Clark had failed to properly support her after students protested a talk she helped organize featuring an Israeli reservist. That inspired her to come to Assumption, where she launched the Center for Civic Friendship, which helps students engage in civil discourse across ideological divides.
“To my surprise as both a scholar and a Jew,” Rein wrote in the Wall Street Journal, “I feel a warmer welcome and more commonality of purpose at a Catholic institution than at Clark, a secular one.”
That same year, Weiner was reappointed for a five-year term through May 2030 in an announcement trustees said reflected “deep confidence in his leadership.”
To Weiner, the success of his presidency is evidence that Judaism and Catholicism are not as far apart as they may seem.
“Obviously, [there are] some foundational theological differences,” Weiner said. “But with respect to the educational commitments, I think they’re quite compatible.”
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The secret Jewish history of the ‘Rocky Horror Picture Show’
“Rocky Horror,” which opened in London cinemas on this day in 1975 is the cultural phenomenon that simply refuses to die. Rather, since its first incarnation as a 1973 London stage musical, “The Rocky Horror Picture Show” has been continuously reborn on the silver screen, in subsequent Broadway stage productions, and, in 2016, as a direct-to-TV film, starring Laverne Cox of “Orange Is the New Black” fame as the transgender Dr. Frank-N-Furter, the mad-scientist role originated by Tim Curry.
In all its incarnations, however, “Rocky Horror” has always been more than just a performance. Its appeal has been widely driven as a participatory event. Film critic Roger Ebert summarized it best writing about the original 1975 film: “‘The Rocky Horror Picture Show’ is not so much a movie as more of a long-running social phenomenon,” because “the fans put on a better show than anything on the screen.” What Ebert refers to is the interactive tradition that has grown up around “Rocky Horror,” whereby fans attend midnight showings primed for a party as much as a screening: reciting the lines out loud along with the characters and interspersing them with “callouts” — responses that have been accepted into the Rocky Horror canon much as the Talmud is commentary on the Mishnah that has in and of itself become part of the sacred text. In the case of “Rocky Horror,” this also includes activities, such as throwing rice or confetti in the air when the married couple in the film leaves the church; squirting water pistols during a rainstorm; and tossing rolls of toilet paper when one character says “Great Scott!”
In one of the most overtly Jewish moments in and outside of the film, a speech by Dr. Frank-N-Furter hailing the creation of the Golem-like creature of the title, Rocky Horror, is met by chaotic noisemaking on the part of the partygoers onscreen and off. In the original film, some of the crowd generates noise with ratchets – a percussion instrument that looks suspiciously like a gragger, as if Dr. Frank had said “Haman.” There are other Purim-like touches in the film, such that temple congregations have made “Rocky Horror” into part of their annual ritual, such as a “Rockin’ Hora Purimshpiel” in which several of the musical numbers are rewritten as Purim songs.
Other Judaized versions of “Rocky Horror” that have appeared over the years include “Hebrew Horror,” which was staged in Los Angeles in 2007, and the “Rocky Hora Chanukah Song” by the Jewish punk-rock parody group, the Shlomones (sort of a redundancy, since several members of the Ramones were in fact Jewish, as was their outlook in numerous ways, including their song, “Bonzo Goes to Bitburg.”
The original London stage version was produced by British-Jewish theatrical impresario Michael White, who was born to Eastern European Jewish-immigrant parents in Glasgow, Scotland. White’s credits had already included the boundary-shattering “Oh! Calcutta!” — the first all-nude revue in commercial theater — and he went on to co-produce the “Rocky Horror” film as well as “Monty Python and the Holy Grail.”
The original musical and film were decades before their time in celebrating the sexual fluidity of the LGBT world – indeed, there wasn’t such a term as LGBT, much less a socio-political acceptance of it, for years to come. The new TV film version is in no small part an effort to seize this cultural moment when LGBT, and particularly transgender issues, are now part of mainstream political and cultural discussion, especially what with the casting of openly trans actress Laverne Cox.
The original did, however, have a political consciousness beyond its seemingly outrageous effort to provoke. Dr. Frank-n-Furter’s lab coat in the movie was inspired by a Nazi concentration camp inmate uniform and was adorned by the pink triangle that the Nazis used to label what we now call LGBT inmates. And in the film at least, there were implications that Frank’s rival, Dr. Scott was a Nazi.
The 2016 version was again produced by music industry legend Lou Adler, who was responsible for turning the stage musical into the original film starring Tim Curry, Susan Sarandon, Barry Bostwick and Meat Loaf. In that version, Eddie was played by American Idol star Adam Lambert, the role played by Meat Loaf in the original Broadway cast and film. Lambert, who starred as Joshua in “The Ten Commandments: The Musical,” has achieved fame as a solo artist and as the replacement for the late frontman Freddie Mercury in the rock band Queen. Lambert’s Jewish mother, Leila, was a dental hygienist.
Seth Rogovoy is a contributing editor to the Forward.
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Sister of pro-Israel stalwart Lindsey Graham secures GOP Senate nomination
(JTA) — South Carolina Sen. Darline Graham defeated U.S. House Rep. Ralph Norman in a special primary runoff on Tuesday, putting her in a dominant position to win the Senate seat left vacant with the death in July of her older brother, the pro-Israel stalwart Lindsey Graham.
The Associated Press called the race two hours after polls closed at 9:01pm. By the time 99% of votes were tallied, Darline Graham had secured 52.3% of the votes to Norman’s 47.7%.
“Tonight is a great victory, but it’s not the finish line,” Graham told her supporters on Tuesday night. “In fact, it is the starting line for an even bigger fight, which lies ahead.”
If Darline Graham goes on to win November’s general election against Democrat Annie Andrews, she will have big shoes to fill. Her brother served 23 years in the Senate and eight in the U.S. House. He traveled to Israel about a dozen times between Hamas’s Oct. 7, 2023 attack on the Jewish state and his death at age 71.
Heading into the primaries, analysts expressed no doubt that Darline Graham would be pro-Israel. But matching Lindsey Graham’s level of foreign policy activity, they warned, would be a formidable task. Meanwhile, her campaign to date has largely avoided discussion of international affairs. Instead, she has focused on domestic concerns like reducing spending, securing borders and promoting Trump-backed policies.
During a debate aired on C-SPAN last week, Graham struggled to respond to a foreign policy question about Taiwan and the South China Sea, ultimately admitting that she’s “not that informed on national security.”
“I’m not a polished politician up here,” she said. “National security is not my thing, not my area of expertise.”
Later addressing issues of affordability, Graham linked the domestic economic situation to the war in Iran and said she trusts President Donald Trump “to get the Strait of Hormuz open.” She also voiced her preference for financial sanctions over putting troops on the ground.
Asked about the country’s relationship with Israel, Graham described the Jewish state as “one of our strongest allies.” Recognizing her brother’s close relationship with Prime Minister Benjamin Netanyahu, she added that during a recent meeting with the Israeli premier, she vowed to “continue supporting Israel in any way” she can.
“We have to stand with Israel,” Graham said.
At their previous face-off, Graham had secured 33% of the vote, while Norman came in second place, at 25%, against eight fellow Republicans. But South Carolina requires primary winners to earn a majority of votes in order to avoid a two-candidate runoff. In the November general election, Graham will contend with Democrat Annie Andrews, a pediatrician who is unlikely to prevail in the solidly Republican state.
Tuesday’s runoff marked the third time in two months that South Carolina Republicans came to the polls to select a Senate candidate. Lindsey Graham, won the first primary in June but died suddenly the next month from an aortic dissection.
A few days later, South Carolina Gov. Henry McMaster, a Republican, appointed Darline Graham to finish her brother’s term. Though she only had minimal policy experience, including a leadership role at the South Carolina Commission for the Blind, she earned President Donald Trump’s endorsement and declared her candidacy in the full race.
Trump celebrated Graham’s nomination in a Tuesday night Truth Social post, writing that “Darline Graham rides Trump endorsement to win GOP nomination for brother’s South Carolina seat.”
Graham thanked Trump profusely during her Tuesday night acceptance speech, recognizing the president as one of her brother’s “closest friends” and crediting him for helping her secure a victory.
Norman, meanwhile, thanked his supporters on Tuesday night for their “prayer crusade of a campaign,” stressing that he “did not prepare a concession speech.” He accused “outside PACs” of spending $8 million opposing him and blamed the Democrats for this situation, adding that “they got what they wanted.”
He recognized Trump’s role in the race as a supporter of Graham, noting that he “never understood why he got involved” but that it is the president’s prerogative to do so. Nonetheless, Norman pledged that there “won’t be any tears” and that he planned to back Graham.
“I’m not supporting a Democrat, so I will support her, Darline, as best I can,” he added. “We’ll live to fight another day.”
This article originally appeared on JTA.org.
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