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What an ER doctor and musical trendsetter Miri Ben-Ari, a Jay Z collaborator, have in common
Being a successful musician is a lot like being a trauma room physician. You need to collaborate harmoniously with others, practice a lot and perform expertly in real time.
One might think that performing on some of the world’s largest stages and at high-profile venues like the White House is nothing like working in a tight space in a hospital emergency room. One involves art, the other science; one happens in public, the other behind closed doors; one appears beautiful and clean, the other can be messy and bloody. But the two actually have a lot in common.
Dr. Tal Patalon, the head of Kahn Sagol Maccabi (KSM), the Research and Innovation Center of the Israeli HMO Maccabi Healthcare Services, highlighted this when she hosted Grammy Award-winning violinist, producer and UN Goodwill Ambassador of Music Miri Ben-Ari on her podcast, “A Matter of Life and Death.”
“It is as though I am meditating on the highest frequency when I am in front of a live audience,” Ben-Ari said. “It is like an out-of-body experience.”
Patalon, an active clinician specializing in family and emergency medicine, said, “The same thing happens to me when a patient comes in. Every decision is one of life and death. You have to be in the moment. You have to give your everything to perform at your max.”
Musical trendsetter Ben-Ari has brought the violin to the fore in commercial pop music, collaborating with artists including John Legend, Alicia Keys, Janet Jackson and Jay Z.
The unusual and popular podcast — now in its third season, but the first in English — is an opportunity for Patalon to talk with thought leaders from a wide variety of backgrounds and fields, including medicine, academia, technology and the corporate world, and she brings to listeners unusual conversations that wind their way from the esoteric to the profound. Recent guests on the program have included astrophysicist Avi Loeb, former Mossad chief Yossi Cohen, and psychologist and happiness expert Tal Ben-Shahar.
KSM has unique access to Maccabi’s professional medical data and conducts medical research, helping scientists, tech companies and entrepreneurs through various partnerships; uses a unique cloud-based platform that relies in part on AI technology; operates a bio-bank with over 1 million biological samples that assist companies in genetic sequencing and genetic research; and supports a range of other big data and clinical research projects.
Patalon thinks broadly, seeking inspiration from all corners.
Born in Tel Aviv, violinist Ben-Ari, 44, grew up playing classical music and at one point studied under the legendary Israeli violinist Isaac Stern.
“But something switched for me when I heard a recording of Charlie Parker,” Ben-Ari said. “He wasn’t playing the saxophone; he was talking to it. I wanted to do that with the violin. So I studied jazz in the United States and played with the best.”
Ben-Ari, who remained in the United States and lives in New Jersey, felt she was finally in her zone. “Now I could do me. I could integrate, harmonize and collaborate,” she said.
Miri Ben-Ari, left, was a guest of Dr. Tal Patalon, the head of Kahn Sagol Maccabi (KSM), the Research and Innovation Center of the Israeli HMO Maccabi Healthcare Services, on her podcast “A Matter of Life and Death.” (Courtesy of KSM Research and Innovation Center)
Over the past two years, Ben-Ari has branched out even further by working with African artists such as Nigerian producer Young D and Tanzanian superstar Diamond Platumz, who plays bongo flava — a melange of American hip hop and traditional Tanzanian styles.
“It’s been fascinating working with African artists,” Ben-Ari said. “Africa is so close to Israel, so it was natural for me to go in this direction. The music is different in each country, and in each region of the continent.”
Patalon asked Ben-Ari on her podcast what it has been like to move from classical music training to experimentation with so many genres.
“I actually gave a TED talk about how to take a skill from one place to another,” Ben-Ari said. “You first have to have a firm foundation, then you can let your imagination take over and think outside the box.”
But it’s not easy, she said. “You find your own individual way of expression. It takes a lot of chutzpah, drive, persistence, dedication and bravery to keep continuing when you get a lot of no’s along the way.”
According to Patalon, the process bears some similarities to medicine. Just as Ben-Ari had to have years of classical training behind her to be able to innovate as she does, trauma care doctors need to have their basics intact before trying new approaches, Patalon said. One can only innovate on top of a deep foundation of expertise, experience and competence.
“It’s more than just knowing the basics. You need to be able to do them as an automatic response behavior. I need to know how to resuscitate a patient with my eyes closed and one hand tied behind my back,” she said. “We have to be experts.”
At the end of every podcast episode, Patalon asks her guest whether they think about death and how they would like to be remembered.
Ben-Ari said that the prospect of death doesn’t regularly occupy her: “I am busy with life, and I don’t think about what will happen after I die.”
When Patalon asked Ben-Ari what she would like the epitaph on her gravestone to say, she said she didn’t want an actual place of burial.
“I don’t believe in graves,” Ben Ari said. “I want to be an NFT or something technological like that. I would want there to be one private one just for my child, and a different version for my fans.”
Patalon suggested that she wasn’t surprised that Ben-Ari doesn’t think much about death, noting how common it is for people to fear death because they fear pain and losing relationships with loved ones — and are afraid of the unknown.
In the last episode of her popular podcast, Patalon offers some intriguing insights into the future of medical treatment: how technology will help predict a person’s medical future, how therapies can be tailored to the individual’s level, and the ethical questions that arise from these advances.
Ultimately, Patalon concludes, our well-being will be determined by what we do outside medical establishments: “I hope that we will all learn how to take the time to introspect, to develop relationships that are meaningful, because at the end of the day that’s what really keeps us happy.”
To listen to this episode and others from Season 3, visit ksminnovation.com/podcast.
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The post What an ER doctor and musical trendsetter Miri Ben-Ari, a Jay Z collaborator, have in common appeared first on Jewish Telegraphic Agency.
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Denied arrest power, Mamdani encourages New Yorkers to protest Netanyahu
After conceding that he cannot arrest Israeli Prime Minister Benjamin Netanyahu as a war criminal, Mayor Zohran Mamdani on Tuesday doubled down on assailing the Israeli leader and encouraged New Yorkers to protest his expected visit to the United Nations in September.
“I think one of the bedrocks of our city is protest,” Mamdani said at a press conference in City Hall Wednesday morning. “If anyone feels a level of frustration or opposition, protest is something that we will always respect. I leave it to New Yorkers themselves to make that decision.”
The mayor also faced renewed questions about why it took months to acknowledge that the pledge he made last year to arrest Netanyahu could not legally be carried out, and about his choice to post a formal mayoral address on his official social media accounts to announce the city’s legal conclusion that it has no authority to execute the International Criminal Court arrest warrant against Netanyahu.
“What brings me to my conclusions about Israel and Palestine is a belief in the universality of humanity,” Mamdani said.
Mamdani pointed to a roundtable with faith leaders on Staten Island on Tuesday where he met a young Gaza refugee who had lost an arm, and he recounted stories from Palestinian New Yorkers who shared that their families have been affected by the war.
“I view that as a very serious issue,” Mamdani said. “I think that it is incredibly important that we ensure that we have done all of our due diligence when conducting a review.”
The ICC, based in The Hague, issued arrest warrants in November 2024 for Netanyahu, former Israeli Defense Minister Yoav Gallant and Hamas military commander Mohammed Deif. Hamas confirmed in January 2025 that Deif was killed during an airstrike.
The United States is not a member of the International Criminal Court and the Trump administration imposed sanctions on the ICC months after it issued the warrants.
In his video posted Tuesday night, Mamdani accused Netanyahu of orchestrating a “horrific genocide against the Palestinian people” in the Gaza Strip. He cited reported Palestinian death tolls, wounded children, the destruction of hospitals and clinics and the killing of aid workers and journalists. He did not mention the Oct. 7, 2023, Hamas attack on Israel, which sparked the war. He instead called on the federal government to join the ICC and execute the warrant.
Jewish organizations sharply condemned the mayor’s Tuesday remarks, accusing him of presenting a one-sided narrative of the war.
“Shame on you,” the UJA-Federation of New York said in a statement. “Your video is rife with distortions and disinformation. At a time of rising antisemitism, repeatedly singling out and vilifying the world’s only Jewish state for perceived political benefit is repugnant and puts Jews at greater risk.”
The Orthodox Union said the video “endangers Jewish New Yorkers” and “is a betrayal of his oath of office and his own commitment to protect all New Yorkers.”
Mamdani rejected the criticism.
“We cannot pick and choose which crimes against humanity we oppose,” he said. “We must be in opposition to all of them.” Asked whether he considers the Hamas massacre a genocide, he stopped short of using that term, instead calling the Oct. 7 attacks “a horrific war crime” that should be opposed “with every single fiber of our being.”
Mamdani used the moment to bring his long-held pro-Palestinian advocacy into City Hall, framing Netanyahu’s expected visit as both a moral and political issue. While acknowledging the city lacks legal authority to arrest the Israeli leader, Mamdani shifted the conversation toward the role of the federal government.
In a Truth Social post, President Donald Trump reassured Netanyahu that he “will not be arrested, in any way, shape, or form, while in the United States of America.”
Mamdani also encouraged New Yorkers to take it to the streets to protest Netanyahu during his visit. “That welcome ends with me,” he said. “I will not be welcoming Benjamin Netanyahu or any other war criminals when they come to this city.”
Mamdani’s remarks could resonate well beyond New York as rejection of Israel is increasingly part of national Democratic Party politics. By arguing that Washington should join the International Criminal Court and enforce its warrants, Mamdani is helping define the expectations that progressive activists may place on the 2028 presidential candidates as the party continues to debate its approach to Israel and Gaza.
Despite the backlash, Mamdani insisted his position would not affect how he governs for Jewish New Yorkers.
“I know that there are Jewish New Yorkers who agree with my analysis; there are those who disagree with my analysis,” Mamdani told the Forward. “ And my responsibility to them is to ensure that they are cherished, they are celebrated, and they are safe in their city.”
The post Denied arrest power, Mamdani encourages New Yorkers to protest Netanyahu appeared first on The Forward.
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Innovative Yiddish actor-director Raphael Goldwasser has died
פֿון שׂרה־רחל שעכטער
דער ייִדישער אַקטיאָר, רעזשיסאָר, פּאַנטאָמימיקער און לערער פֿון ייִדישן טעאַטער, רפֿאל גאָלדוואַסער, איז דינסטיק געשטאָרבן אין נאַרבאָן, פֿראַנקרײַך, צוליב קאָמפּליקאַציעס פֿון אַ האַרץ־פֿעלער. ער איז געווען 79 יאָר אַלט.
די לוויה וועט פֿאָרקומען פֿרײַטיק דעם 24סטן יולי, 15.00 אַ זייגער, אויפן ייִדישן חלק פון בית-עולם אין מערבֿ-נאַרבאָן.
גאָלדוואַסער האָט נישט סתּם אינסצענירט פּיעסעס, נאָר זיך באַמיט איבערצוצײַגן דעם צוקוקער זיך אַרײַנצוטראַכטן אינעם אינהאַלט. מע זעט דאָס קלאָר אין זײַן ייִדישער איבערזעצונג פֿון דני האָראָוויצעס העברעיִשער פּיעסע „פֿעטער אַרטור“ (2020ֶ), וואָס מע קען זען אויף יוטוב. דאָ רעדט זיך וועגן אַ דראַמאַטורג, פּיטער סטאָון — אַ לעבן געבליבענער פֿון חורבן — וואָס שרײַבט אַ פּיעסע ווי אַ נקמה זײַן פֿעטער אַרטור, וואָס פֿלעג זאָגן, זיצנדיק אין ניו־יאָרק: „ווי קענען מענטשן זיך לאָזן פֿירן אין קרעמעטאָריע ווי שאָף צו דער שחיטה?“ סטאָון באַמיט זיך שטאַרק צו געפֿינען אַ ישׂראלדיקן טעאַטער וואָס זאָל פּראָדוצירן די פּיעסע, אָבער קיין איין טעאַטער וויל זיך דאָס נישט אונטערנעמען. אין סטאָונס פֿרוסטרירונג קען מען דערפֿילן אויך גאָלדוואַסערס עגמת־נפֿש.
„רפֿי האָט ניט געקאָנט פֿאַרטראָגן מלחמה, ער האָט געמוזט אַנטרינען פֿון איר,“ האָט גלאַי געזאָגט. אַ פּנים דערפֿאַר האָט ער זיך טאַקע אַריבערגעצויגן פֿון ישׂראל קיין פֿראַנקרײַך. „דער מצבֿ אין ישׂראל, אַפֿילו פֿון דער ווײַטנס, האָט אים זיכער אָפּגעשוואַכט.“
אין 2013 האָט גאָלדוואַסער געמאַכט אַ טיפֿן אײַנדרוק שפּילנדיק די ראָלע פֿון לאָקי אין סעמיועל בעקעטס „וואַרטן אויף גאָדאָ“. דער ייִדישער קולטור־טוער דזשאָרדין קוציק זאָגט אַז גאָלדוואַסער האָט אַרײַנגעבראַכט אין דער פּראָדוקציע אַ „סטאַבילן פּסיכאָז“: „דער ריטעם פֿון זײַן מאָנאָלאָג בײַט זיך אין גאַנצן נישט און די עמאָציאָנעלע קוואַליטעט פֿון זײַן פּסעוודאָ־וויסנשאַפֿטלעכע פּלאַפּלערײַ בלײַבט אויך די זעלבע.“
שיין בייקער, דער אַקטיאָר און דירעקטאָר פֿונעם ייִדישן קולטור קאָנגרעס, האָט געזאָגט אַז נאָך גאָלדוואַסערס פּטירה האָט משה יאַסור, דער רעזשיסאָר פֿונעם ייִדיש־שפּראַכיקן „וואַרטן אויף גאָדאָ“, אים געזאָגט פֿאַר וואָס ער האָט אויסגעקליבן גאָלדוואַסערן פֿאַר דער ראָלע. „רפֿי איז געווען דער בעסטער אויסטײַטשער פֿון לאָקי ווײַך ער האָט ממש פֿאַרקערפּערט די ראָלע. זײַן פֿעיִקייט בײַם אויסדריקן זיך איז געווען פֿאַרוואָרצלט אין דער פֿיזישער קונסט פֿון מאַנטאָמימע — סובטיל אָבער בולט.“
קוציק האָט געזאָגט אַז גאָלדוואַסער האָט זיך אַנטקעגנגעשטעלט ווען עמעצער האָט, נאָכן זען די פּיעסע, באַמערקט אַז „לאָקי איז געווען אַ מין קאָמישע אָפּשפּאַנונג (comic relief בלע״ז) אין דער פּיעסע“: „מײַן ראָלע איז נישט געווען קיין קאָמישע אָפּשפּאַנונג, נאָר פֿאַרקערט: איך בין דווקא געווען די טראַגעדיע, און די אַנדערע פּערסאָנאַזשן האָבן געשילדערט די אַבסורדיסטישע קאָמעדיע,“ האָט גאָלדוואַסער געזאָגט.
רפֿאל גאָלדוואַסער איז געבוירן געוואָרן אין אַרגענטינע אין 1947. זײַן טאַטע איז געווען דער אָנגעזעענער אַקטיאָר זישע גאָלדוואַסער, אַ מיטגליד פֿונעם ייִדישן פֿאָלקס־טעאַטער אין בוענאָס־אײַרעס. די מאַמע, לאה (לאָלאַ אויף שפּאַניש), האָט געגעבן אירע דרײַ זין עכטע ייִדישע נעמען — ראובֿן, דניאל און רפֿאל, האָט געזאָגט רפֿאלס עלטערער ברודער דניאל גלאַי — דער פֿאָרזיצער פֿון „בית לייוויק“ אין תּל־אָבֿיבֿ. „די מאַמע איז געווען באַצויבערט פֿון איר מאַנס טאַלאַנט, און איך געדענק נישט אַז מײַנע עלטערן האָבן זיך אַ מאָל געקריגט צווישן זיך.“
ווען רפֿי איז געווען פֿינף יאָר אַלט האָט מען אים שוין געזען אויף דער בינע אין בוענאָס־אײַרעס — אין שלום־עליכמס איינאַקטער, „אַגענטן“. ווען די אַקטיאָרן האָבן געזען ווי שטאַרק דאָס קינד וויל שפּילן טעאַטער האָט מען אים געגעבן אַן איין־שורהדיקע ראָלע: „טאַטע, כ׳וויל עסן!“ כּדי ער זאָל זיך פֿילן גלײַך מיט די אַנדערע אַקטיאָרן.
„כ’בין זיכער אַז שלום עליכם האָט הנאה געהאַט דערפֿון,“ האָט גלאַי געזאָגט.
נאָך דעם ווי די משפּחה האָט עולה געווען קיין ישׂראל האָט רפֿאל שטודירט טעאַטער און געשיכטע בײַם תּל־אָבֿיבֿער אוניווערסיטעט, און שפּעטער באַקומען אַ מאַגיסטער פֿון טעאַטער־געשיכטע בײַם פּאַריזער אוניווערסיטעט.
במשך פֿון זײַן קאַריערע האָט ער זיך קונה־שם געווען ווי אַ נאָוואַטאָרישער אַרטיסט, וואָס האָט צונויפֿגעפֿלאָכטן די טראַדיציעס פֿון ייִדישן טעאַטער, פֿראַנצייזישער פּאַנטאָמימע און דער נײַער אוידיאָ־וויזועלע מעדיאַ, האָט געזאָגט דער פֿאָרזיצער פֿונעם אַרגענטינער ייִוואָ, אַבֿרהם ליכטענבוים. ער האָט אויפֿגעטראָטן איבער דער וועלט, געשאַפֿן טעאַטראַלישע אונטערנעמונגען, אַנסאַמבלען, אינטערנאַציאָנאַלע פֿעסטיוואַלן און, דער עיקר, פֿאַרלייגט און אָנגעפֿירט מיטן „לופֿט־טעאַטער“ אין סטראַסבורג, פֿראַנקרײַך.
ער איז אויך געווען אַן אָנגעזעענער פּעדאַגאָג, געלערנט אין דער ייִדישער טעאַטער־אַקאַדעמיע און געפֿירט אינטערנאַציאָנאַלע סעמינאַרן איבער אייראָפּע. במשך פֿון די לעצטע יאָרן האָט ער, בשותּפֿות מיטן בוענאָס־אײַרעסער ייִוואָ, געהאַלטן בײַם אַנטוויקלען אַ „נײַע פּעדאַגאָגיע פֿאַרן ייִדישן טעאַטער“.
רפֿאל גאָלדוואַסער האָט פֿאַראָבֿלט זײַן ברודער, דניאל גלאַי; זײַן לעבנס־באַגלייטערין דזשוטיט בוכהאַלטער; זײַנע קינדער יאָרדאַן, מאַרין און מאַעל, און דרײַ אייניקלעך.
The post Innovative Yiddish actor-director Raphael Goldwasser has died appeared first on The Forward.
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What a West Bank visit taught me about the past and present tragedies of Tisha B’Av
As we chant Lamentations on the floor, in the dark, on Wednesday night for Tisha B’Av, we will open with the word “eikha” — “how.”
That same word became the refrain of a recent eight day visit I made to Israel and the West Bank.
I traveled to Jerusalem for a week of immersive learning with 150 rabbis and cantors at the Shalom Hartman Institute’s annual Rabbinic Torah Seminar. But my learning wasn’t restricted to the beit midrash. I spent time with cousins finishing combat service; friends working late into the night in the Knesset before its dissolution; people working to build shared society in Haifa; and families grieving the loss of loved ones. And at every turn, I found myself asking “eikha.”
“Eikha” is more than a question. It is the sound made when the distance between what should be and what is becomes almost impossible to bear. Naming that distance is at the heart of Tisha B’Av — and, for me, at the heart of thinking honestly about Israel today. How will Israel move from this moment of profound moral and political fracture toward the future our prophets imagined?
On a visit to the West Bank with Rabbis for Human Rights, I connected with Israelis from across the country who had come to be a protective presence for Palestinians in Jenata, near the settler outpost of Havat Eitam. The Palestinians there face violence and intimidation in an area formally under Palestinian civil authority. We heard from a man whose brother had recently been killed by settlers, and we learned that their imam was jailed just that morning to prevent Friday prayers from moving forward as planned.
Then we were told to leave. The corner of the village we were visiting was declared a 24-hour closed military zone.
Next we traveled to Umm al-Khair, a Palestinian herding community where the Hathaleen family buried their son Awdah almost a year ago, after he was shot and killed by an Israeli settler who still walks free. Since his death, settlers have built caravans encroaching into the village, with some only a few meters from homes. This encroachment has triggered the declaration of another “closed military zone,” cutting the family off from their own bathroom and animals. They must use a neighbor’s bathroom and can only feed their animals when a soldier comes to allow it.
I asked a soldier standing guard that day whether any of it troubled him.
“Doesn’t Oct. 7 trouble you?” he replied.
I don’t know what that soldier has seen, or what he has lost. But I know his response took two griefs and set them against each other, as though one atrocity could justify another. “Eikha”: How do we nurse our deepest wounds without allowing them to justify our wounding others? How do we stay safe and moral?
This past Shabbat was Shabbat Hazon — the “Sabbath of Vision” — so named for the opening word of the Haftara, which describes Isaiah’s vision of a devastated but ultimately redeemed Jerusalem. That reading, in our current context, must push us — and, God willing, Israel’s next political leaders — to articulate compelling responses to the questions bearing down on Israeli society and on Judaism itself. To ask how we came to a point of such dire trouble, and realize a vision for redemption from it.
I keep thinking about the way slain hostage Hersh Goldberg-Polin would remind his fellow captives, citing Holocaust survivor Viktor Frankl’s words, that if they could hold onto a “why,” they could endure any “how.”
Israel and the Jewish people have profound whys. We are meant to be, in the words of “Hatikvah,” “a free people in our own land.” And to be, in the words of the Torah, “a kingdom of priests and a holy nation.”
This Tisha B’Av, as we mourn the destruction that shattered Jewish sovereignty in the land of Israel 2,000 years ago, we must also reckon honestly with the forms of inhumanity that threaten its moral future and physical safety today.
We must understand that our freedom, our holiness and our humanity are bound up in that of the Hathaleen family, and the besieged villagers of Jenata. During my visit, an Israeli cousin of mine acknowledged that everything I had seen in the West Bank was real and terrible — and that he didn’t want Palestinians living so close to Israel, out of fear of an Oct. 7 attack from the West Bank. What I wish all of us could better understand: If Jewish freedom depends upon denying Palestinian freedom, then it is neither the freedom of “Hatikvah” nor the holiness the Torah demands. I also don’t think it will make us safe.
This is, I think, the particular question facing rabbis and Jewish communal leaders like me right now: how do we hold onto our right — our obligation — to name Israel’s failures honestly, as people bound to this place and this story, without having our words weaponized to delegitimize and demonize the entire project? My criticism of what I saw in Jenata and Umm al-Khair comes from love — the same love that makes looking away impossible. Learning how to hold both at once, unflinching criticism and unwavering commitment, may be the most urgent “eikha” of this particular moment.
After Tisha B’Av comes the Shivah d’Nehemta — the Seven Weeks of Consolation that carry us into Rosh Hashanah.
In those weeks, the questions of “eikha” don’t disappear. They deepen. These weeks lead us into Elul, a time of intense heshbon hanefesh — accounting of the soul. The pairing of consolation with accounting suggests that renewal comes not through answering our questions, but through finding the courage to keep asking them.
How do we protect ourselves without surrendering our humanity? How do we acknowledge our own suffering without turning it into permission to inflict suffering on others?
Those are Israel’s questions as they move toward their October elections. They are ours as well, as we navigate being Jews in this moment.
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