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White supremacy takes center stage in a new reimagining of ‘The Merchant of Venice’
(New York Jewish Week) — When William Shakespeare wrote “The Merchant of Venice” 400 years ago, he had almost certainly never met a Jewish person. In fact, in 1596 or so, when he created the infamous character of Shylock — a greedy moneylender who thirsts for a literal “pound of flesh” from his Christian antagonist, Antonio — Jews had been banned from England for nearly 300 years.
Like most of Shakespeare’s work, “The Merchant of Venice” — which centers on Antonio’s default on a large loan from Shylock — continues to be performed in the present day, despite its reputation as “the most vexed single play in the Shakespearean canon,” as New York Times film critic A.O. Scott wrote in a 2004 review of the film version starring Al Pacino as Shylock. At the time, Scott noted that “the first task of any modern adaptation is to confront the anti-Jewish bigotry that propels its plot and informs its poetry.”
In his new play “The Shylock and the Shakespeareans,” Edward Einhorn confronts that bigotry head on. Now onstage at the New Ohio Theatre in Greenwich Village, the Untitled Theater Company No. 61 production that debuted June 1 and runs through June 17 reimagines “The Merchant of Venice” from the perspective of Jacob, a Jewish diamond merchant who is called “Shylock” as a slur. In this new version, while still set in an “ancient Venice, of sorts,” a group of white supremacists known as “the Shakespeareans” have co-opted the public discourse, and Jacob finds himself embroiled with them when his daughter falls in love with an Asian immigrant.
Using contemporary events and framing, alongside techniques associated with the Theatre of the Absurd, the play attempts to explore the continuum between the historical and the modern in order to create a conversation about antisemitism as it exists in our current time.
“What’s really interesting to me is how a lot of this resurgence of antisemitism has such old libels embedded in it,” Einhorn told the New York Jewish Week. “You can see whoever is the latest celebrity antisemite coming out and saying something [they think is] new when it’s actually 500 or even 1,000 years old. I think a lot of people don’t realize how historically embedded many conspiracy theories are.”
Despite its old age, conversations about “The Merchant of Venice” continue to be potent — perhaps even more so today, amid rising rates of antisemitic crimes and statements in the United States and beyond. Contemporary artists continue to grapple with what the play can and does mean, often making use of modern-day politics to propel these conversations.
A “race-conscious” production of “Merchant” at Brooklyn’s Polonsky Shakespeare Center last March, for example, tackled anti-Black racism, while a recent United Kingdom production of “The Merchant of Venice” by Tracy-Ann Oberman sets the tale in 1930s Britain, and Oberman portrays Shylock as a version of her own great-grandmother. Both of these versions make no qualms about declaring the inherent antisemitism of the play — and so, too, does “The Shylock and the Shakespeareans,” which sends the message that such hate is alive and well among us today.
When it comes to “The Merchant of Venice,” Einhorn said that “playing it straight, rather than staging it with a point of view [and context] is not the best choice.” In his spin on the tale, the playwright retains the main storylines of “Merchant”: The plot revolves around an unpaid debt to Jacob by Antonio on behalf of his friend Bassanio, who seeks to woo the wealthy Portia; Antonio is an outspoken antisemite who slanders the very Jewish man who is lending him the cash he needs.
The twist in Einhorn’s play is the analogy to modern U.S. politics — and the rub is that it’s not particularly difficult to make these connections. The Venetian citizens who persecute Shylock in Shakespeare’s play become white supremacists, led by a hateful politician called Shakespeare. They call out “Jews will not replace us,” an intentional reference to the 2017 “Unite the Right” rally in Charlottesville, Virgina. Portia, originally the central love interest who tests suitors and creates the judicial conditions for Shylock’s unraveling, is also transformed: she becomes an over-privileged brat who plays cruel games with people’s lives, treating her suitors with blatant racism and disregard.
“It’s cute in ‘The Merchant of Venice,’ but here it’s scary,” actor Jeremy Kareken, who portrays Jacob in this new iteration, told the New York Jewish Week. “[Portia] is playing games with people’s lives and their destinies. People end up married, people end up dead — she’s playing games because of her privilege. And the people she chooses to believe as judges [in Jacob’s trial] are deeply suspect. That’s why it’s a kangaroo court — it’s such an obvious miscarriage of justice.”
Justice is a central theme of the play, and something that Einhorn seeks to subvert and question. “[In the original], people just accept these things are happening,” Einhorn said, referring to Shylock’s trial, during which the moneylender attempts to get his revenge on Antonio but instead loses everything — even his own identity as a Jew.
The play also calls into question the idea of Jewish identity itself by highlighting the narrative arc of Jacob’s daughter, Jessica, who leaves her Judaism behind to marry her love.
“Even if you are no longer religiously Jewish, how does that identity impact you in life?” Einhorn mused. “No matter how you’ve chosen to identify previously, when major life events happen, do they bring you back to that upbringing?”
To Einhorn and Kareken, who are both Jewish, it’s not about how one practices the religion or even if one chooses to do so. (Kareken, who is also a playwright of Broadway’s “The Lifespan of a Fact,” is adamant that there is “no wrong way to do it, within the bounds of ethics.”) Instead, it’s about how a person connects to where they’ve come from and how their culture informs the path they take in the world.
At this fraught moment — when polarization among Jews is intensifying and antisemitism is ascendent — these questions feel palpable. Einhorn admits that some audience members have found it too hard to face, walking out mid-play, but overall the response has been one of reflection and consideration.
“It’s working best when the comedy and the ridiculous aspects are working as well as the drama,” he said. “And I could feel that working from the audience reaction around me.”
“The Shylock and the Shakespeareans” will be performed at the New Ohio Theatre (154 Christopher St.) through June 17. For tickets and info, click here.
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The post White supremacy takes center stage in a new reimagining of ‘The Merchant of Venice’ appeared first on Jewish Telegraphic Agency.
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From the bimah to ‘Squid Game’: A rabbi finds Torah in unexpected places
(JTA) — Jamie Field was still a rabbinical student at Hebrew Union College in New York City when she watched the first season of “Squid Game: The Challenge” and saw a call to action flash across the screen: “Could this be you? Apply now.”
It was 2023, and Field, who had long gravitated toward other reality television shows like “Survivor” and “The Amazing Race,” said she saw something deeply Jewish in them.
“The really beautiful thing about these shows is that when you’re in such a pressure cooker, for me, it’s not about the challenges, although those are fun to watch, but it’s about watching people be people and make mistakes and grow and foster connections between one another, and I’ve found so much Torah in these moments,” Field said in an interview. “I know it’s very rabbi to say.”
Two years later, Field is bringing that approach to the Netflix show’s second season, which premiered Tuesday. She was chosen to be one of over 456 contestants from around the world competing in a series of physical and mental challenges for a $4.56 million prize.
While Jewish contestants have competed on a number of reality TV shows, ordained rabbis have been rarer. Field said she went into the experience feeling a weighty responsibility around portraying Jewish clergy even as she was shackled to a team of players and competed in a relay race of mini games like stacking a house of cards and swinging a ball on a string into a cup.
“I never expected to be the very best of the challenges,” she said. “I’ve always said, I have a heart of gold, but I’m not very dexterous, and so for me, it was about trying my best and giving it my all, and also trying to be true to myself and bringing my values and wisdom and sense of community and representing the rabbinate as best I could into the show.”
Field grew up in Los Angeles and where her family attended Temple Ahavat Shalom, a Reform congregation in the San Fernando Valley.
After graduating from Boston University in 2017, she worked for the Washington Hebrew Congregation, a Reform synagogue in Washington D.C., before enrolling at HUC in 2019, spending her first year in Jerusalem.
After being ordained in 2024, Field began working as the director of education at Beth El Temple Center, a Reform synagogue in Belmont, Massachusetts.
Just four months later, she received a call back from “Squid Game: The Challenge’ asking her if she was still interested. She was soon on her way to London for an extended break for filming.
A year later, in a post on Instagram announcing her appearance on the show, Field said her experience reminded her of what she has learned from Jewish tradition.
“I often share that the Torah is a sacred story of people being people — of being hurt, of making mistakes, of building connections, of adventure, and of finding the divine in it all,” she said. “I felt this so deeply during my experience on Squid Game.”
Among her co-competitors was a NFL cheerleader, a former bomb technician and an Anglican priest with whom Field said she connected on set.
“I had a really good conversation about religion and what it means to sort of be a faith leader on the show with the priest,” said Field. “I actually found that I had conversations about faith with almost everyone I talked to because, you know, people bring things up when you tell them you’re a rabbi.”
The post From the bimah to ‘Squid Game’: A rabbi finds Torah in unexpected places appeared first on The Forward.
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Arizona man sentenced to 4 years in prison for antisemitic threats to Jewish NYC hotel owner
(JTA) — An Arizona man who sent hundreds of threatening messages to a Jewish-owned hotel in New York City was sentenced to 49 months in prison on Thursday in federal court.
Donovan Hall, 35, of Mesa, Arizona, pleaded guilty to making interstate threats and interstate stalking of the Jewish owners of the Historic Blue Moon Hotel in Manhattan. He was also sentenced to three years of supervised release.
The Blue Moon Hotel is “dedicated to Jewish community in every way that we can be,” Randy Settenbrino said in an interview last year from his hotel, which includes rooms named for icons of the Jewish Lower East Side, a kosher cafe and a mural depicting 2,000 years of Jewish history.
At the time, Settenbrino and his employees had just begun to get what prosecutors said were nearly 1,000 threatening messages from Hall. Sent between August and November 2024, the messages threatened to “torture, mutilate, rape, and murder them and their families,” according to the U.S. Attorney’s Office for the Southern District of New York.
In October, Hall texted photographs of two firearms and a machete to one of his victims, writing, “I’ve got something for you and your inbred children” and “for the Zionist cowards,” according to his federal indictment.
“Donovan Hall targeted Jewish victims with a sustained campaign of intimidation, terror, and harassment,” said U.S. Attorney Jay Clayton in a statement. “The approximately 1,000 threats he sent to these New Yorkers were alarming and brazen.”
Hall’s messages coincided with a boycott campaign against the hotel launched after Settenbrino’s son, an Israeli soldier, was identified as having posted videos of shooting at destroyed buildings and detonating bombs in homes and a mosque in Gaza.
Hall, who has been held at New York’s Metropolitan Detention Center since his arrest last year, apologized for his actions in a sentencing submission to the court, writing that he “wanted to champion for a cause and hunt down the bullies, not realizing that it was me the whole time.”
In an interview with the Jewish Telegraphic Agency after Hall’s sentencing, Settenbrino said “baby killer” had been spray painted on the windows of his hotel, and flyers were posted around Manhattan calling for its boycott and referring to his son, Bram, as a “war criminal.”
“We’re sitting at a pivotal time in New York City, where we’re feeling the encroachment of hate and antisemitism in the West, like our brethren are feeling it in Europe, and so it’s very scary for everyone concerned,” said Settenbrino. “It’s very important that there are strong sentences handed out to this, not just for us, but for klal yisrael [the Jewish people] in general.”
The post Arizona man sentenced to 4 years in prison for antisemitic threats to Jewish NYC hotel owner appeared first on The Forward.
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Israel, India Sign Deals to Boost Defense, Industrial, Tech Cooperation
Israel’s Defense Ministry Director General Amir Baram and Indian Defense Secretary Shri Rajesh Kumar Singh sign new agreements in Tel Aviv to expand defense, industrial, and technological cooperation between the two countries. Photo: Screenshot
Israel and India on Tuesday signed new agreements to expand defense, industrial, and technological cooperation during high-level talks in Tel Aviv, as both nations aim to deepen ties amid shifting Middle East power dynamics and rising regional tensions.
Israel’s Defense Ministry Director General Amir Baram and Indian Defense Secretary Shri Rajesh Kumar Singh signed a Memorandum of Understanding (MoU) during the annual bilateral Joint Working Group meeting.
“This strategic dialogue with India takes place at a critical juncture for both countries. Our strategic partnership is based on deep mutual trust and shared security interests,” Baram said during a joint press conference.
“We view India as a first-rate strategic partner and are determined to continue deepening cooperation in the fields of defense, technology and industry,” the Israeli official continued.
Strengthening Defense Cooperation: Israel MOD Director General and Indian Defense Secretary Sign Strategic Memorandum of Understanding
@SpokespersonMoD
Read more: https://t.co/ito3P1sCQg pic.twitter.com/FjxBkwFf1C
— Ministry of Defense (@Israel_MOD) November 4, 2025
As part of the visit, the Indian delegation — which included senior officials from the Ministry of Defense and the Armed Forces — met with Israeli Defense Minister Israel Katz and participated in a forum with CEOs of Israeli defense companies to advance industrial-defense cooperation between the two countries.
Among other areas of cooperation, the newly signed agreement aims to advance joint efforts in defense manufacturing, research, and technological development.
Israeli-Indian diplomatic relations have been steadily growing since India established full diplomatic ties with Israel in 1992.
Since then, the two nations have signed multiple agreements to deepen cooperation across industries, further strengthening defense and security ties.
In recent years, trade between the two countries has been rapidly expanding, with India now being Israel’s seventh-largest trade partner globally. Israeli exports to India rose from $200 million in 1992 to $2.5 billion in 2024.
Over the past decade, Israel’s exports to India have grown by about 60 percent, and investments in the tech sector are becoming increasingly significant.
Military cooperation has also grown, with Israel selling billions of dollars’ worth of weapons systems to India and the Israel Defense Forces (IDF) and Indian military regularly participating in joint exercises.
India is one of the largest consumers of Israeli military equipment, accounting for almost 40 percent of Israel’s total arms exports.
According to media reports, India is set to acquire rockets for its ground forces and surface-to-air defense missiles developed by Israel Aerospace Industries (IAI) for approximately $3.75 billion.
IAI is also expected to convert six commercial planes into Indian Air Force refueling aircraft for $900 million.