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White supremacy takes center stage in a new reimagining of ‘The Merchant of Venice’
(New York Jewish Week) — When William Shakespeare wrote “The Merchant of Venice” 400 years ago, he had almost certainly never met a Jewish person. In fact, in 1596 or so, when he created the infamous character of Shylock — a greedy moneylender who thirsts for a literal “pound of flesh” from his Christian antagonist, Antonio — Jews had been banned from England for nearly 300 years.
Like most of Shakespeare’s work, “The Merchant of Venice” — which centers on Antonio’s default on a large loan from Shylock — continues to be performed in the present day, despite its reputation as “the most vexed single play in the Shakespearean canon,” as New York Times film critic A.O. Scott wrote in a 2004 review of the film version starring Al Pacino as Shylock. At the time, Scott noted that “the first task of any modern adaptation is to confront the anti-Jewish bigotry that propels its plot and informs its poetry.”
In his new play “The Shylock and the Shakespeareans,” Edward Einhorn confronts that bigotry head on. Now onstage at the New Ohio Theatre in Greenwich Village, the Untitled Theater Company No. 61 production that debuted June 1 and runs through June 17 reimagines “The Merchant of Venice” from the perspective of Jacob, a Jewish diamond merchant who is called “Shylock” as a slur. In this new version, while still set in an “ancient Venice, of sorts,” a group of white supremacists known as “the Shakespeareans” have co-opted the public discourse, and Jacob finds himself embroiled with them when his daughter falls in love with an Asian immigrant.
Using contemporary events and framing, alongside techniques associated with the Theatre of the Absurd, the play attempts to explore the continuum between the historical and the modern in order to create a conversation about antisemitism as it exists in our current time.
“What’s really interesting to me is how a lot of this resurgence of antisemitism has such old libels embedded in it,” Einhorn told the New York Jewish Week. “You can see whoever is the latest celebrity antisemite coming out and saying something [they think is] new when it’s actually 500 or even 1,000 years old. I think a lot of people don’t realize how historically embedded many conspiracy theories are.”
Despite its old age, conversations about “The Merchant of Venice” continue to be potent — perhaps even more so today, amid rising rates of antisemitic crimes and statements in the United States and beyond. Contemporary artists continue to grapple with what the play can and does mean, often making use of modern-day politics to propel these conversations.
A “race-conscious” production of “Merchant” at Brooklyn’s Polonsky Shakespeare Center last March, for example, tackled anti-Black racism, while a recent United Kingdom production of “The Merchant of Venice” by Tracy-Ann Oberman sets the tale in 1930s Britain, and Oberman portrays Shylock as a version of her own great-grandmother. Both of these versions make no qualms about declaring the inherent antisemitism of the play — and so, too, does “The Shylock and the Shakespeareans,” which sends the message that such hate is alive and well among us today.
When it comes to “The Merchant of Venice,” Einhorn said that “playing it straight, rather than staging it with a point of view [and context] is not the best choice.” In his spin on the tale, the playwright retains the main storylines of “Merchant”: The plot revolves around an unpaid debt to Jacob by Antonio on behalf of his friend Bassanio, who seeks to woo the wealthy Portia; Antonio is an outspoken antisemite who slanders the very Jewish man who is lending him the cash he needs.
The twist in Einhorn’s play is the analogy to modern U.S. politics — and the rub is that it’s not particularly difficult to make these connections. The Venetian citizens who persecute Shylock in Shakespeare’s play become white supremacists, led by a hateful politician called Shakespeare. They call out “Jews will not replace us,” an intentional reference to the 2017 “Unite the Right” rally in Charlottesville, Virgina. Portia, originally the central love interest who tests suitors and creates the judicial conditions for Shylock’s unraveling, is also transformed: she becomes an over-privileged brat who plays cruel games with people’s lives, treating her suitors with blatant racism and disregard.
“It’s cute in ‘The Merchant of Venice,’ but here it’s scary,” actor Jeremy Kareken, who portrays Jacob in this new iteration, told the New York Jewish Week. “[Portia] is playing games with people’s lives and their destinies. People end up married, people end up dead — she’s playing games because of her privilege. And the people she chooses to believe as judges [in Jacob’s trial] are deeply suspect. That’s why it’s a kangaroo court — it’s such an obvious miscarriage of justice.”
Justice is a central theme of the play, and something that Einhorn seeks to subvert and question. “[In the original], people just accept these things are happening,” Einhorn said, referring to Shylock’s trial, during which the moneylender attempts to get his revenge on Antonio but instead loses everything — even his own identity as a Jew.
The play also calls into question the idea of Jewish identity itself by highlighting the narrative arc of Jacob’s daughter, Jessica, who leaves her Judaism behind to marry her love.
“Even if you are no longer religiously Jewish, how does that identity impact you in life?” Einhorn mused. “No matter how you’ve chosen to identify previously, when major life events happen, do they bring you back to that upbringing?”
To Einhorn and Kareken, who are both Jewish, it’s not about how one practices the religion or even if one chooses to do so. (Kareken, who is also a playwright of Broadway’s “The Lifespan of a Fact,” is adamant that there is “no wrong way to do it, within the bounds of ethics.”) Instead, it’s about how a person connects to where they’ve come from and how their culture informs the path they take in the world.
At this fraught moment — when polarization among Jews is intensifying and antisemitism is ascendent — these questions feel palpable. Einhorn admits that some audience members have found it too hard to face, walking out mid-play, but overall the response has been one of reflection and consideration.
“It’s working best when the comedy and the ridiculous aspects are working as well as the drama,” he said. “And I could feel that working from the audience reaction around me.”
“The Shylock and the Shakespeareans” will be performed at the New Ohio Theatre (154 Christopher St.) through June 17. For tickets and info, click here.
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Mamdani’s Oct. 7 statement draws Israeli rebuke, as anniversary bares divides among NYC mayoral candidates
In New York City, the second anniversary of Hamas’ Oct. 7 attack on Israel fell against the backdrop of a mayoral election that brought Israel and Gaza to the fore of local politics.
Zohran Mamdani, the Democratic nominee and frontrunner, attended a vigil hosted by Israelis for Peace in Union Square on the anniversary of the attack. The anti-occupation activists have rallied weekly for two years to demand a ceasefire, the release of hostages and an end to Israel’s military campaign in Gaza.
Mamdani’s pro-Palestinian advocacy and staunch criticism of Israel are central to his swift ascent in politics, and his opponents in the race have latched onto his views, accusing him of fanning antisemitism at a time when anti-Jewish attacks are on the rise.
Now, the race enters its final stretch as a tentative peace dawns on the Middle East, with President Donald Trump announcing that Israel and Hamas agreed to a hostage deal and an initial phase to end the two-year war on Wednesday night.
Mamdani attended the Tuesday vigil with Brad Lander, the city comptroller and a close Jewish ally, and held a lit candle while listening to Israeli and Palestinian speakers, as well as local rabbis. One of the speakers, Tamar Glazerman — whose aunt was killed by Hamas on Oct. 7 — decried Israel’s retaliation in Gaza, saying, “War crimes cannot justify other war crimes.” A banner behind her read, “Stop the Genocide. Save Gaza. Free All Hostages.”
These sentiments echoed a statement that Mamdani released to mark the anniversary. “Two years ago today, Hamas carried out a horrific war crime, killing more than 1,100 Israelis and kidnapping 250 more,” he said. He called for the return of the remaining hostages and said he mourned the dead.
He went on to say that Israeli Prime Minister Benjamin Netanyahu and the Israeli government “launched a genocidal war,” killing more than 67,000 Palestinians and reducing swaths of Gaza to rubble. He criticized the U.S. government for being “complicit” and reiterated his long-held view that “the occupation and apartheid must end.”
The statement gathered over 20 million views on X and rebukes from many, including the Israeli government, who said he was wrong to focus on Gaza on a day anchored in Israeli tragedy.
“Two years after Hamas launched its barbaric massacre against Israel and the Jewish people, Mamdani has chosen to act as a mouthpiece for Hamas propaganda — spreading Hamas’s fake genocide campaign,” the Israeli Foreign Ministry said, adding that Mamdani “normalizes antisemitism” and “stands with Jews only when they are dead.”
Mamdani also drew criticism from Jews who said he only paid lip service to their mourning. Zachary Braiterman, a professor of modern Judaism at Syracuse University who supports the Israeli movement to end the war, said Mamdani “speaks quickly past NYC Jews as we stop and mark the 2 year anniversary of 10/7.”
Other critiques came from pro-Palestinian activists who said his statement undermined their cause. Nerdeen Kiswani, founder of the group Within Our Lifetime, accused Mamdani of erasing “the decades of siege, occupation, and systematic killing that led to that day.”
The double-sided critique drew the attention of Adam Carlson, head of the polling firm Zenith Research. “The fact that everyone on both extremes is up in arms over this statement means that he absolutely nailed it,” tweeted Carlson.
Former Gov. Andrew Cuomo, Mamdani’s closest competitor, focused his own comment on the Hamas attack and did not mention Israel’s retaliation or the fate of Palestinians.
“To the Jewish people — I stand with you. I mourn with you and I will forever be by your side in the fight against evil and anti-semitism in all forms,” said Cuomo, who lost to Mamdani in the Democratic primary and relaunched his campaign as an independent.
Cuomo has centered an appeal to Jewish New Yorkers in his bid for mayor, touting his pro-Israel record as governor. He recently collected a slew of endorsements from Jewish groups and leaders, largely representing Orthodox communities, after incumbent Mayor Eric Adams dropped out and the field narrowed to Cuomo, Mamdani and Republican nominee Curtis Sliwa.
Jewish voters are divided over this election, with many younger, more progressive Jews backing Mamdani and many aligning with his views on Israel and Gaza. A recent Marist poll conducted before Adams quit found the same proportion of Jewish voters — 35% — breaking for both Cuomo and Mamdani.
Sliwa said that Oct. 7 was “a dark day” and called for the release of hostages. He also acknowledged the ensuing devastation without explicitly naming Palestinians in Gaza.
“The death and destruction that has followed in the region is deeply disheartening, and my prayers are with all families here in New York and abroad who continue to feel this pain,” he said.
The mayoral race coincides with a dramatic shift in how New Yorkers view Israel. According to a New York Times/Siena poll last month, 44% of New Yorkers said they had greater sympathy for Palestinians, compared with 26% who sympathized more with Israel. Voters also preferred Mamdani’s approach to the Israeli-Palestinian conflict — once viewed as a fringe left stance in the city’s political landscape — over the other candidates’ by a wide margin.
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The post Mamdani’s Oct. 7 statement draws Israeli rebuke, as anniversary bares divides among NYC mayoral candidates appeared first on Jewish Telegraphic Agency.
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In Good Faith: A Jewish/Muslim Night of Comedy and Conversation
Date and time: Wed, Oct 22, 2025 / 6:30 PM – 9:30 PM EDT
Location: Youngplace, 180 Shaw Street, Toronto, ON, M6J 2W5
In a post-Oct. 7 world, news feeds are filled with videos, podcasts and reports of Jews and Muslims talking at each other, about each other—but rarely with each other. This limited series brings together Jews and Muslims, Israelis and Palestinians, from across the country and the political divide, to sit down and have difficult conversations—in good faith.
In this live podcast recording, we’re bringing comedy sets from Adrienne Fish, Nour Hadidi, Foad HP and Dan Rosen before a panel discussion with all four about what it’s like performing as Muslim and Jewish comics in 2025—including all the pitfalls they have to navigate as they speak their minds onstage.
Included: Entrance to Koffler Arts and post-event reception.
Parking: Free and paid options available, but spots are limited.
All proceeds will go to charity
Hosted by The Canadian Jewish News, in partnership with the Canadian Race Relations Foundation and the Ronald S. Roadburg Foundation.
The post In Good Faith: A Jewish/Muslim Night of Comedy and Conversation appeared first on The Canadian Jewish News.
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Cycling team Israel–Premier Tech is ditching the ‘Israel’ brand. But was it entirely their decision?
After a tumultuous season, international cycling team Israel–Premier Tech, co-owned by Canadian-Israeli billionaire Sylvan Adams, is officially going to change its name and remove the word “Israel”. The decision comes after repeated anti-Israel protests across Europe disrupted the team—whose international roster of 31 cyclists includes just three Israelis—during their open-road events, which can last hundreds of kilometres across the continent. Several cyclists crashed due to protester intervention. The decision to remove Israeli branding from Israel–Premier Tech led co-owner Adams to announce he would step away from day-to-day involvement with the team.
There’s a lot to be said about the political ramifications of wearing the Israeli name on your shirt in 2025, but our sports podcasters have a different theory about the shift. Israel–Premier Tech enjoyed a successful season that brought them back to full status with the UCI World Tour, after being relegated down to the secondary UCI ProSeries since 2023. That means the stakes are higher, the stage is bigger, and the league’s propensity for risk and disruption may well have shrunk. Is this purely a political decision, or are UCI executives trying to prevent more bad press in the coming year?
Also on the docket: the boys talk about the Toronto Blue Jays’ run to the American League championship series, big baseball moves, early NHL impressions and a quick NFL check-in.
Transcript (excerpt)
James Hirsh: We want to talk about a recent story. There’s been some news with a cycling team, Israel Premier Tech, which is owned by Canadian billionaire Sylvan Adams. And it’s not going to be Israel Premier Tech anymore.
Gabe Pulver: They’ve been called Israel Premier Tech for, I guess it’s been around five years. They’ve been an official UCI squad, you know, for the last, I think, since 2020—
James Hirsh: Which means they compete in the big cycling races like the Tour de France and Giro d’Italia, things like that.
Gabe Pulver: Exactly. They were called Israel Start-Up Nation for a number of years and Israel Cycling Academy before that. They were a part of the Vuelta a España that had to be shut down due to anti-Israel protests going on across Spain. And for a while, they took the name off the jersey and just called themselves Premier Tech for the week. That seemed to not assuage the protesters, and they’ve decided to, as a quote, “move away from its current Israeli identity”.
James Hirsh: And part of that is Sylvan Adams, we should say, who has a pretty big job right now as president of the World Jewish Congress, has said that he can’t continue to be part of the team that’s not putting Israel in the name. It seems like they acquiesced to demands, I think, based on his statement.
Gabe Pulver: So what’s interesting is that Premier Tech is a Canadian company. They’re, you know, a Quebecois tech company, and Premier Tech and its president own a chunk of it. A good chunk of the riders are Canadian and previously have been pretty supportive of the team’s Israeli identity. Another interesting part of this is that Sylvan Adams is sort of, like you said, busy with his other job, but you wonder what the future of the team holds given that, you know, sort of the face of their team and, you know, a huge part of their Canadian connection is no longer going to be day-to-day running things, you know, with their identity. Sylvan Adams is a pretty proud guy, and as their identity changes and he steps back, you wonder if he’ll continue to support the team financially as much as he has.
James Hirsh: Yeah, I think it’s very interesting to see this. This is sort of a test case for Israel’s continued involvement in certain international sports or sports that have an international component. We’ll see if that will change. Obviously, there’s been great news today about the peace deal being signed. And if anyone is getting that news on that from a Jewish sports podcast, you’ve got to tune in a little bit more.
Gabe Pulver: Yeah, yeah, yeah, exactly. Check out, close this and go to CNN and see what’s happening with that.
James Hirsh: But look, there have been calls for Israel to be removed from FIFA. We’ve talked about that. There have been calls for Israel to be excluded from other international sporting events. There have been on-the-ground protests that we’ve covered, you know, including at lower-tier sporting events. We’ll see what will come. This certainly seems like the first step of an Israeli team removing—continuing to be owned by an Israeli, is affiliated with Israeli coaches, owned by Israeli teams, all Israeli people, all that. But no longer having Israel in the name is not just a symbolic gesture.
Gabe Pulver: No. And I have a theory. It’s not a very charitable theory, but Israel Premier Tech had sort of been relegated to semi-conditional status on the World Tour this year. They had riders at a bunch of events, but they weren’t at every single event. They weren’t full Tour members. Next year, they have regained their position back in full Tour members. And after the disaster where virtually every rider on Tour was furious about all of the protesters in the Vuelta, I think they’re choosing to decide, I think they’re choosing to say we’re not going to have this shit anymore.
Like they’re going to get rid of Israel, the name, when you’re back on the Tour. Because we didn’t like the news, we didn’t like the coverage, we didn’t like the protests. You know, you can stay involved, the Israeli money. Obviously, they’ll take the Israeli money, they’ll support the Israeli riders. However, they’re very unlikely—they just don’t want the name Israel to be running around on the Tour so more people can show up and disrupt the Tour de France, which would be an enormous disaster for the sport. Maybe there are enough Jews in France and enough harmony in the international community in France that that won’t be a problem. I doubt it. But I think it’s probably a self-preservation move by the UCI before something a little bit bigger than the Vuelta a España has to get cancelled.
James Hirsh: Yeah, that makes total sense. And if there’s one thing, I don’t know much about the cycling federations and whoever runs that, but there’s one thing I know about European technocrats who run sporting organizations is that they’re all cowards and will always do the easiest thing in the goal of self-preservation.
Gabe Pulver: Yeah, self-preservation.
James Hirsh: They are about cycling, but I believe it, no matter what.
Gabe Pulver: No, they are all there. The show must go on in any possible way.
James Hirsh: Yeah.
Gabe Pulver: You know, I think if a single rider was to ever say something political, they would literally, you know, deflate their tires, like to, you know, steal a metaphor.
James Hirsh: Yeah. So when countries like Spain decide to, you know, continue their millennia-old tradition of anti-Semitism and protesters start protesting Israeli teams and non-Israeli riders at cycling events that they don’t care about in the first place—
Gabe Pulver: Yeah.
James Hirsh: —You can bet that whoever’s in charge of that cycling event is going to cave to those protesters. Absolutely.
Show Notes
Credits
- Hosts: James Hirsh and Gabe Pulver
- Producer: Michael Fraiman
- Music: Coby Lipovitch (intro), chēēZ π (main theme, “Organ Grinder Swing“)
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