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Why we’ll fight Israel’s new extremist political agenda with the determination of the Maccabees
(JTA) — The Book of Exodus tells us that the penultimate plague inflicted on Egypt, the plague of darkness, was one of the worst. The 16th-century Italian commentator Sforno, who lived in the aftermath of the Inquisition in Spain, wrote that the darkness went beyond the mere absence of light: It was a tangible darkness, a darkness you could feel. We can empathize as we feel the darkness of intolerance, hate, bigotry and zealotry today.
We kindle our lights during the eight days of Hanukkah to remember a time of darkness so bleak that the Maccabees, cruelly oppressed by Antiochus IV, could feel it. The Jews were a tiny minority in the expansive, ancient Greco-Syrian Empire. The Maccabees fought one of the earliest battles for religious freedom. Though they were vastly outnumbered, our ancient heroes remained courageous and determined.
Today, we recognize that no nation is immune to our era’s autocratic repression of democracy, human rights and civil rights. Battles against bigotry, hate and religious intolerance are being fought in too many places around the world, including in our beloved Israel. With the same determination as the Maccabees, we must fight for religious pluralism and equality in Israel with law and democracy as our weapons and drive out the darkness by bringing the light of equity, compassion and justice.
Loud voices within the new Israeli government are distinguished by their hatred for those who are not like them: non-Orthodox Jews, LGBTQ+ individuals, Palestinian-Israeli citizens, Palestinians, immigrants and others. The extremist political agenda of this new government is profoundly distressing, representing radical policy shifts that are antithetical to the core values of liberal Jews. We North American Jews can either walk away or lean in with all our might.
Some maintain that because the values that used to bind Jews in the Diaspora to the Jewish State are being replaced with extreme ultra-nationalist and ultra-Orthodox policies, it is time for liberal Jews to walk away from the Zionist project. This would be a terrible mistake: Zionism is more than what Israeli politicians say or do. Authentic Judaism is much more diverse and expansive than the restrictive definitions of the ultra-Orthodox Chief Rabbinate.
This is the moment for liberal Jews to fight even harder for the Jewish State envisioned in Israel’s Declaration of Independence. Leaders of the new Israeli government are hoping that we will abandon Israel and allow them to create a new Israel that is divisive, tyrannical and tribalistic. This is why they fight us so bitterly at the Western Wall, and why they stymied the agreement that would have created an equitable prayer space at that holiest of Jewish sites.
We will not stand idly by while the most important project of contemporary Jewish life, the State of Israel, is led down the road of autocracy by extremists. Instead, we will renew our dedication to the State of Israel as a safe home for all her citizens and the democratic, pluralistic homeland of all Jewish people. We refuse to allow extremists to subvert religious equality in Israel.
The Reform and Conservative Jewish movements are growing in Israel, showing that Israelis yearn for a Judaism that is egalitarian, relevant, evolving and morally rigorous.
The progressive Zionism we embody is not reliant on the politicians or parties in power; rather, it is tied to the diverse people of Israel and the bedrock values of “freedom, justice and peace” upon which Israel was built and are enshrined in its Declaration of Independence. This is a critical time to invest our energy and resources in growing the pluralistic Jewish communities in Israel. The Israel Religious Action Center, our Reform movement’s social justice arm in Israel, is one such institution that is lighting the way for that just, secure and pluralistic Israel we envision and hold in our hearts.
Over the coming months, our Reform movement will bring thousands of North American Jews — teens, families, and adults — to experience the beauty and miracle of modern Israel while visiting and strengthening our allies throughout the land. The unity and security of the Jewish people matter immensely to us, and the well-being of the Jewish State is also our responsibility. These are two profound reasons why we will not stop standing up and fighting for the Israel we love.
We will not let the darkness overtake the light. The light shines brightly when we celebrate the many authentic ways our people live out their Jewish commitment. The light shines brightly whenever we are partisans for justice and compassion. As inaugural poet Amanda Gorman said, “There is always light. If only we’re brave enough to see it. If only we’re brave enough to be it.”
Let this be said of us — this Hanukkah and every day.
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He may have been the world’s most famous mime, but in this play, he won’t shut up
There is a kind of sublime poetry in Marcel Marceau’s first act.
As a young man in occupied France, Marceau (then Mangel) forged identity papers and shepherded dozens of Jewish children across the Alps to Switzerland. In scenarios where staying quiet was essential for survival, Marceau soothed his charges into silence with his own.
In Marcel on the Train, Ethan Slater and Marshall Pailet’s play of Marceau’s pre-Bip life, the world’s most famous mime is anything but silent.
The action of the play, which bounces through time back to Marcel’s father’s butcher shop and forward to a P.O.W. camp in Vietnam (don’t ask), unfolds over the course of a train ride. Slater’s Marceau is chaperoning four 12-year-old orphans, posing as boy scouts going on a hike.
The kids — played by adults — are a rambunctious lot. Marceau tries to put them at ease juggling invisible swords, performing Buster Keaton-esque pratfalls and exhausting his arsenal of Jewish jokes that circle stereotypes of Jewish mothers or, in one case, a certain mercenary business sense.
Pailet and Slater’s script toggles uncomfortably between poignancy and one-liners with a trickle of bathroom humor (the phrase “pee bucket” recurs more often than you would think.)
The terror of Marceau’s most melancholy escortee, Berthe (Tedra Millan) is undercut somewhat by her early, anachronistic-feeling declaration, “Wow, we’re so fucked.” The bumptious Henri (Alex Wyse) would seem to be probing a troubled relationship with Jewishness and passing, but does that discussion a disservice when he mentions how it wouldn’t be the biggest deal if he “sieged a little heil.” Adolphe (Max Gordon Moore) is described as “an exercise in righteousness” in the script’s character breakdown. Sure, let’s go with that.
The presence of a mute child, Etiennette (Maddie Corman), is tropey and obvious. It doesn’t suggest that she inspired him to abandon speaking in his performances, but it doesn’t dismiss that possibility either.
But the chattiness and contrived functions of the fictive children are made more disappointing by the imaginative staging maneuvering around the shtick. Slater, best known for his role in the Wicked films and as Spongebob in the titular Broadway musical, is a gifted physical performer.
When things quiet down, Pailet’s direction, and the spare set by scenic designer Scott Davis, create meadows of butterflies. Chalk allows Marceau to achieve a kind of practical magic when he writes on the fourth wall. One of the greatest tricks up the show’s sleeve is Aaron Serotsky who plays everyone from Marceau’s father and his cousin Georges to that familiar form of Nazi who takes his torturous time in sniffing out Jews.
Surely the play means to contrast silence and sound (sound design is by Jill BC Du Boff), but I couldn’t help but wonder what this might have looked like as a pantomime.
While the story has been told before, perhaps most notably in the 2020 film Resistance with Jesse Eisenberg, Slater and Pailet were right to realize its inherent stage potential. It’s realized to a point, though their approach at times leans into broad comedy that misunderstands the sensibilities of its subject.
Like Slater, who learned of the mime’s story just a few years ago, Marceau was an early acolyte of Keaton and Chaplin. But by most accounts he cut a more controlled figure — that of a budding artist, not a kid workshopping Borscht Belt bits on preteens.
The show ends with a bittersweet montage of Bip capturing butterflies (not jellyfish — you will probably not be reminded of Mr. Squarepants). It means to frame Marceau’s established style as a maturation that nonetheless retains a kind of innocence, stamped by the kids he rescued.
“You’ll live,” Berthe tells him in a moment of uncertainty. “But I don’t think you’ll grow up.”
In Marceau there was, of course, a kind of Peter Pan. But there’s a difference between being childlike and being sophomoric.
Marcel on the Train is playing through March 26 at Classic Stage Company in New York. Tickets and more information can be found here.
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US soldier who protected Jews in POW camp during WWII to be awarded Medal of Honor
(JTA) — An American soldier who is credited with saving the lives of 200 Jewish comrades in a prisoner of war camp in Germany during World War II will receive the U.S. military’s highest decoration, the Medal of Honor.
The award to Roddie Edmonds, who died in 1985, was announced last week. It comes more than a decade after Israel’s Holocaust memorial, Yad Vashem, recognized him as a “Righteous Among the Nations” for his bravery and six years after President Donald Trump recounted his heroism during a Veterans Day parade.
Edmonds, a sergeant from Knoxville, Tennessee, was the highest-ranking soldier among a group taken prisoner during the Battle of the Bulge in January 2045 when the Nazis asked him to identify the Jews in the group. Understanding that anyone he identified would likely be killed, Edmonds made the decision to have all of the soldiers present themselves as Jews.
When a Nazi challenged him, he famously proclaimed: “We are all Jews here!”
The show of solidarity came to light only after Edmonds’ death, when a Jewish man who had been among the soldiers at the camp shared his recollection with the New York Times as part of an unrelated 2008 story about his decision to sell a New York City townhouse to Richard Nixon when Nixon was having trouble buying an apartment following his resignation as president.
When they found the article several years later, it was the first that Edmonds’ family, including his pastor son Christ Edmonds and his granddaughters, had heard about the incident. Soon they were traveling to Washington, D.C., and Israel for ceremonies honoring Edmonds, one of only five Americans to be credited as Righteous Among the Nations, an honor bestowed by Israel on non-Jews who aided Jews during the Holocaust.
As the family campaigned for a Medal of Honor, Edmonds was also the recipient of bipartisan praise from two American presidents.
“I cannot imagine a greater expression of Christianity than to say, I, too, am a Jew,” President Barack Obama said during remarks at the Israeli embassy in Washington, D.C., on International Holocaust Remembrance Day in 2016.
Three years later, President Donald Trump recounted the story at the New York City Veterans Day Parade. “That’s something,” he said. “Master Sergeant Edmonds saved 200 Jewish-Americans — soldiers that day.”
Last week, Trump called Chris Edmonds to invite him to the White House to receive the Medal of Honor on his father’s behalf, Chris Edmonds told local news outlets. The Medal of Honor ceremony is scheduled for March 2.
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Jewish hockey star Jack Hughes’ overtime goal propels US to historic gold medal in Olympic hockey
(JTA) — Jewish hockey star Jack Hughes scored the game-winning goal Sunday to clinch a gold medal for the U.S. men’s hockey team, its first since 1980.
The New Jersey Devils star center, who had scored twice in Team USA’s semifinal win, sent the puck between the legs of Canadian goaltender Jordan Binnington 1:41 into overtime to give the American team a 2-1 win.
“This is all about our country right now. I love the USA,” Hughes told NBC. “I love my teammates.”
The win broke a 46-year Olympic drought for Team USA, which had not taken gold since the famous “Miracle on Ice” team that upset the Soviet Union on its way to gold in 1980. The United States also won in 1960.
“He’s a freaking gamer,” Quinn Hughes, Jack’s older brother and U.S. teammate said, according to The Athletic. “He’s always been a gamer. Just mentally tough, been through a lot, loves the game. American hero.”
Quinn Hughes is a defender for the Minnesota Wild and a former captain of the Vancouver Canucks who won the NHL’s top defenseman award in 2024. He was also named the best defender in the Olympic tournament by the International Ice Hockey Federation after scoring an overtime goal to send the U.S. team to the semifinals.
The third Jewish member of the U.S. team, Boston Bruins goaltender Jeremy Swayman, won the one game he played, a Feb. 14 preliminary-round victory over Denmark.
The Hughes family — rounded out by youngest brother Luke, who also plays for the Devils — has long been lauded as a Jewish hockey dynasty. They are the first American family to have three siblings picked in the first round of the NHL draft, and Jack was the first Jewish player to go No. 1 overall. They are also the first trio of Jewish brothers to play in the same NHL game and the first brothers to earn cover honors for EA Sports’ popular hockey video game.
Jack, who had a bar mitzvah, has said his family celebrated Passover when he was growing up. Their mother, Ellen Weinberg-Hughes, who is Jewish, represented the U.S. women’s hockey team at the 1992 Women’s World Championships and was on the coaching staff of the gold-medal-winning women’s team in Milan. Weinberg-Hughes is also a member of the International Jewish Sports Hall of Fame.
Hughes’ golden goal ushered in a burst of Jewish pride on social media, with one user calling it “the greatest Jewish sports moment of all time.” The Hockey News tweeted that Hughes was “the first player in hockey history to have a Bar Mitzvah and a Golden Goal! Pretty cool!”
Jewish groups and leaders also jumped on the praise train. “Special shout out to @jhugh86 on scoring the game-winning goal!” tweeted Jonathan Greenblatt, CEO of the Anti-Defamation League. “Beyond his incredible skill on the ice, Jack makes history as a proud representative of the American Jewish community, reminding us that the Jewish people are interwoven into America in her 250th year! Mazel Tov, Jack!”
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