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Wikipedia’s ‘Supreme Court’ tackles alleged conspiracy to distort articles on Holocaust
(JTA) — When a pair of professors earlier this month published a paper accusing a group of Wikipedia editors from Poland of revising articles to distort the history of the Holocaust, their research went viral.
Most academic articles are seen by dozens or hundreds of people at best. This one, published in The Journal of Holocaust Research, hit more than 27,000 pageviews within weeks.
The paper’s reach was fueled by its analysis, unprecedented in the academic literature on Wikipedia, and its finding that a dedicated group has for some 15 years manipulated a source of information used by millions in ways that lay blame for the Holocaust on Jews and absolve Poland of almost any responsibility for its record of antisemitism.
The paper caught the eye of not just scholars and journalists but of the people in charge of resolving disputes over editing on crowd-sourced Wikipedia, the seventh-most popular website on the internet and one that is seen as the last bastion of shared truth in an ever-fracturing online environment.
Typically, disputes among Wikipedia editors are resolved through community consensus mechanisms, but occasionally those mechanisms fail and allegations are brought to Wikipedia’s Arbitration Committee, a panel of elected editors known as Wikipedia’s Supreme Court.
“Wikipedia is not exactly democratic but anarchistic in a way that actively discourages any sort of an authority coming to solve a dispute,” said Joe Roe, a veteran Wikipedia editor who served on the committee in 2019 and 2020. “The Arbitration Committee is a very limited exception.”
In this case, something especially unusual happened. The Arbitration Committee, or ArbCom, decided to look into the allegations without receiving a formal request to do so. No one could recall the committee taking such a step in its nearly two decades of existence.
“A myopic decision here could result in untold numbers of people being fed a distorted view of Jewish/WWII history, which could have very real consequences given the recent amplification of violently antisemitic rhetoric by mainstream public figures,” wrote a user named SamX in a public post about the case. “ArbCom needs to get this right.”
The article that triggered the opening of the case was published under the title, “Wikipedia’s Intentional Distortion of the History of the Holocaust.” It accused 11 current and former editors of intentional distortions to numerous articles relating to the Holocaust in Poland. The paper referred to the editors by their usernames but also provided their real names if they had publicly identified themselves on Wikipedia message boards.
“Due to this group’s zealous handiwork, Wikipedia’s articles on the Holocaust in Poland minimize Polish antisemitism, exaggerate the Poles’ role in saving Jews, insinuate that most Jews supported Communism and conspired with Communists to betray Poles, blame Jews for their own persecution, and inflate Jewish collaboration with the Nazis,” wrote co-authors Jan Grabowski, a historian at the University of Ottawa, and Shira Klein of the history department at Chapman University in Orange, California.
Normally, mistakes on Wikipedia, whether intentional or not, can be quickly fixed by experienced editors who deploy a set of rules regarding sourcing and style. But in this case, the alleged distortionists know Wikipedia’s mechanisms well enough to at least appear to follow the rules and are willing to spend time arguing with other editors who step in to intervene. It becomes harder to get to the truth because they work to discredit established historians and prop up fringe voices to create the semblance of a real-world debate over historical events, according to the article.
In one of the dozens of examples documented in the study, the alleged distortionists have tried to pass the self-published work of an antisemitic Polish writer named Ewa Kurek as a reliable source. Kurek has said that COVID-19 is a cover for an attempt by Jews to take over Europe and that Jews enjoyed life in Nazi ghettos. An editor named Volunteer Marek argued in a backstage conversation among editors that Kurek should be cited as any “mainstream scholar” would be. And another editor, working on an article about a 1941 massacre of Jews in Poland, added Kurek’s claim that minimized the number of Jewish victims and exonerated Polish perpetrators.
Jewish school children pose for a portrait in the 1930s in Wizna, near Jedwabne, Poland. New research revealed that members of the Polish community killed their Jewish neighbors on July 10, 1941 during World War ll despite previous claims that Nazi Germans were entirely responsible. Polish President Aleksander Kwasniewski apologized for the massacre of hundreds of Jews by their neighbors during ceremonies marking the 60th anniversary of the murders. (Laski Diffusion/Getty Images)
One thing the research didn’t discuss is what motivates these editors to invest so much time and effort into distorting Wikipedia. Klein said the omission was deliberate.
“We’ve been very careful not to make any assumptions on what drives them or what their politics are,” Klein said. “Instead, we’ve tried to focus just on what they’ve done, which is in the written record. And as we say in the article, we don’t see any evidence of them being tied to a government or being in the service of anyone else.”
Klein’s disclaimer obliquely points to a larger challenge around the historical record of the Holocaust in Poland. A central tenet of the country’s ruling Law and Justice party is defending the image of ethnic Poles and imposing nationalist narratives on the past, especially the period of World War II. While history shows that many Poles participated in the persecution of Jews, Poland’s nationalist right insists on portraying Poles only as victims or heroes.
In 2018, the Polish government passed what’s known as the Polish Holocaust Law, which makes it illegal to slander the Polish nation or blame the country for Nazi crimes. In practice, the law has served to censor scholars and chill debate.
Grabowski, Klein’s co-author on the paper, has for years sparred with the nationalist right over Poland’s historical memory. He sued a Polish group that accused him of publishing lies about Polish history in 2018, and in 2021 was ordered by a Polish court to apologize for his research before an appeals court ultimately overturned the order.
Domestically, Poland’s ultranationalists have largely won the war over the public discourse, which has freed them to focus on the global scene, where English-language Wikipedia is regarded as a major battlefront.
In this atmosphere, even something as basic as the background of Yiddish novelist and Nobel prize laureate Isaac Bashevis Singer can become fodder for debate. For years, Singer was at the center of a fight between two editors over whether Singer was best described in the first line of his Wikipedia article as a Jewish or Polish author. The eventual compromise — “Polish-born Jewish American” — lasted for almost two years until Feb. 23 when someone again dropped the “Jewish.”
The Wikipedia editors now being accused of distorting articles to further nationalist narratives have rejected the allegations against them.
“I have not engaged in any ‘Holocaust distortion,’ on Wikipedia or anywhere else. I am not a ‘right-wing Polish nationalist,’” said Volunteer Marek in a public comment on a Wikipedia message board that was endorsed by at least one other alleged distortionist. “I am not part of some nefarious ‘Polish conspiracy’ on Wikipedia which seeks to manipulate content. All of these accusations are ridiculous and absurd. They are particularly disgusting and vile since they go against everything I believe in.”
In the debate about how to handle the case, dozens of arbitrators and ordinary Wikipedia editors — all volunteers — spoke of the situation on a Wikipedia message board as something close to an existential crisis for Wikipedia. Not only was the website accused of being used to spread antisemitic propaganda, but it was also alleged to be vulnerable to large-scale manipulation by a small group of bad-faith actors.
There is little confidence in the community that a solution is within reach. By its own rules, the committee isn’t supposed to decide on disputed information. It’s more of a disciplinary body that evaluates the behavior of Wikipedia editors and can ultimately decide whether to restrict their editing privileges or ban them outright.
But figuring out if the accused editors have indeed evaded safeguards and undermined Wikipedia’s integrity would seem to require that the arbitrators become experts on the history of the Holocaust in Poland.
The decision to take up the case serves to acknowledge that the committee failed to solve the problem when it last considered complaints about editing related to the Holocaust in Poland about two years ago. That was during Roe’s tenure and he says the committee was distracted by another dispute at the time.
“It can’t be escalated further than it already has in our mechanisms,” Roe said. “The best we can do is what’s currently happening now — just put it through those mechanisms again, and hope that something better will come out on the other side.”
In explaining why the committee must nevertheless take on the case, an arbitrator who goes by Wugapodes commented that the only other choice is to kick the can down the road.
“This will not be an easy issue to resolve, but the committee was not convened to solve easy issues,” Wugapodes wrote, pointing out that the timing is right given the attention and involvement of outside experts and editors. “We can leverage these resources now or wait for this decade-long problem to get still worse.”
By a vote of nine to one on Feb. 13, the committee decided to open the case. The proceedings, which start with an evidence-gathering phase, are expected to last up to six weeks, after which they can decide to ban and restrict offending editors.
Beyond that, an unorthodox last resort option is also available. Wikipedia’s so-called Supreme Court could ask for help from an even higher authority: the Wikimedia Foundation, a nonprofit that owns the encyclopedia. The foundation intervened in 2021 in what some see as a similar scenario of a far-right takeover on the Croatian-language Wikipedia, hiring an outside expert to disentangle the web of obfuscation and banning a set of editors.
Roe said that his tenure on the committee in 2019 and 2020, which featured related complaints about the editing of articles on the Holocaust in Poland, helped lead him to believe that Wikipedia should embrace change, at least when it comes to controversial political topics.
“I would like to see these difficult and politically charged content problems be referred to a new body made up of external experts, and that we don’t insist on doing everything internally among the community volunteers,” Roe said.
But he acknowledged that such a scenario is unlikely to result from the Poland dispute.
“It’s not a popular view and it kind of goes against the general idea of Wikipedia,” he said.
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The post Wikipedia’s ‘Supreme Court’ tackles alleged conspiracy to distort articles on Holocaust appeared first on Jewish Telegraphic Agency.
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He reconnected with Judaism as an adult. With his art, he hopes others do the same.
Bruce David’s magnum opus is a psychedelic lithograph depicting practically the entire Torah. Over eight months, David filled it with a plethora of hidden symbols: If you look closely, you can see Joshua blowing a shofar, which hugs the Israeli flag. Squint even more and you’ll notice Joshua’s face is the flared end of an even bigger shofar that encompasses the Ten Commandments, a shofar made up of dozens of small people, seven of whom hold flames as if making a human menorah.
To understand every hidden image in just this one painting would take more words than I have space for. David gave me the “short version” of the piece’s story on Zoom — it still took six minutes.
Although David has now spent decades making Jewish art — prints, mosaics, stained glass and metal works — and exhibiting it across the country, it wasn’t what he had anticipated doing with his life. David doesn’t have any formal art training and for several years, he lost touch with his Judaism.
“Oftentimes I’ll refer to myself as a deeply flawed holy man wannabe,” David told me over Zoom from his house in Bloomington, Indiana. “But I always had this spiritual pull.”
David grew up in Louisville, Kentucky, with a Reform father and a mother from an Orthodox family. His Orthodox grandmother, Bess Harris — who he described as a force to be reckoned with — was a particular influence on him.
“I really learned my Jewish heart from her and her love of God,” David said. “She was involved with starting a Jewish day school, a Jewish nursing home, the synagogue, and she would lead trips to Israel.”
But traditional religious practice didn’t speak to him when he was a kid. He told me that one time he even climbed out of the window during Hebrew school to go play basketball.
Years later, his wife Diane was the one who helped him find new ways to connect with Judaism. Although she was raised Catholic, Diane was curious about Judaism. David needed to refresh himself on the answers.
“We started looking at the different aspects of Judaism and different things started to make sense,” David told me. “Shabbat made sense — you know, everybody needs a time to rest, recharge. Yom Kippur makes sense as a time to forgive and be forgiven. Rosh Hashanah to start again. Sukkot to get out and celebrate and get close to nature.”
When the couple met, David’s job was making deliveries for his grandfather’s wholesale store in Louisville. For David’s 30th birthday, Diane gave him a set of pigment pencils and the art started flowing out of him. Many of his pieces are concerned with biblical stories — like his mosaic of Jonah emerging onto the shores of Nineveh or his rainbow colored print of Balaam and his donkey — and he refers to them as “visual midrash.”
Unsure what to do with his art, David went to the Hillel at Indiana University Bloomington to see if the rabbi had any ideas. The rabbi connected him with art professor Mazelle Van Buskirk who was taken with David’s work. She arranged for an exhibit at IU’s School of Fine Arts, making him the first community artist to be given such an honor and kicking off his career.
He has presented his art at Jewish schools and exhibited it at events like the National Hadassah Conference, the Cincinnati Jewish Folk Festival, and the Coalition for Alternatives to Jewish Education. His work has been on the cover of books and Jewish publications. Many of the events that have had the greatest impact on David’s life were unplanned.
“We’ve always lived our lives on miracles,” David told me.
Among these, David said, was Rabbi Shlomo Carlebach, “the Singing Rabbi” who wrote hundreds of liturgical melodies in the 20th century, conducting a (planned) conversion for Diane and an (unplanned) wedding ceremony for the couple in the 80s.
“We went to the mikvah for the conversion,” David told me. “And then he tells us ‘Oh by the way we’re going to marry you Saturday night after Shabbat.’”
Another miracle happened when David met a couple looking for someone to manage 29 acres in Bloomington overlooking Monroe Lake. Nature lovers, the couple quickly took the opportunity to live somewhere they could connect with the earth. David’s admiration for natural forms can also be found in much of his art; the shapes tend to flow and bend.
Over the 46 years that the couple has lived on their property, they’ve turned it into a home base for their Jewish worship and educational group Light of the Nations, which conducts lessons at various synagogues and JCCs through art and music. They host parties for Sukkot and the solar eclipse on their huge lawn, welcoming dozens of visitors.
David said they wanted their home to be a “place where people come out and get close to nature in life and slow down.”
Seventy-five years old and battling blood cancer, David is now spending his time focusing on helping people connect to Judaism in a holistic way and see the beauty that brought him back to religion. He’s slowed down on exhibiting his art, instead working on making sure Light of the Nations’ mission can continue once he is gone and that his art will find a home.
David hopes that people recognize in his art “that there’s this amazing, incredible life force influencing all creation.”
The post He reconnected with Judaism as an adult. With his art, he hopes others do the same. appeared first on The Forward.
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Metropolitan Police investigating abuse of Jewish attendees at London Pride
(JTA) — London’s Metropolitan Police launched an investigation Monday into antisemitic abuse at a Pride parade after videos and pictures circulated on social media showed Jewish participants enduring taunts at Saturday’s event.
The police department said in a statement that officers were “aware of videos circulating online that show antisemitic verbal abuse directed towards attendees” at the parade in central London and that footage was being reviewed to assess whether criminal offenses had been committed. The department added that it “continues to work hard to tackle hate crimes of all types.”
Videos shared online show people carrying rainbow flags incorporating the Star of David being confronted by individuals shouting “Free Palestine.” The harassment escalated with attendees shouting, “Go back to your Zionist homeland,” “You kill Arab children, you kill gay children,” “F*** you, Jew,” and “How many babies did you kill?”
The Jewish Telegraphic Agency reached out to Pride in London for comment. The group had not replied by press time.
The incident comes amid heightened concern over antisemitism in Britain since Hamas’ Oct. 7, 2023, attack on Israel, with a record number of antisemitic incidents reported over the past two years. It also comes as Pride celebrations around the world have been roiled by tensions over Israel and antisemitism.
Pride in London drew tens of thousands of participants and visitors to the Soho neighborhood in the British capital. Some Jewish LGBTQ+ organizations have in recent years chosen not to participate in Pride, citing hostility towards Zionist Jews. But this year, around 150 people marched as part of a Jewish bloc at the event.
Organizers said the return this year followed discussions with Pride in London over Jewish inclusion and commitments that organizers would undertake antisemitism awareness training in partnership with the Community Security Trust, the main security consultant to the Jewish community. Jewish LGBTQ group Keshet UK stated earlier this year that the measures were intended to help ensure Jewish LGBTQ+ participants could march “safely and openly” following concerns raised after Oct. 7.
It was not clear whether the Jewish marchers who endured the abuse were part of the official Jewish bloc – accounts from marchers who stayed with the Jewish bloc were generally positive.
“A few people came and chanted ‘free, free, Palestine,’” Israeli author and LGBTQ+ activist Hen Mazzig told JTA. “They were passing through. And there was another person who was at a cafe and then they came by and they were just staring at us.”
Mazzig shared footage from the event on X, writing, ”My pride is not affected by the opinions of others. I am gay, I am Jewish, and I’m here to stay. Am Yisrael chai.”
Mazzig splits his time between London and Tel Aviv, because his husband is British. He told JTA in a phone interview that Saturday’s incidents “were scary, especially when a Pride parade is supposed to be inclusive.”
Mazzig said that since Oct, 7, circumstances have been exceptionally challenging for the British Jewish community “but specifically for LGBTQ youth that are being forced to choose between their Jewish identity and their queer identity.”
Mazzig claimed that Jewish marchers are not accepted unless they specify that they are anti-Zionist. “Every statement of solidarity with LGBTQ Jews seems to come with a ‘but,’” he said. ‘We support you, but not if you’re physically Jewish, not if you’re supporting Israel. You have to renounce half of your identity first.’ That’s not equality.”
In advance of Saturday’s event, some 650 Met police officers were deployed to enforce “zero tolerance” on hate crimes and to ensure that attendees could “safely and securely” enjoy the parade.
When JTA asked the Metropolitan police why at least two policemen appeared to stand by as Jews were subject to abuse, the Met requested that JTA provide the video in question. After being supplied with the video, the Met later told JTA that it had nothing further to add at this stage but would provide an update if it did.
Mazzig said the Met police should consider the abuse at the parade “shameful and it should alarm everyone.”
He added, “I hope that we stop debating whether or not antisemitism is real and accept it. And that communities that are supposed to be inclusive and pluralistic start taking action.”
The post Metropolitan Police investigating abuse of Jewish attendees at London Pride appeared first on The Forward.
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Israel’s diaspora minister calls Erdogan a ‘grotesque hybrid of Hitler and Sinwar’
(JTA) — Israel’s Diaspora Affairs Minister Amichai Chikli compared Turkish President Recep Tayyip Erdogan to Adolf Hitler and slain Hamas leader Yahya Sinwar in a post on X on Monday.
“We all know how narcissistic power-obsessed fanatics like you begin and how they end. The Jewish people have never feared mere flesh and blood, from Pharaoh until today,” Chikli wrote. “You are nothing but a pathetic blood soaked zero who history will soon forget.”
In the post, Chikli accused the Turkish leader of being a “patron of Hamas and ISIS” and described him as a “grotesque hybrid of Hitler and Sinwar” alongside an AI image of Erdogan in front of a Nazi flag.
Chikli’s post was in response to an address by Erdogan last month, in which the Turkish leader called Zionism a “genocidal occupying expansionist ideology” and said the “struggle” against Zionism was for the “collective survival of ourselves and our nation.”
Long-standing tensions between Turkey and Israel stoked by the war in Gaza have escalated in recent weeks, amid increasing Israeli concerns over the tight ties between Ankara and Washington and the possible sale of advanced American F-35 fighter jets to Turkey. Erdogan, who has consistently voiced support for Hamas, has been one of Israel’s most outspoken international critics.
Chikli’s post followed Israeli Prime Minister Benjamin Netanyahu’s blistering attack against Erdogan during an interview on “Fox & Friends” on Fox News Monday. Netanyahu said Turkey was “governed by a man who calls openly for the annihilation of Israel…and talks openly about conquering Jerusalem.”
The Israeli leader warned against the sale of weaponry to Ankara, portraying Turkey as an aggressive country that didn’t help the U.S. battle Iran. He spoke in advance of U.S. President Donald Trump’s trip to Ankara late Tuesday for a two-day summit of NATO.
“For a regime infected by the Muslim Brotherhood, an extreme movement that hates America and chants ‘death to America’ from that side of the spectrum, I don’t think they should be given F-35’s or the engines for their fighter jets,” Netanyahu told Fox News.
Such a sale would “upset the power balance in the Middle East, which is ultimately guaranteed by Israeli air superiority and … by America’s posture in the Middle East,” Netanyahu said.
Relations between the two regional powers have also been aggravated by the Israeli government’s June 28 decision to recognize the Armenian genocide by the Ottoman Empire during and immediately after World War I.
Turkey has condemned Israel’s recognition of the Armenian genocide. It’s a move so diplomatically controversial that to date, only some 33 countries, aside from Israel, have taken this step, including the U.S. in 2021.
According to Politico, Erdogan said in a public address last week, “We do not give the slightest heed to the slanders about our country from the murder network that has the blood of 73,000 innocent Gazans, most of them children and women, on its hands.”
Israel’s Minister of Foreign Affairs, Gideon Saar, also took aim at Turkey’s foreign minister, Hakan Fidan, during a press conference in Jerusalem Monday, decrying Fidan’s comments to CNN Türk on Friday in which he said that Israel had become a “burden that humanity can no longer bear.”
“The remarks by Turkey’s Foreign Minister are a clear call for genocide,” Saar said. “The Jewish people know all too well what happens when such words are allowed to go unanswered. The first step on the road to genocide is dehumanization.”
The post Israel’s diaspora minister calls Erdogan a ‘grotesque hybrid of Hitler and Sinwar’ appeared first on The Forward.
