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Yitzhak Rabin was killed 30 years ago this week. Has the Jewish world forgotten?
You had to have been born in the 1980s or earlier to have a firsthand memory of the night Yitzhak Rabin was shot 30 years ago this week. For most young adults, Rabin’s assassination is something they learned about in history class, at a day school assembly or from their parents.
That gap — between an event as personal experience and an event as historical memory — is particularly pronounced this year. With the peace process that Rabin championed seemingly more remote than ever and with a ceasefire in Gaza barely holding, parents, teachers, artists and activists may be struggling to explain why the death of an Israeli prime minister in the Clinton years even matters.
“This is an event that cannot be something that only a generation remembers, but it has to be an event that is cemented not only Israeli history but in Jewish history,” said Barak Sella, 40, who served as spokesperson for the National Memorial Rally for Rabin in Israel and is a founder of the Stand for Democracy coalition, which promotes Rabin’s legacy in the United States.
Sella is also the editor of a newly translated collection of Hebrew poetry, “Class of 95,” that wrestles with the trauma of the assassination and its relevance to the moment. It and a new musical play being staged in Washington, D.C., “November 4,” use different media to convey a similar, pressing idea: Remembering Rabin and what he stood for in life and death is essential for closing festering wounds and imagining a way forward for Israel and its supporters.
“The Rabin assassination symbolizes a failing point of our democracy, and something that we need to turn into a symbol if we want to be able to have the ability to be a Jewish sovereign nation,” said Sella. “Jews have an ability to have very strong memories of events that happened very far in our past, even traumatic memories, and turn them into symbols of growth.”
Barak Sella is the editor of “Class of 95.” an anthology of Israeli poetry about the assassination of Yitzhak Rabin. (Courtesy)
For the creators of the anthology and the play, Rabin’s killing at the hands of a Jewish extremist represents not only a mortal blow to peace between Israelis and Palestinians, but a shocking example of internal Jewish strife. And while these mostly left-leaning artists acknowledge the profound disagreements over Oslo, they say he represented the kind of inspired thinking Israel can use in the wake of Oct. 7.
“Rabin had vision and moral imagination — things in short supply today,” said Danny Paller, who wrote the music and lyrics for “November 4.” “That’s what makes this story relevant now. We need to ask: where do we get hope from? How can we build a future?”
Paller, who has lived in Jerusalem since 1986, recalls being at his office the night Rabin was killed — just five days after his first daughter was born. “It was this rush of joy, despair, anger, disbelief,” he said. “Our family changed that week. Our country changed that week.”
“November 4” premiered in 2022 in Israel in a stripped-down cabaret version translated from English to Hebrew. Four women played every role, occasionally stepping out of character to share their own memories of the assassination. “It was profoundly Israeli,” says Paller. “They felt they had just experienced something deeply personal — but in a very different artistic language.”
The new U.S. production, presented by Voices Festival Productions and running Nov. 1-Dec. 7 at Universalist National Memorial Church in Washington, includes characters playing Rabin, his wife Leah, and his assassin, Yigal Amir. Rabin, a hero of Israel’s war of independence who once threatened to “break the bones” of Palestinian rioters, shook hands with the Palestinian leader Yasser Arafat on Sept. 13, 1993. The prospect of territorial compromise with the Palestinians after decades of bloody conflict enraged the Israeli right. Amir, a devout religious Zionist and ultranationalist, sings in the play, “We have a mission/To save our nation/That is the highest height.”
“I don’t have empathy for [Amir],” said Myra Noveck, the Jerusalem-based reporter and researcher for the New York Times who wrote the book for the musical. “But you have to understand the other side — even when they are wrong — without dismissing them as crazy or incompetent.”
By focusing on Israel’s bitter debate about the Oslo Accords and even on Rabin’s flaws as a politician who often dismissed the concerns and fears of his opponents, she said she wanted to retrieve the late prime minister from a “death cult” that treats him as a martyr while ignoring what he stood for.
“We have to preserve ideas, not just mourn people,” she said, lamenting a right-wing government that includes far-right figures like Itamar Ben-Gvir, a leader of the protests that some say inspired Rabin’s killer. “Rabin foresaw that holding onto the territories would infect the rest of Israel — that you can’t deny rights to others and still maintain a democracy. That’s what we’re seeing now.”
“We realized there was a straight line from Rabin’s moment to the crisis we are witnessing now,” said Paller, referring to the Oct. 7 attacks, the war that followed and the bloodshed Rabin was trying to avert. “The play reminds us that hope and moral courage are never irrelevant. They are urgently needed.”
The 40 poems in “Class of 95” offer an even wider lens on the assassination and the overheated political climate then and now. Ronny Someck’s “Kings of Israel Square, The Day After” was written on Nov. 6, 1995, and remembers the makeshift memorials put up by mourners at the site of the shooting. Yudit Shahat’s poem, “God’s Terrible Garden,” is dedicated to a Canadian-Palestinian physician whose daughters were killed in the Gaza War of January 2009. And in “Proper Rest,” Shoshana Karbasi imagines Rabin’s funeral as an occasion for national healing — “because there is one pain shared by all.”
Myra Noveck, far left, and Danny Paller are the co-creators of “November 4,” directed by Alexandra Aron. (Peggy Ryan)
When asked what he thinks may be lost in translation between Hebrew and English — and what Diaspora Jews may not understand about Israelis — Sella replied that in Israel the assassination remains an “open wound.”
“The trauma has not been processed,” said Sella. “Rabin’s assassination affected people’s self-confidence in our democracy and the ability to strive for peace. We don’t talk enough about the fact that Rabin was killed by an Israeli citizen, and that brings up the question of what we actually want as a people.”
Sella and the creators of “November 4” also insist on the power of art to open up conversations in a way that journalists and historians can’t.
“People don’t read op-eds if they don’t already agree with them,” said Noveck. “Theater talks to the gut. It lets you peel back the layers — the walls people build around themselves — and get to the onion.”
Yehuda Kurtzer, president of the Shalom Hartman Institute, makes a similar point in a foreword to the poetry collection, writing that trauma “needs poetry.” Kurtzer will be one of the speakers at a Rabin memorial event and book launch of “Class of 95” at Temple Emanu-El in New York on Tuesday.
The Emanu-El event is one of a number of programs marking the anniversary on Tuesday. UCLA’s Y&S Nazarian Center for Israel Studies is holding a webinar with Itamar Rabinovich, one of Rabin’s biographers. New Jewish Narrative will mark the anniversary with a webinar about how Rabin’s murder reshaped American Jewish politics, identity and engagement with Israel.
Like Sella, Kurtzer also warns that memories of Rabin and the hope he embodied are fading. He cites a poem in the collection by Daniel Baumgarten, which asks, “Dear students / please raise your hands / what does it feel like to have peace / within reach?” The answer is the poem’s title: “Silence.”
“I worry for American Jews that in forgetting him, all we see are the inevitabilities of what has gone wrong in Israel over the past several decades, and not the availabilities of alternative endings to this story that once presented themselves and could, with the benefit of our imagination, inspire us again,” Kurtzer writes.
Sella, who splits his time between Tel Aviv and Boston where he is a research fellow at Harvard’s Kennedy School, was just 10 years old when Rabin was killed. Born in the United States and newly arrived in Israel, he experienced the assassination as a formative event. “In many ways, my parents came to Israel because Rabin came into power,” he recalled. “It seemed like a moment of hope. The assassination was a shock, but also an early lesson in what it meant to be part of Israeli society and to engage with its democracy.”
But he notes a worrying gap: The generation that did not live through the assassination lacks the tools and context to understand its meaning. “We’re at a moment where this is no longer personal memory but historical memory,” he said. “If we don’t create spaces for the next generation to engage with this event, they won’t have the language to talk about it, to understand its significance, or to see it as a lesson for the future.”
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France 24, Mother Jones Receive UN Award for Work Built on Word of Discredited Ex-Contractor Who Lied About Israel
Anthony Aguilar, a former contractor for the Gaza Humanitarian Foundation (GHF) who previously served as a US Army Green Beret. Photo: Screenshot
The UN press corps on Friday gave an award to news outlets France 24 and Mother Jones for their reporting based on the testimony of Anthony Aguilar, a US Army veteran and former contractor for the Gaza Humanitarian Foundation (GHF) who has made discredited claims against Israel.
France 24 and Mother Jones were awarded the Bronze medal in the Ricardo Ortega Memorial Prize category at the UN Correspondents Gala Awards, an event hosted by the UN Correspondents Association at the global body’s headquarters in New York City. The award is for broadcast coverage of the UN, its agencies, and field operations.
According to France 24, its journalists were the first to interview Aguilar on camera on the morning of July 23, 2025. Aguilar claimed he witnessed human rights abuses perpetrated by the Israeli military and others at sites run by the GHF, which until the Gaza ceasefire went into place was an Israel- and US-backed program that delivered aid directly to Palestinians, with the goal of blocking Hamas from diverting supplies for terrorist activities and selling the remainder at inflated prices.
France 24 and Mother Jones both published a story based on Aguilar’s testimony.
However, it was revealed last year that Aguilar’s most explosive claim, about the death of a Gazan boy, was false and that he was fired by the GHF for his conduct and pushing misinformation.
Aguilar claimed he witnessed the Israel Defense Forces (IDF) shoot a child — Abdul Rahim Muhammad Hamdene, known as Abboud — as the GHF was distributing humanitarian aid on May 28.
After Aguilar made his claim, he rapidly rose to prominence, presenting himself as a whistleblower exposing supposed Israeli war crimes. His story gained traction internationally, going viral on social media. He subsequently embarked on an extensive media tour, in which he accused Israel of indiscriminately killing Palestinian civilians as part of an attempt to “annihilate” and “disappear” the civilian population in Gaza.
However, Aguilar, who erroneously labeled the boy in question as “Amir,” gave inconsistent accounts of the alleged incident in separate interviews to different media outlets, calling into question the veracity of his narrative.
The GHF launched its own investigation at the end of July, ultimately locating Abboud alive with his mother at an aid distribution site on Aug. 23. The organization confirmed his identity using facial recognition software and biometric testing.
Abboud was escorted in disguise to an undisclosed safe location by the GHF team for his safety, according to The Daily Wire, which noted that the spreading of Aguilar’s false tale put the boy’s life in danger, as his alleged death was a powerful piece of propaganda for Hamas.
Fox News Digital reported that Abboud and his mother were safely extracted from the Gaza Strip in September.
In footage obtained by both news outlets, the boy can be seen playfully interacting with a GHF representative and appearing excited ahead of their planned extraction.
During the summer, as Aguilar’s claims were receiving widespread media attention, the GHF released a chain of text messages showing that Aguilar was terminated for his conduct. It also held a press conference to present evidence showing that Aguilar “falsified documents” and “presented misleading videos to push his false narrative.”
There was no apparent mention of the revelations about Aguilar’s narrative when the award was given out on Friday.
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University of Sydney Fires Staff Member Over Antisemitic Abuse of Students
Illustrative: An anti-Israel protest at the University of Sydney in Australia, April 26, 2024. Photo: Dean Lewins via Reuters Connect
The University of Sydney in Australia has dismissed an employee who was filmed shrieking at Jewish students over their support for Israel, a tirade in which she described them as “depraved” and inhuman.
“They’re shredding children!” staff member Rose Nakad screamed at the students in October, repeating pro-Hamas propaganda Hamas falsely accusing Israel of targeting Palestinian children in Gaza. “You are a f—king filthy Zionist. Nothing to do with being a Jew, you disgusting, depraved person.”
On Monday — just one day removed from the Bondi Beach massacre in which gunmen opened fire on Jews celebrating the start of Hanukkah in Sydney, hospitalizing dozens of people in addition to the 15 individuals who were murdered — the university denounced Nakad’s conduct as “distressing and utterly unacceptable.” It had previously suspended Nakad, signaling its appreciation of the gravity of her misconduct amid a global surge in antisemitism.
“The behavior that took place on our campus in October this year was deeply distressing and utterly unacceptable. We immediately suspended the staff member pending a formal process and have now terminated their employment on the grounds of serious misconduct,” the university said in a statement.
“This decision followed careful consideration in line with our clear expectations of behavior and our obligation to make sure our campuses are safe and welcoming for all,” the university continued. “Hate speech, antisemitism, and harassment have no place at our university and when our codes of conduct are breached, we do not hesitate to take disciplinary action.”
It added, “We continue to work on making our campus safe for all and if our codes are breached, we do not hesitate to take disciplinary action.”
In footage obtained by Sky News, Nakad approached several students celebrating the Jewish holiday of Sukkot. She asked if they were “Zionists” and continued to harass them as they asked her to leave.
“A Zionist is the lowest form of rubbish,” Nakad said to the students, according to the video. “Zionists are the most disgusting thing that has ever walked this earth.” The staff member described herself as an “indigenous Palestinian,”
Australia had seen its share of antisemitic outrages before the Bondi Beach shooting, as previously reported by The Algemeiner.
In December 2024, for example, the home of Lesli Berger, former president of the New South Wales Jewish Board of Deputies, was vandalized, having been graffitied with a swastika. Next to the infamous Nazi symbol the vandal spray-painted the words “Jordan Gayter,” believed to be a misspelling of the German phrase for “Juden Gatter,” or “Jewish Gate.”
In November 2023, mere weeks after Hamas’s Oct. 7, 2023, massacre across southern Israel, a Jewish man was assaulted by an anti-Israel mob because he took down an advertisement of a pro-Palestinian rally. Someone then thumped him on the back of his head, knocking him to the ground. Then three men joined in and proceeded to punch and kick him while calling him a “pro-Jew dog” among other names.
The onslaught concussed the man and, causing other injuries, fractured his spine. He reportedly spent four days in the hospital and later told a local media outlet that he is “very lucky” to be alive.
In one notorious episode in the immediate aftermath of the Oct. 7 attack, hundreds of pro-Hamas protesters gathered outside the Sydney Opera House chanting “gas the Jews,” “f—k the Jews,” and other epithets.
The explosion of post-Oct. 7 hate also included vandalism and threats of gun violence. For example, a male assailant repeatedly punched a Jewish man while screaming “dirty rotten Jew c—t”; a group of young men jumped a Jewish boy, whom they called a “dirty Jew”; and pro-Hamas protesters “spat on, threatened, and kicked” an elderly Jewish woman during a demonstration held to raise awareness of antisemitism.
Anti-Israel sentiment has also led to vandalism. In June 2024, the US consulate in Sydney was vandalized and defaced by a man carrying a sledgehammer who smashed the windows and graffitied inverted red triangles on the building. The inverted red triangle has become a common symbol at pro-Hamas rallies. The Palestinian terrorist group, which has ruled Gaza for nearly two decades, has used inverted red triangles in its propaganda videos to indicate Israeli targets about to be attacked. According to the Anti-Defamation League (ADL), “the red triangle is now used to represent Hamas itself and glorify its use of violence.”
Now, in the closing weeks of 2025, antisemitism in Australia has led to the deadliest terrorist attack in the country’s history.
Australian officials said they identified the mass shooters at Bondi Beach as Sajid Akram, 50, who was killed at the scene, and his son Naveed Akram, 24, who was in critical condition in a hospital. The younger suspect reportedly came to the attention of Australia’s domestic intelligence agency in 2019 for his ties to a Sydney-based cell of the Islamic State (ISIS) terrorist group.
Follow Dion J. Pierre @DionJPierre.
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Tributes Pour in for Jewish Director Rob Reiner, Wife After Couple Found Dead, Son Arrested on Murder Charges
(From left) Rob Reiner, Michele Singer, Romy Reiner, Nick Reiner, Maria Gilfillan and Jake Reiner attend the Los Angeles Premiere of ”Spinal Tap II: The End Continues” at The Egyptian Theatre in Los Angeles, California, US, Sept. 9, 2025. Photo: REUTERS/Aude Guerrucci
Dozens of people in Hollywood have expressed profound sadness following the news that visionary Jewish filmmaker Rob Reiner and his wife, Michele Singer Reiner, were found dead in their Los Angeles home on Sunday night and that their middle son is being charged with murder.
Reiner, 78, was born in the Bronx, New York, in 1947. In the 1970s he co-starred in the sitcom “All in the Family” before becoming the famous director behind movies such as “This Is Spinal Tap,” “Stand by Me,” “The Princess Bride,” “When Harry Met Sally…” and “A Few Good Men.” Earlier this year, Reiner released the sequel, “Spinal Tap: The End Continues.” He also directed the 2015 film called “Being Charlie,” inspired by his son Nick’s longtime battle with heroin addiction and the impact that his substance abuse had on the family.
On Sunday, Reiner and his wife, 68, were found dead by what police described as an apparent homicide at their home in Brentwood, California. Their middle son, Nick, is being held at Los Angeles’ Twin Towers Jail, having been arrested on murder charges in connection with their deaths. The 32-year-old reportedly has his bail set at $4 million. “As a result of the initial investigation, it was determined that the Reiners were the victims of homicide. The investigation further revealed that Nick Reiner, the 32-year-old son of Robert and Michele Reiner, was responsible for their deaths,” the Los Angeles Police Department (LAPD) said in a statement on Monday.
“I saw them night before last looking healthy and happy,” Jane Fonda wrote in an Instagram post. “I am reeling with grief. Stunned.” She shared a photo of the late couple on Instagram and wrote that they were “wonderful, caring, smart, funny, generous people, always coming up with ideas for how to make the world better, kinder.”
Fonda also said the couple had recently been helping her to relaunch the Committee for the First Amendment, a group that champions freedom of expression from government censorship.
“My heart is broken,” Zooey Deschanel said in a tribute to Reiner, who played her father on the show “New Girl.” She called Reiner “the absolute warmest, funniest, most generous of spirits. A truly good human being. An incredible artist and such a playful and fun collaborator.”
“I cherish the time we spent working together and the many films he made that have shaped who I am,” she added. “Rob and his lovely wife Michele were always so kind and it brought me so much joy any time I was lucky enough to see them. I’m absolutely devastated. Sending so much love to their family and friends.”
The estate of Norman Lear, the legendary producer who created “All in the Family,” released a statement remembering the close relationship between the two men. “Norman often referred to Rob as a son,” the statement said. “The world is unmistakably darker tonight.”
Jerry Seinfeld said Reiner had one of the biggest influences on his career aside from Larry David, who co-created “Seinfeld,” and the late George Shapiro, who was Seinfeld’s manager and a producer on the renowned sitcom. Reiner also helped save “Seinfeld” from almost being canceled, Seinfeld said. He shared a photo of himself alongside Reiner and his father, the late actor Carl Reiner.
“Our show would have never happened without him. He saw something no one else could,” Seinfeld explained in an Instagram post. “When nobody at the network liked the early episodes, he saved us from cancellation. That I was working with Carl Reiner’s son, who happened to be one of the kindest people in show business, seemed unreal.”
“I was naive at the time to how much his passion for us meant,” Seinfeld added. “Rob and Michele married right as our show was starting and they became an imprint for me of how it’s supposed to work, each one broadening the other. Their death, together, is impossibly sad.”
Kathy Bates, who won an Oscar for her leading role in Reiner’s 1990 horror “Misery,” said in a statement to Entertainment Weekly that Reiner was a “brilliant and kind, a man who made films of every genre to challenge himself as an artist.”
“I’m horrified hearing this terrible news. Absolutely devastated. I loved Rob,” she added. “He changed the course of my life … My heart breaks for them both. My thoughts are with their family.” She also said the late director was someone who “fought courageously for his political beliefs” and praised his wife as a “gifted photographer.”
Novelist Stephen King, who wrote the books that inspired Reiner’s films “Stand by Me” and “Misery,” praised the late director in a post on X as a “wonderful friend, political ally, and brilliant filmmaker.”
“You always stood by me,” King added.
Paul Feig, the director of “Bridesmaids,” posted a photo of himself and Reiner at Comic-Con and wrote that the latter “was my true hero.”
“One never knows if it’s proper to post during something as tragic as this,” Feig said. “But I just want the world to know what so many of us know in the industry. Robert was the best.”
Reiner and his wife are survived by two sons Jake and Nick, and their youngest daughter Romy, who reportedly called 911 on Sunday after discovering the bodies of her parents.
Rob and Nick allegedly got into a “very loud argument” on Saturday night while attending a Christmas party hosted by former talk show host Conan O’Brien, People magazine reported, citing multiple sources. Rob and his wife were found dead at their home the next day.