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Yitzhak Rabin was killed 30 years ago this week. Has the Jewish world forgotten?
You had to have been born in the 1980s or earlier to have a firsthand memory of the night Yitzhak Rabin was shot 30 years ago this week. For most young adults, Rabin’s assassination is something they learned about in history class, at a day school assembly or from their parents.
That gap — between an event as personal experience and an event as historical memory — is particularly pronounced this year. With the peace process that Rabin championed seemingly more remote than ever and with a ceasefire in Gaza barely holding, parents, teachers, artists and activists may be struggling to explain why the death of an Israeli prime minister in the Clinton years even matters.
“This is an event that cannot be something that only a generation remembers, but it has to be an event that is cemented not only Israeli history but in Jewish history,” said Barak Sella, 40, who served as spokesperson for the National Memorial Rally for Rabin in Israel and is a founder of the Stand for Democracy coalition, which promotes Rabin’s legacy in the United States.
Sella is also the editor of a newly translated collection of Hebrew poetry, “Class of 95,” that wrestles with the trauma of the assassination and its relevance to the moment. It and a new musical play being staged in Washington, D.C., “November 4,” use different media to convey a similar, pressing idea: Remembering Rabin and what he stood for in life and death is essential for closing festering wounds and imagining a way forward for Israel and its supporters.
“The Rabin assassination symbolizes a failing point of our democracy, and something that we need to turn into a symbol if we want to be able to have the ability to be a Jewish sovereign nation,” said Sella. “Jews have an ability to have very strong memories of events that happened very far in our past, even traumatic memories, and turn them into symbols of growth.”
Barak Sella is the editor of “Class of 95.” an anthology of Israeli poetry about the assassination of Yitzhak Rabin. (Courtesy)
For the creators of the anthology and the play, Rabin’s killing at the hands of a Jewish extremist represents not only a mortal blow to peace between Israelis and Palestinians, but a shocking example of internal Jewish strife. And while these mostly left-leaning artists acknowledge the profound disagreements over Oslo, they say he represented the kind of inspired thinking Israel can use in the wake of Oct. 7.
“Rabin had vision and moral imagination — things in short supply today,” said Danny Paller, who wrote the music and lyrics for “November 4.” “That’s what makes this story relevant now. We need to ask: where do we get hope from? How can we build a future?”
Paller, who has lived in Jerusalem since 1986, recalls being at his office the night Rabin was killed — just five days after his first daughter was born. “It was this rush of joy, despair, anger, disbelief,” he said. “Our family changed that week. Our country changed that week.”
“November 4” premiered in 2022 in Israel in a stripped-down cabaret version translated from English to Hebrew. Four women played every role, occasionally stepping out of character to share their own memories of the assassination. “It was profoundly Israeli,” says Paller. “They felt they had just experienced something deeply personal — but in a very different artistic language.”
The new U.S. production, presented by Voices Festival Productions and running Nov. 1-Dec. 7 at Universalist National Memorial Church in Washington, includes characters playing Rabin, his wife Leah, and his assassin, Yigal Amir. Rabin, a hero of Israel’s war of independence who once threatened to “break the bones” of Palestinian rioters, shook hands with the Palestinian leader Yasser Arafat on Sept. 13, 1993. The prospect of territorial compromise with the Palestinians after decades of bloody conflict enraged the Israeli right. Amir, a devout religious Zionist and ultranationalist, sings in the play, “We have a mission/To save our nation/That is the highest height.”
“I don’t have empathy for [Amir],” said Myra Noveck, the Jerusalem-based reporter and researcher for the New York Times who wrote the book for the musical. “But you have to understand the other side — even when they are wrong — without dismissing them as crazy or incompetent.”
By focusing on Israel’s bitter debate about the Oslo Accords and even on Rabin’s flaws as a politician who often dismissed the concerns and fears of his opponents, she said she wanted to retrieve the late prime minister from a “death cult” that treats him as a martyr while ignoring what he stood for.
“We have to preserve ideas, not just mourn people,” she said, lamenting a right-wing government that includes far-right figures like Itamar Ben-Gvir, a leader of the protests that some say inspired Rabin’s killer. “Rabin foresaw that holding onto the territories would infect the rest of Israel — that you can’t deny rights to others and still maintain a democracy. That’s what we’re seeing now.”
“We realized there was a straight line from Rabin’s moment to the crisis we are witnessing now,” said Paller, referring to the Oct. 7 attacks, the war that followed and the bloodshed Rabin was trying to avert. “The play reminds us that hope and moral courage are never irrelevant. They are urgently needed.”
The 40 poems in “Class of 95” offer an even wider lens on the assassination and the overheated political climate then and now. Ronny Someck’s “Kings of Israel Square, The Day After” was written on Nov. 6, 1995, and remembers the makeshift memorials put up by mourners at the site of the shooting. Yudit Shahat’s poem, “God’s Terrible Garden,” is dedicated to a Canadian-Palestinian physician whose daughters were killed in the Gaza War of January 2009. And in “Proper Rest,” Shoshana Karbasi imagines Rabin’s funeral as an occasion for national healing — “because there is one pain shared by all.”
Myra Noveck, far left, and Danny Paller are the co-creators of “November 4,” directed by Alexandra Aron. (Peggy Ryan)
When asked what he thinks may be lost in translation between Hebrew and English — and what Diaspora Jews may not understand about Israelis — Sella replied that in Israel the assassination remains an “open wound.”
“The trauma has not been processed,” said Sella. “Rabin’s assassination affected people’s self-confidence in our democracy and the ability to strive for peace. We don’t talk enough about the fact that Rabin was killed by an Israeli citizen, and that brings up the question of what we actually want as a people.”
Sella and the creators of “November 4” also insist on the power of art to open up conversations in a way that journalists and historians can’t.
“People don’t read op-eds if they don’t already agree with them,” said Noveck. “Theater talks to the gut. It lets you peel back the layers — the walls people build around themselves — and get to the onion.”
Yehuda Kurtzer, president of the Shalom Hartman Institute, makes a similar point in a foreword to the poetry collection, writing that trauma “needs poetry.” Kurtzer will be one of the speakers at a Rabin memorial event and book launch of “Class of 95” at Temple Emanu-El in New York on Tuesday.
The Emanu-El event is one of a number of programs marking the anniversary on Tuesday. UCLA’s Y&S Nazarian Center for Israel Studies is holding a webinar with Itamar Rabinovich, one of Rabin’s biographers. New Jewish Narrative will mark the anniversary with a webinar about how Rabin’s murder reshaped American Jewish politics, identity and engagement with Israel.
Like Sella, Kurtzer also warns that memories of Rabin and the hope he embodied are fading. He cites a poem in the collection by Daniel Baumgarten, which asks, “Dear students / please raise your hands / what does it feel like to have peace / within reach?” The answer is the poem’s title: “Silence.”
“I worry for American Jews that in forgetting him, all we see are the inevitabilities of what has gone wrong in Israel over the past several decades, and not the availabilities of alternative endings to this story that once presented themselves and could, with the benefit of our imagination, inspire us again,” Kurtzer writes.
Sella, who splits his time between Tel Aviv and Boston where he is a research fellow at Harvard’s Kennedy School, was just 10 years old when Rabin was killed. Born in the United States and newly arrived in Israel, he experienced the assassination as a formative event. “In many ways, my parents came to Israel because Rabin came into power,” he recalled. “It seemed like a moment of hope. The assassination was a shock, but also an early lesson in what it meant to be part of Israeli society and to engage with its democracy.”
But he notes a worrying gap: The generation that did not live through the assassination lacks the tools and context to understand its meaning. “We’re at a moment where this is no longer personal memory but historical memory,” he said. “If we don’t create spaces for the next generation to engage with this event, they won’t have the language to talk about it, to understand its significance, or to see it as a lesson for the future.”
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AUDIO: What does the Sydney attack mean for Jews in Australia?
ס׳איז לעצטנס אַרויסגעלאָזט געוואָרן אַ ראַדיאָ־אינטערוויו אויף ייִדיש וועגן דער שחיטה פֿון ייִדן דעם 14טן דעצעמבער, בעת אַ חנוכּה־פֿײַערונג אין באָנדי־ביטש, אויסטראַליע.
פֿופֿצן מענטשן זענען דערהרגעט געוואָרן אין דעם טעראָריסטישן אַטאַק, אַרײַנגערעכנט אַ 37־יאָריקן רבֿ און טאַטע פֿון פֿיר קינדער, ר׳ יעקבֿ לעוויטאַן, און אַ 10־יאָריק מיידעלע.
דעם שמועס, פּראָדוצירט פֿון דער באָסטאָנער ראַדיאָ־פּראָגראַם „דאָס ייִדישע קול“, האָט דער דיקטאָר פֿון דער פּראָגראַם, מאיר דוד, געפֿירט מיטן מעלבורנער ייִדישיסט אַלעקס דאַפֿנער.
דאַפֿנער, אַ ייִדישע ראַדיאָ־פּערזענלעכקייט אין מעלבורן, אַנאַליזירט עטלעכע מעגלעכע סיבות וואָס האָבן מסתּמא אומדירעקט דערפֿירט צו דעם טעראָריסטישן אַטאַק. ער באַשרײַבט אויך די פּאָליטישע שטימונג אין לאַנד לגבי ישׂראל און דעם הײַנטיקן זיכערהייט־מצבֿ פֿאַר די אָרטיקע ייִדן.
The post AUDIO: What does the Sydney attack mean for Jews in Australia? appeared first on The Forward.
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US Education Department’s New Database Reveals Qatar Ranks as Top Foreign Funder of American Universities
Qatar’s Prime Minister and Minister for Foreign Affairs Sheikh Mohammed bin Abdulrahman bin Jassim Al-Thani speaks on the first day of the 23rd edition of the annual Doha Forum, in Doha, Qatar, Dec. 6, 2025. Photo: REUTERS/Ibraheem Abu Mustafa
Qatar is the single largest foreign source of funding to American colleges and universities, according to a newly launched public database from the US Department of Education that reveals the scope of overseas influence in US higher education.
The federal dashboard shows Qatar has provided $6.6 billion in gifts and contracts to US universities, more than any other foreign government or entity, outpacing the next highest contributions from Germany ($4.4 billion), England ($4.3 billion), China ($4.1 billion), Canada ($4 billion), and Saudi Arabia ($3.9 billion).
Of the schools that received money from Qatar, Cornell University topped the list with $2.3 billion, followed by Carnegie Mellon University ($1 billion), Texas A&M University ($992.8 million), and Georgetown University ($971.1 million).
The newly publicized figures come as universities nationwide face heightened scrutiny over campus antisemitism, anti-Israel activism, and academic priorities, prompting renewed concerns about foreign influence on American campuses.
US Education Secretary Linda McMahon unveiled the Foreign Gift and Contract transparency portal this week, saying the tool gives taxpayers, lawmakers, and students a clearer view of how billions of dollars from abroad flow into US universities. Under Section 117 of the Higher Education Act, federally funded institutions are legally required to disclose gifts and contracts from foreign sources worth $250,000 or more annually.
“America’s taxpayer funded colleges and universities have both a moral and legal obligation to be fully transparent with the US government and the American people about their foreign financial relationships,” McMahon said in a December statement announcing the formation of the database.
Supporters of the initiative argue the disclosures confirm longstanding concerns that potentially nefarious foreign financial ties may shape academic discourse, research priorities, and campus culture. Those concerns have intensified in the wake of controversies at elite universities over their handling of antisemitism and anti-Israel demonstrations amid the war in Gaza.
The presence of American universities in Qatar has long been controversial, with critics pointing out that the Qatari government has helped fund the Palestinian terrorist group Hamas. Qatar also hosts several high-ranking Hamas leaders, who often live in luxury outside of Gaza. Some observers argue that the Islamic country curtails academic freedom of American universities.
While universities say the funds support scholarships, research partnerships, and international programs, many critics point to Qatar’s geopolitical record and its ties to Hamas as reason for increased skepticism.
Last month, the Middle East Forum published a report showing the children of the Qatari aristocracy are vastly overrepresented at the Northwestern University campus in Qatar, a fact that, according to the US-based think tank, undermines the school’s mission to foster academic excellence by acting in practice as a “pipeline” for the next generation of a foreign monarchy’s leadership class.
The Middle East Forum released a separate report in May exposing the extent of Qatar’s far-reaching financial entanglements within American institutions, shedding light on what experts described as a coordinated effort to influence US policy making and public opinion in Doha’s favor. The findings showed that Qatar has attempted to expand its soft power in the US by spending $33.4 billion on business and real estate projects, over $6 billion on universities, and $72 million on American lobbyists since 2012.
This effort has focused heavily on higher education.
Beyond the Education Department’s database, a recent report by the Institute for the Study of Global Antisemitism and Policy (ISGAP), for example, found that Qatar has funneled roughly $20 billion into American schools and universities over five decades as part of a coordinated, 100-year project to embed Muslim Brotherhood ideologies in the US.
The 200-page report, unveiled in Washington, DC to members of Congress, chronicled a 50-year effort by Muslim Brotherhood-linked groups to embed themselves in American academia, civil society, and government agencies, exposing what ISGAP called the Brotherhood’s “civilization jihad” strategy, while maintaining an agenda fundamentally at odds with liberal democratic values.
Activists and US lawmakers say the scale of Qatari funding raises legitimate questions about whether foreign donors are influencing Middle East studies programs, faculty hiring, and student activism, even if indirectly.
The new database builds upon a broader effort by the Trump administration to rein in antagonistic foreign influence on American universities.
“Protecting American educational, cultural, and national security interests requires transparency regarding foreign funds flowing to American higher education and research institutions,” US President Donald Trump said in April.
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Candace Owens Posts Kanye West’s Notorious ‘Death Con 3 on Jewish People’ Tweet, Calls It a ‘Vibe’
Right-wing political commentator Candace Owens speaks during an event held by national conservative political movement ‘Turning Point’, in Detroit, Michigan, US, June 14, 2024. Photo: REUTERS/Rebecca Cook
Candace Owens on Wednesday posted a screenshot of Kanye West’s notorious “Death Con 3 on Jewish People” tweet from 2022, calling it a “whole vibe.”
In October 2022, West, the rapper who now goes by Ye, posted on X, “I’m a bit sleepy tonight but when I wake up I’m going death con 3 on JEWISH PEOPLE. The funny thing us I actually can’t be Anti Semitic because black people are actually Jew also. You guys have toyed with me and tried to black ball anyone whoever opposes your agenda [sic].”
There was swift backlash to the post, which was widely perceived as antisemitic. West followed up the tweet with a series of interviews in which he made antisemitic comments such as “Every human being has value that they brought to the table, especially Hitler.” West, speaking in the voice of Israeli Prime Minister Benjamin Netanyahu, also said, “We have to control the history books, we have to control the banks, and we have to go and kill people.” He later released a song titled “Heil Hitler” in February 2025.
Owens, a popular far-right podcaster, re-upped the initial “death con 3” post this week, writing along with it: “Intercepted an email chain from the Daily Wire, further illuminating their deranged plot against me. After 2 years of dealing with this s–t I just want to respectfully submit that this tweet is a whole vibe. And I’m not sleepy. So I will be responding thoroughly to the DW on today’s show.”
Intercepted an email chain from the Daily Wire, further illuminating their deranged plot against me. After 2 years of dealing with this shit I just want to respectfully submit that this tweet is a whole vibe.
And I’m not sleepy. So I will be responding thoroughly to the DW on… pic.twitter.com/qkCX2p0aQ0
— Candace Owens (@RealCandaceO) January 7, 2026
The apparent cause of the post was Owens’ escalating feud with Ben Shapiro’s Daily Wire, a conservative media company for which she used to work until she was fired last year.
Since then, Owens has intensified her rhetoric against Jews and Israel, even admitting in November that she has become “obsessed” with Jews.
In June, she suggested that then New York City Mayor-elect Zohran Mamdani was an Israeli plant, that Holocaust survivor Elie Wiesel was lying about being in the Holocaust, and that Israel is the “master of the universe” that plants characters into stories so that it can control them.
In January, Owens attacked the Babylon Bee — a conservative Christian satire organization — for making a joke about her fixation on Jews.
“It’s just very obvious they are worshipping Israel,” Owens said. “That they base their jokes on people who don’t worship Israel and ‘Bibi’ Netanyahu.” She also referred to the Babylon Bee as the “Zionist Bee” and the “Babylonian Talmudic Bee.”
Last July, Owens claimed that the Star of David originated from an evil, child-sacrificing, pagan deity and has only become associated with Judaism within the past few hundred years.
In a June episode, Owens argued that “it seems like our country [the US] is being held hostage by Israel.” She lamented, “I’m going to get in so much trouble for that. I don’t care.”
In the same episode, Owens claimed US Rep. Thomas Massie (R-KY) was “wading into some dangerous waters” when, during an interview with host Tucker Carlson, he spoke about how effective the American Israel Public Affairs Committee (AIPAC) is at lobbying members of Congress and suggested the group should have to register as a foreign agent that is acting on behalf of Israel.
The reason it was dangerous, Owens said, was because “we know there was once a president that wanted to make AIPAC register, and he ended up shot … so Thomas Massie better be careful.”
Owens was referencing the fact that former US President John F. Kennedy wanted the American Zionist Council, a lobby group, to register as a foreign agent.
However, there is no evidence the group had anything to do with Kennedy’s assassination.
AIPAC is a lobbying group comprised of American citizens that seeks to foster bipartisan support for the US-Israel alliance.
Weeks later, Owens promoted a series of talking points downplaying the atrocities of the Holocaust and said experiments by Nazi doctor Joseph Mengele performed on Jews during World War II sounded “like bizarre propaganda.”