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11th Nazi-Looted Artwork Returned to Heirs of Jewish Cabaret Performer Killed in Holocaust
A drawing by Austrian Expressionist Egon Schiele became on Friday the 11th artwork returned to the family of Fritz Grünbaum, an Austrian-Jewish cabaret performer whose art collection was stolen by the Nazis before he was killed in a concentration camp during the Holocaust.
Manhattan District Attorney Alvin Bragg and US Special Agent in Charge Ivan J. Arvelo of Homeland Security Investigations announced in New York City on Friday the return of “Seated Nude Woman, front view” by Schiele. The drawing was seized by the Antiquities Trafficking Unit of the Manhattan District Attorney’s Office earlier this year from the estate of Gustav “Gus” Papanek. The artwork from 1918 is believed to depict Schiele’s wife.
Ernst and Helene Papanek, Austrian Jews who fled Nazi persecution in 1938 and emigrated to the United States in 1940, purchased the artwork in 1961 not knowing that it had been stolen from Grünbaum. They gave the drawing as a gift to their son, Gus, in 1969 and it remained in his estate until the latter’s death in 2022. The Papanek family fully cooperated with the District Attorney’s office to return the drawing, and it was given to the Grünbaum family at a ceremony on Friday in New York that was attended by members of both families.
“We believe that returning the drawing is the right thing to do,” said the Papanek family. “The experience of the two families serves as yet another reminder of the evil and brutality of the Nazi regime.”
“The recovery of this important artwork — stolen from a prominent Jewish critic of Adolf Hitler — sends a message to the world that crime does not pay and that the law enforcement community in New York has not forgotten the dark lessons of World War II,” said Timothy Reif, Grünbaum’s relative.
Grünbaum was a writer, director, comedian, and film and radio star in Austria whose art collection comprised of hundreds of pieces, including more than 80 works by Schiele. He was arrested by the Nazis in 1938 after their annexation of Austria and forced to give his wife power of attorney. She was later coerced to hand over her husband’s entire art collection to Nazi officials. Many of the confiscated works were auctioned or sold abroad to finance the Nazi Party. Grünbaum died in the Dachau concentration camp in Germany in 1941, and his wife was killed a year later in another Nazi concentration camp.
In September 2023, the District Attorney’s Office returned seven Schiele artworks to Grünbaum heirs from the Museum of Modern Art; The Ronald Lauder Collection; The Morgan Library; The Santa Barbara Museum of Art; and the Vally Sabarsky Trust in Manhattan. Another artwork was returned voluntarily by the collector Michael Lesh directly to Grünbaum’s family in October 2023, and in January 2024, two more artworks were returned — from the Allen Museum of Art at Oberlin College and the Carnegie Museum of Art.
The Schiele drawing “Russian War Prisoner” remains seized in place at the Art Institute of Chicago, according to the District Attorney’s Office.
The post 11th Nazi-Looted Artwork Returned to Heirs of Jewish Cabaret Performer Killed in Holocaust first appeared on Algemeiner.com.
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Ran Gvili, last remaining Israeli hostage in Gaza, featured on 2 Times Square digital billboards
(JTA) — Commuters in Times Square were confronted this week with a new digital billboard demanding the release of the final remaining hostage in Gaza, Ran Gvili.
“Hamas must release him now,” the billboard reads next to a photo of Gvili. “The last Israeli hostage held in Gaza.”
Gvili, a 24-year-old police officer who was killed defending Kibbutz Alumim during Hamas’ Oct. 7, 2023 attacks, was one of roughly 250 hostages taken into Gaza.
The billboard, which is part of an effort led by the Israeli Consulate in New York and Israeli Foreign Minister Gideon Sa’ar, comes nearly two months after all 20 living hostages were returned to Israel as part of a U.S.-brokered ceasefire deal between Israel and Hamas.
Since then, the remaining deceased hostages in Gaza have been returned intermittently, including the remains of Thai agricultural worker Sudthisak Rinthalak last week, in a slow process that has extended tensions between Israel and Hamas.
Last month, the American Jewish Committee launched its own billboard campaign in Times Square that featured a montage of the remaining hostages in Gaza. Today, the display only features Gvili.
“The nightmare isn’t over,” the AJC’s billboard reads, according to a video the group posted on Youtube Tuesday, followed by a photo of Gvili’s mother holding a hostage poster of him with the caption, “A family incomplete.”
Later in the slideshow, the screen displays a photo of Gvili with the caption, “Over two years later, Hamas still holds Ran hostage in Gaza,” before ending with the message, “Bring Ran home now.”
As the number of hostages has dwindled and the weekly hostage rallies have come to a close, Gvili’s parents have become the only hostage family members in the public eye.
“We’re at the last stretch and we have to be strong, for Rani, for us, and for Israel. Without Rani, our country can’t heal,” Gvili’s mother, Talik, told Reuters on Monday.
Once Gvili is returned, the ceasefire plan is supposed to move into its second phase as laid out in a plan devised by President Donald Trump this fall.
Trump has said phase two is imminent. But while Israeli Prime Minister Benjamin Netanyahu told reporters Sunday he expects the plan to move into its second phase “very shortly,” Hamas political bureau member Husam Badran said on Tuesday that Israel had not yet honored its part of the deal, pointing to the continued closure of the Rafah crossing with Egypt. (Israel has said the crossing will open soon to allow Palestinians to exit Gaza.)
Both Israel and Hamas would lose authority in Gaza during the next phase of Trump’s plan, which would establish a “Board of Peace” helmed by Trump to make decisions about Gaza’s future. It is expected that the Palestinian Authority will play a role in the board, which Israeli officials have said they oppose, and Hamas will face renewed pressure to disarm, which it does not want to do.
Some have speculated that Hamas knows the location of Gvili’s remains but has not released them to avoid bringing the hostage-release phase of the ceasefire to an end. That leaves him and his story of Oct. 7 heroism in the public eye for longer.
“We will not forget for a single moment Ran Gvili, an Israeli hero. Even with an injured shoulder, Ran went out to defend and repel the Hamas monsters who invaded Israel on October 7, 2023,” said Ofir Akunis, the consul general of Israel in New York, in a statement about the Times Square billboard. “Israel demands that Hamas fully complete Phase A before we proceed to the beginning of Phase B of President Trump’s plan.”
The post Ran Gvili, last remaining Israeli hostage in Gaza, featured on 2 Times Square digital billboards appeared first on The Forward.
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Qatar’s Sudden Moral Outrage on Gaza Reconstruction Rings Hollow
Qatar’s Prime Minister and Minister for Foreign Affairs Sheikh Mohammed bin Abdulrahman bin Jassim Al-Thani speaks on the first day of the 23rd edition of the annual Doha Forum, in Doha, Qatar, December 6, 2025. Photo: REUTERS/Ibraheem Abu Mustafa
Qatar delivered one of the most revealing geopolitical moments of the year when its prime minister, Mohammed Abdulrahman Al Thani, announced that Doha will not pay to rebuild Gaza.
The irony is extraordinary. Qatar, the same state that hosted Hamas’ top leadership for more than a decade, financed Gaza’s bureaucracy, and positioned itself as Hamas’ indispensable diplomatic back channel, now insists it bears no responsibility for the consequences of the very organization it nurtured.
The sudden rediscovery of fiscal restraint would be amusing if the implications weren’t so revealing.
What Doha is attempting is not moral clarity. It is narrative control. By refusing to participate in reconstruction, Qatar avoids the unavoidable admission that its financial, political, and media patronage strengthened the organization that triggered the current war.
If Gaza was “destroyed,” as Qatari officials tirelessly proclaim, then a basic question follows: destroyed in response to what? Hamas executed the October 7 massacre, built an underground fortress of tunnels, stockpiled rockets in civilian zones, and systematically transformed Gaza into a militarized enclave. These were not accidental byproducts of governance. They were deliberate investments — and Qatar was Hamas’ most generous financial sponsor.
The record is not a matter of political interpretation. US Treasury designations, UN reports, and major independent investigations have repeatedly documented that Qatar-based donors, charities, and intermediaries supported Hamas, alongside Al-Qaeda affiliates in Syria, Iraq, Yemen, and Mali. Qatari individuals sanctioned by the United States have also raised funds for Jabhat al-Nusra (HTS).
These findings are not Israeli claims; they originate from American counterterrorism authorities and multilateral bodies.
Yet Qatar continues to brand itself as a humanitarian benefactor to Gaza. In practice, its “relief payments” repeatedly functioned as political leverage: money that sustained Hamas’ rule and relieved the organization of basic governing responsibilities, all while allowing Doha to posture as a benevolent mediator.
Meanwhile, other regional powers have made their terms clear regarding Gaza reconstruction. The UAE and Saudi Arabia insist that any reconstruction of Gaza must be tied to a political framework that prevents Hamas from reconstituting itself. Qatar, by contrast, has spent years cultivating an outcome in which Hamas survives as a viable actor, preserving Doha’s influence and its role as a necessary mediator.
If Hamas’ military infrastructure is dismantled, Qatar is left with a failed investment and is now eager to disclaim responsibility for the outcome.
This dynamic is not new. For more than a decade, Qatar and Iran have served as parallel financial engines for Islamist militant groups across the region, using state funds, quasi-state charities, and well-connected private donors to support this activity. Western governments long tolerated the arrangement because Qatar hosts a major US air base, commands immense energy wealth, and uses its media empire to shape regional debate. But the mask is slipping. Doha’s attempt to distance itself from the consequences of its own policy choices exposes a contradiction it can no longer conceal.
This leads to the essential question: who still takes Qatar’s moral lectures seriously?
A state that sheltered Hamas’ leadership now claims neutrality. A state whose sanctioned donors aided extremist networks now positions itself as a humanitarian authority. A state that spent years empowering the group responsible for one of the worst atrocities in modern history now refuses to help rebuild the territory devastated by that group’s actions.
The world should stop pretending not to see the pattern. Qatar’s diplomatic theater cannot hide the facts. The Emirate has influence, resources, and global reach. What it lacks, despite its insistence, is credibility.
Sabine Sterk is CEO of Time To Stand Up For Israel.
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How the Palestinian Authority Encourages Children to Die for Allah
A group of Palestinian children being taught that Israel will be destroyed. Photo: Palestinian Media Watch.
Instead of encouraging children to reach heights in education and contribute something positive in their lives, the Palestinian Authority (PA) Ministry of Education continues to indoctrinate children to see dying for Allah – Shahada (Martyrdom) – as the great ideal.
This child abuse was once again highlighted last week during celebrations of the UN’s “International Day of Solidarity with the Palestinian People.”
The Tulkarem Directorate of Education proudly posted photos on Facebook — taken at the school events — of children holding signs glorifying Martyrdom.
One sign portrayed Martyrs as smelling sweeter than a jasmine flower:
“How could a jasmine not envy a homeland that smells of Martyrs?” [Tulkarem Directorate of Education, Facebook page, Dec. 2, 2025]
Another sign proclaimed: “We will live like soaring eagles, and we will die like proud lions; we are all for the homeland and we are all for Palestine.”
These slogans encapsulate the PA’s indoctrination that Martyrdom, even for children, is not tragic or regrettable, but something beautiful, fragrant, and desirable. The PA is encouraging violence, and glorifying the murder of Jews.
Other posters held by students featured the PA map of “Palestine,” which erases Israel and displays the entire territory from the Jordan River to the Mediterranean Sea as Palestinian land:
One sign was accompanied by the slogan: “The compass will never deviate from the path and will continue to point towards Palestine.”
Other students carried large symbolic keys, representing the so-called “right of return,” which the PA teaches is an inevitable immigration to all of Israel’s cities and towns of nearly six million Arab descendants of so-called “refugees.”
The message to the children is that Israel has no right to exist and that the national mission, or “the path,” remains the elimination of Israel.
The events were attended by high-level PA officials, including Tulkarem Education Directorate Director-General Mazen Jarrar, Tulkarem District representative Rasha Sabah, and Fatah Movement Tulkarem Branch Secretary Iyad Jarrad.
These official PA education events, which glorify violence, romanticize Martyrdom, erase Israel from the map, and instill lifelong hatred towards Israel, are all part of the ongoing PA campaign to ensure that the next generation denies Israel’s right to exist and is willing to fight and seek death to achieve its goals.
The author is the Founder and Director of Palestinian Media Watch, where a version of this article first appeared.