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As Qatar Emir Visits Canada, Just What is Doha Up To?
By HENRY SREBRNIK (Sept. 19/24) Qatar…home of Hamas leaders, Al-Jazeera, host of soccer’s 2022 World Cup, and wealth beyond measure. And everyone’s favourite centre for “negotiations” to end the war Hamas unleashed on Israel a year ago. It’s become everyone’s go-to country, a veritable “light unto the nations.”
However, as the 1946 song “Put the Blame on Mame” has it, in a different context, of course, “That’s the story that went around, but here’s the real lowdown” … about this duplicitous Persian Gulf emirate.
Even before the Gaza war began, there was an upswing of commentary celebrating a shift in the policies and behavior of Qatar: away from promoting and subsidizing radical Islamist groups, and towards “deconfliction” and moderation.
Sheikh Tamim bin Hamad Al Thani, the country’s emir, has been basking in the glow of international approval, depicting the country as a global influencer and peacemaker. The Qataris want to make themselves indispensable.
It plays into Doha’s ongoing attempts to create an illusion of rebranding as a moderating actor in the Middle East and beyond, pushed by various propagandists in the West on Qatar’s payroll, including more than a few American university centres and departments awash in Qatari money.
The emir and other officials spent two days in Canada Sept. 17-19, meeting with Prime Minister Justin Trudeau and cabinet ministers. The Gaza war was on the agenda, of course. Indeed, Jewish-Canadian leaders urged Trudeau to criticize him over his patronage of Hamas. But being able to tap into Qatar’s wealth via business and trade was more likely on Trudeau’s mind.
Qatar has one of the highest per capita incomes in the world, at $110,000 a year. And while its total population is some 2.7 million, most of these are guest workers, including European lawyers and consultants at the top of the scale, and at the bottom South Asian labourers. Only some 313,000 are native Qataris, the ones who benefit from the riches it derives from the sale of oil and gas.
The Peninsula, an English language daily newspaper published in Doha, ran an article on the occasion of the emir’s visit by noting the expanding trade and investment cooperation between Canada and Qatar, especially with the signing of a Memorandum of Understanding (MoU) in June between the Qatar Financial Center and the Canada Arab Business Council, a non-profit organization that aims to enhance trade and investment relations between Canada and the Arab world.
The MoU “aims to establish an integrated framework for cooperation and coordination in specific sectors through joint initiatives and the exchange of information and expertise, with a focus on stimulating growth and promoting innovation in areas such as financial services and professional business services.” Ahmed Hussen, Minister of International Development participated in a signing ceremony with Lolwah bint Rashid Al-Khater, Qatar’s Minister of State for International Cooperation.
More than 9,000 Canadian expatriates live in Qatar, working in Canadian and Qatari companies and institutions. From January to July, Canada exported goods valued at $103.45 million to Qatar, while Qatar’s exports to Canada amounted to $90.27 million.
There is also a partnership in academic programs, as the University of Calgary has been in Doha since 2006, offering a Bachelor of Nursing program, along with the College of the North Atlantic, which transformed into the University of Doha for Science and Technology. Furthermore, there are several Doha-based schools that offer Canadian curricula.
In their meeting, Sheikh Tamim expressed his aspiration to work with Trudeau to advance their bilateral cooperation across multiple sectors in order to “contribute to enhancing regional and global peace and stability.” Bilateral relations between the two countries were discussed, especially in the fields of investment, economy and international cooperation, “in addition to developments and situations in the Gaza Strip and the occupied Palestinian territories.”
Qatar has been very successful in its efforts to shape public opinion in Canada, as well as in the far more important United States. The amount of money that Qatar has poured into universities, schools, educational organizations, think tanks, and media across America, and the number of initiatives that Qatar uses to influence American opinion, is overwhelming.
According to a 2022 study from the National Association of Scholars, Qatar is the largest foreign donor to American universities. It found that between 2001 and 2021, the petrostate donated a whopping $4.7 billion to U.S. colleges. The largest recipients are some of America’s most prestigious institutions of higher learning. They include Carnegie Mellon University, Ivy League Cornell University, Georgetown University in Washington, Virginia Commonwealth University, and Texas A & M. These schools have partnered with the regime to build campuses in Doha’s “education city,” a special district of the capital that hosts satellite colleges for American universities. (Texas A&M decided earlier this year to shutter its branch campus in Qatar.)
Georgetown University in Qatar, for instance, was hosting the “Reimagining Palestine” conference Sept. 20-22. The event engages scholars, experts, and the public “in timely and relevant dialogues on globally significant issues,” according to a description of the gathering. One of the speakers, Wadah Khanfar, “was active in the Hamas movement and was one of its most prominent leaders in the movement’s office in Sudan,” the Raya Media Network, a Palestinian outlet, tells us. In the months following Oct. 7, the campus has hosted a variety of seemingly anti-Israel events.
Since 2008, Qatar has donated nearly $602 million to Northwestern University, whose journalism school is ranked as one of the best in the world, to establish a school of journalism in Qatar. The Northwestern University campus in Qatar and Qatari broadcaster Al-Jazeera in 2013 signed a Memorandum of Understanding to “further facilitate collaboration and knowledge transfer between two of Qatar’s foremost media organizations.” Are Northwestern’s interests really aligned with Qatar?
Qatari state-financed entities also often fund individual scholars or programs in the United States without official disclosure or being directly traceable to a government source, thus avoiding public scrutiny. For example, Ivy League Yale University disclosed only $284,668 in funding from Qatar between 2010 and 2022. Researchers at the Institute for the Study of Global Antisemitism and Policy (ISGAP) in a report released in June, though, found that this amount reflected only a small fraction of the money and services the university and its scholars had in fact received over that period. The most common channel for hard-to-track Qatari support for Yale came from individual research grants originating from the Qatar National Research Fund, and their report found 11 Yale-linked QNRF grants which came to at least $15,925,711.
Recent research from the Network Contagion Research Institute indicated that at least 200 American universities illegally withheld information about approximately $13 billion in Qatari contributions. Also, according to the report, from 2015 to 2020 institutions that accepted money from Middle Eastern donors had on average, 300 percent more antisemitic incidents than those institutions that did not.
Overall, the report found that “a massive influx of foreign, concealed donations to American institutions of higher learning, much of it from authoritarian regimes with notable support from Middle Eastern sources, reflects or supports heightened levels of intolerance towards Jews, open inquiry and free expression.”
Much of Doha’s engagement with the world is run out of the Qatar Meeting, Incentive, Conference and Exhibition (MICE) Development Institute (QMDI), which promotes Qatar as a good place for business. The annual Doha Forum gathers major policymakers from around the world.
Qatar’s influence-buying strategies are a textbook example of how to transform cash into “soft” power. The relationship between one of Washington, D.C.’s top think tanks and Qatar, for example, began in 2002, when the emirate underwrote a Doha conference featuring then Qatari Foreign Minister Hamad bin Jassem Al Thani and former U.S. Ambassador to Israel Martin Indyk, at the time the director of the Saban Center for Middle East Policy at Brookings. (Hamad oversaw Qatar’s $230 billion sovereign wealth fund until 2013.) In 2007, Brookings followed up by opening a centre on Doha. It didn’t end well. In 2021 the institute ended its relationship with Qatar amidst an ongoing FBI investigation.
Still, Washington treads carefully when it comes to criticizing Qatar. It’s not just about money. After all, the Al-Udaid Air Base is home to the U.S. military’s Central Command (CENTCOM), and the country is just across the Persian Gulf from Iran. In fact, Washington’s relationship with Qatar is so close that in 2022 the White House officially designated the emirate a “major non-NATO ally.” The Qataris, realizing that their very existence would be threatened were the U.S. to relocate its CENTCOM operations to the UAE or Saudi Arabia, in January hastened to nail down the agreement for another decade.
Yoni Ben-Menachem, a senior researcher at the Jerusalem Center for Security and Foreign Affairs, told the Jewish News Service (JNS) that the Gulf country is more dangerous than Hamas or Hezbollah since it is extraordinarily wealthy and thus in a position to influence U.S. administrations.
Qatar has for many years been involved in financing the campaigns of the Democratic Party, he claimed, “especially Hillary Clinton’s campaign” in 2016. He added that former U.S. President Bill Clinton is known to have flown to Qatar to bring back suitcases full of cash.
According to Jonathan Ruhe, director of foreign policy at the Jewish Institute for National Security of America (JINSA), Qatar has portrayed itself as “indispensable to U.S. interests in the Middle East, including negotiations with the Taliban, reconstruction aid for past Gaza conflicts, and building the massive Al-Udeid base for U.S. forces.”
Yet although it hosts the Pentagon’s regional command, Qatar has long supported terrorism. For decades, it has opened its doors to Islamist terrorists, Taliban warlords and African insurgents. Doha housed the Taliban’s political office before that group returned to power in Afghanistan in 2021.
Beginning in 2012, the Israeli government allowed Qatar to deliver cash to Gaza. Over the next nine years, Qatar provided $1.5 billion. Prior to the outbreak of the present conflict, Doha subsidized Hamas to the tune of $360 million to $480 million a year. With one third of that money, Qatar bought Egyptian fuel that Cairo then shipped into Gaza, where Hamas sold it and pocketed its revenue. Another third went to impoverished Gazan families, while the last third paid the salaries of the Hamas bureaucracy.
The leaders of Hamas, including Khaled Mashaal and the late Ismail Haniyeh, who was chairman of the Hamas Political Bureau until assassinated by Israel in July, have been regular guests in Doha, living in luxury. (The emir sat in the front row with mourners during Haniyeh’s funeral in Doha.) Qatar has defended Hamas’s presence in the country.
“This was started to be used as a way of communicating and bringing peace and calm into the region, not to instigate any war,” Prime Minister Mohammed bin Abdulrahman Al Thani told U.S. Secretary of State Antony Blinken last October. “And this is the purpose of that office.” Blinken seemed to buy this. At a press conference in Doha in February, he asserted that “we’re very fortunate to have Qatar as a partner.”
As far back as 2007, when Hamas seized control of Gaza, Qatar recognized that “adopting” the group would be a worthwhile opportunity: connections with Hamas in Gaza grants Qatar influence and status in the Middle East and beyond. In addition, they bolster the popular Arab perception of Doha as working for the Palestinian cause. In 2012, the emir became the first head of state to visit Gaza, pledging $400 million to Hamas. At the same time, the Qataris became the exclusive mediators between Israel and Hamas.
The U.S. has accused the Qataris of harboring members of Iran’s Islamic Revolutionary Guards Corp (IRGC). But at the same time the Qataris are an important intermediary between America and Iran. Doha has enjoyed good relations with the Biden administration, which it helped in the American hasty withdrawal from Afghanistan three years ago.
While organized as a private company, the Al-Jazeera television network is the voice of Qatar’s regime. Founded in 1996 and financed by the then-emir of Qatar, it has described terrorist attacks that killed Israeli non-combatants as martyrdom operations and even posted articles describing Israel as “the Zionist entity.” For years, Al-Jazeera aired all of Osama bin Laden’s speeches. The late Muslim Brotherhood spiritual leader Yusuf Al-Qaradawi was based in Doha and for years hosted a prime-time program on the network. The war on Israel was declared on Al-Jazeera by Hamas military commander Muhammad Deif last October 7. Its operations in Israel were finally terminated by Jerusalem in May.
Qatar has been using the immense wealth it has accumulated to turn Al-Jazeera into an international media conglomerate, spreading Muslim Brotherhood propaganda, Hamas’ original sponsor, on a global scale. The Muslim Brotherhood was founded in Egypt in 1928 by the cleric Hassan al-Banna as a reaction to his perception that the Muslim world had become week in relation to the West. The royal family of Qatar has since been using the Muslim Brotherhood to minimize political opposition against them. In exchange for allowing the Brotherhood to use the country as a base for its international operations, the Brotherhood makes sure that there is no political threat based on organized religion against the Qatari monarchy.
A major shock to Qatar’s economy occurred when some Gulf Cooperation Council members — Bahrain, Saudi Arabia, and the United Arab Emirates — imposed an embargo on Qatar from 2017 to 2021. The reason for the embargo was Qatar’s support for the Brotherhood.
Qatar owns other news media that are equally awful. The London-based daily newspaper Al-Quds Al-Arabi in June published an article entitled “War Criminal Blinken Wages Diplomatic Campaign to Eliminate Palestinian Resistance and Buy Time for Israeli War in Gaza.”
Qatar is not a neutral agent, despite its attempts to portray itself as such. Time and again, it has supported the region’s most radical nations and paramilitaries, all to the detriment of American and Western interests. Its malign influence activities the United States reflect the broader issue of foreign manipulation in America’s political landscape.
“Qatar has been playing a dual role since the beginning of the Gaza war. On the one hand, it is a well-known supporter of Hamas, and even finances it with a lot of money, and on the other hand, it is trying to help in the deal for the release of the Israeli hostages,” remarked Dr. Udi Levy, a former senior official of Israel’s Mossad spy agency in April. But the U.S. relationship with Qatar will continue as long as the American government finds it useful in the on-again off-again negotiations to have Hamas release the remaining Israeli hostages.
Henry Srebrnik is a professor of political science at the University of Prince Edward Island.
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This isn’t just a dance group; it’s a model for what coexistence could look like
There are three of them onstage. Arielle Rosales, a Mexican Puerto-Rican Jew from the Lower East Side, is dancing flamenco. Amanda Castro, a Brooklyn-born Puerto-Rican from New Haven, is tapping. And Brinda Guha, a Bengali-Indian from New Jersey, is doing Kathak — a form of Indian classical dance. They’re three performers raised in different artistic traditions who became a trio a decade ago.
But as Soles of Duende, these artists never wanted to create a “fusion” that blurs or erases their identities, cultures, dance styles, or legacies. Nothing is stripped of its history or blended beyond recognition.
“We’re not trying to make a smoothie. We’re trying to make a fruit salad,” Rosales told me. “We want you to be able to pick up the pineapple and pick up the watermelon and pick up the mango.”
Together, the women move. They vocalize. They invent rhythms and songs with their feet. The sounds of Castro’s taps, Rosales’s heels, and Guha’s ghungroos — multi-tiered strings of bells that wrap from the ankles up toward the shins and calves — are just as much a part of the music played by their three counterparts in their band: a percussionist, an electric guitarist and a trumpeter.
You can hear these percussive dance forms and you can feel them, too, mingling and building, filling the air and shaking the room in rehearsals.
‘Carrying the blessing and burden of tradition’
The collaboration started as a one-off project. Rosales and Guha were friends, their paths having crossed at Broadway Dance Center, a popular New York City studio where Rosales taught flamenco and Guha ran what was then called the International Student Visa Program. In 2016, they applied to create a short piece and participate in a show together.
“We wanted to do a trio of three different percussive styles,” said Rosales. “We wanted a third sound.” They found it in Castro, who wowed Guha with a tap solo she performed at a competition.
“I was so enthralled with the fact that there were other women percussive dancers making space for other women percussive dancers,” Castro said. “There are still people who think percussive dance is a less-than art form,” she said. “It is something that never gets the flowers that it deserves.”
What started with an eight-minute piece at an experimental theater on the Lower East Side led to a year-long residency that culminated in a full-length production. The question explicit in its title “Can We Dance Here?” reflects the challenges they faced finding rehearsal spaces. Practitioners of percussive forms often find themselves in a perpetual search for floors they can dance on and spaces that will welcome, or at least tolerate, them.
“It was about permission,” Guha said, both literal and philosophical. Not just can we use this floor, she said, but: “Do we have permission to mess with tradition like this? Do we have permission to [have a] dialogue with each other and change a couple of rules?”
Over time, their questions evolved, Guha added: “How far can we go with this thing? How close to our humanity can we get through the form of percussive dance?” They stopped asking for permission as much, though they continue to seek a balance between honoring established practices and pushing them forward.
“All three of us are both carrying the blessing and burden of tradition,” said Guha, who started learning Kathak from her mother, an immigrant from Kolkata, India, at the small dance school she ran out of their garage. “I grew up with lots of students in the house. I grew up with ghungroos, our bells, literally jingling in our house all day long.”
Guha went on to study with other teachers, including in India, much as Rosales inherited the traditions of flamenco not only in New York City, but also in flamenco meccas in Spain and New Mexico. Castro learned about tap legacies and lineages in bits and pieces, from Fred Astaire movies to classes with icons like Jason Samuels Smith.
“The three of us are really open to breaking a lot of rules,” Guha said, “as long as we know what rules we’re breaking and why.”
They bonded fast, not only as artists with shared sensibilities, Rosales said: “We became family pretty quickly.”
‘We’re doing it in each of our own ways”
Two hours into rehearsal, Soles of Duende is floating in and out of choreography, trying steps, checking cues with the musicians, chatting and smiling, making jokes and scat singing rhythms for each other. You can see them through a glass storefront in East Harlem, an unassuming studio tucked between a corner laundromat and a stoop draped with a Puerto Rican flag, under which a few men gather around a card table.
Here at the Rhythmic Arts Center, they’re rehearsing sections from “The Kitchen,” a full-length production the group is currently developing. The show pays homage to the traditions and cultures that shaped them — all of which value gathering around food — and explores family dynamics, celebration, ritual, hardship, and connection. The kitchen, Castro said, looms large as a communal place where families show up, break bread, fight at the table, announce big news, and meet new people.
“We also have a deep, deep love of food,” Guha said, explaining that the three dancers and the band often eat together, whether they’re going out during tour dates, cooking for each other, or hanging out and talking about cooking shows on TV. “We gather around food at all times. When we’re sad, when we’re mad, when we’re creative, when we’re stuck.”
Indeed, inside the rehearsal space, there’s a plate of fruit set out on a bench. The floor vibrates, knocking over the phone Castro set up to film one of their final runs before the next day’s performance. She scurries over to prop it back up, then gives up. It’s no match for them as they dance for and with each other.
“The Kitchen” is about “nostalgia and culture and all of that, but it’s not just that,” Rosales said. “Each of our sounds, each of our instruments is an ingredient, and when you let it simmer, we literally are cooking up something live.”
Watching them close up, it’s striking to pick out moments when these three dancers are performing a phrase seemingly in unison, only to notice that they are each executing slightly different steps using distinct dance vocabularies. If the common thread for a particular step is bringing both arms up overhead and then back down to rest by the sides of the body, they have to ask themselves: What would that look like in tap, flamenco, and Kathak?
The result often looks so smooth — a 2022 New York Times review called their show “a treasure and a triumph” and they graced the March 2024 cover of Dance Magazine — that it belies the struggle it takes to compose coherent, polished choreography out of three different cultural forms and artistic languages.
“We get a lot of people that think they see the quote-unquote product and say, ‘Oh you guys you work so well together!’ And that’s true,” Rosales said. But the ultimate cohesion rarely comes easily. Sometimes they’ll spend a three-hour rehearsal choreographing just one minute of new material. “It is so hard to come up with these things, and it comes with a lot of blocks,” she said, “a lot of friction and sometimes arguments.”
They’ve learned along the way when they need to put an idea in the “parking lot” to deal with later, when they need to sit down and talk, when they need to admit their brains are mush, when they need to explain or understand something about one of their dance forms, and when they need to remember their shared goals.
“We’ve named the idea Greta,” Castro said. “So when we are not on the same page, we say, ‘Greta, what is the answer? … What does the work need?’ Then our feelings can’t get in the way.”
At about 9 p.m., it’s time to call it quits. The dancers, musicians, and Greta all seem satisfied. They’re ready for their show the following evening.
‘Talk to each other and with each other’
First they argue about rice. In an excerpt from “The Kitchen” they perform the next day, the three women congregate over an invisible pot. With all these cooks in the kitchen, Castro tells the audience, “you can imagine that each of them thinks that their pot of rice is the best pot of rice.”
“This is burnt!” one exclaims. Another slaps a hand away: “Get your hand out my pot.”
On this particular evening in August, Soles is the opening act on the opening night of the Battery Dance Festival. The annual event is held on an outdoor stage in a waterfront park at the southern tip of Manhattan, next door to the Museum of Jewish Heritage.
“Part of the mission of the festival is to break down barriers between people, between cultures, introduce new forms of dance to the audience members, and to bring people together,” said Battery Dance’s executive director Emad Salem. “They perfectly embody that mission,” he said, “coming together in this seamless way.”
Though the sky is gray and heavy with the threat of rain, the amphitheater-style seats are packed. And while it started drizzling earlier during the group’s tech rehearsal — leading to a scramble to cover equipment and altering the sound of the wooden flooring onstage — the audience is none the wiser.
Standing behind the last row of seats, Curtis Thomas can’t help but dance along as he cheers and applauds. “It’s just so vibrant. All of the energy comes right at you,” said Thomas, who is a dancer himself. “It immediately opens you up somehow. And I love the way it’s just so multidisciplinary and the way that all of the styles and forms of dance and music talk to each other and with each other.”
The symbolism of the scene is almost too much. Dancing against the backdrop of the Hudson River flowing into New York Harbor, with the Statue of Liberty and Ellis Island visible in the distance, Soles of Duende demonstrates in dance what might be possible outside of it. At a time of entrenched polarization, they show you, Castro said, “what the dreamscape could be or a current reality could be.”
“When people see us performing, it really is a true example and testament to coexistence,” Rosales said. Whether they’re onstage or off, they can converse without changing who they are or how they speak. No one has to dim or diminish themselves. And “just like any musical form, we have to listen to each other.”
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Tidbits: This Jewish couple gives homeless dogs a free makeover
Tidbits is a Forverts feature of easy news briefs in Yiddish that you can listen to or read, or both! If you read the article and don’t know a word, just click on it and the translation appears. Listen to the report here:
אַ גרויסער בלאָער משׂא־פֿור האָט זיך אָפּגעשטעלט אויף אַ גאַס אין סקיד־ראָו, אַ באַקאַנטער אָרעמער געגנט אין לאָס־אַנדזשעלעס, פֿאַר אַ היימלאָזן מענטש מיט אַ הינטל.
„אײַער הינטל וויל אפֿשר מע זאָל אים צופּוצן אַ ביסל?“ האָט דער מאַן אינעם אויטאָ געפֿרעגט. לכתּחילה האָט דער היימלאָזער אויסגעזען צעטומלט. דערנאָך האָט ער געגעבן אַ קוק אויף זײַן הינטל, וואָס ער האָט שוין ווער ווייסט ווי לאַנג נישט געבאָדן אָדער אָפּגעשוירן, און צוגעשאָקלט מיטן קאָפּ.
מיט אַ שעה שפּעטער איז דאָס הינטל אַרויס פֿונעם משׂא־פֿור, אויסזעענדיק ווי אַ גאָר אַנדער הינטל. זײַן פֿעל, וואָס איז פֿריִער געווען שמוציק און פֿאַרפּלאָנטערט, האָט מען אויסגעוואַשן, צוגעשוירן און געבערשט ביז ער איז געוואָרן ווייך און גלאַנציק. איידער ער איז אַרויס פֿון אויטאָ האָט מען אים געגעבן אַ נאַש, וואָס ער האָט פֿריילעך אײַנגעשלונגען.
די אָרגאַניזאַציע וואָס האָט אויסגעבאָדן דאָס הינטל, „האָליוווּד מאָביל גרומינג“, באַלאַנגט צו טשאָק און יעל רובין. במשך פֿון די פֿאַרגאַנגענע 11 יאָר, האָבן זיי און זייערע מיטאַרבעטער גערייניקט בערך 5,000 הינט פֿרײַ פֿון אָפּצאָל.
דאָס פּאָרפֿאָלק, וואָס האָט אימיגרירט פֿון ישׂראל, האָט אין 2001 לאַנצירט אַ געשעפֿט וואָס ברענגט אַ לוקסוס־ספּאַ צו פֿאַרמעגלעכע אייגנטימער פֿון הינט. אָבער דערנאָך האָבן זיי באַשלאָסן אַז זיי ווילן אויך העלפֿן די מענטשן מיט הינט, וואָס קענען נישט באַצאָלן דערפֿאַר: סײַ הינט וואָס געפֿינען זיך אין אַ מיקלט פֿאַר חיות, סײַ הינט וואָס וווינען מיט זייערע אייגנטימער אויף דער גאַס.
„אַ מאָל האָבן די אייגנטימער מורא אונדז איבערצוגעבן די הינט, אַפֿילו אויב זיי קענען וואַרטן אין דרויסן,“ האָט יעל געזאָגט. „מיר לאָזן זיי אַרײַנקומען און זען וואָס מיר טוען. די הינט פֿילן זיך אויך בעסער. מע קען זען וויפֿל זיי האָבן הנאה פֿון דער באַהאַנדלונג און ווי עס שפּאַנט זיי אויס. דו ווײַזט זיי ליבע, גיסט זיי אַ נאַש, וואַסער צו טרינקען, און זיי באַצאָלן דיר מיט זייערע קושן.“
אויף דער פֿראַגע, צי זיי זאָרגן זיך נישט, וואָס וועט זײַן ווען די הינט גייען צוריק צו די האַרבע באַדינגונגען פֿון דער גאַס, האָט טשאָק באַטאָנט עטלעכע זאַכן: „זייערע אייגנטימער זענען תּמיד מיט זיי און פּאַסן אויף אויף זיי וויפֿל זיי קענען נאָר. די הינטלעך זענען זייערע ׳קינדער׳. עס זענען אויך דאָ אַ סך אָרגאַניזאַציעס וואָס באַזאָרגן זיי מיט עסן אומזיסט און אַנדערע זאַכן. זיי פֿאַרמאָגן ווייניק, אָבער זיי טוען דאָס בעסטע אויפֿצופּאַסן אויף זייערע הינט.“
צו לייענען וועגן דעם אויף ענגליש גיט אַ קוועטש דאָ.
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The tech worker campaigning for ‘Antisemite of the Week’ doesn’t want to talk about antisemitism
After accusations of discrimination led his San Francisco Tech Week event to be pulled from the schedule, a tech worker has decided to embrace his newfound notoriety.
Mostapha Benhenda cited security reasons last week when he denied an Israeli programmer admission to his AI hackathon event, explaining that he didn’t want the Israeli army to make participants’ electronics “explode in their faces and injure them.”
The Israeli tech worker — a former Israeli soldier named Adam Levi — posted the message online, leading sponsors to pull funding for the event. In the days since, Benhenda has begun openly campaigning for an “Antisemite of the Week” award from pro-Israel watchdog group StopAntisemitism.
“I am a competitor, I play to win, this prize will be my Ballon d’Or,” Benhenda said in a message to the Forward, referring to the annual prize for the world’s best soccer player.
Running this week through Sunday, San Francisco Tech Week draws tens of thousands of tech industry workers to hundreds of panels, competitions and parties across the Bay Area.
The saga began Sept. 29 when Levi posted a screenshot of Benhenda’s messages rejecting his RSVP to the event, called “Build Your Agentic Investment Bank Hackathon.” A page for the hackathon on the digital invitation platform Partiful claimed it had been co-sponsored by Tech Week and the convention’s founder, venture capital firm Andreessen Horowitz.
Levi’s post was reshared on X more than 1,000 times, leading to the event’s de-listing by Tech Week organizers, who said on X that the event had violated the program’s terms of service.
Levi told The Algemeiner that Andreessen Horowitz told him the company had removed its sponsorship.
Benhenda, whose LinkedIn says he attended college in France, declined to participate in phone interviews. But in messages to the Forward, his response to accusations of antisemitism appeared to shift over a manner of days from defensiveness to bemusement.
When first reached for comment, Benhenda denied that his rejection of Levi was antisemitic at all. He said he banned Levi because his LinkedIn indicated service in the Israeli military’s secretive Unit 8200 during September 2024, when the intelligence unit was linked to the simultaneous detonation of thousands of pagers owned by Hezbollah operatives across Lebanon. (Levi declined to be interviewed, but said on X that “building explosive pagers was never my thing.”)
“I understand Adam’s disappointment, and his resulting emotional accusation of antisemitism, but he perfectly knows it’s unfounded,” Benhenda wrote Sept. 29, adding, “I hope that over the next weeks he will get more clarity about this.”
However, after StopAntisemitism posted about Benhenda on X, he seemed to lose interest in contesting the claim — and began leaning into it instead.
On Saturday, Benhenda shared StopAntisemitism’s post about him with a request.
“I am competing for the ‘Antisemite of the Week’ award at the San Francisco Tech Week,” he wrote. “Can you show your support/hate with a retweet?”
Founded in 2018 by a social media influencer who goes by Liora Rez, StopAntisemitism.org frequently bestows its “Antisemite of the Week” awards to public figures — a mix of elected officials, civic leaders and celebrities — who antagonize Israel.
Recent recipients of the award — which is not actually awarded weekly — have included actor Javier Bardem and Rama Duwaji, the wife of New York City Mayor Zohran Mamdani.
Last month, StopAntisemitism sponsored an event where a speaker was later criticized for Islamophobic rhetoric. (Rez did not respond to a request for comment on that story, or for this one.)
Benhenda said in messages to the Forward on Monday afternoon that he did not know very much about the organization, but that he was pining for its distinction, given the group’s 350,000 followers on X.
“What matters isn’t the label, but who puts it,” he added. “Go big or go home, that’s the game in the Silicon Valley.”
Later, though, Benhenda insisted that he still did not understand the accusations of antisemitism against him. His refusal of Levi, he said, had been solely due to Levi’s involvement in the Israeli military.
Meanwhile, he is forging ahead with the hackathon, hosting it Tuesday on the streaming platform Discord for nearly 200 registered participants.
Benhenda blamed the “tremendous lobbying from the Zionist lobby” for the change. But the venue where he had initially planned to host the event indicated there was no change. The supposed host, a coworking space called Frontier Tower, said in an email it had never booked Benhenda’s event to begin with.
The post The tech worker campaigning for ‘Antisemite of the Week’ doesn’t want to talk about antisemitism appeared first on The Forward.
