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As Qatar Emir Visits Canada, Just What is Doha Up To?
By HENRY SREBRNIK (Sept. 19/24) Qatar…home of Hamas leaders, Al-Jazeera, host of soccer’s 2022 World Cup, and wealth beyond measure. And everyone’s favourite centre for “negotiations” to end the war Hamas unleashed on Israel a year ago. It’s become everyone’s go-to country, a veritable “light unto the nations.”
However, as the 1946 song “Put the Blame on Mame” has it, in a different context, of course, “That’s the story that went around, but here’s the real lowdown” … about this duplicitous Persian Gulf emirate.
Even before the Gaza war began, there was an upswing of commentary celebrating a shift in the policies and behavior of Qatar: away from promoting and subsidizing radical Islamist groups, and towards “deconfliction” and moderation.
Sheikh Tamim bin Hamad Al Thani, the country’s emir, has been basking in the glow of international approval, depicting the country as a global influencer and peacemaker. The Qataris want to make themselves indispensable.
It plays into Doha’s ongoing attempts to create an illusion of rebranding as a moderating actor in the Middle East and beyond, pushed by various propagandists in the West on Qatar’s payroll, including more than a few American university centres and departments awash in Qatari money.
The emir and other officials spent two days in Canada Sept. 17-19, meeting with Prime Minister Justin Trudeau and cabinet ministers. The Gaza war was on the agenda, of course. Indeed, Jewish-Canadian leaders urged Trudeau to criticize him over his patronage of Hamas. But being able to tap into Qatar’s wealth via business and trade was more likely on Trudeau’s mind.
Qatar has one of the highest per capita incomes in the world, at $110,000 a year. And while its total population is some 2.7 million, most of these are guest workers, including European lawyers and consultants at the top of the scale, and at the bottom South Asian labourers. Only some 313,000 are native Qataris, the ones who benefit from the riches it derives from the sale of oil and gas.
The Peninsula, an English language daily newspaper published in Doha, ran an article on the occasion of the emir’s visit by noting the expanding trade and investment cooperation between Canada and Qatar, especially with the signing of a Memorandum of Understanding (MoU) in June between the Qatar Financial Center and the Canada Arab Business Council, a non-profit organization that aims to enhance trade and investment relations between Canada and the Arab world.
The MoU “aims to establish an integrated framework for cooperation and coordination in specific sectors through joint initiatives and the exchange of information and expertise, with a focus on stimulating growth and promoting innovation in areas such as financial services and professional business services.” Ahmed Hussen, Minister of International Development participated in a signing ceremony with Lolwah bint Rashid Al-Khater, Qatar’s Minister of State for International Cooperation.
More than 9,000 Canadian expatriates live in Qatar, working in Canadian and Qatari companies and institutions. From January to July, Canada exported goods valued at $103.45 million to Qatar, while Qatar’s exports to Canada amounted to $90.27 million.
There is also a partnership in academic programs, as the University of Calgary has been in Doha since 2006, offering a Bachelor of Nursing program, along with the College of the North Atlantic, which transformed into the University of Doha for Science and Technology. Furthermore, there are several Doha-based schools that offer Canadian curricula.
In their meeting, Sheikh Tamim expressed his aspiration to work with Trudeau to advance their bilateral cooperation across multiple sectors in order to “contribute to enhancing regional and global peace and stability.” Bilateral relations between the two countries were discussed, especially in the fields of investment, economy and international cooperation, “in addition to developments and situations in the Gaza Strip and the occupied Palestinian territories.”
Qatar has been very successful in its efforts to shape public opinion in Canada, as well as in the far more important United States. The amount of money that Qatar has poured into universities, schools, educational organizations, think tanks, and media across America, and the number of initiatives that Qatar uses to influence American opinion, is overwhelming.
According to a 2022 study from the National Association of Scholars, Qatar is the largest foreign donor to American universities. It found that between 2001 and 2021, the petrostate donated a whopping $4.7 billion to U.S. colleges. The largest recipients are some of America’s most prestigious institutions of higher learning. They include Carnegie Mellon University, Ivy League Cornell University, Georgetown University in Washington, Virginia Commonwealth University, and Texas A & M. These schools have partnered with the regime to build campuses in Doha’s “education city,” a special district of the capital that hosts satellite colleges for American universities. (Texas A&M decided earlier this year to shutter its branch campus in Qatar.)
Georgetown University in Qatar, for instance, was hosting the “Reimagining Palestine” conference Sept. 20-22. The event engages scholars, experts, and the public “in timely and relevant dialogues on globally significant issues,” according to a description of the gathering. One of the speakers, Wadah Khanfar, “was active in the Hamas movement and was one of its most prominent leaders in the movement’s office in Sudan,” the Raya Media Network, a Palestinian outlet, tells us. In the months following Oct. 7, the campus has hosted a variety of seemingly anti-Israel events.
Since 2008, Qatar has donated nearly $602 million to Northwestern University, whose journalism school is ranked as one of the best in the world, to establish a school of journalism in Qatar. The Northwestern University campus in Qatar and Qatari broadcaster Al-Jazeera in 2013 signed a Memorandum of Understanding to “further facilitate collaboration and knowledge transfer between two of Qatar’s foremost media organizations.” Are Northwestern’s interests really aligned with Qatar?
Qatari state-financed entities also often fund individual scholars or programs in the United States without official disclosure or being directly traceable to a government source, thus avoiding public scrutiny. For example, Ivy League Yale University disclosed only $284,668 in funding from Qatar between 2010 and 2022. Researchers at the Institute for the Study of Global Antisemitism and Policy (ISGAP) in a report released in June, though, found that this amount reflected only a small fraction of the money and services the university and its scholars had in fact received over that period. The most common channel for hard-to-track Qatari support for Yale came from individual research grants originating from the Qatar National Research Fund, and their report found 11 Yale-linked QNRF grants which came to at least $15,925,711.
Recent research from the Network Contagion Research Institute indicated that at least 200 American universities illegally withheld information about approximately $13 billion in Qatari contributions. Also, according to the report, from 2015 to 2020 institutions that accepted money from Middle Eastern donors had on average, 300 percent more antisemitic incidents than those institutions that did not.
Overall, the report found that “a massive influx of foreign, concealed donations to American institutions of higher learning, much of it from authoritarian regimes with notable support from Middle Eastern sources, reflects or supports heightened levels of intolerance towards Jews, open inquiry and free expression.”
Much of Doha’s engagement with the world is run out of the Qatar Meeting, Incentive, Conference and Exhibition (MICE) Development Institute (QMDI), which promotes Qatar as a good place for business. The annual Doha Forum gathers major policymakers from around the world.
Qatar’s influence-buying strategies are a textbook example of how to transform cash into “soft” power. The relationship between one of Washington, D.C.’s top think tanks and Qatar, for example, began in 2002, when the emirate underwrote a Doha conference featuring then Qatari Foreign Minister Hamad bin Jassem Al Thani and former U.S. Ambassador to Israel Martin Indyk, at the time the director of the Saban Center for Middle East Policy at Brookings. (Hamad oversaw Qatar’s $230 billion sovereign wealth fund until 2013.) In 2007, Brookings followed up by opening a centre on Doha. It didn’t end well. In 2021 the institute ended its relationship with Qatar amidst an ongoing FBI investigation.
Still, Washington treads carefully when it comes to criticizing Qatar. It’s not just about money. After all, the Al-Udaid Air Base is home to the U.S. military’s Central Command (CENTCOM), and the country is just across the Persian Gulf from Iran. In fact, Washington’s relationship with Qatar is so close that in 2022 the White House officially designated the emirate a “major non-NATO ally.” The Qataris, realizing that their very existence would be threatened were the U.S. to relocate its CENTCOM operations to the UAE or Saudi Arabia, in January hastened to nail down the agreement for another decade.
Yoni Ben-Menachem, a senior researcher at the Jerusalem Center for Security and Foreign Affairs, told the Jewish News Service (JNS) that the Gulf country is more dangerous than Hamas or Hezbollah since it is extraordinarily wealthy and thus in a position to influence U.S. administrations.
Qatar has for many years been involved in financing the campaigns of the Democratic Party, he claimed, “especially Hillary Clinton’s campaign” in 2016. He added that former U.S. President Bill Clinton is known to have flown to Qatar to bring back suitcases full of cash.
According to Jonathan Ruhe, director of foreign policy at the Jewish Institute for National Security of America (JINSA), Qatar has portrayed itself as “indispensable to U.S. interests in the Middle East, including negotiations with the Taliban, reconstruction aid for past Gaza conflicts, and building the massive Al-Udeid base for U.S. forces.”
Yet although it hosts the Pentagon’s regional command, Qatar has long supported terrorism. For decades, it has opened its doors to Islamist terrorists, Taliban warlords and African insurgents. Doha housed the Taliban’s political office before that group returned to power in Afghanistan in 2021.
Beginning in 2012, the Israeli government allowed Qatar to deliver cash to Gaza. Over the next nine years, Qatar provided $1.5 billion. Prior to the outbreak of the present conflict, Doha subsidized Hamas to the tune of $360 million to $480 million a year. With one third of that money, Qatar bought Egyptian fuel that Cairo then shipped into Gaza, where Hamas sold it and pocketed its revenue. Another third went to impoverished Gazan families, while the last third paid the salaries of the Hamas bureaucracy.
The leaders of Hamas, including Khaled Mashaal and the late Ismail Haniyeh, who was chairman of the Hamas Political Bureau until assassinated by Israel in July, have been regular guests in Doha, living in luxury. (The emir sat in the front row with mourners during Haniyeh’s funeral in Doha.) Qatar has defended Hamas’s presence in the country.
“This was started to be used as a way of communicating and bringing peace and calm into the region, not to instigate any war,” Prime Minister Mohammed bin Abdulrahman Al Thani told U.S. Secretary of State Antony Blinken last October. “And this is the purpose of that office.” Blinken seemed to buy this. At a press conference in Doha in February, he asserted that “we’re very fortunate to have Qatar as a partner.”
As far back as 2007, when Hamas seized control of Gaza, Qatar recognized that “adopting” the group would be a worthwhile opportunity: connections with Hamas in Gaza grants Qatar influence and status in the Middle East and beyond. In addition, they bolster the popular Arab perception of Doha as working for the Palestinian cause. In 2012, the emir became the first head of state to visit Gaza, pledging $400 million to Hamas. At the same time, the Qataris became the exclusive mediators between Israel and Hamas.
The U.S. has accused the Qataris of harboring members of Iran’s Islamic Revolutionary Guards Corp (IRGC). But at the same time the Qataris are an important intermediary between America and Iran. Doha has enjoyed good relations with the Biden administration, which it helped in the American hasty withdrawal from Afghanistan three years ago.
While organized as a private company, the Al-Jazeera television network is the voice of Qatar’s regime. Founded in 1996 and financed by the then-emir of Qatar, it has described terrorist attacks that killed Israeli non-combatants as martyrdom operations and even posted articles describing Israel as “the Zionist entity.” For years, Al-Jazeera aired all of Osama bin Laden’s speeches. The late Muslim Brotherhood spiritual leader Yusuf Al-Qaradawi was based in Doha and for years hosted a prime-time program on the network. The war on Israel was declared on Al-Jazeera by Hamas military commander Muhammad Deif last October 7. Its operations in Israel were finally terminated by Jerusalem in May.
Qatar has been using the immense wealth it has accumulated to turn Al-Jazeera into an international media conglomerate, spreading Muslim Brotherhood propaganda, Hamas’ original sponsor, on a global scale. The Muslim Brotherhood was founded in Egypt in 1928 by the cleric Hassan al-Banna as a reaction to his perception that the Muslim world had become week in relation to the West. The royal family of Qatar has since been using the Muslim Brotherhood to minimize political opposition against them. In exchange for allowing the Brotherhood to use the country as a base for its international operations, the Brotherhood makes sure that there is no political threat based on organized religion against the Qatari monarchy.
A major shock to Qatar’s economy occurred when some Gulf Cooperation Council members — Bahrain, Saudi Arabia, and the United Arab Emirates — imposed an embargo on Qatar from 2017 to 2021. The reason for the embargo was Qatar’s support for the Brotherhood.
Qatar owns other news media that are equally awful. The London-based daily newspaper Al-Quds Al-Arabi in June published an article entitled “War Criminal Blinken Wages Diplomatic Campaign to Eliminate Palestinian Resistance and Buy Time for Israeli War in Gaza.”
Qatar is not a neutral agent, despite its attempts to portray itself as such. Time and again, it has supported the region’s most radical nations and paramilitaries, all to the detriment of American and Western interests. Its malign influence activities the United States reflect the broader issue of foreign manipulation in America’s political landscape.
“Qatar has been playing a dual role since the beginning of the Gaza war. On the one hand, it is a well-known supporter of Hamas, and even finances it with a lot of money, and on the other hand, it is trying to help in the deal for the release of the Israeli hostages,” remarked Dr. Udi Levy, a former senior official of Israel’s Mossad spy agency in April. But the U.S. relationship with Qatar will continue as long as the American government finds it useful in the on-again off-again negotiations to have Hamas release the remaining Israeli hostages.
Henry Srebrnik is a professor of political science at the University of Prince Edward Island.
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Floyd Mayweather showered cash on Jewish causes — and now he’s suing their ‘Robin Hood’ alleging $175 million got diverted
They made for an odd photo: The diminutive boxing legend with a platinum grin and diamond chain, and the Orthodox macher who sported a black velvet yarmulke.
But when Floyd Mayweather, Jr., appeared in public in recent years — at LA Lakers games, promotional appearances and repeated trips to Israel — he was rarely without his jeweler, friend and business adviser, Jona Rechnitz.
For a few Jewish groups, the partnership was a gold mine.
With Rechnitz in his inner circle, Mayweather donated more than $1 million to Israeli and Jewish institutions that included United Hatzalah, Magen David Adom and Aish. And when Rechnitz and Mayweather traveled to Israel after Oct. 7, they were welcomed as heroes.
Now the relationship has come to a screeching halt with a lawsuit Mayweather filed last week in a Manhattan court, alleging Rechnitz defrauded him of $175 million in jewelry consignment funds, diverted settlement proceeds and unauthorized loans against his properties.
That their relationship collapsed in a big-money dispute did not shock anyone familiar with their histories. Mayweather had a long record of domestic violence incidents, with three separate convictions over the course of a decade, and more recently had allegedly skipped out on money owed. Rechnitz pleaded guilty in 2016 in a high-profile bribery case in New York City, getting a reduced sentence in exchange for cooperation with prosecutors. (Mayweather claims in his suit that Rechnitz, serving as his financial manager, did not initially disclose his criminal past.)
The two had also been linked to an alleged cryptocurrency pump-and-dump scheme in a case that was dismissed in 2022, and both are named as defendants in separate lawsuits related to an alleged ticket selling scam. (Rechnitz has denied the claims.)
Yet while the going was good, Jewish organizations and causes lined up to take part in their largesse. Now most have gone silent. But those willing to speak out say they have no regrets about the relationship.
“I don’t give a s— if he’s a Robin Hood and he’s stealing from the rich to help the poor — good, let him keep doing it.”
Adina SashOrthodox women’s activist, on Jona Rechnitz
Adina Sash, an Orthodox women’s activist, shared on Instagram a screenshot of an April 2025 message from Mayweather, asking her to contact Rechnitz so they could help her cause. Sash advocates for agunahs, women whose husbands refuse to grant a Jewish divorce, often generating headlines for stunt-driven pressure campaigns against the men.
Sash called Rechnitz a “massive” behind-the-scenes supporter of agunahs, estimating he had donated $250,000 to cover the women’s legal fees.
“I don’t give a s— if he’s a Robin Hood and he’s stealing from the rich to help the poor,” Sash said in an interview. “Good, let him keep doing it.”
Rechnitz, who denied Mayweather’s claims through an attorney, said he was unavailable for a phone interview Wednesday. But in a text message, he said he had brought Mayweather to organizations “involved in holy work.”
“Nobody stood by our side and I asked him to do so for me,” Rechnitz added, “and I also arranged for any out of pocket costs incurred for his trips to Israel such as airfare and hotels.”
Lavish gifts
In the first few days after Oct. 7, Mayweather quickly emerged as a rare ally for the Jewish state. He made public statements defending Israel on social media to his more than 25 million Instagram followers. He sent his private jet, loaded with emergency supplies, to the country less than a week after the attack. And he visited the country at least four times over the next two years, each time accompanied by Rechnitz.
Rechnitz, a real estate scion, had begun working his way into Mayweather’s inner circle after moving to his hometown of Los Angeles in 2017. Rechnitz was coming off a stint in New York that concluded with his sentencing to five months in jail for a bribery scheme involving the city’s then-deputy mayor for public safety and the leader of the New York City correction officers’ union. (The sentence was overturned on appeal in 2023.)
Mayweather was a controversial figure in his own right. In addition to his domestic violence record, he has been ordered by a judge to pay child support, and he is currently being sued based on allegations that he failed to pay rent and the bill for his private jet.
Rechnitz said he was forewarned. “Many people told me not to deal with him and criticized Jewish organizations for honoring him,” Rechnitz said in a text message to the Forward. “People make mistakes and I do not think that anyone can pass judgment without being in the same situation. Like many people, Floyd has his faults.”
The relationship between the two seemed to serve them both: Mayweather was flattered by Jewish leaders willing to look past their bad qualities, and bringing the boxer around helped rehabilitate Rechnitz in the Jewish world. Mayweather’s lawsuit described Rechnitz as his “de-facto” investment manager, real estate advisor, and banking liaison; it did not say how much Rechnitz was paid for those services but said it was a “constructive fiduciary relationship.”
They also made money together, according to one filing against them related to the cryptocurrency EthereumMax. Mayweather promoted the token at a boxing match and a Miami bitcoin conference in 2021. A class action lawsuit against the company alleged that Rechnitz had made hundreds of thousands of dollars selling his tokens after a raft of promotions from celebrities like Mayweather inflated their value. The filing claimed Mayweather was paid $2.5 million to be a “marquee promoter” of the coin. A judge later dismissed the case.
Despite the checkered past of both the boxer and his confidant, Jewish groups received them enthusiastically. United Hatzalah festooned its headquarters with Mayweather banners upon his first post-Oct. 7 visit to Jerusalem, with its president, Eli Beer, donning a Mayweather-branded cap during the visit. Magen David Adom’s American fundraising affiliate presented the boxer with a rhinestone-studded emergency vest.
Aish, an international Orthodox outreach group, bestowed Mayweather with a “Champion For Israel” award, with Mayweather and Aish CEO Rabbi Steven Burg posing for a photograph overlooking the Western Wall.
Mayweather also spoke to students and faculty at Rae Kushner Yeshiva High School, an Orthodox institution in New Jersey, last year, accompanied by Beer and Rechnitz and introduced by head of school Rabbi Eliezer Rubin, who said he was “exhilarated” to have Mayweather there.
Jewish groups characterized Mayweather’s support for the Jewish people as authentic and purely motivated. But it was also clear that it was driven by Rechnitz’s ties to the community. At a 2025 gathering of the Republican Jewish Coalition, Jona’s father, Bobby — himself an eminence grise of the pro-Israel lobby — proudly told those gathered at the event that his son was the boxer’s entree into Israel and Jewish affairs. When Mayweather took the mic, he said he saw Bobby as a “father-like figure” and Jona as a brother.
Responding to questions about the lawsuit, United Hatzalah spokesperson Simmy Allen said in a statement Wednesday that the organization would not comment on legal matters between private parties.
“Mr. Mayweather visited United Hatzalah’s headquarters in Jerusalem twice and saw firsthand how United Hatzalah is on the frontlines of emergency medical services in Israel and we are grateful for his support,” Allen wrote. He did not mention Rechnitz.
In an email, Rubin, Kushner’s head of school, said he did not regret welcoming Floyd and that Rechnitz did not facilitate the visit.
“When even influential Jews are remain silent about the malicious and vile attacks against the Jewish people, we need to commend and support people outside of our faith who are standing with us,” Rubin wrote.
He added that the school had no relationship with Rechnitz.
Representatives from Aish and the Republican Jewish Coalition did not respond to questions.
The new allegations
Mayweather’s lawsuit alleges that Rechnitz exploited the boxer’s trust — and his property — to enrich himself.
The bulk of the $175 million claim relates to jewelry belonging to Mayweather that Rechnitz allegedly pawned to a Miami jeweler for $13 million. Mayweather says its real value was closer to $100 million, and that Rechnitz did not have permission to borrow against the assets.
Mayweather also claimed that Rechnitz drew loans totaling tens of millions of dollars on various properties owned by Mayweather entities without his consent, and diverted at least $15 million in funds intended for Mayweather into accounts controlled by co-defendants.
Morris Missry, an attorney for Rechnitz and co-defendants Ayal Frist and Alexander Seligson, said Wednesday in a statement that Mayweather’s claims were “utterly baseless.”
“Mr. Mayweather’s gambling issues, prolific spending habits, monies owed to third party creditors and IRS tax liens and levys, as well as other unseemly behavior will be exposed and we believe that Mr. Mayweather will be the one paying significant damages to our clients,” Missry wrote.
Mayweather’s lawsuit is not the first lodged against Rechnitz since his 2016 plea agreement. In 2023 a judge granted $17.7 million plus interest to a jeweler who said Rechnitz’s checks to him had bounced. Separate lawsuits filed by a former neighbor of Rechnitz’s, Joe Englanoff, alleged that Rechnitz convinced Englanoff to invest $1.4 million in tickets to a Mayweather fight, which Rechnitz promised he could resell at several times the value.
Englanoff, who was renting Rechnitz the house next door, moved to evict him and separately sued Mayweather and Rechnitz for $15 million, citing breach of contract. Rechnitz countersued, saying the property was in worse condition than what Englanoff advertised. Rechnitz said in a text that Englanoff “is a serial litigant whose greed has blinded his ways.” Litigation is ongoing.
Englanoff did not respond to an inquiry.
Some on social media called Mayweather’s Instagram post attacking Rechnitz into question for antisemitism, noting that Mayweather had compared him to vermin and chosen a picture of Rechnitz wearing a yarmulke.
One who appeared to side with Mayweather was Rae Kushner Yeshiva High School teacher Rabbi David Schlusselberg, who said on X that Mayweather had spoken admirably to his students when he visited last year.
“When a Jewish person in his inner circle backstabs him and is being sued for $175 million, it isn’t antisemitic for Floyd Mayweather to post about this,” Schlusselberg wrote on X. “I feel terrible for Floyd Mayweather who has only showed love and support for the Jewish people.”
But Schlusselberg later deleted the post. Though he did not want to say why, he told the Forward he did so after speaking to Rechnitz on the phone.
Sash, the agunah activist, said any sentiment supporting Mayweather for pro-Israel advocacy was naive.
“The only reason he ever stood with Israel is because that’s how Jona puppeteered him,” Sash said. “Floyd is a puppet. Jona was the puppet master.
“He told me explicitly that his goal was to position Floyd as a representation of someone who supports Israel,” she added. “He knew that it would be monetarily beneficial for Mayweather’s portfolio to align himself that way.”
Rechnitz said he told Sash he was behind Mayweather’s charitable giving to Jewish groups and that his goal was to position Floyd as a supporter of Israel, but denied mentioning any underlying financial motive.
And he added that he was surprised Sash disclosed his involvement in her cause, which he said was supposed to remain confidential. He said he helped agunahs independent of Mayweather, with the assistance of family and friends.
Despite Rechnitz’s overt machinations with regard to his friend and client, Sash saw Rechnitz’s support for agunot as genuine. In one instance, she said, he had offered an agunah’s husband $500,000 to grant a Jewish divorce. (The man did not accept, Sash said.)
What financial benefits Rechnitz believed would accrue to Mayweather from his pro-Israel support was unclear, but Sash — who said she never took money from Rechnitz or Mayweather — speculated it had to do with real estate, a shared area of interest for the two men.
As to the possibility that Rechnitz paid for his support with someone else’s money, Sash said it didn’t matter.
“Even if it were to be proven that that exact money was taken from someone else, good, because the system is so rigged against agunahs,” she said. “If there is someone else willing to do illegal activity to help agunahs, amazing — we need every ounce of help we can get.”
The post Floyd Mayweather showered cash on Jewish causes — and now he’s suing their ‘Robin Hood’ alleging $175 million got diverted appeared first on The Forward.
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Inspired by a queer Bundist poet, this Jewish composer set her work to Yiddish music
Composer Avi Fox-Rosen, like many Jews looking for meaningful community outside of religion, found a spiritual home in music.
“I think I was looking for, in some ways, a mentor or somebody in a generation ahead of me who can provide another model for how to be Jewish and work towards peace and intersectional justice,” Avi Fox-Rosen said.
He found queer Bundist poet Irena Klepfisz.
Klepfisz is the daughter of Rose and Michał Klepfisz, organizers of the 1943 Warsaw Ghetto Uprising. Michał was killed on the second day of the revolt.
Fox-Rosen recently set to music a poem by Klepfisz, “Di rayze aheym/The journey home.” The Yiddish-English bilingual poem is one of her best known works and has been central to many people who have sought queer, secular and leftist framings for their engagement with Jewish identity. Fox-Rosen is releasing a new original album of the same title on May 30.
“Di rayze aheym” is based on a trip Klepfisz took with her mother to Poland in 1983 around the 40th anniversary of the Warsaw Ghetto Uprising. It was the first time either of them had been back since World War II.
In an interview with the author, Klepfisz compared today’s clean, well-kept condition of the Jewish cemetery in Warsaw with its appearance during her visit in the ‘80s, when it was overgrown and weathered by time. “It was practically wild,” she said.
“Where ‘Di rayze aheym’ sprang from was that cemetery — there are allusions in the poem to it,” said Klepfisz. The poem contains a total of nine sections, including “Vider a mol/Once again” and “A beys-oylem/A cemetery,” with many of them containing direct translations between English and Yiddish side by side.
Fox-Rosen remembers being drawn to Klepfisz’s work in the time following Oct. 7, as many Jews were finding themselves renegotiating their relationship to Jewish identity. “She has this incredible body of work that explores identity and displacement and diaspora. Also queerness, of course, and this exists alongside her work in prose and activism,” Fox-Rosen said.
Fox-Rosen, the son of Reform Rabbi Karen Fox, comes from Los Angeles. He was not raised with a particularly strong relationship to Yiddish culture. Describing his Jewish schooling, he said that “there was no significant Yiddish content, but a lot of Hebrew content.” He immersed himself in music, Jewish and otherwise, and eventually came to Yiddish music and culture in a roundabout way.
“My first big plan was to be a jazz guitar player, move to New York City and get famous that way. So I moved to New York City and as I worked in the jazz scene, I got to know a lot of Jewish musicians doing meaningful work with Yiddish content,” said Fox-Rosen. Frank London of the Klezmatics, as well as Greg Wall who is often referred to as the “Jazz Rabbi,” are among the musicians Fox-Rosen cites as influential in getting more involved in Yiddish culture.
He was initially drawn more to the secular Yiddish community than the actual Yiddish language or music traditions, he said. “I loved that there was this committed group of secular Jews making really interesting music, that’s what drew me in.”
He went on to become a member of the Yiddish-language rock band Yiddish Princess, alongside Sarah Gordon, Michael Winograd and Yoshie Fruchter.
“I’d been looking for a non-religious way to express Jewishness and find my people, and Irena has largely been one of the people to shape this community,” said Fox-Rosen.
Klepfisz has often referred to herself as a “practicing secular Jew.” She notes the intensely secular values of the Bund in interwar Poland. “The Bundists in interwar Poland didn’t deny their Jewishness; in fact, they emphasized it. But they were also militant secularists. For example, they would insist on meetings on Shabes.”
Not wanting to show up empty-handed when offering Klepfisz to set her poem to music, Fox-Rosen produced a demo of some verses of “Di rayze aheym” set to music.
“I was very flattered,” Klepfisz said. “I thought it was actually a very good choice, because it’s a very minimalist poem, so you don’t have a lot of words to fit. There are a lot of big blank spaces for the music.”
What resulted is an album of art-pop meets klezmer and Yiddish. Fox-Rosen noted influences for him from art-pop musicians Rufus Wainwright as well as Anohni and the Johnsons. Essential for Fox-Rosen in evoking a Yiddish sound are the instrumental contributions of two familiar faces in Yiddish music: klezmer fiddler Alicia Svigals and improvisational pianist Marilyn Lerner. “At times I wanted it to feel like a real fiddle kapelye, which it often does because of Alicia,” said Fox-Rosen. Kapelye is Yiddish for a klezmer band.
“You know, we used to say that Yiddish was ‘on life support,’ but I don’t think that’s true anymore,” Klepfisz said. “There was the revival that popped up in the ‘80s with klezmer music and now I think there’s a much greater appreciation for Yiddish culture.”
“Di rayze aheym/The journey home” is now available for pre-order through Borscht Beat on Bandcamp and will be released on May 30 alongside a concert at Jalopy Theatre in Brooklyn.
The post Inspired by a queer Bundist poet, this Jewish composer set her work to Yiddish music appeared first on The Forward.
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In Israel, an Arab-Jewish youth orchestra builds a new ‘East-West’ sound together
(JTA) — TEL AVIV — A raucous crowd of football fans filled the narrow strip of grass between Tel Aviv’s music center and Bloomfield Stadium, home to the Maccabi and Hapoel Tel Aviv soccer teams. Threading their way through them toward the concert hall was an incongruous procession of young musicians in eveningwear, lugging cases of every shape and size for contrabasses, violins, ouds, cellos and darbukas.
Inside the concert hall, a small audience of friends, siblings, parents and music lovers let out a swell of whoops and claps more in keeping with a soccer game than the polite demeanor usually reserved for orchestras.
The concert was the public culmination of a youth project composed of Jewish and Arab performers run by the Jerusalem Orchestra East & West, known as TJO, the Israeli orchestra led by conductor Tom Cohen that blends Western orchestral music with Middle Eastern, North African and Andalusian traditions. TJO has shared the stage with major Israeli artists including Matti Caspi, Danny Sanderson and Ehud Banai, and is due to perform at the Concordia Summit in New York in September.
The program brings youth orchestras from across the country under TJO’s guidance, training young musicians to carry forward the musical language Cohen has spent years developing. He describes that language as part of an evolving “Israeli sound,” made up of “everything that began with our grandparents in the various diasporas around the world and arrived with them here in waves of immigration.”
It grew out of his own journey from Western classical music into the music of the Maghreb and the Middle East, and “brings together elements from East and West without losing the identity and distinctiveness of either one,” he said.
“We’re creating something new that is greater than the sum of its parts,” Cohen said. Still, he was careful to add that the sound was not his orchestra’s invention, but part of “an evolution, not a revolution that erases what came before it.”
Last week’s concert brought together 80 musicians, ages 9 to 20, from half a dozen youth orchestras around the country, with some ensembles numbering in the dozens and others only a handful. Cohen said the project is meant to train a next generation of musicians who could one day join TJO, named the country’s leading orchestra by the Culture Ministry in 2022, while also sending them out as “ambassadors of its language” in their own work.
“Throughout the process, we placed special emphasis on artistic excellence, direct professional encounters and a connection to the adult orchestra as a mentoring body that sets the path,” he said of the youth project.
Ensemble Sdot, a nine-member group from the Sdot Negev Regional Council in southern Israel whose players mostly wore kippot, took the stage first to perform a reworked song by the late Israeli singer-songwriter Meir Banai. In the audience, waiting for his own performance, Youssef Sarhan, a 9-year-old violinist from Majd al-Krum, an Arab town in northern Israel, bobbed his head along from his seat. He had begun studying a year and a half earlier with Fadel Maana, a veteran violinist in the Arabic tradition from the same town and one of TJO’s senior musicians, who later brought him into the youth orchestra.
Addressing the young musicians from the stage, Cohen said he usually resists the familiar exercise of identifying who came from which community.
“This nonsense of saying who’s from where, it’s so unnecessary,” he said. But the mix was part of what made the music work, he told them, with Jewish, Muslim, Christian and Druze youth “backstage trading information about Umm Kulthum,” the revered Egyptian singer; maqams, the melodic modes used in Arabic and other Middle Eastern music; and other musical references.
“Even if you’ve never spoken to each other in your lives, when two children sit together on stage, catch each other’s eyes while they’re playing and creating something together, the connection that’s forged there is as deep as family,” Cohen told them.
Cohen, who lives with his family in Brussels, said the years of war had changed his relationship with his work, which had always been his greatest source of joy.
“It’s a feeling I can’t describe, a feeling of being outside of time,” he said by telephone after the concert. “But the last three years took that away from me.”
As an Israeli conductor who plays Arabic music, Cohen said, his international career went quiet amid growing hostility toward Israel abroad, while in Israel it became harder to enjoy performing when, as he put it, “half an hour away, the world is falling apart.”
The youth project offered a way back. Cohen said he found comfort in the connection between musicians “who come from completely different religions, backgrounds and places,” and came to see the orchestra as “a symbol of real hope, not just a professional artistic institution.”
Malak Aboufdaly, a teenage bassoon player from Acre, said that after years of war, she felt a responsibility to give the audience a measure of relief.
“It’s my job to make you feel how I play. Sad or happy,” she said. “But I think it’s really important that we can make people happy after two or three years of war.”
Outside the concert hall, 17-year-old Shoval Hayak, wearing a black evening gown, was being scolded to go back inside. She was excitable and effusive, not long removed from being a regular high school student in Moshav Hosen, near Israel’s northern border. After Oct. 7, her family was evacuated to Tel Aviv, where she threw herself into singing. She joined the youth orchestra framework and later performed with the Israeli hip-hop and funk band Hadag Nahash.
At the concert, she was preparing to sing “Hallelujah” with Nihaya Safadi, a singer and viola player also from Acre, in an arrangement Cohen wrote during the orchestra’s first summer seminar.
“I didn’t believe I could ever be a singer,” she said.
Some of her peers, she said, tried to escape the reality of war and displacement through recreational drugs. Hayak found her escape in music.
“I gave my heart and soul to this project. I got sucked into it more and more,” she said. “I truly believe that if I give my whole heart, all the small details that make everything shine come to the surface. Each time I go on, there are tiny improvements that I’m not even aware of at the time.”
She spoke quickly and warmly about the people around her: her mother, who she called “my support system”; Cohen, who she said had become like a father to her; and her boyfriend Yair, who could not attend because he was observing the Omer, the traditional mourning period between Passover and Shavuot when many observant Jews avoid live music. “Bless his soul, I adore him,” she said.
The same affection extended to the other young musicians she performed with. “They’re the best family I could ever ask for,” she said.
Cohen said watching young musicians like Hayak “become professional and be captivated by the magic of music” is part of what kept him invested in the project, which he took on as a volunteer effort. The next step, he said, is to give the program a larger stage and bring in more students.
The adult orchestra returned to the same East-West language last week in a concert about mixed identity at the Israeli Opera in Tel Aviv, with additional performances scheduled elsewhere. The program centered on “matrouz,” Arabic for “interweaving,” a Judeo-Arabic tradition of placing Hebrew lyrics over Arabic melodies billed by the orchestra as the “original Jewish mash-up.”
Its pre-recorded guests included Dana International, the Israeli pop star who became the first transgender singer to win Eurovision in 1998, and Yousef Sweid, the Arab Israeli actor – performers who mirror the orchestra’s interest in what it calls “both/and” identities that can be Arab and Jewish, left-wing and right-wing, religious and secular.
The youth evening ended with all the young musicians together playing “Fatouma,” a Lebanese piece arranged and led by Cohen, who bounced on the balls of his feet, twirled on stage and flashed theatrical expressions at the players as he conducted.
“I was looking for a way back to my happiness and I found it in this world of children,” he said. “When I’m with them and making music, I go back to real, deep joy. Like a child.”
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