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Celebrities Help ‘Spotlight’ Holocaust Survivors, Their Testimonies in New NYC Portrait Exhibit

Some of the portraits included in “Borrowed Spotlight” that feature Jennifer Garner, Nicola Peltz Beckham, and David Schwimmer with Holocaust survivors. Photo: Shiryn Ghermezian/The Algemeiner

A new portrait series and exhibition that opened in New York City on Tuesday showcases Holocaust survivors paired up with some of the most notable figures in media, fashion, and entertainment, in an effort to preserve survivor testimonies and amplify their stories, as well as to help combat antisemitism.

The portraits in “Borrowed Spotlight,” which is on display at the Detour Gallery, were captured by South African-born, renowned fashion photographer Bryce Thompson. They debuted ahead of Israel’s Holocaust Remembrance Day (Yom HaShoah), which begins on Wednesday night and marks 80 years since the end of World War II. The photographs feature portraits of survivors alongside prominent Jewish and non-Jewish figures such as Cindy Crawford, Jennifer Garner, Billy Porter, Wolf Blitzer, Chelsea Handler, Jenna Dewan, Barbara Corcoran, Nicola Peltz Beckham, Scooter Braun, David Schwimmer, Martha Grant, Ashley Benson, Josh Peck, George Stephanopoulos, Sheryl Sandberg, and Julius Erving.

The recognizable names heard testimonies from the Holocaust survivor they were paired with and then posed for photographs together with the survivor. A total of 18 celebrity and Holocaust survivor-paired portraits are in the series, and they were all taken by Thompson in 2023 and 2024. The exhibit features these large-scale portraits but also additional behind-the-scenes photos and other elements that aim to educate and inspire the public.

One section showcases notes written by some of the Holocaust survivors about life, hope, and reflection. In one such note that was on display, Holocaust survivor Risa Igelfeld, who is 107 years old, wrote: “I am writing this to urge the world to bring only positive thoughts to one another and let love flow.”

“Holocaust survivors are few and far between. Special people with special stories, and I really felt like they need to be told. [And] firsthand was really important to me,” Thompson, who is not Jewish, told the large crowd that attended the exhibit’s opening on Tuesday night. “Hearing a story from someone who has told a story is not the same as sitting in a room with someone who lived through something.”

Thompson told The Algemeiner he was originally hoping to only include non-Jewish celebrities in the portraits because “I wanted non-Jewish people standing up for Jewish people.” But once the project started, Jewish celebrities reached out to him and said they wanted to participate in the portrait series. He also admitted that he had a hard time getting some celebrities on board for the project.

“It wasn’t as easy as I had hoped, but the ones who did say ‘yes’ said [it] willingly and happily, and we were lucky to have them,” he said.

The Holocaust survivors in the series include natives of Poland, Czechoslovakia, Hungary, Belgium, Romania, and one man who was born in a Budapest ghetto basement during a bombing raid in 1944. The photographs feature survivors of the Warsaw Ghetto, Auschwitz and Bergen-Belsen concentration camps, and one person who survived 12 concentration camps. After surviving the genocide of World War II, some of these Holocaust survivors went on to have large families, become graduates of MIT, rocket designers, entertainment lawyers, writers, acclaimed sculptors, tailors, members of the Israeli Air Force, doctors of clinical psychology, and Holocaust educators. The photo series also highlights a survivor of the Farhud pogrom that targeted Jews in Baghdad, Iraq.

The goal of the portrait series and exhibit is to take the spotlight off the featured celebrities and instead use it shed some light on the Holocaust survivors, to help magnify their testimonies and help them reach a larger audience, especially the next generation. “In these pairings, recognition is redirected, and the attention so often given to fame is instead used to illuminate history,” read a description of the exhibit that was on display at its entrance. “The result is a series of intimate portraits and conversations where past and present collide, where silence is broken, and where remembrance becomes an act of defiance against forgetting.”

Brazilian model Daniela Braga is featured in the portrait series alongside Czech Holocaust survivor Gabriella Karin, who survived the war as a teenager by hiding in the one-bedroom apartment of a non-Jewish young lawyer who was located directly across the street from the Nazi-Slovak Gestapo. Born and raised Catholic, Braga converted to Judaism and her husband is Jewish. She told The Algemeiner that hearing about Karin’s experience during the Holocaust made her “very emotional because growing up in Brazil, we learned just a little bit about the Holocaust and World War II. But to have the experience to actually talk to someone who lived through it, it’s something so mind-blowing to me.”

“I could hear the pain in her voice,” Braga added. “It made me happy in the end that she’s alive and is able to tell her story to all of us, to share with other people. When we say, ‘Never Again,’ it really has to be never again.”

Braga also told The Algemeiner she met a Jewish people for the first time ever when she moved to New York 15 years ago.

“I’ve been immersed in this [Jewish] culture for 15 years. The Jewish culture is something very close to my heart. Anything that I can do to help the Jewish community, I will do it,” she said while explaining why she wanted to participate in Thompson’s portrait series.

Jewish actress Kat Graham is photographed in the portrait series with Holocaust survivor Yetta Kana. Graham spoke at the exhibit opening and said Thompson’s portraits capture “truth, resilience, and humanity.” The “Vampire Diaries” actress – whose maternal grandmother fled Europe during the Holocaust – additionally said the photographs “build a bridge between generations; a conversation between memory and legacy.”

“This project is about remembrance but it’s also about responsibility,” she told the crowd. “We are the torchbearers now. It is up to us to keep these stories alive and to ensure that history is never forgotten. That the voices of survivors, like Yetta, are not only heard, but felt. I invite you to see, to feel, and to carry these faces with you, long after you leave … Let’s never forget.”

The opening of “Borrowed Spotlight” on Tuesday night was attended by other well-known figures including Gregg Sulkin, Remi Bader, Moti Ankari, and “Real Housewives of New Jersey” stars Margaret Josephs, Melissa Gorga, and Lexi Barbuto. Sulkin, who is Jewish, told The Algemeiner he wanted to be in the portrait series but ultimately was unable to participate in Thompson’s project because of scheduling conflicts.

The photographs in the exhibit, as well as additional ones not on display, were compiled into a coffee table book available for purchase that features a foreword by Crawford. Proceeds from the book sales will support efforts to educate younger generations about the Holocaust. Proceeds from a private auction on Monday night of select prints in the series will benefit Selfhelp, which provides services and assistance to living Holocaust survivors in New York, and the United States Holocaust Memorial Museum.

There are more than 200,000 Holocaust survivors worldwide. Nearly 50 percent of all Holocaust survivors will die within the next six years, while 70 percent will no longer be alive within 10 years, according to a new report released this week by the Conference on Jewish Material Claims Against Germany (Claims Conference). There are estimated to be more than 1,400 alive today around the world who are over 100 years old.

“Borrowed Spotlight” will be open at the Detour Gallery through Sunday.

The post Celebrities Help ‘Spotlight’ Holocaust Survivors, Their Testimonies in New NYC Portrait Exhibit first appeared on Algemeiner.com.

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Hamas Braces for Israeli Operations Abroad, Continued Clan Opposition in Gaza

Palestinian Hamas terrorists stand guard at a site as Hamas says it continues to search for the bodies of deceased hostages, in Beit Lahiya in the northern Gaza Strip, Dec. 3, 2025. Photo: REUTERS/Stringer

Hamas is increasingly preparing for what it sees as an imminent Israeli attempt to assassinate senior leaders abroad, urging members to tighten personal security as the group simultaneously works to consolidate its weakened position in Gaza and reassert control over the enclave.

According to the Arabic newspaper Asharq Al-Awsat, Hamas officials reported rising concern over additional Israeli strikes on the Palestinian terrorist group’s top echelon abroad in the wake of last week’s killing of Hezbollah commander Haitham Tabtabai and September’s operation in Qatar targeting Hamas’s senior leadership.

Despite US “reassurance messages” to several parties — including mediators in Turkey, Qatar, and Egypt — that further strikes on senior Hamas members abroad would not be repeated, the group’s leadership says it “does not trust Israel.”

“There are expectations of a new assassination attempt with the Israeli government’s efforts to obstruct the second phase of the ceasefire agreement and its claim that the movement has no intention of advancing toward a deal,” the Palestinian terrorist group said.  

Hamas members reportedly received new instructions requiring all fixed meetings at a single location to be canceled, with leaders instead holding irregular gatherings at rotating sites.

Meanwhile, the head of an armed Palestinian faction opposing Hamas in Gaza died on Thursday while mediating an internal dispute between families and groups within the militia, dealing a setback to Israeli efforts to support Gazan clans against the ruling Islamist group.

Yasser Abu Shabab, a Bedouin tribal leader based in Israeli-held Rafah in southern Gaza, had led one of the most prominent of several small anti-Hamas groups that emerged in the enclave during the war that began more than two years ago.

Following the incident, Hamas said in a statement that the fate of anyone who “betrayed their people and homeland and agreed to be an instrument in the hands of the occupation [Israel]” was inevitable, accusing Abu Shabab of “criminal acts” that amounted to a “flagrant deviation from national and social consensus.”

Abu Shabab’s death would be a boost to Hamas, which has branded him a collaborator and ordered its fighters to kill or capture him.

“The occupation that could not protect its own agents will be unable to protect any of its collaborators, and anyone who undermines the security of their people and serves their enemy is destined to fall into the dustbin of history, losing all respect and standing in society,” the terrorist group said in its statement. 

Gaza’s Popular Forces confirmed that its leader died of a gunshot wound as he intervened in a family quarrel, and dismissed as “misleading” reports that Hamas was behind Abu Shabab’s killing.

Ghassan al-Dahini, who could assume leadership of the group following the incident, pledged to continue Abu Shabab’s project and resist Hamas by establishing an alternative to the terrorist group’s rule.

“With God’s help, and following my brother Yasser’s plan, we will return as we were — more determined and stronger,” al-Dahini said in a statement, according to Hebrew media. “We will keep fighting with every last ounce of strength until every final terrorist is gone.” 

“Today, Hamas will see its true face — the one the world should have recognized long ago. We will restore hope to all Palestinians, to all free people, to the oppressed, and to everyone who believes in peace,” he continued. 

Rafah has been the scene of some of the worst violence during the ceasefire, with residents reporting gunbattles on Wednesday that left four Israeli soldiers wounded. On Thursday, the Israeli military said its forces killed about 40 Hamas fighters trapped in tunnels beneath the city.

Shortly after the US-backed ceasefire to halt fighting in Gaza took effect in October, Hamas moved to reassert control over the war-torn enclave and consolidate its weakened position by targeting Palestinians who it labeled as “lawbreakers and collaborators with Israel.”

Since then, Hamas’s brutal crackdown has escalated dramatically, sparking widespread clashes and violence as the group moves to seize weapons and eliminate any opposition.

Social media videos widely circulated online show Hamas members brutally beating Palestinians and carrying out public executions of alleged collaborators and rival militia members.

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Palestinian Official Calls Drop Site News Founder an ‘Apologist’ for Hamas, Ex-Obama Aides Say They ‘Love’ the Site

Abdal Karim Ewaida, the Palestinian ambassador to Côte d’Ivoire, in October 2023. Photo: Screenshot

A Palestinian diplomat accused a popular new anti-Israel website of running cover and acting as an apologist for Hamas.

Abdal Karim Ewaida, the Palestinian ambassador to Côte d’Ivoire, posted on social media about Drop Site News on Tuesday, after the website reported that the Palestinian Authority was planning to ban Hamas and other terrorist factions from running in future elections.

“Pro-resistance parties and armed resistance remains one of the single most popular points in [Palestinian] public polling,” said Jeremy Scahill, founder of Drop Site News. “The Palestinian Authority is saying, ‘You are not allowed to run for public office anymore.’ And when you look at what the defense of this is on the part of the Palestinian Authority, it is a pathetic defense.”

In response, Ewaida lambasted Scahill in a social media post.

“As for Jeremy Scahill — a journalist who transitions between outlets, perhaps pursuing higher remuneration — he consistently excuses Hamas and [Yahya] Sinwar’s purported interest in reconciliation solely to vilify the Palestinian National Authority and President Mahmoud Abbas. It is astounding,” the Palestinian official wrote.

Sinwar, who was killed by Israeli forces last year, was the leader of Hamas and mastermind of the Palestinian terrorist group’s Oct. 7, 2023, invasion of and massacre across southern Israel.

“He acts as a fervent apologist for Hamas and jihadist elements,” Ewaida continued, referring to Scahill, “even to the point of rationalizing [Israeli Prime Minister Benjamin] Netanyahu’s claims of financially bolstering Hamas as being in Israel’s interest, while attempting to spin it as favorable to Hamas itself. He seems to believe he can speak with impunity.”

Ewaida went on to castigate Drop Site News in general, saying that the “platform’s credibility is deeply compromised. We are acutely aware of its sources of funding and underlying motives. The day will come when your malicious objectives and relentless advocacy for Hamas — now apparent to all — will be fully exposed, leaving little doubt about your benefactors.”

One day after Ewaida’s post, the hosts of the influential progressive podcast “Pod Save America” — all one-time aides to former US President Barack Obama — mentioned Drop Site News, saying “we love you guys” and “we are readers.”

The two hosts that were part of that conversation, Ben Rhodes and Tommy Vietor, served as speechwriter and spokesman, respectively, for Obama in the White House, focusing on national security issues.

In a follow-up to the episode, the Drop Site News posted on its X account “Pod Save the World = confirmed Drop Site readers,” and Rhodes responded, “yes readers.”

Many former Obama staffers have become vocally critical of Israel in recent years, especially amid the war in Gaza. However, Rhodes’s views on Israel were particularly critical at the time they were serving in government as well, so much so that during the Obama administration, he earned himself the nickname “Hamas” in the White House. The nickname was coined by Obama’s chief of staff, Rahm Emanuel, as Rhodes revealed in his memoir, The World as It Is.

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My favorite Christmas scene in literature — and why it makes me feel so Jewish

Some years ago, a college friend of my brother’s and mine visited our family home in Denver. “Now I understand it,” he said, sagely, after a couple of hours: “If you aren’t actively making noise in this house, you don’t exist.”

It’s true that I come from a noisy clan. If it is rude to get your family members’ attention by screaming at the top of your lungs, no one ever told me. We grew up far away from our extended family, but on visits to their homes growing up, I saw the same dynamic at play. The louder the gathering, as a general rule, the more successful it was.

I understood, from a young age — years before I learned the term — that “cooperative overlapping” was profoundly Jewish. Our culture celebrated the qualities of being loud and proud.

But I was a bookish child, and my favorite books were old-fashioned ones that chronicle the changes of girlhood: L.M. Montgomery’s Anne of Green Gables series, Noel Streatfield’s Ballet Shoes, and the like. And as I read and re-read them, I noticed something: At some point, the wild girls turned into ladies, and, crucially, quieted down.

Anne Shirley’s maturity is marked by silence: Those who love her notice that, suddenly, she’s stopped the constant stream of chatter that made her both so endearing and so annoying. She starts to speak less often, more thoughtfully, and in more measured tones, and that is how the reader knows she has begun to come into her own.

How could I square the culture of the Jewish family I loved with my desire to be like the girls in my books — full of the quiet magic of young womanhood?

Enter my favorite depiction of Christmas in literature, in Louisa May Alcott’s Eight Cousins.

The novel, a relatively little-known effort by the author of Little Women, centers on a well-off Scottish American clan, bright blonde to the last baby, who live in a WASPy enclave near Boston. It is about, as the title neatly suggests, eight cousins: seven brash boys, and one girl, raised far from her family, who comes into their midst after being orphaned and given over to the care of an uncle with newfangled ideas about childrearing. (Oatmeal and morning sprints in the garden are in; ruffles, long hours shut up indoors, and ladylike affectations are out.)

To a Jewish girl raised in the mountain west, they were an unfamiliar bunch. Except for the sense, fundamental to the book’s premise, that the bonds of family are sacred, and enshrined by ruckus.

I often felt like Rose, the solitary girl, on trips to see my own cousins, in Evanston, Illinois, and the Finger Lakes region of New York. We grew up so far apart that I could not help but feel shy and anxious upon first immersion. My cousins seemed so confident and brilliant, and I would feel small and strange among them. Then the chaos of a happy family would come for me, and in time, I would be shouting and playing along with the rest.

For Rose, that chaos comes to a climax on Christmas, when a seafaring uncle she hasn’t met since she was a baby makes a surprise return home. After many months getting used to the happy, charming, raucous boys who see her as a peer and sometimes a pet, Uncle Jem’s return throws her briefly back into the role of outsider. The family feels complete upon his arrival, in a way it didn’t before. But does that completeness include her?

I knew how the scene ended: with cousin Steve wailing away on a bagpipe, cousin Charlie trying to catch Rose under the mistletoe, everyone dancing a Scottish reel, and cousin Mac — always my favorite — discoursing on grand topics with his elders, while his cousins set loving traps for his embarrassment. But every time I read it, as Rose emerged to meet her long-absent uncle and see if she still fit as well in the family to which she was still getting accustomed, I felt my heart in my throat.

I understood how torn she was between behaving like a ladylike little woman, and like the cheerful, uninhibited, loud girl she had only just learned to embrace being. And in the Christmas gathering she so deeply longed to be a complete part of, I saw my own family — mostly brunette, definitively un-Scottish, highly Jewish, rollicking away.

Yes, it’s odd that, of all things, a scene centered on a Christian holiday would be the one, in all my beloved childhood books, that made me feel like I was seeing my own Jewish family on the page. At the same time, I think there’s something quite dreamy about the connection. And quite American.

The best version of this country is one in which people of all different backgrounds find connection and inspiration in each other. Where a fictional character’s homespun Christmas can provide, unlikely as it is, a strong sense of Jewish affirmation.

The scene ends with the family all singing a ballad called “Sweet Home.” Saccharine? Sure. But every holiday season, I think about Rose, and the home she found, and the different kind of home she and her family gave me. I hope if she could see my Hanukkah celebrations in return — warm candles, loud cousins, some mischief and much merriment — she’d feel the same.

The post My favorite Christmas scene in literature — and why it makes me feel so Jewish appeared first on The Forward.

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