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Grotesque Gaza Libel Reprinted by New York Times, Washington Post, MSNBC, and More

As predictable as it is frustrating, the letter penned by Rasha Khatib, Martin McKee, and Salim Yusuf and published in a supposedly respectable medical journal, The Lancet, has found its way into international media outlets that really should know better.

We recently noted that a piece published in the “correspondence” section of the journal — so, not a peer-reviewed study or anything remotely rigorous — contained numerous grossly misleading and outright false statements.

Among the more outrageous claims in this letter was the assertion that it is not “implausible” that the overall number of deaths in Gaza could be higher than 186,000 — a figure the authors concocted by comparing Gaza to other conflicts with no substantial basis.

Meanwhile, even Hamas estimates casualties at four times lower.

Besides presenting wildly inaccurate numbers pulled out of thin air, the letter also featured several incorrect citations, questionable sources, and one footnote even linked to the wrong UN study. Not exactly thorough research.

Seen the wild claim “186,000 Palestinians killed in Gaza”?

Here’s the scoop: they multiplied current, inaccurate death tolls by 4 to get this number. Even worse, the media ran with it, spreading false info far and wide. pic.twitter.com/dPfRM9mVlN

— HonestReporting (@HonestReporting) July 9, 2024

It is, of course, embarrassing for a well-respected journal like The Lancet to publish such inaccuracies. However, it’s important to note that this piece is not a peer-reviewed study, paper, or article. Any attempt to present it as such is flat-out dishonest.

However, a number of anti-Israel media outlets, such as Al Jazeera, The National, and The New Arab, pounced on the Lancet letter, obscuring its nature to present it as a study, suggesting that either The Lancet itself or its “experts” are behind the 186,000 casualty figure.

And, as sure as night follows day, several supposedly trustworthy news outlets followed the Arab media’s lead, reprinting this grotesque libel without the slightest bit of scrutiny.

The Washington Post, for example, reported that “The Lancet, a respected British medical journal, calculated that the real death toll, including those missing in Gaza’s ruins and ‘indirect’ deaths from malnutrition, disease and other conditions brought on by the conflict, could be around 186,000 people — that is, roughly 8 percent of Gaza’s population.”

While noting the piece was not peer-reviewed, MSNBC still described it as an “analysis” of the death toll, and covered its findings in detail. However, MSNBC reporter Clarissa-Jan Lim did not perform even the basic due diligence of verifying the sources cited in the letter.

Several other news outlets also reported the journal’s “findings.” The UK’s Mirror stated that the “reputable medical journal” claimed deaths could exceed 186,000. The Independent, The Irish Times, and New York Magazine similarly reported that a “recent calculation by The Lancet puts the civilian death toll in Gaza at around 186,000 people, roughly 8 percent of the territory’s population.”

The Metro alluded to the “ever-present fear of death” among Gaza’s civilians, and suggested that the “true death toll could be more than 186,000 people, according to correspondence recently published in the journal The Lancet.”

The @Independent and @Beltrew are spreading misinformation. The “186,000 deaths” in Gaza claim is from an opinion piece in @TheLancet, based on speculative sources and faulty data: https://t.co/JFAlBSU7LM pic.twitter.com/lV9G6cVEre

— HonestReporting (@HonestReporting) July 11, 2024

The New York Times’ Opinion Editor, Meher Ahmad, was one of the few journalists to correctly describe the piece as a “letter.” However, she still attempted to contextualize the authors’ “staggering” number, describing the contents of the missive as “more a call for open documentation of casualties than anything else.”

And here we thought a medical journal should be dealing in facts, not using exaggerated and fake statistics as a “call” for better documentation of casualties.

The only correction made to the piece so far is an update to an erroneous footnote. The Lancet seems utterly unashamed to be associated with an allegation that is both demonstrably false and dangerously misleading.

Worse still is witnessing a media that is far too uncritical, happy to print the most incendiary of claims if they come in the guise of a researched analysis from a medical journal.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

The post Grotesque Gaza Libel Reprinted by New York Times, Washington Post, MSNBC, and More first appeared on Algemeiner.com.

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Orthodox Jewish man stabbed in midtown Manhattan

(New York Jewish Week) — An Orthodox Jewish man is in stable condition after being stabbed on Wednesday evening in the Diamond District of midtown Manhattan. Police are investigating the attack as a possible hate crime.

Police told the Jewish Telegraphic Agency that the NYPD’s Hate Crimes Task Force is investigating the incident as a possible antisemitic attack, and Manhattan Shomrim — the Jewish community watch group — has asked people to share footage as police search for the suspect. No arrests have been made.

The victim was identified by police as a 26-year-old man, and Orthodox Jewish outlet COLLive identified him as a resident of Crown Heights, the neighborhood that is home to the Chabad-Lubavitch Hasidic movement’s headquarters.

He was taken to Bellevue Hospital in stable condition. Police said they were called at about 5:50 p.m. on Wednesday after the man was stabbed in the back with “an unknown sharp object” on 47th Street near Fifth Avenue. ABC7 reported that the victim told investigators he believed he was stabbed with a needle or syringe.

According to the Chabad website, which published an interview with the victim, he is a recently ordained Hasidic rabbi named Joseph, who commutes to Midtown each day to wrap tefillin with Jewish merchants. The attacker, Joseph told the website, was a woman who seemed to be following him prior to the stabbing.

The attack comes as Jewish New Yorkers have been targeted in more than half of the hate crimes committed in New York City this year, despite making up about 12% of the city’s population.

In July, an assailant stabbed two men on the Upper West Side, including one who was leaving a synagogue, while yelling “Allahu akbar,” and was charged with committing hate crimes.

Louis Keene contributed reporting.

The post Orthodox Jewish man stabbed in midtown Manhattan appeared first on The Forward.

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VIDEO: A Hasid gives us a tour of Morocco in Yiddish

דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.

אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.

מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.

 

The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.

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Conservative and Christian movies are coming for Hollywood

A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.

These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.

Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.

Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.

Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.

Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.

The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)

For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while  M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.

But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are  bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. —  to the American movie-going public.

This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.

Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”

Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.

But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.

After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.

The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.

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