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The Loneliness of American Jews Post-October 7: A Reflection on True Friendship, Antisemitism, and Double Standards
The world revealed a terrible ugliness and horrific hate on October 7, 2023, when Hamas launched a brutal terror attack on Israel, and started the ongoing war against Hamas, Palestinian Islamic Jihad, Hezbollah, and their supporters.
The global rise in anti-Jewish bigotry and hatred have been shocking, but not surprising. The hatred of Jews being so openly expressed, and often masked as anti-Zionism and anti-Israel activism, has left a deep scar on the Jewish community worldwide.
For American Jews, this tragedy has not only been a moment of profound sorrow, but also a time of painful revelation. When the terror attack began and the world reacted, many American Jews began to grapple with the uncomfortable realization of who their real friends are. The rise in anti-Jewish racism and bigotry, and the hypocritical double standards justifying antisemitic, anti-Israel, and anti-Zionist sentiments have exacerbated a profound sense of loneliness and alienation.
The Shock of Silence
In the immediate aftermath of the October 7 attack, Jewish communities across the United States looked to their friends, colleagues, and allies for support and solidarity. Many of us found solidarity among our own Jewish communities and the few allies who rose as upstanders.
While many stood in solidarity, offering condolences and condemning the violence, a distressing number of erstwhile allies were conspicuously silent. The absence of unequivocal support from individuals and organizations who had previously championed human rights and social justice was a stark and painful revelation.
This silence was not just an absence of words; it was a loud declaration of where allegiances truly lay. For many American Jews, it felt like a betrayal, a stark reminder that our pain and suffering were not seen as legitimate or worthy of the same empathy extended to other marginalized groups.
The Rise of Antisemitism
Antisemitism is anti-Jewish racism. No matter if it is called anti-Israel or anti-Zionist, it is anti-Jewish.
The resurgence of antisemitism has been another bitter pill to swallow. According to the Anti-Defamation League, antisemitic incidents in the United States have been on the rise for several years, and the aftermath of the October 7 attack has only intensified this trend. Synagogues have been vandalized, Jewish individuals harassed or attacked, and anti-Jewish rhetoric has proliferated online and in public discourse.
The surge in antisemitism is not just a reaction to the conflict in Israel, but a reflection of deep-seated prejudices that have been allowed to fester. The false dichotomy between being anti-Zionist and antisemitic has provided a convenient cover for those who harbor ill will towards Jews. The vilification of Israel often spills over into a broader hatred of Jews, making it increasingly difficult for American Jews to feel safe and accepted in our own country.
Every day, my social media accounts are filled with anti-Jewish hatred, personal threats, and even death-threats against me as an individual. And the hatred online does not stay online. I have needed security to be hired for my speaking engagements outside of Israel. News reports, and countless stories shared with me by individuals and organizations, reveal the ever-increasing targeting, bullying, harassment, hate crimes, vandalism, and terrorism.
Hypocrisy and Double Standards
One of the most insidious aspects of this experience has been the hypocritical double standards employed to justify anti-Jewish racism and anti-Zionism. Many who speak out passionately against other forms of racism and discrimination are conspicuously quiet when it comes to antisemitism. The selective application of principles of justice and human rights is glaring.
Critics of Israel often frame their arguments in the language of human rights, yet they ignore the existential threats faced by the Jewish State and its people. They hold Israel to an impossible standard, one not applied to any other nation. This hypocrisy extends to the justification of violence against Israelis and Jews, which is often downplayed or excused in ways that violence against other groups would never be.
My own liberal, progressive, and LGBTQ communities have revealed terribly anti-Israel and anti-Zionist factions that I actively speak out and stand against — and some of these are former fiends and organizations I used to be involved with.
It is vital that we stand up for our people, our values, and our rights and security, even if it means we stand up against some of the communities that were supposed to include and represent us. The harsh reality of their words and actions let us know who supports us and who is against us.
In the first months after October 7th, I felt as if two-thirds of my friends were not real friends, or had become former-friends. In the following months it felt like almost three-quarters of them were former-friends.
I was pained when people directly expressed anti-Israel, anti-Zionist, and anti-Jewish sentiments in their social media posts, in marching and attending the protests, riots, and encampments, and even in direct messages to me. But I shifted away from that pain towards the hopeful outcomes of my activism and advocacy. These former-friends revealed to me that they never were the types of people who should have been my friends to begin with.
Finding True Friends
In these challenging times, American Jews have found solace and support in unexpected places. True friends have emerged, those who understand that standing against antisemitism and supporting Israel’s right to exist is not mutually exclusive with advocating for Palestinian rights. These allies recognize that condemning terrorism and supporting Jewish communities in their time of need is a matter of basic human decency.
Jewish organizations and some interfaith groups have also played a crucial role in providing support and fostering solidarity. By coming together, sharing experiences, and working towards mutual understanding, these groups have helped to mitigate the feelings of isolation and loneliness that many American Jews have been experiencing.
I have been traveling across the United States and Canada on a speaking, advocacy, and media tour. As keynote speaker, my goal is to empower, inspire, and motivate Jews and allies towards being activists and advocates for the Jewish people, Israel, and the values we find important.
While I consistently am met with hatred and threats in many of these cities (and across social media), I have also made new friends and have witnessed communities coming together and new bonds being formed.
Moving Forward
The path forward is fraught with challenges, but it is also filled with opportunities for growth and solidarity. American Jews must continue to advocate for our rights and work towards educating others about the realities of anti-Jewish racism, hatred, and bigotry. We also must share the truths and the complexities of the Israeli-Palestinian conflict. Building bridges with other communities and finding common ground will be essential in combating the double standards and prejudices that persist.
In the aftermath of the October 7 attack, and the ever-increasing anti-Jewish hatred, violence, and threats, the loneliness felt by American Jews is a painful reminder of the work that still needs to be done. But it is also a testament to the resilience and strength of the Jewish people — and why the Zionist movement exists. We have faced adversity time and again. By standing together and reaching out to true friends, American Jews can continue to fight against antisemitism and for a more just and compassionate world. We are fighting for our existence today and for the future of our people, here in America, Israel, and around the world.
Am Israel Chai.
Yuval David is an Emmy and Multi-Award-Winning Actor, Filmmaker, Journalist, and Jewish LGBTQ+ activist and advisor. A creative and compelling storyteller, on stage and screen, news and across social media, Yuval shares the narrative of Jewish activism and enduring hope. Follow him on Instagram and X.
The post The Loneliness of American Jews Post-October 7: A Reflection on True Friendship, Antisemitism, and Double Standards first appeared on Algemeiner.com.
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New documentary captures the lively history of Yiddish theater in America
The new documentary Immigrant Songs: Yiddish Theater and the American Jewish Experience, produced by the Milken Archive of Jewish Music, is fast, entertaining and a good introduction to the topic.
Focusing mainly on the musical side of the story, but covering ‘straight plays’ as well, the film opens with a superb ‘warm-up act’: “Hu Tsa Tsa,” a stock Yiddish vaudeville number performed by the widely mourned Bruce Adler, who died in 2008 at age 63. Bursting with charm and talent, Adler, scion of a top Yiddish vaudeville family, demonstrates that Yiddish theater used to be pretty damned lively.
What follows is the oft-told story of the rise and decline of the American Yiddish theater, beginning with its prehistory in the Purimshpiels — the annual performances that for centuries served as the only secular entertainment in the Ashkenazic world. From there the film takes us to Yiddish theater’s 1876 birth in Romania, courtesy of Avrom Goldfadn, a.k.a. “The Father of Yiddish Theater.”
The film also describes Yiddish theater’s arrival in America, which, thanks to massive Jewish immigration, quickly became its capital. We learn of its influence on American theater’s styles of acting and set design. And the film describes the decline of its audience, due to assimilation and the immigration quotas of the 1920s.
There’s an excellent section on “The Big Four” Yiddish theater composers — Joseph Rumshinsky, Alexander Olshanetsky, Abe Ellstein, and Sholom Secunda. All in all, the documentary does a fine job of teaching the aleph-beyz, the ABCs, of the history of Yiddish theater to the uninitiated.
The most impressive aspect of Immigrant Songs is its well-crafted pace. Though there are a few snippets of vintage Yiddish cinema (Yiddish theater’s “kid brother”), most of the film consists of recent concert footage, some well-selected photographs and ephemera, and a lot of talking heads. Almost every prominent Yiddish theater historian was interviewed for it, along with several musicologists, an archivist, Yiddish actors, directors, producers, etc. (Full disclosure: I am one of them.) Director Jeff Janeczko cuts between the interviewees so smoothly — sometimes in mid-sentence — that it feels like they’re in the same room and feeding off each other’s energy. The movie just flies by.
There are a few errors. Marc Chagall is described as an important designer of Yiddish theater; actually he designed one minor production in Russia in 1921, and never did another. In a bizarre, and biblically illiterate, statement, one interviewee claims that Jews hadn’t developed a theater culture earlier because the Second Commandment’s prohibition of “graven images” forbade the construction of sets. (Actually it’s about idol worship.)
Another interviewee claims that the Yiddish play Der Yeshiva Bokher; oder, Der Yudisher Hamlet — The Yeshiva Student; or, The Jewish Hamlet (Yiddish plays then often had subtitles), is closely patterned on Shakespeare’s tragedy. In truth, the play — written by Isidore Zolotarevski, the prolific writer of shund (“trash”) melodramas — is not only awful, but is as close to Shakespeare as baked ham is to your grandmother’s kreplach.
The film’s biggest fault, however, is its short running time (45 minutes). This is a rich topic, and too much is left by the wayside in the interest of brevity. There’s nothing about what shund melodramas felt like, why they appealed to their audiences, and why they became the only thing a lot of people know about Yiddish theater.
There’s also nothing about the World War I-era wave of shtetl plays, which reflected immigrants’ homesickness without indulging in nostalgia, and provided some of Yiddish theater’s shining moments with plays like Green Fields, The Empty Inn and Tevye. And the most important play in the Yiddish canon, The Dybbuk, is never mentioned.
Perhaps most surprisingly, considering the film’s emphasis on music, there is no examination of Yiddish theater’s influence on Broadway’s music. (Cole Porter — ironically, the only gentile among the major composers of Broadway’s Golden Age — had a pronounced Jewish lilt in a number of his songs, and he actually attended Yiddish theater regularly.)
The film’s last section is about the renewed interest in Yiddish that began in the 1970s and ’80s with the klezmer revival. Much of it focuses on the 2018 Yiddish production of Fiddler on the Roof in Yiddish, whose success was predetermined the moment the production was announced.
For the overwhelming majority of American Jews, from the Orthodox to the unaffiliated, Fiddler is all they know about the lives of their ancestors. And though it’s a world-class piece of musical theater, as a work of social history Fiddler is as phony as a glass eye. Nevertheless, for American Jews it’s a sacred text.
Fiddler was a huge hit, but it was a gimmick, a one-off, whose success does very little for the future of Yiddish theater. Worse, the Yiddish — not the text, but the lines spoken by most of the actors — was often mispronounced and had the wrong intonation. (One elderly gentleman of my acquaintance, a native Yiddish speaker from Czechoslovakia, told me he didn’t understand a word the actors said, and spent the whole evening reading the English supertitles.)
What follows the Fiddler section in Immigrant Songs is mostly bromides. But the best current Yiddish theater reflects the kind of fresh thinking that keeps the form alive.
An occasional well-presented museum piece, like the Folksbiene’s 2016 revival of Rumshinsky’s operetta The Golden Bride, is a very worthwhile project (though it, too, suffered from poorly spoken Yiddish). But the most dynamic contemporary Yiddish theater is, in Jeffrey Shandler’s apt phrase, “post vernacular” — i .e., the use of Yiddish is self-conscious, a deliberate choice rather than something that’s done automatically, as it would have been a century ago when there were a lot more Yiddish speakers in the world.
An example of this is the 2017 neo-realist film Menashe, which could far more easily and conventionally have been made in English. Or a well-known piece done in Yiddish translation, like Shane Baker’s stunning Yiddish translation of Waiting for Godot, can become something much more valuable than a mere stunt. The Yiddish version, under Moshe Yassur’s straightforward direction, humanized the play, stripping it of the encrusted pretentiousness that had hidden its soul. (When it was presented in the International Samuel Beckett Festival in Ireland, multiple audience members approached the cast afterwards with the same reaction: “I don’t speak a word of Yiddish. But I’ve seen Godot five or six times, and this is the first time I understood it.”)
There’s a lot to be learned from Immigrant Songs. If you find yourself hungry for more, you couldn’t do better than to seek out YIVO’s online Yiddish theater course “Oh, Mama, I’m in Love!” But by all means, start with Immigrant Songs. It’s a very entertaining and informative appetizer.
The post New documentary captures the lively history of Yiddish theater in America appeared first on The Forward.
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UK PM Starmer Says There Could Be New Powers to Ban Pro-Palestinian Marches
British Prime Minister Keir Starmer gives a media statement at Downing Street in London, Britain, April 30, 2026. Photo: REUTERS/Jack Taylor/File photo
British Prime Minister Keir Starmer said the government could ban pro-Palestinian marches in some circumstances because of the “cumulative effect” the demonstrations had on the Jewish community after two Jewish men were stabbed in London on Wednesday.
Starmer told the BBC that he would always defend freedom of expression and peaceful protest, but chants like “Globalize the Intifada” during demonstrations were “completely off limits” and those voicing them should be prosecuted.
Pro-Palestinian marches have become a regular feature in London since the October 2023 attack by Hamas on Israel that triggered the Gaza war. Critics say the demonstrations have generated hostility and become a focus for antisemitism.
Protesters have argued they are exercising their democratic right to spotlight ongoing human rights and political issues related to the situation in Gaza.
Starmer said he was not denying there were “very strong legitimate views about the Middle East, about Gaza,” but many people in the Jewish community had told him they were concerned about the repeat nature of the marches.
Asked if the tougher response should focus on chants and banners, or whether the protests should be stopped altogether, Starmer said: “I think certainly the first, and I think there are instances for the latter.”
“I think it’s time to look across the board at protests and the cumulative effect,” he said, adding that the government needed to look at what further powers it could take.
Britain raised its terrorism threat level to “severe” on Thursday amid mounting security concerns that foreign states were helping fuel violence, including against the Jewish community.
“We are seeing an elevated threat to Jewish and Israeli individuals and institutions in the UK,” the head of counter-terrorism policing, Laurence Taylor, said in a statement, adding that police were also working “against an unpredictable global situation that has consequences closer to home, including physical threats by state-linked actors.”
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War Likely to Resume After Trump’s Rejection of Latest Proposal, Says IRGC General
Iranians carry a model of a missile during a celebration following an IRGC attack on Israel, in Tehran, Iran, April 15, 2024. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
i24 News – A senior Iranian military figure said that fighting with the US was “likely” to resume after President Donald Trump stated he was dissatisfied with Tehran’s latest proposal, regime media reported on Saturday.
The comments of General Mohammad Jafar Asadi, one of the top Islamic Revolutionary Guard Corps (IRGC) commanders, were relayed by the Fars news agency, considered as a mouthpiece of the the powerful paramilitary body.
“Evidence has shown that the Americans do not not adhere to any commitments,” Asadi was quoted as saying.
He further added that Washington’s decision-making was “primarily media-driven aimed first at preventing a drop in oil prices and second at extricating themselves from the mess they have created.”
Iranian armed forces are ready “for any new adventures or foolishness from the Americans,” he said, going to assert that the Iran war would prove for the US a tragedy comparable with what was for Israel the October 7 massacre.
“Just as our martyred Leader said that the Zionist regime will never be the same as before the Al‑Aqsa Storm operation [the name chosen by Hamas leadership for the October 7, 2023 massacre in southern Israel], the United States will also never return to what it was before its attack on Iran,” he said. “The world has understood the true nature of America, and no matter how much malice it shows now, it is no longer the America that many once feared.”