Features
English translation of Israeli best-seller now available in Canada
By BERNIE BELLAN
A little while ago I was sent a novel titled The Slaughterman’s Daughter. What a fascinating title for a book, I thought.
The letter accompanying the book, which was sent by the Canadian publishing house for the book, explains that the author of The Slaughterman’s Daughter is Yaniv Iczkovits – a name totally unfamiliar to me, but one that is bound to become renowned outside of Israel, where Iczkovits has already apparently shot to the top of literary stardom.
Soon to be available in Canada, The Slaughterman’s Daughter has won several major awards in Israel, including the Agnon Prize and the Ramat Gan Prize for Literary Excellence. The book has only recently been translated into English and the copy that I was sent was an advance reading copy, meaning that it hadn’t totally been edited for mistakes (of which there are very, very few that I could see… an occasional missing article, such as “the”, for instance.)
That same letter also noted that Iczkovits is being compared with American writer Michael Chabon – of whom I am a great fan, and Ivan Turgenev, who was a famous Russian writer in the 19th century.
Here is a summary of the plot of The Slaughterman’s Daughter: It’s a sort of anarchic folk story…set in the Pale of Settlement in the final years of the Russian Empire. Set in a town by the name of Motal (which does exist), it tells the story of Fanny Keismann, the daughter of a “shochet” (ritual slaughterer), who embarks on a crazy adventure in what was formerly known as the Pale of Settlement.
As the introductory letter from the publisher noted, “When Fanny’s older sister’s husband disappears, Fanny leaves her own family and sets out for the great city of Minsk in search of her wayward brother-in-law, armed with her old knife (which had been given to her by her father for use in slaughtering animals on her own), and accompanied by Zizek Bershov, who is either a sly rogue or an idiot.
“Fanny’s mission to help her sister turns into a misadventure that threatens the foundations of the Russian Empire. What began as a family matter in Motal, a peripheral Jewish settlement, breaks the bounds of the shtetl, pits the Russian secret police against the Czar’s army, and upsets the political and social order they all live in.”
Got that? In so many ways it reminds me of Michael Chabon’s brilliant novel, The Yiddish Policeman’s Union, in its wildly imaginative plot. Both novels take place in towns that really do exist (Sitka, Alaska in the case of Chabon’s book), but completely alter them in ways that render them mythic.
At the same time though, Iczkovits provides such detailed descriptions of life in the final decade of the 19th century in the Pale of Settlement that even if you aren’t necessarily interested in the dizzying plot twists, you would certainly find yourself immersed in many of the aspects of what daily life was like – especially for the Jewish inhabitants of that area of the Russian Empire.
But, as Fanny embarks on her journey to find her wayward brother-in-law, Zvi Meir, she finds herself embroiled in a maddening police chase led by an intrepid head of the Russian secret police (known as the “Okhrana”) by the name of Novak.
Inspector Novak is a former colonel in the Russian Army, by the way, and two other characters who happen to be Jewish also have backgrounds of service in the Russian army. That aspect of the book allows Iczkovits to offer a fascinating glimpse into what life must have been like in that army – including how young Jewish boys were often taken from their families – never to be seen again, and forced into conscripted service in the Czar’s army where, more likely than not, they were eventually converted into Christianity.
Subplots develop as new characters are introduced, but the common link all those plots share is Fanny Keismann. Interestingly, in Iczkovits’s description of Fanny, he constantly refers to her “wolf-like” eyes which, combined with the knife which she wears on her thigh and which was given to her by her father, render her into a totally ferocious character – and a great, albeit totally unlikely heroine.
As Novak continues his incessant pursuit of Fanny and her cohorts in what becomes an absurd series of accidental crimes, he reminds me of thecharacter “Javert” in Les Miserables, who was obsessed with pursuing Jean Valjean. Novak has dedicated his life to reining in any would-be threats to the Russian Empire, and although he finds it almost impossible to believe that a Jewish woman might be at the heart of the most dangerous plan of insurrection ever to surface in Czarist Russia, he begins to construct an elaborate conspiracy theory that gradually ensnares a growing number of individuals whose reputations should be above reproach. (Sure sounds like Donald Trump would love this Novak character if he were working today.)
Something else that intrigued me about this book was how strong so many of the Jewish female characters were and how much so many of the Jewish men were total nebbishes. The women keep the households together, whether they are elderly bubbies, as in the case of Fanny’s mother-in-law, Rachel Keismann, or Fanny’s sister, Mende, who, although devastated by her husband’s having left her – and who goes through a deep depression for a while, manages to rise from her sick bed and take over management of Fanny’s household in Fanny’s absence.
This is a very long book – and, as is the casein Michael Chabon’s books, not always an easy one to read, but ultimately it proves to be a rollicking good tale. It’s always exciting to be introduced to a great new author whose talent shines through on every page.
In awarding Iczovitz the Ramat Gan Literary Prize, the judges wrote: “This is a perfect, if rare, example of a contemporary Israeli narrative that is in living dialogue with the literary and historical past, drawing on it and constructing an utterly original, independent artistic structure on its foundations … Iczkovits has created a sensual, richly vibrant Jewish world devoid of stereotypes, with flesh-and-blood characters to whom nothing human is foreign. There is no doubt. Iczkovits has pulled this off with wondrous success, yielding a virtuosic novel.”
I can hardly wait for Iczkovits’s next novel.
The Slaughterman’s Daughter is available on Amazon and, according to a spokesperson for McNally Robinson, is on order there.
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Volatility, Hit Frequency, and RTP: Why the Number Casinos Advertise Is the Least Useful One
The return to player percentage looks clean as a casino data point. It gives players a neat number, usually around 94% to 97% for many online slots, and that number feels easy to compare. A 96.5% game appears better than a 95.2% game. The problem starts when players treat RTP as a forecast for their next 50 spins or one evening.
You may find the RTP listed on slot pages on a leading online casino in Ontario, but the number only tells part of the story. Two games can share the same RTP and create different sessions: one may return small wins often, while the other may drain a balance before one bonus round changes everything.
The RTP Trap
Return to player (RTP) measures the theoretical share of total wagers a game returns across a very large number of rounds. In plain terms, a 96% RTP slot returns about $96 for every $100 wagered in the long run. That does not mean one player who deposits $100 should expect $96 back.
The trap sits in the word “theoretical.” RTP comes from the game’s math model. It works across huge samples, not personal sessions. A player can finish far above that percentage, far below it, or with nothing left after a short run of poor results.
Is it useless then? No, RTP can still help. It gives a baseline cost of play. Lower-RTP games cost more on average than higher-RTP games. Still, once a game passes a reasonable threshold, the next question matters more: how does it distribute that return?
Hit Frequency: The Number That Shapes Session Feel
Hit frequency tells you how often a game produces a winning outcome. This often misleads players because any win can count. A spin that returns $0.10 on a $1 bet may still count as a hit, even though the player lost $0.90 in real terms.
A game can feel active because symbols connect often, sounds play, and the screen keeps celebrating small returns. The balance may still fall. In many modern slots, “win” does not always mean profit on the spin.
Hit frequency answers one practical question: how much silence can you tolerate? Some players dislike long dry spells. Others accept quieter sessions because they chase bonus rounds or larger payouts.
The educational site Get Gambling Facts gives a useful distinction: RTP concerns the percentage of money returned over time, while hit frequency concerns how often a machine stops on a winning combination.
Volatility: The Risk Label Players Need More Often
Volatility, also called variance, describes how unevenly a game pays. Low-volatility games tend to return smaller amounts more often. High-volatility games hold more value in rare events: bonus rounds, premium symbols, multipliers, or jackpots.
Here is where RTP becomes less useful on its own:
- A 96% low-volatility slot may give modest returns and longer play from the same balance.
- A 96% high-volatility slot may burn through funds quickly unless the player hits a strong feature.
- A progressive jackpot game may look exciting, but it often places more value on rare top prizes.
The same RTP can hide very different risk profiles. Players who ignore volatility often blame the casino or the game when the session follows its math design.
Why the Same RTP Can Feel So Different
Picture two slots with 96% RTP. Slot A pays small wins on many spins, has a modest top prize, and rarely creates dramatic balance swings. Slot B pays less often but offers a large max win and volatile bonus rounds. The advertised return matches, but the experience does not.
Slot A may suit a player who wants a slower bankroll drop and more regular feedback. Slot B suits someone who accepts sharper losses in exchange for a shot at a heavier payout.
A Better Way to Read a Slot Page
Most slot pages give players more clues than they notice. The trick is to read the details together rather than chase the highest percentage.
Start with RTP. If two games look similar, the higher number has better long-term value. Then check volatility. If the game uses terms such as high, very high, or extreme variance, lower your bet size or expect shorter sessions. Next, look at the paytable. A huge max win usually means the game saves a lot of its value for rare outcomes.
A sensible pre-play check looks like this:
- RTP: What is the average long-term return?
- Volatility: How rough can the session become?
- Hit frequency: How often will the game show any wins?
- Paytable: Where does most value sit?
To Conclude
Casinos advertise RTP because it looks objective, tidy, and easy to rank. Players should read it, but they should not give it more authority than it deserves. For long sessions, volatility may matter more than a small RTP difference. For comfort, hit frequency may explain the feel better than the payback rate.
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The Popularity of Simpler Slot Games in 2026: Review From Casino Online CrazyTower Experts
Online casinos now fill their libraries with numerous video slots that have dozens of functions, long bonus rounds, complex mechanics, and so on. Interestingly, despite this huge range of modern options, many Canadian visitors at sites like Casino Online CrazyTower here https://crazytower.com/ca/ no longer want complicated gameplay that requires constant attention and long explanations.
Simpler slots now attract a wider audience because they save time and create faster sessions. So, let’s figure out why this change happened and reasons for the popularity of simpler machines.
Why Many Players Are Returning to Basic Gameplay
Modern websites like Casino Online CrazyTower pushed complex video slots for years, but many people now prefer classic formats again. Simple gameplay has fewer interruptions and is simpler in terms of budgeting, which is important when you gamble for fun.
These are a few potential reasons explain why simpler slots became popular again in 2026:
- Faster rounds. Symbols appear quickly, and rounds continue without long animations or extended bonus sequences.
- Easier controls. Most classic slots have simple menus and familiar layouts that don’t confuse new visitors.
- Smaller feature lists. Simple slots usually have standard wilds, scatters, and multipliers instead of dozens of random mechanics.
- Better session flow. People spend more time on gameplay instead of reading explanations about symbols and special functions.
- Lower visual pressure. Simpler slots use calmer designs and shorter effects that don’t overload attention.
Classic gameplay also suits mobile devices better because shorter rounds work well on smaller screens. Plus, many visitors now prefer games that start instantly and explain their mechanics within seconds.
Features That Make Simpler Slots Appealing
Simple machines at Casino Online CrazyTower and similar websites continue to attract attention because they have a high gameplay speed. Many classic titles also replicate older casino machines that people already know from physical casinos.
However, these aren’t the only factors that attract gamblers. So, check out this list:
- Short bonus rounds. Free spins and multipliers finish quickly instead of interrupting gameplay for several minutes.
- Common and standard paylines. Traditional layouts help people understand payouts without long explanations.
- Faster loading times. Simpler graphics reduce waiting time on phones, tablets, and older computers.
- Stable gameplay pace. Long cutscenes and constant pop-up notifications don’t interrupt the session.
- Traditional themes. Fruit symbols, bars, sevens, and classic casino designs still attract large audiences.
- Smaller menus. Important information appears immediately without complicated tabs or hidden sections.
Modern video slots often contain too many mechanics in a single game. Developers now combine expanding reels, random modifiers, mission systems, tournaments, and multiple bonus levels in one title. Many visitors lose interest because gameplay turns repetitive and overloaded with constant interruptions.
Compare this to a session when you get results immediately and aren’t interrupted. These still have free spins and even mini risk games, but not as loaded as innovative titles.
Conclusion
Simple slots usually create better replay value because people understand the mechanics immediately. Common and standard gameplay doesn’t cause frustration and allows faster decisions during casino sessions.
Many classic slots also function better during short breaks because rounds finish quickly without long bonus interruptions. That’s why simpler slots became popular again at many casinos, including Casino Online CrazyTower and such.
