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Amazon Prime doc details the wild life of Jewish gangster Myron Sugerman

(New York Jewish Week) — Mafia movies will have you believe that wise guys aren’t born, they’re made. But that wasn’t the case for Myron Sugerman, a second-generation Jewish gangster who is the subject of the new documentary, “Last Man Standing: The Chronicles of Myron Sugerman.”

Sugerman — who made his mark (and his money) by becoming, as he says in the film, the “godfather of the illegal slot machine business” — took up the mantle from his father, Barney “Sugie” Sugerman, who kept company with and served as a partner in the New Jersey Jewish mob alongside the likes of Abner “Longy” Zwillman, Joe “Doc” Stacher and Abe Green.

In his heyday, Sugie cavorted with the legendary mobster Meyer Lansky, as well as some other bold-faced names who made their money a little more honestly, like singers Perry Como and Tony Bennett.

“Our lives were basically in Newark and Manhattan,” Sugerman, 85, says in the documentary. “Tenth Avenue on the west side was Jukebox Row. From 42nd Street all the way up to 45th, 46th Street were all jukebox operators. I would go into the city in the afternoon after school, and on Friday nights we used to go to Madison Square Garden with all the fellas who worked for my father.”

Per Sugerman, his father “missed nothing” —  he had his hand in everything from “bootlegging, boxing, fixing fights, thievery” to “jukeboxes, vending machines, pinball machines, slot machines,” all of which were either illegal or could be used as fronts in money laundering schemes.

But these Jewish mobsters could be called upon for nobler pursuits as well. In 1939, Newark was home to both large Jewish and German populations — Fritz Kuhn, leader of the American Nazi party, included. As Sugerman tells it, Kuhn and his cronies would follow their meetings and rallies with trips into Jewish neighborhoods where they would terrorize their residents. Together with the Jewish prize fighter Nat Arno, Sugie’s associate Longy Zwillman formed an association called The Minutemen, named after the New Englanders who took up arms against the British.

The Newark Minutemen would throw stink bombs into the halls where Nazis met. “As the Nazis came running out, our guys were like a gauntlet. They’re standing there with the monkey wrenches and baseball bats and brass knuckles. And they beat the s*** out of these Nazis,” as Sugerman tells it.

Sugerman’s version of these stories might be lost to time if it weren’t for director Jonny Caplan and his production company Tech Talk Media. Released last January — and now available to stream on Amazon Prime — Caplan’s film features extensive interviews with Sugerman himself, a character who might remind you of your own Jewish grandfather — and also the guy who keeps putting the fix on the temple’s bingo game.

In a recent Zoom interview, Caplan told the New York Jewish Week that he was “kind of blown away” when he first heard Sugerman’s story, courtesy of a colleague who was helping Sugerman with his 2019  memoir, “The Chronicles of The Last Jewish Gangster: From Meyer to Myron.”

Later Caplan watched Sugerman’s interviews online. “He’s just such an amazing character that I fell in love with,” Caplan said. Although Tech Talk mostly covers the world of innovation — previous productions include documentaries about flying taxis and “robots that look after the elderly” — Caplan said they couldn’t resist bringing Sugerman’s story to life.

Born in 1938, Sugerman took up the family business at the age of 21, following his graduation from Bucknell University. Fluent in six languages (seven, if you count profanity, as Sugerman says in the documentary), he was given $3,000 in travelers checks by his father and sent off to Europe to start an “export business.” Sugerman hit a number of countries on the Continent, all while building his reputation and ability to sell pinball machines, slot machines and arcade equipment.

Eventually, Sugerman’s specialty would become Bally Bingo pinball machines, an addictive, “dynamite” arcade game that attracted gamblers and operators who handed out prizes. After its interstate shipment was banned in the United States in 1963, Sugerman would buy parts from all over the country in order to get the machines assembled. “I was the biggest contrabandist and bootlegger of Bally Bingo machines across the states,” he recalls in the documentary. Those efforts got him named in three state cases and three federal cases for illegal gambling and organized crime. And yes, he did serve jail time.

In a highlight of the documentary, Sugmeran is eventually connected with the famed Nazi hunter Simon Wiesenthal. Five years after the capture of  Adolf Eichmann in 1960, Sugerman happened to find himself in Vienna. Feeling galvanized by the successful hunt for the man who drew up the plans for the Holocaust, Sugerman knocked on Wiesenthal’s door and asked how he could be of service. The answer,  like so many other things in life, was money.

Myron Sugerman, right, meets with famed Nazi hunter Simon Wiesenthal in New York City in an undated photograph. Sugerman says he “sent very generous amounts of money” to help Wiesenthal hunt down war criminals. (Myron Sugerman/Impossible Media LLC)

“I was religious every week — we sent very generous amounts of money to Wiesenthal,” Sugerman says in the film. The pair struck up a friendship, and with each trip Wiesenthal took to New York City, Sugerman says Wiesenthal’s first call was to him. Eventually, prior to one of Sugerman’s trips to Asuncion, Paraguay, Wiesenthal asked the contrabandist to get him information regarding the  whereabouts of notorious Nazi doctor Josef Mengele, who was rumored to have decamped there. I don’t want to give too much away, but if you enjoyed seeing Nazis killed in the film “Inglourious Basterds,” you might like how this story ends.

Sugerman provides details of his life, confessional style, as he leads the camera crew to local haunts in Little Italy and Brooklyn’s Kings Highway. Along the way, he meets friends who help him tell his tales of the old days, like “Baby John” Delutro, also known as “The Cannoli King,” and Johnny Chinatown, who points out a Chinatown landmark seen in “The Godfather.” Both are 20-plus years Sugerman’s junior, but still have ties to the Mafia life he knows and loves. (Those old days might be gone, but the incredible nicknames persist.)

At Grill Point, a now-shuttered kosher restaurant in Brooklyn, we see Sugerman chatting with Moishe Peretz, a retired mob boss who calmly recalls getting shot in the chest in 2016.

Though the mob plays a central role in Sugerman’s identity, his Jewish bona fides are just as significant. “The Jewish gangster really had a need, a psychological need, to show that the Jews could be just as tough as any other ethnicity, because they were going to break with the 2,000 years of our heads down, living in the ghetto, living fearful,” he says in the film. “There was definitely no identity crisis. These Jews were tough and ready to prove it.”

These days, Sugerman lives in Montclair, New Jersey, with his wife, Clara. Though his life may be quieter now, his sense of humor and joie de vivre endure, and now as much as ever he’s committed to the work of defending the Jewish people. “Most guys at 85 years of age, if they’re lucky to be alive, are sitting in front of a lawn of grass, watching the grass grow,” he told the New York Jewish Week. “But I’m not comfortable — I’m not comfortable when the hair on the head of a Jew is moved out of place by an antisemite.”

To that end, Sugerman is putting together an organization with the goal of promoting Jewish pride — and he encourages all those interested in joining to reach out via his website.

More than anything, the toughness and tenacity of the Jewish people is a message that Sugerman wants to continue to send today. “That the era of bending your head, that the era of dismissing antisemitism as a mosquito on the tuchus of an elephant is over with,” he said.


The post Amazon Prime doc details the wild life of Jewish gangster Myron Sugerman appeared first on Jewish Telegraphic Agency.

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Billie Eilish and the Erasure of Antisemitism After Australia’s Terror Attack

Police officers stand guard following the attack on a Jewish holiday celebration at Sydney’s Bondi Beach, in Sydney, Australia, Dec. 15, 2025. Photo: REUTERS/Flavio Brancaleone

On Sunday, December 14, the Australian Jewish community was shattered by a horrific terrorist attack that claimed the lives of 15 people, including a Holocaust survivor, a rabbi, and a 10-year-old girl.

This was not random violence. The attackers did not open fire indiscriminately on beachgoers or people passing by, nor was this an abstract failure of gun control or public safety.

The shooters deliberately targeted Jews gathered for a Hanukkah event, firing toward a clearly identifiable Jewish celebration. The intent was unmistakable. This was a targeted, ideologically motivated antisemitic terror attack.

Yet some public figures rushed to reframe it as something else.

Musician Billie Eilish, for example, described the attack as “devastating” while emphasizing the need for stricter gun control in the United States and Australia — a response that sidestepped both who was targeted and why.

That framing is difficult to separate from Eilish’s own record. She has publicly accused Israel of committing “genocide” and proudly worn the Artists4Ceasefire pin featuring a red hand, an image uncomfortably reminiscent of the blood-stained hands displayed by terrorists after the lynching of Israelis in Ramallah during the Second Intifada.

Australia already has some of the strictest gun laws in the world; its last mass shooting occurred in 1996.

In the wake of last week’s attack, the Australian government again pledged to enforce even tighter restrictions. Whether Eilish was aware of this context is ultimately beside the point. What matters is her refusal to acknowledge the antisemitic motivation of the attack and the Jewish community it targeted.

A similar omission appeared in Australian Prime Minister Anthony Albanese’s initial statement following the attack, which made no mention of Jews as the intended victims, despite the well-known presence of a large Hanukkah event nearby. Although Albanese later corrected course, that first statement helped set the framework through which much of the public understood the attack, blurring its antisemitic nature at the outset.

This instinct to default to safe political talking points while avoiding uncomfortable truths about antisemitic violence is increasingly common among celebrities and politicians alike. But the terror attack in Australia did not occur in a vacuum. It followed more than two years of escalating antisemitic incidents across the country, during which Jews have been physically threatened, verbally abused, and spiritually targeted.

Synagogues have been firebombed. and Jewish-owned businesses vandalized. Crowds openly chanted calls to “gas the Jews.”

Notably, some public figures did acknowledge this context. Film star Ashton Kutcher warned that antisemitic rhetoric “carries a cost.” Actor Josh Gad observed that the tragedy occurred because antisemitism has become “acceptable and cheered.” Their responses recognized a reality others chose to obscure.

Those who removed antisemitism from their condemnation of the attack did not merely omit context; they distorted it. By refusing to name the motive, they minimize the danger facing Jewish communities and help sustain a climate in which hatred can continue unchecked.

Naming the problem is not divisive. Refusing to do so is.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

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‘Furious but Not Surprised’: UK Jewish Groups React After Bob Vylan Not Charged for ‘Death to the IDF’ Chant

Bob Vylan lead singer Bobby Vylan. Photo: BANG Showbiz via Reuters Connect

The Embassy of Israel in London as well as British Jewish groups have lambasted the decision by the UK’s Avon and Somerset Police on Tuesday to conclude its investigation into “death to the IDF” chants made during a Bob Vylan performance at the Glastonbury Festival and to take no further action against the British punk rap duo.

The police force decided not to bring charges against the London-based band after its lead singer Pascal Robinson-Foster, known by his stage name Bobby Vylan, led the audience in repeatedly chanting “death, death to the IDF” during their set at Glastonbury on June 28. The set was broadcast live on BBC.

“We have concluded, after reviewing all the evidence, that it does not meet the criminal threshold outlined by the CPS [Crown Prosecution Service] for any person to be prosecuted,” Avon and Somerset Police said in a statement. The force added that every potential criminal offense “was thoroughly considered,” police “sought all the advice [it] could to ensure we made an informed decision,” and “no further action will be taken on the basis there is insufficient evidential for there to be a realistic prospect of conviction.”

In a statement posted to X, the Embassy of Israel in London said it was “deeply disappointing that vile calls for violence, repeated openly and without remorse, continue to fall on deaf ears.”

“Especially in the wake of the terror attacks in Manchester and Bondi, when will such calls finally be recognized for what they are: a real and dangerous instigator of bloodshed?” the embassy continued. “Pascal Robinson-Foster of Bob Vylan should have been held accountable for his bigotry and racism. Failing to act only emboldens those who seek to harm Jews.”

The British charity Campaign Against Antisemitism (CAA) also lamented the police’s decision in a statement, describing it as another blow to the Jewish community in the UK.

“British Jews will be furious but not in the least surprised,” a CAA spokesperson said.

“Over the last two years, trust in the authorities has collapsed,” the spokesperson added. “With most British Jews now considering whether they have a future in the UK at all, over and over again it falls to us to explore all legal avenues to take action because the authorities will not.”

The Community Security Trust (CST), which aims to provide safety for Jewish communities in the UK, said the decision is “incredibly disappointing” and “sends completely the wrong message at the worst possible time,” as reported by The Guardian.

Avon and Somerset Police said that as part of their investigation into the anti-IDF chants, they conducted “a voluntary police interview under caution” with a man in his mid-30s in November. Officers also spoke to “approximately 200” members of the public to see if they “may be a victim of a criminal offense.” In an effort to gain “an understanding of any legal precedents,” police additionally contacted other police forces in the UK who have investigated similar incidents and sought advice from the National Police Chiefs’ Council hate crime leads, the CPS, and an “independent barrister” before concluding its investigation.

“We sought specific consideration around the words stated, in terms of the intent behind them, the wider context of how people heard what was said, case law, and anything else potentially relevant, including freedom of speech,” the statement continued. “Every case must be treated on its own merits. Consistently the advice we have received has highlighted fundamental evidential difficulties that cannot be ignored,” police said.

“We believe it is right this matter was comprehensively investigated, every potential criminal offense was thoroughly considered, and we sought all the advice we could to ensure we made an informed decision,” authorities added. “We are committed to working positively with all our communities across Avon and Somerset in relation any matters that may arise in the future, because there is no place in society for hate of any kind.”

Bob Vylan commented on the police decision in a lengthy Instagram post on Tuesday. The band claimed the investigation was “never warranted in the first place” because the anti-IDF chant during their Glastonbury set was “evidently not hateful,” but rather “a display of solidarity with the Palestinian people.” They also falsely accused the IDF of wantonly murdering Palestinians.

“Over the past six months, the media and politicians have consistently attacked us for using our art and platform to take a stand against the actions of Israel and its illegal occupying military force,” they wrote. “We hope that this news inspires others in the UK and around the world to speak up, and continue speaking up, in support of the Palestinian people, without fear. We have had our shows cancelled, visas revoked, our names tarnished and our lives upended, but what we have lost in peace and security, we have gained tenfold in spirit and camaraderie. And that is unbreakable.”

The band concluded in part by declaring “Free Palestine” and saying that they hope “all oppressed people the world over, resist the boot of tyranny on the neck of freedom.”

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Netanyahu: Israel to Spend $110 Billion to Develop Independent Arms Industry in Next Decade

Israeli Prime Minister Benjamin Netanyahu speaks during a joint press conference with Cypriot President Nikos Christodoulides and Greek Prime Minister Kyriakos Mitsotakis (not pictured) after a trilateral meeting at the Citadel of David Hotel, in Jerusalem, Dec. 22, 2025. Photo: ABIR SULTAN/Pool via REUTERS

Israeli Prime Minister Benjamin Netanyahu said on Wednesday that Israel would spend 350 billion shekels ($110 billion) on developing an independent arms industry to reduce dependency on other countries.

“We will continue to acquire essential supplies while independently arming ourselves,” Netanyahu said at a ceremony for new pilots.

“I don’t know if a country can be completely independent, but we will strive … to ensure our arms are produced as much as possible in Israel,” he said. “Our goal is to build an independent arms industry for the State of Israel and reduce the dependency on any party, including allies.”

Netanyahu’s comments came about a month after he denied reports that his country was seeking a new 20-year military aid deal with the US, insisting that Israel was working to wean itself off American assistance.

“I don’t know what they’re talking about. My direction is the exact opposite,” Netanyahu said on “The Erin Molan Show” last month when asked by the Australian journalist about a new Axios report saying Israel was pursuing the security agreement.

According to Axios, the deal under discussion would include “America First” provisions to win the Trump administration’s support. The current 10-year memorandum of understanding between the two countries — the third such agreement signed — expires in 2028. It includes around $3.8 billion of annual military aid to Israel, which spends nearly all the assistance in the US to purchase American-made weapons and equipment.

Netanyahu’s latest comments come amid growing criticism in the US among progressives and, increasingly, some conservatives over American military support for Israel, especially among younger Americans.

“Now, I want to make our arms industry independent, totally as independent as possible,” Netanyahu said last month. “I think that it is time to ensure that Israel is independent.”

Netanyahu added that US defense aid to Israel is a “tiny fraction” of what Washington spends in the Middle East.

“We have a very strong economy, a very strong arms industry, and even though we get what we get, which we appreciate, 80 percent of that is spent in the US and produces jobs in the US,” he continued, saying he wants to see “an even more independent Israeli defense industry.”

The Israeli premier went on to stress that his country has never asked a single American solider to fight for Israel.

“Israel does not ask others to fight for us,” he said. “Israel is the one American ally in the world that says, ‘We don’t need boots on the ground, we don’t need American servicemen fighting on the ground for Israel or around Israel. We’re fine.’ We fight our own battles, but in doing so, we serve important American interests, like preventing countries that chant ‘Death to America’ from having nuclear bombs to throw at America.”

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