Uncategorized
Warsaw Ghetto Uprising’s 80th anniversary remembered with daffodils, 3 presidents and an 11th commandment against ‘indifference’
WARSAW (JTA) — Exactly 80 years ago, a few hundred ragtag, half-starved Jews emerged from sewers in Warsaw to battle Nazis – and held them off for nearly a month rather than surrender themselves and their Jewish brethren to the Treblinka and Majdanek death camps.
On Wednesday, thousands of Poles and international visitors, including Polish President Andrzej Duda, Israeli President Issac Herzog and German President Frank-Walter Steinmeier, marked the 80th anniversary of the Warsaw Ghetto Uprising in a stirring Holocaust commemoration festooned with daffodils, the emergent symbol of the largest Jewish rebellion against the Nazis during World War II.
“As German federal president, I stand before you today and bow to the courageous fighters in the Warsaw Ghetto,” Steinmeier told a few hundred politicians, Jewish leaders and others at the Ghetto Heroes Monument, marking the first time a German president has joined in the annual commemoration. “I stand before you today and ask for your forgiveness for the crimes committed here by Germans.”
This was also the first time leaders from all three countries came together for the official uprising ceremony to commemorate the fighters, none of whom are alive today. The last surviving fighter, Simcha Rathajzer-Rotem, also known as Kazik, died in December 2018. A handful of Warsaw Ghetto survivors who were not old enough to join the fighting remain, according to Holocaust scholars.
In another first, the three heads of state attended a commemorative service led by Poland’s Chief Rabbi Michael Schdurich at Warsaw’s Nozyk Synagogue. By the end of the ceremony, which was conducted mostly in Hebrew and featured Polish-Jewish children singing the Polish and Israeli national anthems, many attendees had tears in their eyes.
“I just thought, the leaders are here, this is something we should do, it’s part of building relationships and collective memory that partnerships are built on,” Schudrich told the Jewish Telegraphic Agency.
Earlier in the day, Polish President Duda called the fighters “the heroes of the Jews all over the world” and “the heroes of Poland and the Poles.”
Herzog, a day after Yom Hashoah, Israel’s Holocaust Remembrance Day, praised the fighters for sparking hope during one of humanity’s most tragic times. “In a world falling apart, in the shadow of death, under conditions of humiliation, famine, and forced labor, in the ghettos… they succeeded — mothers, fathers, children, grandfathers, and grandmothers — in upholding human morality, mutual responsibility, faith and basic humanity,” he said.
From left to right: German President Frank-Walter Steinmeier, Polish President Andrzej Duda and Israeli President Issac Herzog hold hands before the 80th anniversary commemoration of the Warsaw Ghetto Uprising, in front of the city’s Monument to the Ghetto Heroes, April 19, 2023. (German Government Press Office/Getty Images)
Wednesday’s diplomatic tribute, which also included speeches by World Jewish Congress President Ronald Lauder and Marian Turski, a Lodz Ghetto survivor whose so-called 11th commandment — “Thou shalt not be indifferent” — became the slogan for programming by the POLIN Museum of the History of Polish Jews around the commemoration.
Eleven years ago, POLIN commissioned Jewish artist Helena Czernek to design a simple paper flower daffodil that has since been worn on the uprising’s anniversary to raise awareness of the day. The pin design was inspired by a commander of the uprising, Marek Edelman, who died in 2009. Each year he would receive a bouquet of daffodils to mark the anniversary date from an anonymous sender, and he would in turn place them on the city’s Monument to the Ghetto Heroes — a large sculpture standing at the site of the uprising’s first battle.
The daffodil marker has since changed the landscape of Holocaust memory in Poland, according to POLIN museum spokeswoman Marta Dziewulska.
“Our research shows that since we began our educational programs around this event, including handing out the daffodils, the rise in general public knowledge about the uprising has been enormous,” said Dziewulska.
This year, thanks in part to financial support from Lauder, a billionaire heir to the Estee Lauder fortune and a major Republican donor, the daffodil campaign reached far more people than ever, both in Poland and beyond. Throughout the center of Warsaw, the paper daffodil was ubiquitous among pedestrians and cafe dwellers across generations. All crew members on LOT Polish airline flights wore them.
For the first time, the daffodils were also distributed to 150,000 people in 100 Jewish communities around the world. More than 3,000 volunteers gave out 450,000 paper daffodils in six cities across Poland, and over 7,000 schools, libraries and cultural institutions participated in the museum’s daffodil campaign, which includes films and educational materials about the uprising.
Helena Czernek designed the paper daffodil over a decade ago. (Dinah Spritzer)
Krystyna Budnicka, who was 11 at the time of the uprising, told journalists about her story on Monday. The fighters of the Jewish Combat Organization (ŻOB) were armed with home-made grenades and Molotov cocktails. In the end, roughly 13,000 Jews were were burnt alive or suffocated as the Nazis burnt down the ghetto to quell the rebellion, sending the remaining some 50,000 Jews to be murdered further east.
Budnicka told the Polish newspaper Gazeta Wyborcza that “as the ghetto was burning, the underground was like a bread oven.”
But Budnicka and some of her 10 immediate family members, none of whom survived the Holocaust, had one advantage. Her brothers and father were observant Jews who happened to be carpenters. They had constructed a bunker to lead to the sewers so that eventually, at least she and her brother, who later died of typhus, were able to make it out.
Budnicka was later taken in by a Catholic orphanage while the war was still raging and hid her Jewish identity, changing her last name to Kuczer. Until the 1990s, she told almost no one of her travels. But today she is the ambassador of POLIN Museum.
Her recollection of life at the time is limited, except that she had hope for survival. The fighters slept during the day in bunkers the Nazis couldn’t easily find, and came out of the sewers to fight at night. She remembers hunger, being the only girl among many boys and dreaming about what bread tasted like, a distant memory.
Many decades later, after the end of the Communist dictatorship, a “Children of the Holocaust” association was formed in Poland. For the first time, Budnicka and many others started telling their stories out loud, and at schools.
“Now I feel that I have to do it,” she told Gazeta Wyborcza. “When I mention my loved ones at meetings, it’s like I’m erecting a monument to my family. They live then. I see them. It’s in order: my mother Cyrla, father Josef Lejzor, brothers Izaak, Boruch, Szaja, Chaim, Rafał.”
Budnicka is not the only Warsaw Ghetto survivor to ask the world to remember what she endured. Helena Birnbaum, 93, who also survived by hiding in a bunker, participated in this year’s March of the Living — an annual Holocaust remembrance event that brings thousands of participants from around the world to Auschwitz-Birkenau. She told reporters at the march on Tuesday why she flew all the way to Poland from Israel to talk about her ordeal.
“The importance of knowing about the Holocaust is to know the person in all situations, on the brink of death,” she said. “The importance of knowing that the Holocaust was life within death and not everyone died at once. The individual stories matter.”
An iconic photo from the Warsaw Ghetto shows Jews being led by Nazis in 1943. (U.S. Holocaust Museum/Wikimedia Commons)
The act of international unity in display at the official uprising ceremony comes at a time when Poland’s right-wing government continues to espouse a nationalist narrative that international scholars say downplays Polish antisemitism and violence towards Jews before, during and after World War II. Multiple Polish laws connected to Holocaust rhetoric and restitution payments caused diplomatic tensions between Poland and Israel for years, and the two only resumed more full relations last month. The rapprochement came after Israel’s foreign minister announced the resumption of Israeli student trips to Holocaust sites in Poland, which now could include sites that explain Nazi violence against non-Jewish Poles.
Six years ago, some Polish Jews who rejected their government’s patriotic narrative launched their own uprising commemoration, which has grown from a group of hundreds to nearly a thousand. During the alternative commemoration on Wednesday, which featured Yiddish songs sung by school children and recitations of poetry by Polish-Jewish authors, participants laid paper and real daffodils at Warsaw Ghetto monuments such as Umschlagplatz, where the Nazis deportee 350,000 Jews by train to Treblinka.
Patrycja Dolowy, director of Warsaw’s Jewish community center, was an early supporter of what she called a grassroots alternative to the pomp and circumstance of the government’s ceremony, only a few hundred feet away.
“Jews were sentenced to death in the center of their own city and the majority of people outside the ghetto were doing nothing about this,” said Dolowy, who believes government focus on heroism should not erase inquiry into less heroic actions by Poles.
“If Jews were not treated before the war as strangers, it would have been much easier for everyone, Jews and non-Jews, to rise together and resist,” she theorized.
The counter-commemoration reflects the contrasting attitudes in Poland towards honoring Jewish and Holocaust memory. In 2017, the government passed a law that assured public schools taught history from a heroic, patriotic perspective, and in 2018 made it illegal to insult the Polish nation’s Holocaust record, condemning scholars who dared delve into historical Polish aggression against Jews.
Attendees shown at an alternative Warsaw Ghetto Uprising commemoration, which has grown in recent years. (Dinah Spritzer)
Jerzy Warman, 76, a Polish-born Jew participating in the non-governmental commemoration whose parents survived the Warsaw Ghetto, said the Polish government wants to turn the uprising commemoration into an event where “they can do a roll call of Poles who they say helped the Jews.”
Warman noted that his father joined Edelman at the Warsaw Uprising, a major Polish resistance campaign that took place year after the Ghetto Uprising. “The Jews tried to join the Polish Home Army as a group but were rejected by them,” Warman recalled his father explaining.
Moshe Kis, 22, a Jewish political science student from Warsaw whose grandmother spent two years in the ghetto, echoed Warman’s view.
“So many people here still don’t understand their own history,” said Kis, who will immigrate to Israel next year. He added, fiddling with a daffodil over coffee, “when the sirens went off today in honor of the uprising, I heard people around me saying on the street, ‘what is this for, are we being invaded?’”
—
The post Warsaw Ghetto Uprising’s 80th anniversary remembered with daffodils, 3 presidents and an 11th commandment against ‘indifference’ appeared first on Jewish Telegraphic Agency.
Uncategorized
Amid blazing heat and rising tides, artists find beauty and desperation in these biblical times
Daniel Rothbart’s floating aluminum and glass forms are at once playful and lyrical, biomorphic and other-worldly; prehistoric and futuristic. They are set in a pond and two small pools in Staten Island’s Snug Harbor, a hidden pastoral gem that once served as a safe haven for sailors.
Overflowing with colorful flowers and plants and shrubbery, the scene is idyllic, short of the oppressive, steamy heat that has settled over the landscape. But then that’s part of it too. Rothbart’s Serpentine Sibyls: A Floating Sculptural Installation, animated by winds and currents, are site-specific and immersive. He is keenly in tune with its ecology.
“No, my work has not always addressed political issues, but water is a fraught medium,” he told me over the phone. “You can’t work with water without addressing its importance to life on this planet and climate change and stewardship. Water has always fascinated me.”
Growing up in the Pacific Northwest the ocean was a constant alluring presence. And as a Jew, the water’s historical, cultural and religious traditional significance is defining, he said.
“There’s the purification ritual of the mikveh, the parting of the Red Sea, the washing of hands and feet before entering the temple in Biblical times and the casting off of sins, Tashlich on Rosh Hashanah. Water diplomacy and technology has always been central in Israel. Making the desert bloom.”
Rothbart, a multidisciplinary artist whose work has been exhibited across the globe, is the author of Jewish Metaphysics as Generative Principle in American Art, which examines how Jewish mystical traditions, especially Kabbalah, informed abstract American art in the post-World War II years.
Erudite and heady, Rothbart said that his work can be viewed through the lens of tikkun olam, the Jewish imperative to help repair a fractured world, but it also borrows from Japanese culture, outer space imagery, Marcel Duchamp’s dadaism and Greek mythology.
The title of his exhibit references Sibyls, the Greek female prophets who were consulted in catastrophic times, not unlike our current era cursed by floods and wildfires and heat waves.
Rothbart started thinking about floating sculptures in 2007 for a piece he was conceiving for the Venice Biennial. A city surrounded by water cried out for it. Japanese glass fishing floats came to mind.
“The Japanese fishing floats would wash up on shore in Oregon where I grew up,” he recalled. “I loved the fragile recycled pieces of glass that came from the orient and that I could de-contextualize a common object and in so doing create something new.”
To anchor the sculptures, Rothbart and his assistant kayaked to the middle of the pond. There, once he established where he wanted each sculpture, he dropped each form, now attached to two to five-pound iron weights.
“The sculptures are sensitive to any existing life in the water,” he said. “The pond here has turtles and fish. I’ve found that the animals adjust to the new forms. I love the relationship between life in the pond and the foreign objects.”
Three artists, one flood
The Interchurch Center in upper Manhattan is currently hosting Noah, A Future of Hope, 3 Faiths/ 3 Artists/ 1 Story. A traveling exhibit, it employs the story of Noah and the flood to gently remind viewers to save, protect and celebrate the environment. The topic is explored respectively through a Christian, Muslim and Jewish vision. The artists — Yona Verwer, a Dutch-born Jew, Brian Whelan, a British-born Christian of Irish heritage and Hady Boraey, an Egyptian Muslim — each merge their religious identity with personal aesthetics and the need to advocate for the environment.
“Each artist was invited to create eight paintings that visually inspire our imaginations to heal our world by honoring our intricate connection to the earth as our sustainer, and by maintaining a sacred balance with all her life forms,” said curator Paul G. Chandler in his introductory remarks at the exhibit’s opening night reception. “In this way, the story of the ark, its animals, and the flood, take on contemporary relevance as we face today’s climate crisis.”
Seven is a significant number in each religion, so Chandler selected seven core lessons, each reflecting some part of the Noah story, for the artists to address. The eighth painting from each artist served as a kind of synopsis of the work that was to follow.
Water is a common image throughout the exhibit; indeed, water plays a major role, not only in Judaism, but in Christian and Islamic rituals as well, from Christian baptism to the washing of feet and hands before prayer in a Mosque.
When I asked Chandler if he could guess the religion of each artist on the basis of their paintings he said he could for the Jew and Christian, but wouldn’t have had a clue that Boraey emerges from an Islamic tradition.
“His paintings have an individual aesthetic and a more universal feeling. Still, you never see the face of Noah in his work. In Islamic tradition you can only view him from the back. To see his face is idolatry. Jews have the same tradition, but may not adhere to it as rigidly.”
Some of Verwer’s work incorporates Hebraic texts and characters. In “Care for the Species,” a figure is blowing a shofar. Similarly, Chandler said, he’d know that Whelan’s paintings were made by a Christian. They are literal illustrations of key moments in the Noah story.
His depiction of Noah evokes a figure right out of vaudeville, grinning broadly, sporting a little hat and in more than one instance looking slightly confused.
“Christians turn catastrophe into a kind of children’s bedtime story,” Chandler said. “It’s very Christian to sanitize the story. Jews don’t do that.”
“My being Jewish — a religious Jew—has had a bearing on how I look at everything,” said Verwer who says that water and its preservation is deeply important to her not least because for more than 2,000 years Judaism has had many rules to safeguard water. As a Holland native, she, like Rothbart, grew up near water and so it was always part of her universe.
Verwer’s work is also exhibited in an accompanying solo show, Fluid Futures-Living Waters, which features eight paintings that explore ocean pollution through a comic sensibility. One piece, bal tashchit (prohibition against needless destruction) depicts an octopus, submerged in deep ocean waters, clutching a soda can in its mouth.
“I don’t feel a painting is finished if I haven’t laughed at least once,” Brian Whelan said. “But it also needs a message.”
His major challenge was Chandler’s insistence that the paintings embrace a note of optimism.
“I don’t see any hope in what’s happening to this planet,” said Whelan. “My work mostly follows in the tradition of East Anglican medieval narrative paintings found in churches dating back to the 14th-to-16th centuries.”
For me his strongest piece is “Humans Outside the Ark Perished,” which appears in his linked, one-man show, 40 Days and 40 Nights. Here we see desperate hands reaching towards Noah for safety. A mouse sits alongside Noah, a poignant image. It’s safe and sound compared to the desperate humans.
Of the three painters, Boraey said his work was the least likely to be connected to any one particular religion. Unable to obtain a visa to the States he spoke to me on the phone from the Northern coast of Egypt.
He said his piece “The Great Collapse” spoke most vividly to both the Noah story and the ecological precipice we’re now facing as a result of climate change.
In the foreground, we view Noah from the back gazing out across a body of water at masses of people crushed together and almost immobilized as they hopelessly struggle to move forward. In the background hangs a giant and cratered blue moon sinking below the horizon and into the ground. It is at once foreboding and exquisite.
Having participated in exhibitions in the Middle East and Europe, Boraey said he was most influenced by the surrealist art movement in Cairo in the late 30s. The marriage between folkloric and political motifs is its hallmark.
The Noah tale for him is “both pessimistic and optimistic because hope is always there and they survived at the end of the story,” he said. “Noah saved humanity. He reminds us that we have to be very careful with the earth.”
In harmony with nature
Back at Snug Harbor, the late afternoon heat dome has made the airless, sun-baked space even more relentless than it was earlier in the afternoon. Rothbart’s visitors are slowly straggling out of the park, some wiping away sweat with bits of tissue, others fanning themselves; still others pouring water from their bottles onto reddened necks and arms and legs indifferent to the water splashing on to their clothes.
“Talk about global warming and climate change,” he told me. “This weather only drives home the point of just how serious this is and how we have to learn to live in harmony with nature and our environment.”
Serpentine Sibyls will run through Sept. 28.
Noah: A Future of Hope will run at the Interfaith Center through Aug. 26 and then continues its global tour.
The post Amid blazing heat and rising tides, artists find beauty and desperation in these biblical times appeared first on The Forward.
Uncategorized
Fire at Postville, Iowa, kosher meat processing plant shuts down production ahead of the High Holidays
(JTA) — A major fire at one of the largest kosher meat processing plants in the United States is poised to increase the price of kosher meat ahead of the High Holidays, in addition to devastating the plant’s local community.
Investigators in Postville, Iowa, said on Wednesday that the fire that devastated AgriStar Processing started accidentally in the facility’s laundry room. The fire, which began on Tuesday, destroyed at least 75% of the plant and has put more than 600 people out of work, Fire Chief Jeff Bohr told the local TV network KCRG.
The fire has also interrupted a linchpin of kosher meat production, according to OU Kosher, the oversight agency run by the Orthodox Union.
“The damaged facility means a significant portion of kosher beef and chicken slaughtered and sold in the US will not enter the kosher supply chain,” Rabbi Moshe Elefant, the organization’s CEO, said in a statement on Wednesday. “Kosher consumers will feel the impact of the tightening supply with reduction of availability.”
Elefant said OU Kosher was working to “find solutions for ramping up production at other plants” while warning that the crisis could fuel bad actors.
“Unfortunately, when supply is limited, it creates opportunity for unscrupulous individuals who seek to make money by preying on the well-meaning Kosher observant public,” he wrote.
Jarad Bernstein, the executive director of the Jewish Federation of Greater Des Moines, said the fire represented “a terrible situation” in an email to the Jewish Telegraphic Agency.
“The impact on the local community and the business will be large,” he said.
The fire is not the first time that a crisis at AgriStar has sent the community into a tailspin. In 2008, a federal immigration raid at the plant, then known as Agriprocessors, netted the arrest of hundreds of workers and led to the arrest and conviction of the company’s longtime CEO Sholom Rubashkin on 86 counts of bank fraud, mail fraud and money laundering. It also led most of Postville’s Jewish residents to leave the town, which had developed as an unusual stronghold of Orthodox life in eastern Iowa.
Saying that “many people” believed Rubashkin’s 27-year prison sentence had been excessive, President Donald Trump commuted Rubashkin’s sentence in 2017. Rubashkin’s conviction stands.
Canadian Jewish billionaire Hershy Friedman purchased Agriprocessors and reopened it as Agri-Star. He told JTA in 2016 that he had done so after being urged by Jewish leaders to ensure competition in the kosher meat processing industry.
“It wasn’t done for financial purposes; it was done to really cater to the Jewish community,” he said about the purchase. “During the time Rubashkin was closed, the price of beef roughly doubled. After we acquired it, it came right back down.”
Friedman also said he had shored up the company’s employment practices, which had run afoul of the law, and made improvements to the slaughter process that had made Agriprocessors a target of animal rights activists.
Agri-Star said in a statement on Wednesday that it appreciated the first responders who “worked tirelessly and selflessly to protect lives and contain the fire” and the employees who had shown “inspiring” care for each other. It also indicated that it did not yet know the future of the plant.
“We understand there are many questions about what comes next,” Agri-Star wrote on social media. “While we are still gathering information and evaluating our short-term plans, we are committed to sharing verified updates as soon as they become available. We appreciate your patience as we work through this process thoughtfully and responsibly.”
This article originally appeared on JTA.org.
The post Fire at Postville, Iowa, kosher meat processing plant shuts down production ahead of the High Holidays appeared first on The Forward.
Uncategorized
California law on antisemitism in schools will be enforced after free speech challenge is defeated
(JTA) — A California law to prevent antisemitism in schools will be enforced after a federal judge dismissed a challenge from teachers and students who said it violated free speech.
U.S. District Judge Noël Wise on Tuesday ruled against a lawsuit opposing Assembly Bill 715, which went into effect in January. The new law introduces measures to curb the “widespread surge in antisemitic discrimination, harassment, and bullying” faced by “Jewish and Israeli American pupils across California.”
As part of the law, California is establishing an Office of Civil Rights with a new statewide antisemitism prevention coordinator for public schools, who has not yet been appointed. The law mandates teachers to provide “factually accurate” instruction rather than “advocacy, personal opinion, bias, or partisanship.” It requires local educational agencies to take action if they find that instruction or school-sponsored materials are discriminatory.
A group of teachers, students and the American-Arab Anti-Discrimination Committee filed a challenge in November. They said the law was unconstitutionally vague, chilled speech in the classroom about Palestinians and discriminated against Palestinian, Arab and Muslim students and perspectives.
Wise said it was too soon to consider these claims, given the uncertainties still surrounding the new Office of Civil Rights, its leadership and how it will define and respond to antisemitism. She also said that teachers and students did not provide sufficient evidence of infringements on free speech, and teachers could not claim speech rights on the job.
“Teacher Plaintiffs are not acting as private citizens and therefore do not have First Amendment rights while teaching,” Wise said in her ruling.
She also dismissed the claim that the law would discriminate against non-Jewish students. “The existence of an Antisemitism Coordinator does not change the Office’s overarching purpose to stop discrimination generally; it merely reflects the State’s decision to accord specific funds to a specific problem,” she said.
Malak Afaneh, a staff attorney at ADC, said the group was reviewing the court’s decision and considering its options.
“AB 715 has already caused educators to alter the way they teach out of fear that classroom discussions or activities could trigger complaints or investigations,” Afaneh said in a statement. “When teachers feel compelled to abandon cultural identity projects or avoid discussions about Palestine, it is students who are denied the opportunity to engage with diverse ideas and perspectives.”
The Jewish Community Relations Council of San Francisco celebrated Wise’s decision as “great news.”
“This ruling, and the fact that the case has been dismissed with prejudice, affirms that AB 715 is a strong, legitimate approach to protecting Jewish students — and all students — against harassment and discrimination,” the group said.
This article originally appeared on JTA.org.
The post California law on antisemitism in schools will be enforced after free speech challenge is defeated appeared first on The Forward.
