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Disney+ series ‘A Small Light’ tells the Anne Frank story from the perspective of the woman who hid her
(JTA) — The short life of Anne Frank has inspired generations of filmmakers and television producers. The list of past productions range from “The Diary of Anne Frank” (1959), whose director George Stevens witnessed Nazi occupation as a U.S. army officer, to the Academy Award-winning documentary “Anne Frank Remembered” — featuring the only known footage of Anne — to the Emmy Award-winning dramatized miniseries “Anne Frank: The Whole Story” (2001).
On Monday night, viewers will get another TV version. But “A Small Light,” an eight-episode series premiering on National Geographic and streaming Tuesday on Disney+, tells the story from a new perspective: through the eyes of the woman who hid the Frank family.
Miep Gies was an independent 24-year-old with a busy social calendar and a dance club membership when she began working for Anne Frank’s father Otto in 1933 at Opekta, his successful jam business in Amsterdam. As Jews were rounded up and deported from the Netherlands in 1942, her Jewish boss asked if she would be willing to hide his family in an annex above the office, and she did not hesitate.
“A Small Light” stars Bel Powley as Gies, Joe Cole as her husband Jan Gies and Liev Schreiber as Otto Frank. It’s named for a quote from the real Gies, who once said that she did not like to be called a hero because “even an ordinary secretary or a housewife or a teenager can turn on a small light in a dark room.”
That metaphor had literal meaning for the Frank family and four others in the secret annex, who spent two years in a dark 450-square-foot space behind a hinged bookcase. Gies, her husband and four other employees of Otto Frank secretly kept eight Jews alive while running his business downstairs. Gies brought them food and library books, using black market ration cards and visiting several different grocers to avoid suspicion. Anne Frank said in her diary, “Miep is just like a pack mule, she fetches and carries so much.”
In the series, the “dark room” is seen less than Gies’ frenzied bicycle trips across Amsterdam, as she tries to sustain the appearance of a normal life. Her secret pushes her away from friends and family, while her marriage strains under the weight of ever-looming disaster. The creators of “A Small Light” sought to recreate a hero as a modern, flawed, at times even annoying person.
“She’s not some kind of saint,” executive producer Joan Rater told the Jewish Telegraphic Agency. “She had moods, she had a new marriage, she wanted to hang out with friends. She wanted to take a day off and she couldn’t.”
“I think everyone can relate to Miep,” said Powley, an English-Jewish actress known for starring in several British shows and in American films such as “The King of Staten Island.” “She was just an ordinary person in extraordinary circumstances.”
Although “A Small Light” is rife with tense scenes and suspense, the producers fashioned it with young audiences in mind. The show conspicuously avoids the explicit violence and horror typically expected of its subject matter, leaving out concentration camps and murders. Rater and co-creator Tony Phelan wanted children like their own to watch the series. While they were writing it, their daughter was the same age as Anne was when she was writing her diary.
Some young viewers have seen Anne’s story being swept up in literary purges across U.S. school districts, as part of the debate over what should be taught in American classrooms. Earlier this month, a Florida high school removed an illustrated adaptation of her diary after determining that references to her sexuality were “not age appropriate.” The same edition was previously yanked from a Texas school district, although it was reinstituted after public outcry. Meanwhile, a Tennessee school board banned “Maus,” Art Spiegelman’s Pulitzer Prize-winning graphic novel about his father’s experience in the Holocaust, after objections over curse words and nudity last year.
The name “Anne Frank” has long been synonymous with Holocaust education as her diary remains one of the world’s most-read books, with translations in over 70 languages. But the “relatable” rescuer presents another appealing way to teach children about one of the most wretched chapters in human history, said Brad Prager, a professor of German and film studies at the University of Missouri.
“It is the message that people like to hear,” Prager told the JTA. “If you ask a fourth-grader why we watch TV and movies — well, this is so that you can learn to do the right things, or you can learn that in certain circumstances anyone can be a hero.”
Liev Schreiber plays Otto Frank and Amira Casar plays Edith Frank in “A Small Light.” (National Geographic for Disney/Dusan Martincek)
A broader lens on the Netherlands during World War II is less palatable. The Germans and their Dutch collaborators implemented a highly effective system of persecution: Between 1942 and 1944, about 107,000 Dutch Jews were deported primarily to Auschwitz and Sobibor, then murdered. Only 5,200 of them survived.
Although Gies did everything she could to save the Jews in her care, the unwritten ending to Anne’s diary is well-known. Three days after her last entry in August 1944, Dutch police officers led by SS officer Karl Josef Silberbauer raided the annex. Gies escaped arrest by observing that she and Silberbauer shared a hometown.
“My luck was that the police officer in charge came from Vienna, the same town where I was born,” she said in a 1997 interview with Scholastic. “I noticed this from his accent. So, when he came to interrogate me, I jumped up and said, as cheerfully as I could, ‘You are from Vienna? I am from Vienna too.’ And, although he got very angry initially, it made him obviously decide not to arrest me.”
In a valiant last-ditch effort, Gies walked into the German police office the next day and attempted to buy her friends’ freedom. She was unsuccessful.
Gies found Anne’s notebooks and papers strewn on the annex floor. Without reading them, she gathered and tucked the writings into a drawer, hoping to return them to their owner. Germany had all but lost the war already, with Allied troops less than 250 miles from Amsterdam.
The Franks were packed on the last train ever to leave the Westerbork transit camp for the Auschwitz extermination camp. Otto was separated from his wife Edith and daughters Anne and Margot on the Auschwitz platform. In October, the girls were transported to Bergen-Belsen, and Edith succumbed to starvation in January 1945. Her daughters died of typhus a month later, when Anne was 15 years old.
Some studies have suggested that knowledge about the Holocaust is diminishing. In 2020, the Claims Conference found that 63% of Millenial and Gen Z Americans (ages 18-39) did not know that six million Jews were murdered in the Holocaust. More than 10% did not recall ever hearing about the Holocaust, while 11% believed that Jews caused it. Another Claims Conference survey reported that despite living in the country where Anne hid from the Nazis, a majority of Dutch people did not know the Holocaust took place there.
“In a time that antisemitism is on the rise and there are more displaced people in the world than there ever have been before, it couldn’t be a better time to re-explore this part of history, but through the lens of this ordinary young woman,” said Powley.
While “A Small Light” celebrates the power of the individual, the fate of Anne Frank also represents the failure of the whole world, said Prager. By centering Gies’ perspective, he said, the series risks making Anne a peripheral character in her own brutally aborted story.
“When you decenter Anne Frank, one thing is that you lose the Jewish perspective on the persecution,” he said.
Otto Frank, the sole survivor from the annex, appeared at Jan and Miep Gies’ doorstep after the war and ended up living with them for over seven years. In July 1945, Gies watched as he received the notice that his children were dead.
“He took it in his hands and suddenly he became eerily quiet,” Gies said in an interview for the Anne Frank House. “You cannot explain it, it was a silence that speaks. I looked up. He was white as a sheet. And he handed me the letter.”
Gies read the piece of paper, stood up and opened her desk drawer. “I took all the diaries, with all the separate sheets and everything and handed them over to Mr. Frank,” she said.
She told him, “This is your daughter Anne’s legacy.”
In 2010, Gies died at 100 years old. Every year on Aug. 4 — the day the Franks were arrested — she stayed at home, drew her curtains and did not answer the phone or doorbell.
Powley believes the show’s angle gives a fresh perspective on “your mom’s dusty copy of Anne Frank’s diary.” She approached the role of Gies with a heavy sense of responsibility.
“I feel a deeper connection to this story than I have with other projects,” she said. “This offer came to me on Holocaust Memorial Day and it immediately had that special feeling to it. My grandma, the Jewish matriarch of my family, died during COVID. I feel that she would be proud.”
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The post Disney+ series ‘A Small Light’ tells the Anne Frank story from the perspective of the woman who hid her appeared first on Jewish Telegraphic Agency.
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Support for Iran war among ‘connected’ US Jews falls again, poll finds
(JTA) — In the early days of the U.S.-Israel war on Iran, 68% of “connected” American Jews — those with ties to American Jewish institutions — supported the war, according to a poll taken by an Israeli public affairs institute.
That proportion fell weeks into the war and fell further to 60% just after President Donald Trump unilaterally announced a ceasefire on April 8, the same survey found, according to results released by the Jewish People Policy Institute last week and publicized on Sunday.
The decline was sharpest among those who identified as “leaning liberal,” 42% of whom are supportive of the war, down from 57% in early March.
At the same time, opposition among “connected” Jews has risen sharply, with about a third saying they oppose the war, up from 26% just after the war’s start. And only 14% of respondents said they believed the war had achieved “major success.”
The survey of 806 American Jews, taken April 15-19, drew from a panel that JPPI maintains and surveys regularly. The institute says its polls reflect the sentiments of “connected” Jews because its panel includes fewer intermarried Jews, more Jews who are affiliated with denominations and more Jews who have lived in Israel than demographic data suggests is representative of U.S. Jewry overall.
Two polls taken weeks into the war, before the ceasefire, found that most American Jews overall opposed the U.S. military campaign against Iran.
The latest results arrive as the future of the war and its dividends so far remain uncertain. Facing widespread public disapproval on Iran and pressure over oil prices, Trump has repeatedly extended the ceasefire despite failing to extract the major concessions from the Iranians that he has called for. This weekend, he said he was unsatisfied with their latest offer and said he remained torn between wanting to keep pressing for a diplomatic agreement or choosing to “go and just blast the hell out of them and finish them forever.”
Speaking at an event in Florida, Trump said. “Frankly, maybe we’re better off not making a deal at all. Do you want to know the truth? Because we can’t let this thing go on. Been going on too long.”
Iranian officials have reportedly said they expect a return to fighting, and the Israelis also have said they remain at a high level of military readiness.
A key sticking point is the future of Iran’s nuclear program, which Trump vowed to eliminate. The Iranians have offered to halt nuclear enrichment for up to five years, but Trump has rejected that offer and is pushing for a 20-year pause — longer than the 15-year hiatus in the agreement President Barack Obama in 2015 struck that Trump exited in 2018. Following the collapse of that deal, the Iranians are understood to have embarked on an enrichment spree, giving the regime the most nuclear material it has ever possessed. Much of that material remains buried but extractible under facilities Trump bombed last year.
This article originally appeared on JTA.org.
The post Support for Iran war among ‘connected’ US Jews falls again, poll finds appeared first on The Forward.
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A folksy approach to this year’s Yiddish symposium in Amsterdam
דעם 21סטן אַפּריל איז פֿאָרגעקומען דער יערלעכער אַמסטערדאַמער ייִדיש־סימפּאָזיום, נאָר דאָס יאָר איז עפּעס ניט געװען װי געװײנטלעך. איז מה נשתּנה, מיט װאָס איז דער הײַיאָריקער סימפּאָזיום געװען אַנדערש װי אַלע יאָר?
מיט 20 יאָר צוריק האָט דער פֿילאָלאָג און היסטאָריקער שלמה בערגער ע״ה געגרינדעט דעם סימפּאָזיום — װי אַ פֿאָרש־קאָנפֿערענץ. אלא װאָס, אין יאָר 2026 איז דאָס ניט געװען קײן שמועס פֿון פֿאָרשער צװישן זיך, אין העלפֿאַנדבײן־טורעם, נאָר אַ קולטור־אונטערנעמונג פֿאַרן ברײטן עולם.
שױן דאָס באַגריס־װאָרט האָט געשמעקט מיט פּאָפּולאַריזירונג און פֿאָלקסטימלעכקײט. באַגריסט האָט דעם עולם די לעקטאָרין פֿאַר דער ייִדישער שפּראַך און ליטעראַטור בײַם אַמסטערדאַמער אוניװערסיטעט, דניאלה זײַדמאַן־מאַוער. אַלײן רעדנדיק אױף ענגליש, האָט זי באַמערקט, אַז מאַמע־לשון קװעלט מן־הסתּם פֿון נחת, זעענדיק די חסידישע קינדער װאָס בײַ זײ אין מױל לעבט די שפּראַך װײַטער.
זײַדמאַן־מאַוער האָט פֿון צײַט צו צײַט פֿאָרט אַרײַנגעכאַפּט אַ ייִדיש װאָרט: „זיצן שיבֿעה“, „קוגל“, „חוצפּה“. אױך יצחק באַשעװיסן האָט מען דערמאָנט. װי ניט איז, קומט זײַדמאַן־מאַורער אַ גרױסער יישר־כּוח פֿאַרן אײַנאָרדענען דעם סימפּאָזיום. אין דעם פּרט איז איר אַרבעט געװען זײער אַ געראָטענע.
סך־הכּל זײַנען געװען דרײַ רעדנערס. בײַם אָנהײב איז אַרױסגעטראָטן דװקא אַ װיסנשאַפֿטלערין מיט אַ רעפֿעראַט װעגן לינגװיסטיק. דאָס איז געװען די שפּראַך־פֿאָרשערין חיה־רחל נאָװע פֿון ניו־יאָרק. זי האָט איבערגעגעבן אינטערעסאַנטע אױספֿירן פֿון איר פֿאָרשונג און בעת־מעשׂה פֿאַרװײַלט דעם צוהערער־עולם.
אײדער ניו־יאָרק האָט געהײסן ניו־יאָרק, האָבן דאָרט געװױנט האָלענדישע קאָלאָניסטן אין אַ ייִשובֿ אױפֿן נאָמען נײַ־אַמסטערדאַם. אַפֿילו די שפּעטערדיקע דורות האָבן נאָך אַ צײַט לאַנג אױפֿגעהיט די נידערלענדישע שפּראַך — זײ האָבן זיך געהאַט זײערע צײַטונגען און אױך אײגענע שולן. אױב אַזױ, האָט די לינגװיסטן נאָװע געטענהט, קען מען דאָך מאַכן אַ גזירה־שװה און זאָגן דאָס אײגענע װעגן דער חסידישער באַפֿעלקערונג הײַנט צו טאָג, װאָרן אַ סך חסידים לעבן זיך װײַטער אױס אױף דער ייִדישער שפּראַך — צװישן זײ נאָװע אַלײן.
בשעתן רעפֿעראַט האָט זי טאַקע געװיזן אַ קורצן פֿילם מיט איר אײניקל װאָס לײענט פֿון אַ ייִדיש־לערנבוך. בײַם סוף האָט זי נאָך געװיזן אַ מוזיק־װידעאָ מיט אַ רעפּ פֿונעם פּאָפּולערן חסידישן זינגער אַרי סאַמעט. „פּסח האָבן די קינדער דאָס געזונגען אָן אױפֿהער!“ — האָט זי געזאָגט.
צװישן די גורמים װאָס פֿאַרזיכערן דעם המשך פֿון דער שפּראַך האָט נאָװע דערמאָנט דעם פֿאַקט, װאָס מע קען פֿירן געשעפֿטן און מאַכן אַ קאַריערע אױף ייִדיש. מע דאַרף ניט צוקומען צו ענגליש כּדי פּרנסה צו האָבן. אַחוץ געזעלשאַפֿטלעכע פֿאַקטאָרן האָט נאָװע אױך אַרומעגערעדט פֿאַקטן פֿון דער שפּראַך גופֿא.
אינעם לשון פֿון הײַנטיקע חסידים געפֿינען זיך סימנים סײַ פֿון המשך און סײַ פֿון באַנײַונג. חסידים זאָגן, למשל, „אַלעס“ (פֿאַר „אַלץ“) — פּונקט װי דער ייִדיש־רעדנידקער עולם אין אונגאַרישן אונטערלאַנד פֿאַר דער מלחמה. פֿון דער צװײטער זײַט, זאָגט מען הײַנט צו טאָג „אײביק“ (ניט „אַלע מאָל“, „תּמיד“ אָדער „אַלץ“) — אַ װאָרט װאָס אַמאָליקע צײַטן האָט מען עס זעלטן װען געבראַכט פֿאַרן מױל, און אַז יאָ, איז מײנענדיק דװקא „נצח“ און ניט אַז מע טוט עפּעס שטענדיק, כּסדר.
דער צװײטער רעדנער אױפֿן סימפּאָזיום האָט שױן גערעדט אין גאַנצן ניט אַקאַדעמיש, נאָר דערצײלט אַנעקדאָטן, פּערזענלעכע זכרונות. אױך בײַ אים האָט מען זיך גוט פֿאַרװײַלט און ער האָט ניט אײן מאָל אַרױסגערופֿן אַ געלעכטער בײַם עולם. דאָס האָט געשמועסט דער שוועדישער פֿאַרלעגער ניקאָלײַ אָלניאַנסקי װעגן זײַן פֿאַרלאַג און װעגן דעם װי אַזױ ער האָט זיך גענומען צום אַרױסגעבן הײַנטצײַטיקע װעלטלעכע ליטעראַטור אױף ייִדיש.
אָלניאַנסקי איז אַ שװעד װאָס האָט זיך מגייר געװען. לכתּחילה האָט ער גענומען זיך לערנען ייִדיש כּדי ניט אָנצוּװערן זײַן סטודענטישע דירה. אָבער נאָך דעם האָט ער שטאַרק הנאה געהאַט פֿון די שפּראַך־לעקציעס מיט שלמה שולמאַנען ע״ה, װאָס האָט דעמאָלט געהאַלטן ייִדיש־לעקציעס אױפֿן לונדער אוניװערסיטעט. שפּעטערצו האָט ייִדיש געשפּילט אַ צענטראַלע ראָלע פֿאַר זײַן באַנעמען זיך אַלײן װי אַ ייִד.
מיט דער צײַט האָט אָלניאַנסקי, אין אײנעם מיט זײַן װײַב אידאַ, אַלײן אָנגעהױבן זיך אױסלעבן אױף ייִדיש און אַרױסגעבן אַ צײַטשריפֿט, װאָס אין איר האָבן זײ געשריבן װעגן „העװי מעטאַל“, װידעאָ־שפּילן און נאָך ענינים װאָס האָבן זײ פֿאַראינטערעסירט. די יונגע משפּחה אָלניאַנסקי איז אין גיכן דערגאַנגען צום אױספֿיר, אַז פֿאַרן ייִדישן המשך דאַרף מען האָבן װעלטלעכע קינדערביכער אױף ייִדיש. און דאָס פּאָרפֿאָלק איז ניט געזעסן מיט פֿאַרלײגטע הענט, נאָר זיך טאַקע גענומען צו דער אַרבעט.
שלום בערגער האָט דעמאָלט רעצענזירט זײערע ביכער פֿאַרן פֿאָרװערטס און אַראָפּגעריסן צװײ פֿון זײ. אָלניאַנסקי האָט זיך אָפּגערופֿן דערױף, אױך אינעם פֿאָרװערטס, מיט טענות קעגן „אַן עליטיזם װאָס שטײט תּמיד אין וועג דעם לעבעדיקן, הײַנטצײַטיקן ייִדיש.“ בערגער האָט געהאַלטן אַז אָלניאַנסקיס ביכער לײענען זיך טײל מאָל „װי אַ ראָבאָט װאָלט זײ אָנגעשריבן“. אױף דעם האָט אָלניאַנסקי געענטפֿערט — מיט אַ ראָמאַן װעגן אַ ייִדישיסט װאָס הײסט קאָליאַ ראָבאָטסקי.
בשעת װען די ערשטע צװײ רעפֿעראַטן האָט מען געהאַלטן אױף ענגליש, איז דער דריטער און לעצטער געװען — אױף פֿלעמיש, דער סאָרט האָלענדיש װאָס מע רעדט אין צפֿון־בעלגיע. דאָס האָט דערצײלט נפֿתּלי מאָסקאָװיטש, אַ חסיד פֿון אַנטװערפּן, װעגן זײַן אַרבעט װי אַן עצה־געבער אין שפּראַך־ענינים פֿאַר דער נעטפֿליקס־סעריע „רױע דימענטן“.
אין דער אמתן האָט מאָסקאָװיטש ניט נאָר געלערנט הילכות אױסשפּראַך, נאָר אױך ייִדישע פֿירונגען: װאָס טוט אַ שטײגער אַ פֿרומער ייִד װען ער כאַפּט זיך אױף פֿון שלאָף? װי אַזױ זאָגט מען מודה־אַני און גיסט אָפּ נעגל־װאַסער? װי אַזױ פֿירט זיך אַ חסידיש פּאָרפֿאָלק צװישן זיך?
װאָס שײך אַרױסרעד, האָט ער געשילדערט דעם גאַנג פֿון לימוד: צו ערשט דאַרף דער אַקטיאָר דאָך פֿאַרשטײן און קענען זאָגן די װערטער: װאָס — הערט — זיך, נאָר לסוף עס אַרױסרעדן: „װאָסערצאַך?“
אַז מע האָט געדאַרפֿט בראָקן פּסוקים לשון־קודש, האָט מאָסקאָװיטש זיך אָבער אַ מאָל מיאש געװען פֿונעם אױסלערנען זײַנע תּלמידים דעם אַרױסרעד. אײַנחזרן דעם פּיוט „אשת־חיל“ װאָלט זײ נאָך אַלעמען אָנגעקומען צו שװער. איז װאָס װעט מען טאָן אַז אַ משפּחה זעצט זיך אַװעק בײַם שבתדיקן טיש פֿרײַטיק־צו־נאַכט, און אַלע מאַנסבילן אין אײנעם דאַרפֿן זינגען אָט דעם לױבגעזאַנג לכּבֿוד דער ייִדישער פֿרױ?
צום סוף האָט מען רעקאָרדירט מאָסקאָװיטשן גופֿא עטלעכע מאָל װי ער זינגט אױס דעם ניגון, אַזױ אַז ס׳זאָל פֿאָרט קלינגען כּאילו דאָס זינגט אַ גאַנץ געזעמל מענערשע שטימען. װעגן אַזעלכע און אַנדערע פּרטים פֿון הינטער די קוליסן האָט מען זיך געקענט דערװיסן פֿון מאָסקאָװיטשן, װאָס אַרבעט אַנדערש װי אַ העברעיִש־לערער.
די אָרגאַניזאַטאָרן האָט זיך אַזױ אַרום אײַנגעגעבן אײַנצוסדרן אַ נאָכמיטאָג לעקציעס װאָס האָבן געקענט פֿאַראינטערעסירן סײַ אַקאַדעמישע פֿאָרשער־מבֿינים און סײַ דעם פּראָסטן, װײניקער באַהאַװנטן עולם. אַחוץ דעם איז דאָס אױך געװען אַ שײנע געלעגנהײט פֿאַר ייִדישיסטן זיך צונױפֿצוטרעפֿן און צו כאַפּן אַ שמועס אױף ייִדיש־לשון. דורך דעם האָט די ייִדישע שפּראַך גופֿא אױך געקראָגן אַ תּיקון אױף אָט דער לעבעדיקער אונטערנעמונג.
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A New Jersey congregation was already falling apart. Then came Oct 7.
Partly Strong, Partly Broken
By Nathaniel Popkin
New Door Books, $19.95, 249 pages
When Rabbi Adinah Feld returns to her reform congregation in New Jersey after a nearly week-long trip to Israel, she discovers two crises have occurred in her absence: The roof of the synagogue has collapsed after a heavy storm and the Muslim teenager, Fami, who helps clean the shul is in the hospital after a savage attack by a local white supremacist.
Things only further devolve from here in Partly Strong, Partly Broken, a new novel from author and former Wall Street Journal critic Nathaniel Popkin. The fictional synagogue of Temple Beth Israel fractures — metaphorically and physically — in the month leading up to the Oct. 7 Hamas attack.
Feld is presented as the archetypal neo-liberal American rabbi. Her trip to Israel, we quickly learn, consisted of participating in the pro-democracy protests and pining for her Palestinian ex-girlfriend, whom she first met nearly two decades earlier while living in Israel. Once she’s home, her attention is split between trying to fix the storm-damaged roof, respond to the attack, and finally launch the Hebrew learning center she’s been advocating for the synagogue to have for years.
But at every turn there’s a challenge: The incompetent and combative building manager can’t seem to get the roof fixed; some congregants believe Feld’s concern for Fami is proof she cares more about Muslims than Jews; a wealthy board member wants his name on the Hebrew center and his project manager in charge — a woman who takes personal offense when Feld invites the local Imam to join tashlich.
Many readers will probably see their own congregation in the fictional Temple Beth Israel, especially if they’ve served on a synagogue’s board or committee. But for those who have avoided seeing behind the administrative curtain of a synagogue, the complex power dynamics might come as a shock.
Popkin deftly captures a stark truth: The attack on Oct. 7 and the subsequent war didn’t create the divisions over Israel in the Jewish community; it exposed tensions that were already there. This reality, combined with a prophecy from the Book of Daniel — Daniel tells Babylonian King Nebuchadnezzar that his dream of a statue with feet made of iron and clay reveal that the foundations of his kingdom were “partly strong, and partly broken.” — is the inspiration for the book’s title.
For some, the fact that Jews have always been divided over Israel may not seem like a particularly insightful observation. But after Oct. 7, there was a lot of shock and outrage among the Jewish community at the wide range of opinions in their communities. As Partly Strong shows, when synagogues avoid talking about Israel to mitigate conflict (or please wealthy donors, as Feld does in the book), they don’t prevent conflict — they just make disagreements and tough discussions about Israel taboo and volatile.
In Popkin’s novel, the conflict comes to a head less than a week before Oct. 7 at a whiskey-fueled book talk where a Jewish comparative literature professor presents his claims about understanding the role of epigenetics and inherited trauma in the book of Genesis. The conversation quickly turns towards trauma among Israelis and Palestinians — a subject the drunken congregants are not prepared to discuss civilly.
As startlingly realistic as Popkin’s story is, the strong narrative occasionally feels disrupted by verbose, overexplanatory writing (“She’d better go find Fami right away and give her the silver chain with the hamesh pendant, the palm-shaped amulet of protection that is usually called by its Arabic name, hamsa, and sometimes the hand of Fatima, for the daughter of Mohammed”) and a surfeit of subplots. At one point, readers are pulled away from the main story for a brief and sappy sex scene between two teenage Hebrew school instructors on a faux polar bear rug (the girl is described as “dessert” and the boy is described as an “Olympic eater”). While it was impressive to see what seemed like half of my home congregation represented, at some point it becomes too much to keep track of all the characters, big or small, and all their issues.
We don’t actually see how the characters respond to Oct. 7 — the book ends with a small group of them huddled together watching the first reports of the attack on a television. We’re left to imagine how Feld and her congregation will handle the aftermath — although readers have probably already lived it themselves.
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