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Disney+ series ‘A Small Light’ tells the Anne Frank story from the perspective of the woman who hid her
(JTA) — The short life of Anne Frank has inspired generations of filmmakers and television producers. The list of past productions range from “The Diary of Anne Frank” (1959), whose director George Stevens witnessed Nazi occupation as a U.S. army officer, to the Academy Award-winning documentary “Anne Frank Remembered” — featuring the only known footage of Anne — to the Emmy Award-winning dramatized miniseries “Anne Frank: The Whole Story” (2001).
On Monday night, viewers will get another TV version. But “A Small Light,” an eight-episode series premiering on National Geographic and streaming Tuesday on Disney+, tells the story from a new perspective: through the eyes of the woman who hid the Frank family.
Miep Gies was an independent 24-year-old with a busy social calendar and a dance club membership when she began working for Anne Frank’s father Otto in 1933 at Opekta, his successful jam business in Amsterdam. As Jews were rounded up and deported from the Netherlands in 1942, her Jewish boss asked if she would be willing to hide his family in an annex above the office, and she did not hesitate.
“A Small Light” stars Bel Powley as Gies, Joe Cole as her husband Jan Gies and Liev Schreiber as Otto Frank. It’s named for a quote from the real Gies, who once said that she did not like to be called a hero because “even an ordinary secretary or a housewife or a teenager can turn on a small light in a dark room.”
That metaphor had literal meaning for the Frank family and four others in the secret annex, who spent two years in a dark 450-square-foot space behind a hinged bookcase. Gies, her husband and four other employees of Otto Frank secretly kept eight Jews alive while running his business downstairs. Gies brought them food and library books, using black market ration cards and visiting several different grocers to avoid suspicion. Anne Frank said in her diary, “Miep is just like a pack mule, she fetches and carries so much.”
In the series, the “dark room” is seen less than Gies’ frenzied bicycle trips across Amsterdam, as she tries to sustain the appearance of a normal life. Her secret pushes her away from friends and family, while her marriage strains under the weight of ever-looming disaster. The creators of “A Small Light” sought to recreate a hero as a modern, flawed, at times even annoying person.
“She’s not some kind of saint,” executive producer Joan Rater told the Jewish Telegraphic Agency. “She had moods, she had a new marriage, she wanted to hang out with friends. She wanted to take a day off and she couldn’t.”
“I think everyone can relate to Miep,” said Powley, an English-Jewish actress known for starring in several British shows and in American films such as “The King of Staten Island.” “She was just an ordinary person in extraordinary circumstances.”
Although “A Small Light” is rife with tense scenes and suspense, the producers fashioned it with young audiences in mind. The show conspicuously avoids the explicit violence and horror typically expected of its subject matter, leaving out concentration camps and murders. Rater and co-creator Tony Phelan wanted children like their own to watch the series. While they were writing it, their daughter was the same age as Anne was when she was writing her diary.
Some young viewers have seen Anne’s story being swept up in literary purges across U.S. school districts, as part of the debate over what should be taught in American classrooms. Earlier this month, a Florida high school removed an illustrated adaptation of her diary after determining that references to her sexuality were “not age appropriate.” The same edition was previously yanked from a Texas school district, although it was reinstituted after public outcry. Meanwhile, a Tennessee school board banned “Maus,” Art Spiegelman’s Pulitzer Prize-winning graphic novel about his father’s experience in the Holocaust, after objections over curse words and nudity last year.
The name “Anne Frank” has long been synonymous with Holocaust education as her diary remains one of the world’s most-read books, with translations in over 70 languages. But the “relatable” rescuer presents another appealing way to teach children about one of the most wretched chapters in human history, said Brad Prager, a professor of German and film studies at the University of Missouri.
“It is the message that people like to hear,” Prager told the JTA. “If you ask a fourth-grader why we watch TV and movies — well, this is so that you can learn to do the right things, or you can learn that in certain circumstances anyone can be a hero.”
Liev Schreiber plays Otto Frank and Amira Casar plays Edith Frank in “A Small Light.” (National Geographic for Disney/Dusan Martincek)
A broader lens on the Netherlands during World War II is less palatable. The Germans and their Dutch collaborators implemented a highly effective system of persecution: Between 1942 and 1944, about 107,000 Dutch Jews were deported primarily to Auschwitz and Sobibor, then murdered. Only 5,200 of them survived.
Although Gies did everything she could to save the Jews in her care, the unwritten ending to Anne’s diary is well-known. Three days after her last entry in August 1944, Dutch police officers led by SS officer Karl Josef Silberbauer raided the annex. Gies escaped arrest by observing that she and Silberbauer shared a hometown.
“My luck was that the police officer in charge came from Vienna, the same town where I was born,” she said in a 1997 interview with Scholastic. “I noticed this from his accent. So, when he came to interrogate me, I jumped up and said, as cheerfully as I could, ‘You are from Vienna? I am from Vienna too.’ And, although he got very angry initially, it made him obviously decide not to arrest me.”
In a valiant last-ditch effort, Gies walked into the German police office the next day and attempted to buy her friends’ freedom. She was unsuccessful.
Gies found Anne’s notebooks and papers strewn on the annex floor. Without reading them, she gathered and tucked the writings into a drawer, hoping to return them to their owner. Germany had all but lost the war already, with Allied troops less than 250 miles from Amsterdam.
The Franks were packed on the last train ever to leave the Westerbork transit camp for the Auschwitz extermination camp. Otto was separated from his wife Edith and daughters Anne and Margot on the Auschwitz platform. In October, the girls were transported to Bergen-Belsen, and Edith succumbed to starvation in January 1945. Her daughters died of typhus a month later, when Anne was 15 years old.
Some studies have suggested that knowledge about the Holocaust is diminishing. In 2020, the Claims Conference found that 63% of Millenial and Gen Z Americans (ages 18-39) did not know that six million Jews were murdered in the Holocaust. More than 10% did not recall ever hearing about the Holocaust, while 11% believed that Jews caused it. Another Claims Conference survey reported that despite living in the country where Anne hid from the Nazis, a majority of Dutch people did not know the Holocaust took place there.
“In a time that antisemitism is on the rise and there are more displaced people in the world than there ever have been before, it couldn’t be a better time to re-explore this part of history, but through the lens of this ordinary young woman,” said Powley.
While “A Small Light” celebrates the power of the individual, the fate of Anne Frank also represents the failure of the whole world, said Prager. By centering Gies’ perspective, he said, the series risks making Anne a peripheral character in her own brutally aborted story.
“When you decenter Anne Frank, one thing is that you lose the Jewish perspective on the persecution,” he said.
Otto Frank, the sole survivor from the annex, appeared at Jan and Miep Gies’ doorstep after the war and ended up living with them for over seven years. In July 1945, Gies watched as he received the notice that his children were dead.
“He took it in his hands and suddenly he became eerily quiet,” Gies said in an interview for the Anne Frank House. “You cannot explain it, it was a silence that speaks. I looked up. He was white as a sheet. And he handed me the letter.”
Gies read the piece of paper, stood up and opened her desk drawer. “I took all the diaries, with all the separate sheets and everything and handed them over to Mr. Frank,” she said.
She told him, “This is your daughter Anne’s legacy.”
In 2010, Gies died at 100 years old. Every year on Aug. 4 — the day the Franks were arrested — she stayed at home, drew her curtains and did not answer the phone or doorbell.
Powley believes the show’s angle gives a fresh perspective on “your mom’s dusty copy of Anne Frank’s diary.” She approached the role of Gies with a heavy sense of responsibility.
“I feel a deeper connection to this story than I have with other projects,” she said. “This offer came to me on Holocaust Memorial Day and it immediately had that special feeling to it. My grandma, the Jewish matriarch of my family, died during COVID. I feel that she would be proud.”
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The post Disney+ series ‘A Small Light’ tells the Anne Frank story from the perspective of the woman who hid her appeared first on Jewish Telegraphic Agency.
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US Rep. Byron Donalds Opens Wide Lead Over Anti-Israel Candidate, Rest of Field in Florida GOP Primary for Governor
US Rep. Byron Donalds (R-FL) speaks on stage during the Turning Point USA Student Action Summit on July 11, 2025, in Tampa, Florida. Photo: Luis Santana/Tampa Bay Times via ZUMA Press Wire via Reuters Connect
US Rep. Byron Donalds (R-FL) has firmly established himself as the frontrunner in Florida’s Republican primary for governor, new polling shows, building a substantial lead over the field, which includes anti-Israel investment firm CEO James Fishback.
The survey, carried out by The American Promise, finds Donalds leading the field with 38 percent support among likely Republican voters. Lt. Gov. Jay Collins trails far behind at 9 percent, while Azoria CEO James Fishback registers 2 percent and former Florida House Speaker Paul Renner garners just 1 percent. Nearly half of respondents, 49 percent, say they remain undecided.
Donalds, a stalwart conservative and strident ally of US President Donald Trump, has established himself as a firm ally of Israel. Donalds expressed support for Israel’s right to self-defense in the wake of Hamas’s Oct. 7, 2023, massacre across southern Israel. As skepticism about Israel has surged within the Republican Party in recent months, Donalds has maintained strong vocal support for the Jewish state.
During an interview with Fox Business this week, Donalds lamented rising antisemitism and anti-Israel sentiment within the country and around the world.
“This level of antisemitism, this hatred against Jewish people and against Israel, it’s out of control. It’s insane,” Donalds said.
Donalds also reflected on the antisemitic terrorist attack at Bondi Beach in Sydney, Australia on Sunday, connecting the rise of extremism in Western countries to relaxed migration policies.
“I mean, this rhetoric around hating Israel, hating the Jewish people, that has to stop because there are real-world consequences. There are crazy people who will carry this out,” he said.
“And to Joe Biden and what he did on the southern border for four years, this is the reason why Republicans and President Trump, we are taking border security so seriously in the face of Democrats who had no problem leaving our borders wide open. It’s actually put the nation at risk,” he added.
Fishback, a successful investor, entered the gubernatorial race on a slate of populist agenda items. He has raised eyebrows in recent weeks by flirting with members of the antisemitic Groyper movement and signaling acceptance of its leader, Nick Fuentes.
During a December appearance on Rift TV, a podcast hosted by antisemitic social media pundit Elijah Schaffer, Fishback said that he finds “the audience of young men who follow and watch Nick Fuentes to actually be incredibly informed and insightful.”
After receiving substantial blowback over his comment, Fishback released another campaign video in which he reiterated his defense of Fuentes’s supporters.
“I want to clarify some comments I made this week rather abruptly” about “the young men in our country who watch and follow Nick Fuentes,” Fishback said.
“I want to clarify and apologize for absolutely nothing,” he continued, adding that his interactions with Fuentes supporters at his campaign events were “respectful” and “civil.”
“We had a great conversation, and they have a real pulse for what is going on in the country,” Fishback said.
Fuentes, a 27-year-old antisemitic internet personality and provocateur, has experienced an increase of popularity in recent months, propelled by a surge of viewership from young men. Fuentes has repeatedly parroted Holocaust denial talking points and suggested that Jewish people are more “loyal” to Israel than to the United States.
Amid the uproar, Fishback released a subsequent video on Tuesday defending the free speech rights of those who believe that Israel is committing a so-called “genocide” in Gaza and that Israeli Prime Minister Benjamin Netanyahu should be considered a “war criminal.” He falsely suggested that those who criticize Israel are facing legal repercussions.
“Is Netanyahu a war criminal? Did Israel commit genocide? If you say either of those statements in public, you could be convicted of antisemitism. Criticizing a foreign government or any government is always protected under our constitution,” he said.
Observers have noted that Fishback’s attempts to entice younger, more online portions of right-wing audiences are a microcosm of the growing rupture between Gen Z and older conservatives on the topic of Israel. Recent polls have indicated a collapse of support for Israel among young Republicans, with this portion of the party expressing more skepticism of providing military aid to the Jewish state. Large swaths of GOP voters under 30 have voiced vocal criticism of US support for Israel and the supposed influence of the America Israel Public Affairs Committee, a prominent pro-Israel lobbying group, in US politics.
Recent surveys have also shown a substantial rise of antisemitic views among younger cohorts of the Republican Party.
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Decades after her ancestor was blacklisted from Hollywood, this teenager is bringing her family’s history to light
During the pandemic, teenager Simone Elias found solace in movies from the Golden Age of Hollywood. The glamorous sets, the romantic storylines, the studio-styled movie stars all held a nostalgic appeal.
“There’s something so magical about going back in a time machine,” Elias, 16, said. “Like, wow, I can go back and see the 1930s on my computer randomly at 9 p.m.”
A friend suggested starting a podcast together about old Hollywood in hopes of bolstering their college applications. As Elias began to do research, she discovered that her attachment to the Golden Age of Hollywood was more than just a fun interest — her great-great-grand uncle was the blacklisted Jewish screenwriter H. S. Kraft.
Born Hyman Solomon Kraft, he was known professionally as Hy or H.S. Kraft to avoid antisemitism. Among his best-known credits are the comic musical Top Banana, starring Phil Silvers, and the Lena Horne film Stormy Weather. In the early 1950s, bandleader and author Artie Shaw (born Arthur Jacob Arshawsky) connected Kraft to the Communist Party in comments to the House Un-American Activities Committee. Like many other artists at the time, Kraft found himself blacklisted despite lack of evidence. In order to continue writing, Kraft began working under the pseudonym Harold Kent.
After learning about her family history, Elias threw herself deeper into Hollywood history.
“I reached out to all my family. I looked in all the archives,” Elias said. “It was really kind of another window into the real life working world of Hollywood at the time.”
At 15 years old, Elias’ marshaled her research into a book. The resulting tome, A Teenage Take on Hollywood’s Golden Age, explores the history of classic films and the lessons contemporary audiences can take from them. For Gen Z viewers especially, Elias presents movies that may seem outdated in a way that is more accessible and relatable. She dedicated an entire chapter exploring the prominent role Jews played in creating Hollywood.
Despite the fact that Jews were integral to the Hollywood studio system, their stories were often not shown on television. Elias writes in her book that antisemitism dissuaded writers and directors from having Jewish elements in their movies. Joseph Breen, a censor in charge of making sure films followed the Motion Picture Production Code — a set of rules also known as the Hays Code that forced movies to follow certain moral guidelines — accused Jews of putting “sex, violence, and moral depravity” into films. Some government officials also believed Jewish media moguls were secret Communist agents. Elias said that having her ancestor’s story as an example of the persecution in Hollywood gave her a new perspective on the risks writers had to consider in their work.
Soon after being blacklisted, Kent moved to London, but found much fewer opportunities for film work. “I don’t think his career ever really recovered,” Elias said.
In her research, Elias found that It’s Jews weren’t the only ones pushed off screen by McCarthyism and the Hays Code era of Hollywood. All sorts of stories were written out of Hollywood at the time, as studios attempted to push wholesome, Christian narratives. that Elias is interested in uncovering, but also feminist perspectives that have been erased from discussions of classic Hollywood.
“Culture has always gone in waves and so non-monogamy was actually really popular in the early 1930s in film and so were working women,” Elias explained. “When the Hays Code actually outlawed all that in movies, we sort of forgot that even happened.”
Elias continues to do film analysis on her Instagram page in a series called “Girls on Film” and hopes to write more books about Hollywood. She’s presenting this month on the Turner Classic Moves channel as part of their Kid Fans series. But it hasn’t been easy for Elias to be taken seriously in an industry primarily dominated by men — and people much older than her.
“There’s a certain amount of time that I’ve been alive so I can’t have seen every movie like Leonard Maltin has,” Elias said. “That doesn’t mean that I don’t have something to say about the movies I have seen.”
The post Decades after her ancestor was blacklisted from Hollywood, this teenager is bringing her family’s history to light appeared first on The Forward.
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Mamdani’s Father Blasts Columbia University Over Antisemitism Policies, Says Anti-Israel Students ‘Terrorized’
Pro-Hamas demonstrators at Columbia University in New York City, US, April 29, 2024. Photo: REUTERS/Caitlin Ochs
New York City Mayor-elect Zohran Mamdani’s father — Mahmood Mamdani — denounced Columbia University’s efforts to combat antisemitism on Friday, exacerbating concerns that the incoming Mamdani administration will be an anti-Zionist coterie bent on fostering a hostile climate for Jews and supporters of Israel.
“Well, students are terrified; they are terrorized,” Mamdani said on the Substack of Peter Beinart, a prominent anti-Israel writer who earlier this year refused to classify Hamas as a terrorist organization, arguing that the designation carries racial undertones.
“In the smallest move they make, they are targeted,” Mamdani continued. “They are expelled. They are suspended. They are warned. Which means we have less and less of an idea of what they think and how they might respond to their situation.”
He added, “The university is in a vindictive mood.”
As previously reported by The Algemeiner, Columbia University was, until the enactment of recent reforms, the face of anti-Jewish hatred in higher education in the aftermath of the Hamas-led Oct. 7, 2023, massacre across southern Israel. Dozens of reported antisemitic incidents transpired on its grounds, including a student’s proclaiming that Zionist Jews deserve to be murdered and are lucky he is not doing so himself and the participation of administrative officials, outraged at the notion that Jews organized to resist anti-Zionism, in a group chat in which each member took turns sharing antisemitic tropes which described Jews as privileged and grafting.
The shocking acts of hatred alone did not militate the university’s adopting a new posture to confront antisemitism on its campus. A slew of civil rights complaints, lawsuits, and the federal government’s impounding $400 million in taxpayer funds did. In July, it agreed to pay over $200 million to settle the cases, which alleged that school officials allowed Jewish students, faculty, and staff to suffer antisemitic discrimination and harassment.
Additionally, Columbia pledged to hire new coordinators to oversee complaints alleging civil rights violations; facilitate “deeper education on antisemitism” by creating new training programs for students, faculty, and staff; and adopt the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism — a tool that advocates say is necessary for identifying what constitutes antisemitic conduct and speech. Columbia also announced new partnerships with the Anti-Defamation League (ADL) and vowed never to “recognize or meet with” the self-titled “Columbia University Apartheid Divest” (CUAD), a notorious pro-Hamas campus group which has serially disrupted academic life with unauthorized, surprise demonstrations attended by non-students.
Last week, Columbia University’s Antisemitism Task Force implored the school to foster “intellectual diversity” with respect to the subjects of Zionism and the Israeli-Palestinian conflict, concluding its fourth and final report on the origins of antisemitism on the campus. The task force found several instances of Jewish and Israeli students being harassed on campus as well as an overwhelming anti-Israel bias among faculty.
Mamdani took issue with the establishment of the task force in the first place.
“As you know, they created a task force on antisemitism. And then they followed suggestions that … why don’t we have a task force on Islamophobia? Why don’t we have a task force on XYZ? Student experiences cover lots of, you know, grievances,” he said.
Mamdani’s reversing the roles of victim and perpetrator is a staple of anti-Israel activism in the West, which thrives on misrepresenting the power dynamic between Israelis and Palestinians while insisting that antisemitic expression, conduct, and even terrorism are legitimate means of advocating Palestinian statehood.
Earlier this year, the Council on American-Islamic Relations (CAIR) sued Northwestern University to cancel a course on antisemitism prevention. The group argued that the course, which aims to discourage discrimination, violated Title VI of the Civil Rights Act of 1964, an anti-discrimination law. CAIR added that the antisemitism Northwestern University strives to prevent manifest as legitimate “expressions of Palestinian identity, culture, and advocacy for self-determination.”
Weeks earlier, the American-Arab Anti-Discrimination Committee (ADC) sued California to stop the enactment of a law to combat K-12 antisemitism. ADC said that Arabs are victims of discrimination and that fighting antisemitic harassment in accordance with the new law undermines First Amendment protections of speech unfettered by governmental interference. Furthermore, the ADC argued that the law amounts to a hijacking of American policy by Israel, an argument advanced by neo-Nazis, including Nicholas Fuentes, and commentators who promote their views such as Tucker Carlson and Candace Owens.
Such notions appear to have convinced many anti-Israel activists that escalating their conduct is acceptable.
In November, for example, hundreds of people amassed outside a prominent New York City synagogue and clamored for violence against Jews.
Mamdani’s son, Zohran, received widespread backlash from Jewish leaders and pro-Israel advocates after issuing a statement that appeared to legitimize the gathering. The younger Mamdani, who was elected the city’s next mayor last month, issued a statement that “discouraged” the extreme rhetoric used by the protesters but did not unequivocally condemn the harassment of Jews outside their own house of worship. Mamdani’s office notably also criticized the synagogue, with his team describing the event inside as a “violation of international law.” The protesters were harassing those attending an event being held by Nefesh B’nefesh, a Zionist organization that helps Jews immigrate to Israel, at Park East Synagogue in Manhattan.
Mamdani, a far-left democratic socialist and anti-Zionist, is an avid supporter of boycotting all Israeli-tied entities who has been widely accused of promoting antisemitic rhetoric. He has repeatedly accused Israel of “apartheid” and “genocide”; refused to recognize the country’s right to exist as a Jewish state; and refused to explicitly condemn the phrase “globalize the intifada,” which has been associated with calls for violence against Jews and Israelis worldwide.
Leading members of the Jewish community in New York have expressed alarm about Mamdani’s victory, fearing what may come in a city already experiencing a surge in antisemitic hate crimes.
Follow Dion J. Pierre @DionJPierre.