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Disney+ series ‘A Small Light’ tells the Anne Frank story from the perspective of the woman who hid her
(JTA) — The short life of Anne Frank has inspired generations of filmmakers and television producers. The list of past productions range from “The Diary of Anne Frank” (1959), whose director George Stevens witnessed Nazi occupation as a U.S. army officer, to the Academy Award-winning documentary “Anne Frank Remembered” — featuring the only known footage of Anne — to the Emmy Award-winning dramatized miniseries “Anne Frank: The Whole Story” (2001).
On Monday night, viewers will get another TV version. But “A Small Light,” an eight-episode series premiering on National Geographic and streaming Tuesday on Disney+, tells the story from a new perspective: through the eyes of the woman who hid the Frank family.
Miep Gies was an independent 24-year-old with a busy social calendar and a dance club membership when she began working for Anne Frank’s father Otto in 1933 at Opekta, his successful jam business in Amsterdam. As Jews were rounded up and deported from the Netherlands in 1942, her Jewish boss asked if she would be willing to hide his family in an annex above the office, and she did not hesitate.
“A Small Light” stars Bel Powley as Gies, Joe Cole as her husband Jan Gies and Liev Schreiber as Otto Frank. It’s named for a quote from the real Gies, who once said that she did not like to be called a hero because “even an ordinary secretary or a housewife or a teenager can turn on a small light in a dark room.”
That metaphor had literal meaning for the Frank family and four others in the secret annex, who spent two years in a dark 450-square-foot space behind a hinged bookcase. Gies, her husband and four other employees of Otto Frank secretly kept eight Jews alive while running his business downstairs. Gies brought them food and library books, using black market ration cards and visiting several different grocers to avoid suspicion. Anne Frank said in her diary, “Miep is just like a pack mule, she fetches and carries so much.”
In the series, the “dark room” is seen less than Gies’ frenzied bicycle trips across Amsterdam, as she tries to sustain the appearance of a normal life. Her secret pushes her away from friends and family, while her marriage strains under the weight of ever-looming disaster. The creators of “A Small Light” sought to recreate a hero as a modern, flawed, at times even annoying person.
“She’s not some kind of saint,” executive producer Joan Rater told the Jewish Telegraphic Agency. “She had moods, she had a new marriage, she wanted to hang out with friends. She wanted to take a day off and she couldn’t.”
“I think everyone can relate to Miep,” said Powley, an English-Jewish actress known for starring in several British shows and in American films such as “The King of Staten Island.” “She was just an ordinary person in extraordinary circumstances.”
Although “A Small Light” is rife with tense scenes and suspense, the producers fashioned it with young audiences in mind. The show conspicuously avoids the explicit violence and horror typically expected of its subject matter, leaving out concentration camps and murders. Rater and co-creator Tony Phelan wanted children like their own to watch the series. While they were writing it, their daughter was the same age as Anne was when she was writing her diary.
Some young viewers have seen Anne’s story being swept up in literary purges across U.S. school districts, as part of the debate over what should be taught in American classrooms. Earlier this month, a Florida high school removed an illustrated adaptation of her diary after determining that references to her sexuality were “not age appropriate.” The same edition was previously yanked from a Texas school district, although it was reinstituted after public outcry. Meanwhile, a Tennessee school board banned “Maus,” Art Spiegelman’s Pulitzer Prize-winning graphic novel about his father’s experience in the Holocaust, after objections over curse words and nudity last year.
The name “Anne Frank” has long been synonymous with Holocaust education as her diary remains one of the world’s most-read books, with translations in over 70 languages. But the “relatable” rescuer presents another appealing way to teach children about one of the most wretched chapters in human history, said Brad Prager, a professor of German and film studies at the University of Missouri.
“It is the message that people like to hear,” Prager told the JTA. “If you ask a fourth-grader why we watch TV and movies — well, this is so that you can learn to do the right things, or you can learn that in certain circumstances anyone can be a hero.”
Liev Schreiber plays Otto Frank and Amira Casar plays Edith Frank in “A Small Light.” (National Geographic for Disney/Dusan Martincek)
A broader lens on the Netherlands during World War II is less palatable. The Germans and their Dutch collaborators implemented a highly effective system of persecution: Between 1942 and 1944, about 107,000 Dutch Jews were deported primarily to Auschwitz and Sobibor, then murdered. Only 5,200 of them survived.
Although Gies did everything she could to save the Jews in her care, the unwritten ending to Anne’s diary is well-known. Three days after her last entry in August 1944, Dutch police officers led by SS officer Karl Josef Silberbauer raided the annex. Gies escaped arrest by observing that she and Silberbauer shared a hometown.
“My luck was that the police officer in charge came from Vienna, the same town where I was born,” she said in a 1997 interview with Scholastic. “I noticed this from his accent. So, when he came to interrogate me, I jumped up and said, as cheerfully as I could, ‘You are from Vienna? I am from Vienna too.’ And, although he got very angry initially, it made him obviously decide not to arrest me.”
In a valiant last-ditch effort, Gies walked into the German police office the next day and attempted to buy her friends’ freedom. She was unsuccessful.
Gies found Anne’s notebooks and papers strewn on the annex floor. Without reading them, she gathered and tucked the writings into a drawer, hoping to return them to their owner. Germany had all but lost the war already, with Allied troops less than 250 miles from Amsterdam.
The Franks were packed on the last train ever to leave the Westerbork transit camp for the Auschwitz extermination camp. Otto was separated from his wife Edith and daughters Anne and Margot on the Auschwitz platform. In October, the girls were transported to Bergen-Belsen, and Edith succumbed to starvation in January 1945. Her daughters died of typhus a month later, when Anne was 15 years old.
Some studies have suggested that knowledge about the Holocaust is diminishing. In 2020, the Claims Conference found that 63% of Millenial and Gen Z Americans (ages 18-39) did not know that six million Jews were murdered in the Holocaust. More than 10% did not recall ever hearing about the Holocaust, while 11% believed that Jews caused it. Another Claims Conference survey reported that despite living in the country where Anne hid from the Nazis, a majority of Dutch people did not know the Holocaust took place there.
“In a time that antisemitism is on the rise and there are more displaced people in the world than there ever have been before, it couldn’t be a better time to re-explore this part of history, but through the lens of this ordinary young woman,” said Powley.
While “A Small Light” celebrates the power of the individual, the fate of Anne Frank also represents the failure of the whole world, said Prager. By centering Gies’ perspective, he said, the series risks making Anne a peripheral character in her own brutally aborted story.
“When you decenter Anne Frank, one thing is that you lose the Jewish perspective on the persecution,” he said.
Otto Frank, the sole survivor from the annex, appeared at Jan and Miep Gies’ doorstep after the war and ended up living with them for over seven years. In July 1945, Gies watched as he received the notice that his children were dead.
“He took it in his hands and suddenly he became eerily quiet,” Gies said in an interview for the Anne Frank House. “You cannot explain it, it was a silence that speaks. I looked up. He was white as a sheet. And he handed me the letter.”
Gies read the piece of paper, stood up and opened her desk drawer. “I took all the diaries, with all the separate sheets and everything and handed them over to Mr. Frank,” she said.
She told him, “This is your daughter Anne’s legacy.”
In 2010, Gies died at 100 years old. Every year on Aug. 4 — the day the Franks were arrested — she stayed at home, drew her curtains and did not answer the phone or doorbell.
Powley believes the show’s angle gives a fresh perspective on “your mom’s dusty copy of Anne Frank’s diary.” She approached the role of Gies with a heavy sense of responsibility.
“I feel a deeper connection to this story than I have with other projects,” she said. “This offer came to me on Holocaust Memorial Day and it immediately had that special feeling to it. My grandma, the Jewish matriarch of my family, died during COVID. I feel that she would be proud.”
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Hamas Braces for Israeli Operations Abroad, Continued Clan Opposition in Gaza
Palestinian Hamas terrorists stand guard at a site as Hamas says it continues to search for the bodies of deceased hostages, in Beit Lahiya in the northern Gaza Strip, Dec. 3, 2025. Photo: REUTERS/Stringer
Hamas is increasingly preparing for what it sees as an imminent Israeli attempt to assassinate senior leaders abroad, urging members to tighten personal security as the group simultaneously works to consolidate its weakened position in Gaza and reassert control over the enclave.
According to the Arabic newspaper Asharq Al-Awsat, Hamas officials reported rising concern over additional Israeli strikes on the Palestinian terrorist group’s top echelon abroad in the wake of last week’s killing of Hezbollah commander Haitham Tabtabai and September’s operation in Qatar targeting Hamas’s senior leadership.
Despite US “reassurance messages” to several parties — including mediators in Turkey, Qatar, and Egypt — that further strikes on senior Hamas members abroad would not be repeated, the group’s leadership says it “does not trust Israel.”
“There are expectations of a new assassination attempt with the Israeli government’s efforts to obstruct the second phase of the ceasefire agreement and its claim that the movement has no intention of advancing toward a deal,” the Palestinian terrorist group said.
Hamas members reportedly received new instructions requiring all fixed meetings at a single location to be canceled, with leaders instead holding irregular gatherings at rotating sites.
Meanwhile, the head of an armed Palestinian faction opposing Hamas in Gaza died on Thursday while mediating an internal dispute between families and groups within the militia, dealing a setback to Israeli efforts to support Gazan clans against the ruling Islamist group.
Yasser Abu Shabab, a Bedouin tribal leader based in Israeli-held Rafah in southern Gaza, had led one of the most prominent of several small anti-Hamas groups that emerged in the enclave during the war that began more than two years ago.
Following the incident, Hamas said in a statement that the fate of anyone who “betrayed their people and homeland and agreed to be an instrument in the hands of the occupation [Israel]” was inevitable, accusing Abu Shabab of “criminal acts” that amounted to a “flagrant deviation from national and social consensus.”
Abu Shabab’s death would be a boost to Hamas, which has branded him a collaborator and ordered its fighters to kill or capture him.
“The occupation that could not protect its own agents will be unable to protect any of its collaborators, and anyone who undermines the security of their people and serves their enemy is destined to fall into the dustbin of history, losing all respect and standing in society,” the terrorist group said in its statement.
Gaza’s Popular Forces confirmed that its leader died of a gunshot wound as he intervened in a family quarrel, and dismissed as “misleading” reports that Hamas was behind Abu Shabab’s killing.
Ghassan al-Dahini, who could assume leadership of the group following the incident, pledged to continue Abu Shabab’s project and resist Hamas by establishing an alternative to the terrorist group’s rule.
“With God’s help, and following my brother Yasser’s plan, we will return as we were — more determined and stronger,” al-Dahini said in a statement, according to Hebrew media. “We will keep fighting with every last ounce of strength until every final terrorist is gone.”
“Today, Hamas will see its true face — the one the world should have recognized long ago. We will restore hope to all Palestinians, to all free people, to the oppressed, and to everyone who believes in peace,” he continued.
Rafah has been the scene of some of the worst violence during the ceasefire, with residents reporting gunbattles on Wednesday that left four Israeli soldiers wounded. On Thursday, the Israeli military said its forces killed about 40 Hamas fighters trapped in tunnels beneath the city.
Shortly after the US-backed ceasefire to halt fighting in Gaza took effect in October, Hamas moved to reassert control over the war-torn enclave and consolidate its weakened position by targeting Palestinians who it labeled as “lawbreakers and collaborators with Israel.”
Since then, Hamas’s brutal crackdown has escalated dramatically, sparking widespread clashes and violence as the group moves to seize weapons and eliminate any opposition.
Social media videos widely circulated online show Hamas members brutally beating Palestinians and carrying out public executions of alleged collaborators and rival militia members.
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Palestinian Official Calls Drop Site News Founder an ‘Apologist’ for Hamas, Ex-Obama Aides Say They ‘Love’ the Site
Abdal Karim Ewaida, the Palestinian ambassador to Côte d’Ivoire, in October 2023. Photo: Screenshot
A Palestinian diplomat accused a popular new anti-Israel website of running cover and acting as an apologist for Hamas.
Abdal Karim Ewaida, the Palestinian ambassador to Côte d’Ivoire, posted on social media about Drop Site News on Tuesday, after the website reported that the Palestinian Authority was planning to ban Hamas and other terrorist factions from running in future elections.
“Pro-resistance parties and armed resistance remains one of the single most popular points in [Palestinian] public polling,” said Jeremy Scahill, founder of Drop Site News. “The Palestinian Authority is saying, ‘You are not allowed to run for public office anymore.’ And when you look at what the defense of this is on the part of the Palestinian Authority, it is a pathetic defense.”
In response, Ewaida lambasted Scahill in a social media post.
“As for Jeremy Scahill — a journalist who transitions between outlets, perhaps pursuing higher remuneration — he consistently excuses Hamas and [Yahya] Sinwar’s purported interest in reconciliation solely to vilify the Palestinian National Authority and President Mahmoud Abbas. It is astounding,” the Palestinian official wrote.
Sinwar, who was killed by Israeli forces last year, was the leader of Hamas and mastermind of the Palestinian terrorist group’s Oct. 7, 2023, invasion of and massacre across southern Israel.
“He acts as a fervent apologist for Hamas and jihadist elements,” Ewaida continued, referring to Scahill, “even to the point of rationalizing [Israeli Prime Minister Benjamin] Netanyahu’s claims of financially bolstering Hamas as being in Israel’s interest, while attempting to spin it as favorable to Hamas itself. He seems to believe he can speak with impunity.”
Ewaida went on to castigate Drop Site News in general, saying that the “platform’s credibility is deeply compromised. We are acutely aware of its sources of funding and underlying motives. The day will come when your malicious objectives and relentless advocacy for Hamas — now apparent to all — will be fully exposed, leaving little doubt about your benefactors.”
Let me be clear from the outset: I represent the State of Palestine as its ambassador, not the Palestinian Authority as an envoy—a distinction that stands regardless of opinion.
Secondly, your platform’s credibility is deeply compromised. We are acutely aware of its sources of… https://t.co/E6Ym43wWL0
— Ambassadeur Abdal Karim Ewaida (@KarimEwaida) December 3, 2025
One day after Ewaida’s post, the hosts of the influential progressive podcast “Pod Save America” — all one-time aides to former US President Barack Obama — mentioned Drop Site News, saying “we love you guys” and “we are readers.”
The two hosts that were part of that conversation, Ben Rhodes and Tommy Vietor, served as speechwriter and spokesman, respectively, for Obama in the White House, focusing on national security issues.
In a follow-up to the episode, the Drop Site News posted on its X account “Pod Save the World = confirmed Drop Site readers,” and Rhodes responded, “yes readers.”
Good correction! And yes readers.
— Ben Rhodes (@brhodes) December 3, 2025
Many former Obama staffers have become vocally critical of Israel in recent years, especially amid the war in Gaza. However, Rhodes’s views on Israel were particularly critical at the time they were serving in government as well, so much so that during the Obama administration, he earned himself the nickname “Hamas” in the White House. The nickname was coined by Obama’s chief of staff, Rahm Emanuel, as Rhodes revealed in his memoir, The World as It Is.
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My favorite Christmas scene in literature — and why it makes me feel so Jewish
Some years ago, a college friend of my brother’s and mine visited our family home in Denver. “Now I understand it,” he said, sagely, after a couple of hours: “If you aren’t actively making noise in this house, you don’t exist.”
It’s true that I come from a noisy clan. If it is rude to get your family members’ attention by screaming at the top of your lungs, no one ever told me. We grew up far away from our extended family, but on visits to their homes growing up, I saw the same dynamic at play. The louder the gathering, as a general rule, the more successful it was.
I understood, from a young age — years before I learned the term — that “cooperative overlapping” was profoundly Jewish. Our culture celebrated the qualities of being loud and proud.
But I was a bookish child, and my favorite books were old-fashioned ones that chronicle the changes of girlhood: L.M. Montgomery’s Anne of Green Gables series, Noel Streatfield’s Ballet Shoes, and the like. And as I read and re-read them, I noticed something: At some point, the wild girls turned into ladies, and, crucially, quieted down.
Anne Shirley’s maturity is marked by silence: Those who love her notice that, suddenly, she’s stopped the constant stream of chatter that made her both so endearing and so annoying. She starts to speak less often, more thoughtfully, and in more measured tones, and that is how the reader knows she has begun to come into her own.
How could I square the culture of the Jewish family I loved with my desire to be like the girls in my books — full of the quiet magic of young womanhood?
Enter my favorite depiction of Christmas in literature, in Louisa May Alcott’s Eight Cousins.
The novel, a relatively little-known effort by the author of Little Women, centers on a well-off Scottish American clan, bright blonde to the last baby, who live in a WASPy enclave near Boston. It is about, as the title neatly suggests, eight cousins: seven brash boys, and one girl, raised far from her family, who comes into their midst after being orphaned and given over to the care of an uncle with newfangled ideas about childrearing. (Oatmeal and morning sprints in the garden are in; ruffles, long hours shut up indoors, and ladylike affectations are out.)
To a Jewish girl raised in the mountain west, they were an unfamiliar bunch. Except for the sense, fundamental to the book’s premise, that the bonds of family are sacred, and enshrined by ruckus.
I often felt like Rose, the solitary girl, on trips to see my own cousins, in Evanston, Illinois, and the Finger Lakes region of New York. We grew up so far apart that I could not help but feel shy and anxious upon first immersion. My cousins seemed so confident and brilliant, and I would feel small and strange among them. Then the chaos of a happy family would come for me, and in time, I would be shouting and playing along with the rest.
For Rose, that chaos comes to a climax on Christmas, when a seafaring uncle she hasn’t met since she was a baby makes a surprise return home. After many months getting used to the happy, charming, raucous boys who see her as a peer and sometimes a pet, Uncle Jem’s return throws her briefly back into the role of outsider. The family feels complete upon his arrival, in a way it didn’t before. But does that completeness include her?
I knew how the scene ended: with cousin Steve wailing away on a bagpipe, cousin Charlie trying to catch Rose under the mistletoe, everyone dancing a Scottish reel, and cousin Mac — always my favorite — discoursing on grand topics with his elders, while his cousins set loving traps for his embarrassment. But every time I read it, as Rose emerged to meet her long-absent uncle and see if she still fit as well in the family to which she was still getting accustomed, I felt my heart in my throat.
I understood how torn she was between behaving like a ladylike little woman, and like the cheerful, uninhibited, loud girl she had only just learned to embrace being. And in the Christmas gathering she so deeply longed to be a complete part of, I saw my own family — mostly brunette, definitively un-Scottish, highly Jewish, rollicking away.
Yes, it’s odd that, of all things, a scene centered on a Christian holiday would be the one, in all my beloved childhood books, that made me feel like I was seeing my own Jewish family on the page. At the same time, I think there’s something quite dreamy about the connection. And quite American.
The best version of this country is one in which people of all different backgrounds find connection and inspiration in each other. Where a fictional character’s homespun Christmas can provide, unlikely as it is, a strong sense of Jewish affirmation.
The scene ends with the family all singing a ballad called “Sweet Home.” Saccharine? Sure. But every holiday season, I think about Rose, and the home she found, and the different kind of home she and her family gave me. I hope if she could see my Hanukkah celebrations in return — warm candles, loud cousins, some mischief and much merriment — she’d feel the same.
The post My favorite Christmas scene in literature — and why it makes me feel so Jewish appeared first on The Forward.