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Why an exhibit that honors the Oct. 7 hostages still draws crowds in the U.S., even after their release

When I traveled to Chicago recently to tour the Nova Music Festival Exhibition, I expected to find it nearly empty. More than two years have passed since Oct. 7, 2023. All the living hostages have been returned home, and only one hostage’s remains are still being held in Gaza. I figured people were done revisiting the horrors, and ready to move on.

I was wrong. In Chicago, 1,200 visitors had purchased tickets for that day alone. This traveling exhibition, which uses actual objects from the Nova festival grounds to reconstruct the scene of the attacks, has been drawing massive crowds since it opened in Tel Aviv in December 2023.

By the time it reached Chicago after stops in New York, Los Angeles, Miami, Boston, Washington, D.C., Berlin and Toronto, more than 500,000 people had already passed through its doors. And the crowds continue to visit. The exhibition’s website announces, “new cities coming soon,” even as the events of October 7 recede into the background.

When my Uber pulled up to the exhibition — held in a warehouse — I saw lines of people, police cars, and security personnel.  What were all these people doing here, I wondered?

The question wasn’t idle. I had my own doubts about what had drawn me. Was it morbid curiosity? Perhaps a voyeuristic urge? Beyond these unsettling questions, accusations from protesters who had demonstrated outside the June 2024 New York installation had gotten into my head. They had tried to shut down the exhibition there, calling it “apartheid apologia,” designed to justify Israel’s war on Gaza. Were they right?

I recoiled from each of these explanations but still could not pinpoint what exactly had motivated me to visit this re-creation of the site where so many people had met their brutal ends. It took two hours of walking through the installation, moving from one area to the next, to understand.

Why Hamas is absent

The exhibition begins in a small, dark holding room where visitors gather before entering the main space. A large wall panel provides the barest introduction to orient the viewer. After a long night of intense music, dancing and revelry — the text reads — just as the sun was coming up over the horizon, the rave party was shattered when the “Angel of Death” swooped in, firing a barrage of missiles, which were precursors to the “inconceivable horror” that was soon to follow.

Referring to the attackers as “The Angel of Death” matters. From these very first words, the story turns away from naming the perpetrators. Hamas is absent, as is any wider political context. That absence speaks for itself. This exhibition does not weigh in on Israel’s actions after Oct. 7. Its focus, instead, lies solely on the experiences of those who were abused, terrorized, kidnapped, and killed.

Passing through heavy drapery, visitors enter the festival grounds in the early hours of Oct. 7. Sand is spread underfoot, and small tents are strewn across the landscape. Yoga mats, sweaty T-shirts, flip-flops, cereal boxes and other personal belongings litter the ground. Burned-out cars and bullet-ridden porta-potties mark failed hiding places. Cigarettes and empty bottles lie scattered at the bar, as though party-goers were present just moments before.

Objects alone cannot tell the whole story; Screens scattered through the wreckage reveal the unfolding terror. Some mounted on stands, and others glowing inside the tents or dangling on wires play videos on a loop. One woman hiding between bushes, speaks into her own camera, “I’m filming so that later there will be a video of all this.” Another captured himself huddled with others in a trash bin.

More footage comes from the Go Pro cameras of the terrorists themselves. Taken from a pickup truck zigzagging across the road, one of these recordings shows terrified people running, trying to escape. Some are shot and collapse to the ground as the vehicle speeds past.

Additional screens feature survivor testimonies. One tells how her husband took a fatal bullet so she could flee, another lived by keeping cover beneath dead bodies.

This recounting represents what unfolded that day. At the Nova festival alone over 400 were killed, and 43 were kidnapped. What popularly came to be referred to as a single attack, fractured into thousands of separate experiences, each person caught by surprise, and left to confront the terror on their own. The confusion is conveyed through the disorienting structure of the exhibit itself. Visitors are not given a clear route through the space, or directions about where to look first and then next. Nor do we progress as a group. I am among strangers and without a guide, leaving each of us to absorb the fragments of horror in our own way.

Then comes the pivot. Visitors turn a corner, and the exhibition shifts to a tightly organized space that directs viewers along a deliberate path. A map marks where each festival-goer met their fate. No longer immersed inside the horror, we now see its larger shape. After the map, rows of tables are arranged, holding neat piles of folded sweatshirts, lines of eyeglasses, and carefully arranged pairs of shoes. No labels explain, and none are needed. It’s clear that these personal items are the pieces picked up after the massacre, sorted by volunteers who handled each with care.

Order in the aftermath

Now I am beginning to understand. Walking through the disorienting chaos was necessary to appreciate the ways in which order is made in the aftermath. Not only through collecting and tending to the objects left behind, but to the affected people as well. A wall display shows photos of the 44 hostages taken from Nova, with a message that the “Nova Community” holds all “their pain, their courage and their hope.”

In fact, the more than 3,000 revelers who attended the Nova rave were not a community at all. They came from different backgrounds, from all over the country and abroad, with no prior connection to one another. But the survivors, the bereaved, and the families of the kidnapped have gathered in the aftermath under the auspices of “The Tribe of Nova Foundation,” to offer each other support. Established by the festival’s producers immediately after the attack, the foundation provides therapy, healing services, and memorial events, all needed even now after the ceasefire.

A table of shoes at the Nova Music Festival Exhibition in Los Angeles in Sep. 2024.
A table of shoes at the Nova Music Festival Exhibition in Los Angeles in Sep. 2024. Photo by Gonzalo Marroquin/Getty Images for Nova Exhibit

Exiting the last dark portion of the exhibit, we walk beside a long board laid out on the floor, arranged with memorial candles and hundreds of notes written by fellow visitors. Most echo the installation’s message: “Wrapping you in love.” “Remembering all those who lost their lives and who are still healing,” and “We will dance again.”

But one hand-scrawled message breaks through: “Fuck Hamas.”

This stops me. Not because I don’t share the rage — I do. But the sentiment feels jarring here, disrupting a sense of sanctity whose contours are fully revealed in the final room.

Here, black drapes and heavy shadows give way to earth tones, warm lights, jute carpets, and macramé lanterns. Small coffee tables and wicker chairs are arranged around the space, as though we have entered a living room. Having left the horrors of Oct. 7 behind, this is a room for the living. It is also a shiva — a ritual space where visitors sit with mourners and let them speak.

People take seats, facing a Nova survivor who is regularly present at the front of the room. Articulate and composed, she begins with photos of her best friend whom she lost in the attack, and ends with a story of her own survival, and a message of not taking life for granted.

Here, the hesitations and doubts I carried into the exhibition fall away. I now understand what brought me here, and why so many others have come. It is not morbid curiosity, nor propaganda meant to justify war. It is the need to sit shiva. This space draws its power from gathering and caring for the scattered objects, and from bringing the bereaved together to witness, mourn, and remember.

The Nova Exhibition is a contemporary phenomenon, employing modern technology and immersive design to respond to contemporary trauma. Yet it draws on ancient traditions of telling and listening to stories, sitting together, gathering what was scattered, and working to stitch ourselves whole again. This cultural work remains relevant even now — more than two years later, with nearly all hostages home and bodies laid to rest. The exhibition will travel to new cities, and it should. Grief continues to unfold, and mourning takes time.

The post Why an exhibit that honors the Oct. 7 hostages still draws crowds in the U.S., even after their release appeared first on The Forward.

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Synagogue attacks were part of massive ISIS-inspired plot last week, FBI says

(JTA) — A 21-year-old man from Valencia, Pennsylvania, suggested poisoning food in synagogues as part of a mass attack in support of the Islamic State group last week, according to the FBI.

The suspect, Jonathan Kramer, said in an online forum using the pseudonym “Hamza Al Rashid” that “i wish to inject ricin or cyanide into places such as grocery stores inside water/food with a syringe, or going to food events, preferably synagogues and putting the chemicals in their food and drink…,” according to a sworn FBI affidavit.

The prospective poisoning was part of a broader plot of mass violence that included “repeated attempts to encourage and coordinate violence through encrypted platforms, such as advising others on attack methods, discussing chemical poisons, arson, vehicle attacks, drone delivery explosives and firearm based assaults,” FBI Special Agent in Charge Richard Evanchec said at a press conference last week.

The Jewish Federation of Greater Pittsburgh said in a security update on Friday that no synagogue had been specified by the FBI. , “We are in close contact with our law enforcement partners and federal prosecutors, and if we learn of anything concerning, we will share that immediately,” the organization noted.

Assistant Attorney General for National Security John Eisenberg announced last Tuesday that Kramer was “preparing for a mass shooting that could have taken many lives, having already secured a rifle and approximately 190 rounds of ammunition for what he called his ‘mission.”

Efforts to reach Kramer’s public defender Jake Morrison were unsuccessful.

FBI agents arrested Kramer in a hotel parking lot in Cranberry, Pennsylvania, the Justice Department said. They seized a semiautomatic rifle, five rifle magazines, a rifle bipod and scope, a total of 190 rounds of rifle ammunition and about 30 knives following a search of him, his house and his hotel room.

Kramer was charged with receiving a firearm and ammunition believing they would be used to commit terrorism. He appeared in court last Wednesday to waive a preliminary hearing, according to CBS News. A court date has not been set for Kramer’s next proceedings, the network reported.

Kramer had been on the FBI’s radar since 2023, when he was charged by Pennsylvania state authorities “for his role in a plot to commit a mass casualty incident” and sent to a juvenile detention facility, FBI special agent Gregory Battaglia said in a sworn affidavit.

Nearly eight years ago, 11 worshippers were killed at Pittsburgh’s Tree of Life synagogue in the deadliest antisemitic attack in U.S. history.

This article originally appeared on JTA.org.

The post Synagogue attacks were part of massive ISIS-inspired plot last week, FBI says appeared first on The Forward.

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Proposed U.S. $24.3 billion sale of F-35 fighter jets to Saudi Arabia advances

(JTA) — The State Department has approved a possible $24.3 billion sale of 48 F-35 fighter jets to Saudi Arabia — a move that would make the kingdom the second Middle Eastern country after Israel to have the world’s most powerful combat aircraft.

“This proposed sale will support the foreign policy and national security objectives of the United States by improving the security of a major non-NATO ally,” the department said in a statement.

Israel wants the sale attached to a normalization deal with Saudi Arabia, but that doesn’t appear to be on the horizon. However, there is a small chance that Congress could keep the sale from happening.

When President Donald Trump first confirmed that he was considering the sale last November, Israeli officials told Axios that while they don’t oppose the sale itself, they wanted it “to be subject to Saudi normalization with Israel.”

Although Israeli Prime Minister Benjamin Netanyahu reportedly brushed off the deal’s significance last fall, a security source at the time warned on CNN that the possibility of Saudi Arabia acquiring “the same capabilities” as Israel was “very concerning.”

The prime minister was more vocal in his opposition to a July announcement from Trump that he was weighing selling the advanced jets to Turkey as well, telling CNN that Turkish President Recep Tayyip Erdogan is “not exactly a model ally of the United States.”

Israel has already purchased 50 F-35 jets, in two procurement rounds that occurred in 2016 and in 2017, according to the Israeli Defense Ministry. However, local media reports indicate that two of the 50 have yet to arrive, meaning that just 48 are on the ground – the same number of planes that the State Department has approved for Saudi Arabia’s potential purchase.

Israel would have many more F-35s than Saudi Arabia for the time being, because its Defense Ministry announced in 2024 that it would be procuring 25 more of the planes, slated to begin arriving in 2028. Earlier this year, the Defense Ministry revealed that it would be procuring yet another squadron of the jets, although the quantity remained unclear.

Congressional approval is not assured; wariness of the Saudi regime, stemming in part from the state-sanctioned 2018 murder of a U.S.-based journalist in Turkey, crosses party lines.

The U.S. Arms Export Control Act requires the executive branch of the government to notify Congress regarding major defense equipment sales to most countries. Congress can then deem a country ineligible to participate in a sale through a joint resolution. The president can then veto the resolution, which Congress would need a two-thirds supermajority to override.

Additionally, U.S. law requires the president to ensure that Israel maintains “a qualitative military edge over military threats” when considering arms sales to other Middle Eastern countries. Israel, per the law, must be able “to counter and defeat any credible conventional military threat” from both other nations and “non-state actors.”

“The proposed sale of this equipment and support will not alter the military balance in the region,” the State Department said on Thursday. It called Saudi Arabia “a force for political stability and economic progress in the Gulf region,” adding that the sale would help “deter current and future threats by strengthening its homeland defense.”

The department maintained that not only would the sale improve Saudi Arabia’s defense capabilities, but it would also boost “interoperability” with both U.S. forces and other players from NATO and the region.

As for the potential deal’s logistics, Saudi Arabia has requested 48 of Lockheed Martin’s F-35 Lightning II Joint Strike Fighter Jets, as well as 49 Pratt & Whitney engines, according to the State Department.

The kingdom is also seeking to acquire other non-major defense equipment, such as cryptographic devices, precision navigation, secure communications, simple key loaders and support for electronic warfare databases, maintenance and personnel training.

Producing and delivering these planes can take many years.

Meanwhile, just a day before Trump’s announcement, The New York Times surfaced intelligence concerns that China could acquire F-35 technology by spying on Saudi Arabia or through its partnerships with the kingdom.

U.S. House Rep. Raja Krishnamoorthi, a Democrat from Illinois, warned in a statement on X that “Beijing has spent decades stealing American intellectual property” and that this deal could “help them do it.”

“Our own intelligence community is warning that it could put the crown jewels of American military technology within reach of the Chinese Communist Party,” Krishnamoorthi added.

The Biden administration reportedly ended a past F-35 deal with the United Arab Emirates — secured by the first Trump administration — due to similar concerns about the country’s connections to China, as well as to Russia.

This article originally appeared on JTA.org.

The post Proposed U.S. $24.3 billion sale of F-35 fighter jets to Saudi Arabia advances appeared first on The Forward.

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After outcry, Texas lieutenant governor says schools should teach Holocaust books ‘Night,’ ‘Anne Frank’

(JTA) — The lieutenant governor of Texas says his recent call for the state’s public schools to remove “over 2,000 titles” of “dirty, filthy and vulgar books” was not meant to include books about the Holocaust.

Dan Patrick’s statement, provided exclusively to the Jewish Telegraphic Agency on Friday, comes after a month of confusion following a press conference in which he and a conservative Christian activist threatened schools with potential loss of state funding if they did not comply with his directive to purge their libraries.

“I believe Texas students must learn about the Holocaust, and that includes reading books such as ‘Night’ by Elie Wiesel, ‘The Diary of Anne Frank,’ and other books about the Holocaust,” Patrick told JTA, singling out two books on the removal list he had promoted – one of which, “Night,” that he previously explicitly called for removal from middle schools.

Patrick added that his initiative was “focused on age-inappropriate, sexually explicit books in public school libraries across Texas.” At his earlier press conference, he had directed viewers to an online list compiled by an activist group that features several books about the Holocaust and Jewish identity.

Patrick’s threats have teeth. In Texas, lieutenant governors are more powerful than in many other states, playing central roles in shaping the budget and determining the legislative agenda.

Patrick also appeared to walk back some of the harsher proclamations from his Aug. 19 press conference, at which the Republican had stated, “We’re coming for the books.”

“As the law states, local communities have the right to make their own decisions about their public school libraries,” he told JTA Friday.

The lieutenant governor, who is up for reelection this fall, appeared at the conference with Bonnie Wallace, the head of the activist group Recover America, and told viewers to “go to RecoverAmerica.com.” That group has circulated a list of more than 2,100 “Harmful Books in Libraries.” Its list, which it describes as “books with harmful, sexually explicit, and vulgar content,” includes more than a dozen titles of particular import to Jewish readers.

Recover America’s flagged books include both volumes of Art Spiegelman’s “Maus,” a comic-book adaptation of Frank’s diary and Bernard Malamud’s novel of a blood libel “The Fixer” — all books that have been removed from school districts in Texas and other states in the past amid broader conservative-led library culture wars. In some cases those books were restored to the districts following public outcry, but spurred deeper dialogue about the state of Holocaust education and antisemitism awareness in public schools.

Patrick’s latest push would go much further than a handful of districts, affecting the more than 5.5 million students in public schools across the state.

The author and Holocaust survivor Elie Wiesel in his office in 1980, surrounded by books and papers
Political activist and writer Elie Wiesel on November 3, 1980 in New York, New York. (Santi Visalli/Getty Images)

One book of particular contention on Recover America’s list was “Night,” Elie Wiesel’s bestselling memoir of surviving Auschwitz and Buchenwald, which has been taught in schools for decades. After a Houston Chronicle story noted the book’s inclusion on the Recover America “harmful” list, Patrick initially doubled down on “Night,” saying that it was not appropriate for middle schools owing to its “violence.”

“If ‘Night,’ by Elie Wiesel, were made into a movie, it would likely be rated R,” Patrick wrote on the social network X on Aug. 26. “‘Night,’ which includes depictions of graphic violence and the machine-gunning of babies, should not be available to sixth graders in middle-school libraries. High school is more age-appropriate.”

His tweet appeared to contradict the state’s own K-12 required reading list, passed this summer, which mandates that “Night” be taught in the eighth grade beginning in 2030.

Now, in response to questions from JTA, the lieutenant governor said he would defer to the Texas State Board of Education on the appropriate grade to teach “Night.”

“The State Board of Education decides the appropriate grade level for books and will determine whether ‘Night,’ by Elie Wiesel, is at the appropriate grade level,” Patrick told JTA in his statement.

He continued to insist that books in schools should be held to “FCC standards,” referring to the Federal Communications Commission, an agency that governs broadcasting content and does not regulate publishing.

The head of the Texas Holocaust, Genocide and Antisemitism Advisory Commission, a governor-appointed panel which advised the state on the inclusion of “Night” and other Holocaust texts on its required reading list, did not return a JTA request for comment.

In a statement, the Texas Educational Authority, which drafted the required-reading list, told JTA, “When Texas students learn about the Holocaust, they will be exposed to the horrors of the Holocaust. That is why the SBOE placed the book in 8th Grade to ensure age appropriateness for students.”

Maria Cuomo Cole, Kim A. Snyder, winners of the Exceptional Merit In Documentary Filmmaking for “The Librarians”, Jimmy Kimmel, winner of the Outstanding Host For A Game Show award for “Who Wants To Be A Millionaire”, and Lois Vossen, Becky Calzada, Amanda Jones and Janique L. Robillard, winners of the Exceptional Merit In Documentary Filmmaking for “The Librarians”, poses in the Winner’s Walk during the 78th Emmy Awards Night 1 at Peacock Theater on September 05, 2026 in Los Angeles, California. Participants hold up books including “Night” and “Anne Frank’s Diary: The Graphic Adaptation.” (Amy Sussman/Getty Images)

At the Emmys this week, when “The Librarians,” a documentary about librarians facing book removal threats, won an award, retired Texas librarian Carolyn Foote joined the producers on the stage and held up a copy of “Night” in protest.

“I felt like it was very symbolic to bring ‘Night,’” Foote, a subject of the film and a co-founder of the librarian activist group FReadom Fighters, told JTA. “Having read it, I just know the importance of not forgetting our past. And that’s part of Elie Wiesel’s whole legacy, is remembrance, and so it just felt very important for me to carry that book, coming from Texas.” Another librarian onstage for the win held up “Anne Frank’s Diary: The Graphic Adaptation.”

Elisha Wiesel, Elie’s son and chair of the Elie Wiesel Foundation, told JTA that “Texas deserves credit for recognizing that Holocaust education belongs in the eighth-grade curriculum.” Yet, the younger Wiesel suggested, Patrick’s concerns about the book’s violence were misplaced.

“‘Night’ contains violence because the Holocaust was violent; its purpose is not to shock young people, but to help them understand where hatred and indifference can lead,” he wrote in an email. “With context and guidance, students should not be shielded from this history. They should be equipped to confront it.”

Despite having directed viewers to Recover America’s book list during his press conference, Patrick’s new statement to JTA said, “I do not have a book list.” He pointed instead to a law passed in the state legislature in 2025 regulating school books that he said districts were required to follow.

Yet some districts in the state have removed every book on Recover America’s list from their own libraries out of fear of losing funding, Foote told JTA. While the list nominally contains a ratings system, many of the books do not have a rating.

A book cover
“Anne Frank’s Diary: The Graphic Adaptation” (Courtesy Anne Frank Fonds)

Besides “Night,” “Maus,” “Anne Frank’s Diary” and “The Fixer,” other books about Judaism and the Holocaust on Recover America’s list of “Harmful Books” include:

  • “Annexed,” a young-adult novel about Peter van Pels, who hid in the Amsterdam annex with Anne Frank
  • “The Berlin Boxing Club,” a young-adult historical novel based on German boxer Max Schmeling, who helped young Jews during Hitler’s rise to power
  • “Black, White and Jewish,” a memoir by Rebecca Walker, the mixed-race Jewish daughter of author Alice Walker
  • “Caste: The Origins of our Discontents,” a nonfiction book analyzing the “caste systems” of Nazi Germany. “Caste” had been included on an earlier, Wallace-spearheaded list of books for removal from a Texas public library in a case that the U.S. Supreme Court declined to hear in 2025, allowing the removals to proceed.
  • “Kasher in the Rye,” a memoir by Jewish comedian Moshe Kasher
  • “Pride: the story of Harvey Milk and the Rainbow Flag,” a children’s picture-book biography of the pioneering Jewish LGBTQ legislator
  • “Sophie’s Choice,” the bestselling Holocaust novel for adults
  • “The Violin Maker’s Daughter,” a historical novel about a Jewish family of musicians during the Holocaust
  • “White Bird,” a young-reader graphic novel about a Jewish girl in Nazi-occupied France

In response to JTA sharing a list of the above books, Patrick’s statement mentioned only “Night” and Anne Frank by name. The Recover America list is largely made up of romance and fantasy novels, many with an LGBTQ element, while also including classics such as “The Glass Menagerie” and “Cat’s Cradle” and some picture books for children.

Recover America did not immediately return a JTA request for comment Friday on Patrick’s new statement. Wallace, the group’s leader who has also appeared on Patrick’s podcast, previously told the Houston Chronicle that she had “thought long and hard” about including “Night” on her list.

She ultimately did so, she said, because “an eighth-grade student is 13 years old. Do they need to read about soldiers massacring, throwing up babies, and killing them with machine guns?”

She added, “It’s not to say this doesn’t happen in life. And the Holocaust was maybe the worst tragedy in the history of the world.”

For Cameron Samuels, a Jewish alum of Texas public schools and founder of the activist group Students Engaged in Advancing Texas, such efforts do not help Jewish students.

“Non-Jewish people are deciding for us what’s best, and making this public policy,” Samuels said. “We can’t readily access these books and stories. And that makes students feel alone. It also means that our classroom peers are not learning authentic Jewish narratives.”

This article originally appeared on JTA.org.

The post After outcry, Texas lieutenant governor says schools should teach Holocaust books ‘Night,’ ‘Anne Frank’ appeared first on The Forward.

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