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Judy Blume is having a moment. Here’s why Jewish women love her work.

(JTA) — As a young teenager growing up in Manhattan, Nina Kauder found it nearly impossible to ask her mother difficult questions about puberty or her Jewish identity, for two reasons.

Her mother had fled the Holocaust as a child and was, in Kauder’s words, “very tough” to talk to. And by the time Kauder was a teen, her mother was terminally ill. She got her first period just months after her mother’s death.

So Kauder, now 58 and a health coach, turned to Judy Blume.

She remembers reading Blume’s 1970 young adult classic “Are You There God? It’s Me, Margaret,” about a sixth grader with a Jewish father and Christian mother, in her closet with a flashlight after bedtime. 

“I’m reading in there, devouring her book, learning about boys, learning about breasts, learning about brassieres, learning about religion, about identity, about growing up in the United States — learning about all of that,” she said.

Kauder isn’t alone. Blume’s 29 books, which have sold over 90 million copies and been translated into 39 languages, have been touchstones for women — especially Jewish American women — for multiple generations. Her protagonists deal with a range of teen issues, from bullying to sex to loneliness to menstruation, in a realistic way, but they also grapple with issues of Jewish identity as they come of age, adding an extra layer of relevance for young Jewish readers.

Blume is having a moment with the recent release of a documentary about her life and career streaming on Amazon Prime titled “Judy Blume Forever” and a major on-screen adaptation of “Are You There God? It’s Me, Margaret,” which debuted on Friday to warm reviews. The topics Blume has written about since 1969 have remained relevant: her books still regularly land on banned book lists as states continually debate what young readers should be able to access. (Several of her books were banned in states including Texas, Florida, Utah and Pennsylvania last year.) She regularly speaks out on the dangers of book banning, which she attributes to fear, explaining that “because fear is contagious, some parents are easily swayed.” 

The documentary tells the story of Blume’s life and career, beginning with her secular Jewish upbringing in Elizabeth, New Jersey. Born in 1938, Blume was seven when World War II ended, and she describes a nervous childhood in the film. Her mother reassured her that the war happened far away and that they were safe. 

“Did I believe that?” Blume asks in the film. “I don’t know. I was a Jewish girl and this happened because you were a Jew. I was an anxious child.” 

She also connects her childhood anxiety to her prolific imagination: “I felt adults kept secrets from the kids. I hated those secrets. I think I had to make up what those secrets were. That fueled my imagination.” 

“Are You There God? It’s Me, Margaret” centers on an 11-year-old who moves to a new town with her parents and has intimate conversations with God. Margaret longs to feel normal, to start growing breasts and get her period along with her friends. She also struggles with her religious identity; her mother is Christian and her father is Jewish, and neither set of grandparents approved of the union. Margaret sets out on a quest to learn about and pick a religion, all the while wondering why she only feels God’s presence when she’s alone. 

Rachel McAdams and Abby Ryder Forstson in the film adaptation of “Are You There God? It’s Me, Margaret.” (Lionsgate)

During the war, Kauder’s mother had “survived in France as a hidden child, [hidden] by the nuns in a Roman Catholic environment.” Subsequently, growing up, Kauder “didn’t have a Jewish or a religious or a spiritual influence at all.” She identified with Margaret.

“Here comes Judy Blume’s book, which for different reasons has a Jewish and a Catholic influence, but she’s trying to figure it out,” Kauder said. 

To Jessye Ejdelman, a 31-year-old software engineer who attends a Modern Orthodox synagogue in New York City and is raising her children in a Yiddish immersive household, the book is also a strong expression of American Jewishness: of “not being sure where you fit as a Jew and not being sure where God fits as a Jew and as an American.” 

To Edjelman, the Margaret character demonstrated something meaningful about the Jewish relationship to God. “The literal wrestling with God in a way is very like Jacob. I think of Judy Blume when I think of that, like that wrestling with God, that uncertainty.” 

But the book’s relevance in her teenage years went beyond religion.

“[Like in] ‘Are You There God? It’s Me, Margaret,’ I was also a girl who was waiting for my first period to come,” she said. “I remember pretending to have my period and I really related to Margaret as a character because of that… Like I was just waiting to not be awkward or weird or ugly or a child… Many, many women relate to that feeling.” 

In the 1970s, after her writing career and the women’s liberation movement took off, Blume decided to leave the suburbs and her first marriage. “I wanted to see the world. I wanted to travel everywhere,” she explains in the film. 

After her divorce, her books became more explicitly drawn from her own life. In 1977, Blume wrote what she calls her “most autobiographical novel,” the book “Starring Sally J. Freedman as Herself,” about her post-war Jewish childhood. It includes a scene where the young characters grapple with their fear of the Nazis by playing make-believe. 

Elisa Zuritsky, 53, a TV writer and producer behind shows like “Sex and the City,” “Odd Mom Out” and “Smash,” remembers watching “The Brady Bunch” on TV in the early 1970s — a time when Jewish themes were far less common on screen — and hoping they might include a Jewish moment or character.

“I started reading Judy Blume books and the thrill that there were any Jewish characters in her books and heroines and narrators of her stories was monumental, I think, for me,” said Zuritsky, who grew up attending Jewish day school in Philadelphia. “I so rarely saw Jews anywhere in the popular culture that I consumed.” 

Rereading the books as an adult, Zuritsky said, “what struck me the most, and what I think I was responding to as a kid, was how unadorned and unapologetically honest she let her narrators be.” She aspired to be just as honest in her own writing about women’s life experiences. 

“There’s a direct line between reading Judy Blume books and being an adult writing for ‘Sex and the City.’ It’s pulling from the same well,” she said. “The bar was set for me personally by [Judy Blume].” 

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The post Judy Blume is having a moment. Here’s why Jewish women love her work. appeared first on Jewish Telegraphic Agency.

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Erdogan Names Prosecutor Who Led Opposition Crackdown as Turkey Justice Minister

Turkish President Tayyip Erdogan speaks during a ceremony for the handover of new vehicles to the gendarmerie and police forces in Istanbul, Turkey, Nov. 28, 2025. Photo: REUTERS/Murad Sezer

Turkish President Tayyip Erdogan appointed as his new justice minister Akin Gurlek, the Istanbul chief prosecutor behind the unprecedented crackdown on the main opposition party, drawing fierce criticism and defiance from the party on Wednesday.

Since his appointment as chief prosecutor in 2024, Gurlek has overseen a wave of arrests and indictments targeting the Republican People’s Party (CHP), including investigations into the Istanbul mayor, Ekrem Imamoglu, Erdogan‘s main political rival who has been jailed since his arrest in March last year.

In a 4,000-page indictment last November, Gurlek demanded a prison sentence of more than 2,000 years for Imamoglu for allegedly leading a vast corruption network, sparking Turkey‘s largest street protests in a decade.

The first hearing in that case, accusing hundreds of defendants linked to the Istanbul municipality of corruption and bribery, will be held next month.

A scuffle broke out in Turkey‘s parliament ahead of Gurlek’s swearing-in after opposition lawmakers protested against his appointment.

Main opposition CHP deputies gathered around the speaker’s podium to block Gurlek, calling his nomination “an attack on the rule of law.” TV footage showed lawmakers pushing and throwing punches and ruling AK Party lawmakers forming a protective ring around Gurlek as he read his oath.

FIRST CABINET SHUFFLE SINCE 2023 VOTE

In the first cabinet shuffle since mid-2023 elections, Gurlek replaced Yilmaz Tunc, who was first elected as a member of parliament in 2007.

The Official Gazette announcement also said that Erdogan had appointed Erzurum provincial governor Mustafa Ciftci as interior minister, replacing Ali Yerlikaya, who was the Istanbul governor before his appointment as minister.

A reason for the shuffle was not given.

Hundreds of party members and elected officials have been detained in Gurlek’s crackdown, which has been criticized as anti-democratic and politicized by opposition parties, rights groups and some foreign leaders – claims the government denies, saying the judiciary is independent.

CHP leader Ozgur Ozel said Gurlek’s cabinet appointment continued a “judicial coup attempt” while he was prosecutor and amounted to the latest step in a major attack on his party.

“We will not surrender… They cannot stop our march to power,” Ozel told reporters at a memorial ceremony for a former party leader, adding that there was no fair political competition left.

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France to Increase Visas for Iranian Seeking Refuge Amid Crackdown, Minister Says

French Minister for Europe and Foreign Affairs Jean-Noel Barrot holds a press conference at the Pine Residence, the official residence of the French ambassador to Lebanon, in Beirut, Lebanon, Feb. 6, 2026. Photo: REUTERS/Mohamed Azakir

France will increase the number of visas for Iranians seeking asylum as a result of the recent crackdown by Iranian authorities, Foreign Minister Jean-Noel Barrot said on Wednesday.

Speaking in parliament, Barrot said Paris wanted to support the Iranian people by any means possible.

“In particular by welcoming opponents persecuted by the regime who are seeking asylum and refuge in France. We will increase our humanitarian visas for asylum purposes for these individuals whom we must protect,” he said.

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How Social Media Got Hamas Casualty Figures Wrong

A Palestinian man points a weapon in the air after it was announced that Israel and Hamas agreed on the first phase of a Gaza ceasefire, in the central Gaza Strip, October 9. Photo: REUTERS/Mahmoud Issa

As the Israel-Hamas ceasefire continues to hold, many analysts have begun examining available data to better understand Hamas’ casualties throughout the war. This is no easy feat, considering Hamas has consistently lied and inflated the civilian casualty figures. The reality of urban warfare provides other challenges for the IDF to count every eliminated terrorist.

Varying numbers regarding Hamas’ casualty figures have been recently touted on social media. But many of them lack sources, or a breakdown of the statistics.

Conversely, some analysts, such as HonestReporting board member Salo Aizenberg, have done an exceptional job at critically analyzing the available casualty numbers.

The Hamas-run Ministry of Health has reported over 70,000 deaths in Gaza, including civilians.

But closer examination of these numbers displays that it also includes an estimated 22,000-25,000 Hamas fighters, around 11,000 natural deaths, and 4,000 casualties caused by internal fighting amongst Gazans. With 1,000 deaths attributed to reporting errors, this suggests that 25,000 casualties were terrorists, and 36,000 were civilians.

One suggestion that has gained momentum on social media suggests that the actual number of Hamas casualties is double this number, at 50,000 combatant deaths.

However, pre-war estimates by the IDF suggest that Hamas had 35,000 combatants. US estimates believe that Hamas recruited 10,000-15,000 new combatants throughout the war. This means that if the IDF had killed 50,000 Hamas terrorists, there would be virtually no Hamas terrorists left — an analysis that is unfortunately not accurate.

The claim of 50,000 eliminated Hamas terrorists is based on an announcement by the Hamas-run Ministry of Social Development of the start of a new program that would provide NIS 500 to the widows of Gazans killed in the war.

By February 8, 2026, payments had been made to 19,306 widows, totaling NIS 9.653 million or over three million US dollars.

The Ministry of Social Development further stated that 50,000 widowed families were set to receive these benefits, implying that more than widowed wives would be receiving the payments. This is likely where some analysts misinterpreted Hamas’ statement and took it to mean that for every Hamas terrorist, one wife would receive a payment. However, this payment is not exclusively for the wives of terrorists, and not every Hamas combatant would have been married by the time of his death.

What these numbers do suggest, however, is that claims of unreported casualties are likely to be false. The ability to receive a payment for reporting a death would presumably encourage many Gazans to submit claims of being widowed.

Since the early days of the war, news outlets and influencers on social media have blindly repeated Hamas’ claim that the majority of casualties were women and children. The claim implied that the IDF was specifically targeting both groups.

Beyond this claim not being true — men of combat age account for around 46.7% of total casualties — data from the World Health Organization (WHO) displays that 603,000 children under the age of 10 were vaccinated at the beginning of 2025. This number exceeds the pre-war population of that age group, indicating that the overall population of young children has remained stable or even grown despite the war.

With births being the same as, if not higher than, pre-war numbers, the claims of underreported casualties and casualties disproportionately targeting children fall apart. Despite this data being publicly available and offering important information about the war’s human toll, it has received no attention in media coverage, allowing the misleading child casualty narrative to persist.

These two case studies of terrorist casualty statistics and the reported number of children under 10 during the war highlight the need to analyze all available data with scrutiny. It is not enough to rely on unverified claims about casualty figures. Instead, accurate conclusions must be based on transparent analysis conducted by credible analysts who rely on publicly available data, verifiable sources, and clear methodology. Only through rigorous examination can casualty figures be properly understood, rather than simply repeated without question.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

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