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Jewish drag queen Sasha Velour is on the cover of The New Yorker this week
(New York Jewish Week) — Subscribers of The New Yorker opened their mailboxes this week to a hard-to-miss hot pink cover with an illustration of a drag queen with a mohawk, large blue earrings and extravagant makeup.
They were looking at “The Look of Pride,” a self-portrait by a Brooklyn-based Jewish drag queen and artist named Sasha Velour. Velour, 35, is featured in the June 12 issue in an interview about how she is celebrating Pride month and why drag has been lifesaving for her.
“Drag is an antidote to shame,” she said.
Velour was the 2017 winner of “RuPaul’s Drag Race” and is currently on tour for her new book, “The Big Reveal: An Illustrated Manifesto of Drag,” which intertwines her own personal history — including her Jewish identity — with the history of drag as both a revolutionary art form and cultural practice.
Velour’s Judaism and Jewish family upbringing is a recurring theme in her book. “For years I studied Jewish history and Hebrew language after school and on the weekends,” she writes. “I was bar mitzvahed at 13 and even taught Sunday school when I was in high school, reenacting Jewish fables with puppets that I made myself,” writes Velour, who was raised in New Haven, Connecticut, and the Chicago suburbs.
Velour, whose out-of-drag last name is Steinberg, also writes about the influence her Jewish ancestors had on her — even those who she never knew. In “The Big Reveal,” Velour writes that her great-grandmother, Goldie Rabinovitch, was working at the at the Triangle Shirtwaist Factory in on March 25, 1911, but was spared from the deadly fire that day because she was late to work — window shopping, as the family lore goes, or possibly buying a pickle in Cooper Square.
“This is a story about snacks!’” Velour writes. Or, as her grandmother Dina would tell her: “Remember Grandma Goldie’s lesson… window-shopping can save your life!”
That same Jewish grandmother also first put Velour in drag when she was a child. “When I visited her house as a little kid, she would always encourage me to channel my inner diva,” Velour writes. “Beating out a drum rhythm on the arm of the couch, she would coach me to walk dramatically into the room, drop my coat, and reveal the look. ‘Fabulous!’ she’d whisper, knowingly.”
“When I was a kid, I loved dressing up with my grandmothers, putting on makeup, staging shows. I didn’t even know it was ‘drag’ but it just made sense to me,” Velour tells The New Yorker in the interview published Monday. “Later, learning more about drag and understanding the existence of queer and trans people around the world quite literally saved my life.”
In her book, Velour also credits the Talmud with showing her how to hold multiple ideas — and, by extension, identities — in her mind at the same time. “According to Talmudic thought, in order to find the truth, we must be able to hold multiple possible meanings as true at the same time,” she writes in her book. “That’s the kind of book I always liked best — a scrapbook that brought many things together in conversation.”
“Both comics and drag come from strong independent traditions that enable artists and performers to develop a more unique and recognizable style, and to address a wider range of political and personal topics,” she tells The New Yorker. “All you need to make art is your own self.”
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The post Jewish drag queen Sasha Velour is on the cover of The New Yorker this week appeared first on Jewish Telegraphic Agency.
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Puppet Monty Pickle is guest on the Forward’s ‘Yiddish Word of the Day’
It’s not every day that a kosher dill pickle puppet gets a chance to learn some Yiddish.
Monty Pickle, star of the children’s series The Monty Pickle Show, recently joined Rukhl Schaechter, host of the Forward’s YouTube series Yiddish Word of the Day, for an episode teaching viewers the Yiddish words for various wild animals.
Or as they’re called in Yiddish: vilde khayes.
The Monty Pickle Show, a puppet comedy on YouTube and TikTok, aims to show young viewers what it means to be Jewish in a fun, lively way. The series was created by the Emmy Award-winning producers of Sesame Street and Fraggle Rock.
So far, he’s met a number of Jewish personalities, including rabbis, musicians and chefs, and explored holidays like Rosh Hashanah, Hanukkah and Passover.
Sitting alongside Rukhl during the lesson, Monty eagerly tries to guess what each word means, providing for some very funny moments.
The post Puppet Monty Pickle is guest on the Forward’s ‘Yiddish Word of the Day’ appeared first on The Forward.
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IDF Nabs Islamic State Terror Suspect in Syria
Guns seized in the course of the operation. Photo: IDF Spokesperson via i24
i24 News – Israel Defense Forces soldiers conducted an operation on Wednesday in the area of Rafid in southern Syria to apprehend a suspected terrorist affiliated with ISIS, the military spokesperson said on Saturday.
The announcement comes as Washington announced a major operation to eliminated Islamic State terrorists in Syria after three Americans lost their lives in a jihadist attack in Palmyra.
The Israeli soldiers completed the operation in Syria “in cooperation with IDF intelligence,” the statement read, adding that “the suspect was transferred for further processing in Israeli territory.”
Additionally, during the operation, weapons were found and seized.
IDF troops “continue to remain deployed along the Golan Heights border in order to protect the State of Israel and its citizens,” the statement from the spokesperson concluded.
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Report: Trump Admin Envisions Transformation of Gaza into Chic High-Tech Metropolis
US Middle East envoy Steve Witkoff, Washington, DC, Jan. 20, 2025. Photo: REUTERS/Carlos Barria
i24 News – The US administration of President Trump vision for the future of Gaza has it transformed into a high-end high-tech hub of luxury and innovation, the Wall Street Journal reported Saturday.
A team of officials understood to be led by Trump’s son-in-law Jared Kushner and special Middle East envoy Steve Witkoff developed a draft proposal to convert the war-ravaged Palestinian territory into a glittering metropolis, propelling Gazans from poverty to prosperity.
US officials with familiarity with the plan—pitched to foreign governments and delegations as a PowerPoint presentation— are cited in the report as saying that, understandable open-endedness of a project in its early phase notwithstanding, the blueprint has many lacunae and leaves crucial questions unanswered.
Critics cite the plan’s silence on the thorny question of disarming Hamas, the Islamist terror group that ruled Gaza for the past 15 years, and initiated the cross-border incursion and massacre of Israelis on October 7, 2023; the attack launched the devastating war that has left much of the coastal territory in ruins.
The plan’s projected cost is put at $112.1 billion over 10 years, with Washington prepared to commit support to the tune of some $60 billion in grants and guarantees on debt for “all the contemplated workstreams” in that time period.
The question of where two million Gazans would reside during the costly and lengthy rebuilding is also left unaddressed, it is understood.
Similar-sounding plans have been mooted by the Trump administration even before it managed to broker a ceasefire in October that paused the two year-long war.