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In Amazon’s new Bollywood movie, a couple visits Auschwitz to heal their marriage
(JTA) – At first glance, the new movie “Bawaal” has all the hallmarks of a typical Bollywood romantic melodrama: A self-centered protagonist learns how to be an adult and respect his partner, with the help of corny jokes and some song-and-dance numbers.
But the movie, which Amazon Prime released on Friday through a distribution deal with its Indian production company, takes an unusual route to get there: having its married couple imagine themselves in the Auschwitz death camps.
Visiting the memorial site, they also meet a Holocaust survivor — played by an actor named Richard Tate — who tells them, with a British accent and no elaboration, “Every relationship has its own Auschwitz.” Jews, as a class of people, are barely mentioned throughout the movie.
It’s a plotline that has some critics declaring the movie to be in bad taste, and at least one Jewish group calling on Amazon to remove the film from its platform. But the director and actors have defended the film, saying that they believe the Auschwitz segments were handled appropriately.
“I’m a bit disappointed with the way some people have comprehended it,” director Nitesh Tiwari, who also co-wrote the script with four other credited writers, told an audience in India last week.
“Bawaal” centers on a narcissistic history teacher named Ajay, played by Hindi-language megastar Varun Dhawan, who has been feigning knowledge about World War II to his students — and whose marriage to his wife Nisha (Janhvi Kapoor) is on the rocks. To save his job and his marriage, Ajay and Nisha embark on a trip to visit war landmarks throughout Europe. Along the way, Ajay records on-the-ground video lessons for his students back home in Lucknow. (Most of the film’s dialogue, with the exception of the survivor’s lines, was not originally spoken in English.)
Ajay learns about the horrors of the Holocaust, and the couple use the atrocity as a metaphor for their marriage. “The world war is over, but no one knows when the war we fight within will end,” Nisha says. Another part of the story has the couple drawing parallels between a bag mix-up at the airport and the Nazis forcing Jews to pack their bags quickly when they were being shipped off to the camps.
The couple’s tour of World War II sites takes them to Paris, the beaches of Normandy, Anne Frank’s house in Amsterdam and Hitler’s bunker in Berlin. Ajay’s lesson to his students about Anne Frank is that she was their age when she had her life cut short; his lesson from Berlin, after wandering through its Holocaust memorial, is that “an image created with the help of lies and propaganda doesn’t last for long.” (“We’re all a little like Hitler,” Nisha muses; “we are not satisfied with what we have.”)
The trip ends at Auschwitz, with Ajay and Nisha touring the death camp and imagining themselves as its Jewish prisoners clad in striped uniforms. During a climactic scene in the gas chambers, Nisha, who has epilepsy, collapses on the ground from shock.
This is the principal scene that has provoked criticism. The Simon Wiesenthal Center, a Jewish human rights group, called on Amazon to remove the film “due to its outlandish abuse of the Nazi Holocaust as a plot device.” A reviewer for The Guardian said the Auschwitz sequence was “so mind-bogglingly vapid it’s hard to watch,” while adding, “Western films have pulled this sort of stunt before, of course, with other countries’ histories, so it’s an education of sorts to see it done in reverse.” The Hindustan Times called it “the most insensitive movie of the year,” adding that the gas chamber scene “is an excruciatingly horrible and shameful depiction, in which [the] Holocaust is but a narrative scapegoat for the characters to face their fears and save their toxic marriage.”
“Bawaal” is far from the first piece of pop-culture to offer a Holocaust narrative decried as insensitive. The bestselling book and movie “The Boy in the Striped Pajamas” depicted a friendship between a Jewish concentration camp prisoner and the son of a Nazi guard — an implausibility not based in the historical record of how the camps functioned. Teen romance “The Fault In Our Stars” included a visit to the Anne Frank house — which, as in “Bawaal,” functioned as an aphrodisiac.
But the “Bawaal” filmmakers say they had good intentions and that they paid proper deference to the historical sites, which they chose because they said Indian audiences would be less familiar with them as cultural touchstones.
“Don’t we see Ajay and Nisha getting completely troubled and moved by what they see in Auschwitz?” Tiwari said. “They see the prisoners. They see the people, how they were stacked. They see the people, how they were exterminated and stuff like that. And every physical torture people went through. And are they being insensitive about it? No. They are moved to tears.”
Kapoor, who plays Nisha, further added that the characters reacted to Auschwitz much as any modern-day visitor would.
“I know when I went to these places, my first organic thought was, ‘If this was me, what would I do? If this was me and my family?’” she recalled. “It realigned something within me.”
Kapoor added that an unnamed Israeli “professor at an Ivy League university” who “had ancestors who unfortunately did not survive the Holocaust” told her that he had been “very moved” by the film, “and never once in the conversation did he even allude to being offended by anything.”
Dhawan dismissed people who he said were “triggered” by the film, adding, “I don’t understand where that sensitivity and that trigger goes when they watch, suppose, an English film.” He referenced an unnamed “recently released” film that he said is “important to our culture and our country”; some Indian media outlets speculated that he was discussing “Oppenheimer,” the biopic about the Jewish designer of the atomic bomb, which includes a reference to the physicist’s quotation of the Bhagavad Gita.
Even as the couple in “Bawaal” are comparing themselves to Holocaust victims, they also emphasize that they have things a lot better. “The sorrows we face,” Nisha says at one point, “are nothing in comparison to the pain they suffered every day.”
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The post In Amazon’s new Bollywood movie, a couple visits Auschwitz to heal their marriage appeared first on Jewish Telegraphic Agency.
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Mayor Olivia Chow’s city hall has yet to adequately address antisemitism in Toronto, based on Jewish community complaints
It’s been a rocky year for relations between Toronto’s Jewish community and city hall following the Oct. 7, 2023, assault on Israel—which led to an ongoing regional war in the […]
The post Mayor Olivia Chow’s city hall has yet to adequately address antisemitism in Toronto, based on Jewish community complaints appeared first on The Canadian Jewish News.
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Amsterdamned: The Shame of Femke Halsema
JNS.org – In the arsenal of the antisemite, denial is a key weapon. Six million Jews were exterminated during the Holocaust? Didn’t happen. The Soviet Union persecuted its Jewish population in the name of anti-Zionism? Zionist propaganda. Rape and mutilation were rampant during the massacre in Israel on Oct. 7, 2023? What a smear upon the noble resistance of Hamas. And so on.
No surprise, then, that the left-wing mayor of Amsterdam, Femke Halsema, is now publicly regretting her use of the word “pogrom” in her summation of the shocking antisemitic violence unleashed by Arab and Muslim gangs in the Dutch city in the wake of the soccer match between local giants Ajax and visitors Maccabi Tel Aviv two weeks ago.
One day after the violence, Halsema noted that “boys on scooters crisscrossed the city in search of Israeli football fans, it was a hit and run. I understand very well that this brings back the memory of pogroms.” She could have also mentioned (but didn’t) that the Dutch authorities ignored warnings from Israel that the violence was being stoked in advance in private threads on social-media platforms, resulting in a massive policing failure; that Ajax supporters were not involved in the attacks, undermining claims that what happened was merely another episode in the long history of inter-fan violence at soccer matches; and that the “boys” engaged in the assaults were overwhelmingly youths of Moroccan or other Middle Eastern or North African backgrounds, who gleefully told their victims that their actions were motivated by the desire to “free Palestine.” But at least Halsema grasped the nature of the violence. Or so we thought.
A few days later, she rolled back her initial comments. “I must say that in the following days, I saw how the word ‘pogrom’ became very political and actually became propaganda,” she stated in an interview with Dutch media. “The Israeli government, talking about a Palestinian pogrom in the streets of Amsterdam. In The Hague, the word pogrom is mainly used to discriminate against Moroccan Amsterdammers, Muslims. I didn’t mean it that way. And I didn’t want it that way.”
On the left, the enemy is “Jewish privilege,” and on the right, it is “Jewish supremacism.”
Halsema’s discomfort does not, of course, mean that what happened in Amsterdam was not a pogrom. Nor does she speak for the entirety of the Dutch political class. Both the center-right VVD Party and the further-right PVV Party, for example, continue to describe the violence as a pogrom and have suggested strong measures for countering further outrages targeting local Jews and visiting Israelis. Both parties have urged a clampdown on mosque funding from countries promoting Islamism, such as Turkey and Saudi Arabia, and have called on the Netherlands to follow Germany’s example in denying or removing citizenship from those convicted of antisemitism.
But the mayor’s 180-degree turn speaks volumes about how the left in Europe enables antisemitism by denying that it is a serious problem. To begin with, there is a refusal to situate each incident in its historical context, which makes it all the easier to portray violent explosions as an anomaly. Listening to Halsema, you would never know that the Amsterdam pogrom was preceded in March by a violent demonstration at the opening of the National Holocaust Museum, where pro-Hamas protestors masked with keffiyehs and brandishing Palestinian flags—this century’s equivalent of a brown shirt and a Nazi armband—lobbed fireworks and eggs in protest at the presence of Israeli President Isaac Herzog. What you will realize, however, is that Halsema is terrified of being labeled “Islamophobic.” That explains her pleas for understanding for a bunch of Moroccan thugs who express contempt not just for Israel but for the country that has provided them a sanctuary with housing, education and many other benefits.
Not only are Jews expected to take all this abuse lying down; they are then told by non-Jewish leftist politicians—often aided by Jewish “anti-Zionist” lackeys—that they have no right to situate the violence directed against them within the continuum of Jewish persecution over the centuries. What happened in Amsterdam, we are badgered into believing, was different because it wasn’t motivated by hatred of Jews but a righteous rejection of Israeli policy.
That’s why the behavior of some of the Maccabi fans is brought into the equation. Video showing fans descending into a subway as they chanted “F**k the Arabs” spread like wildfire on social-media platforms, along with reports that Palestinian flags adorning some private homes had been torn down. I am not going to endorse these actions, even if, as a Jew, I can understand and empathize with the feelings that motivated them, but I also consider them essentially irrelevant to this case. The advance planning of the pogrom, coupled with the wretched record of pro-Hamas demonstrations around the Netherlands in the previous year, proves that the Maccabi fans would have been hounded and attacked even if their behavior had been impeccable. Moreover, legally and morally, violent assaults are in a different league than acts of petty vandalism or the singing of distasteful songs. There can be no comparison, and nor should there be.
What the Amsterdam pogrom underlines is that the extremes of the left and the unreconstructed elements of the nationalist right are now at one in their attitudes towards Jews. On the left, the enemy is “Jewish privilege,” and on the right, it is “Jewish supremacism.” Both terms carry the same meaning, but are expressed in language designed to appeal the prejudices of their respective supporters. For the left, claims of antisemitism are dismissed as expressions of Jews exercising their “privilege,” dishonestly seeking victim status at the same time as the “colonial” state they identify with is persecuting the “indigenous” inhabitants. For the right, claims of antisemitism are a tactic to shield the contention that Jews are superior to everyone else. Translated, both communicate the same message: The violence you experience is violence you bring upon yourselves.
To her eternal shame, Halsema is now trafficking in this noxious idea while presiding over a city in which no Jew can now feel safe, less than a century after their ancestors were rounded up and deported by the German occupiers. She should resign.
The post Amsterdamned: The Shame of Femke Halsema first appeared on Algemeiner.com.
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On Academic Indoctrination in American Universities
JNS.org – On a site named “Slow Factory,” which serves as a resource for college pro-Palestine activists, its FAQ page poses the question: “Is ‘Free Palestine’ Antisemitic?” The answer, of course, is no. Why is that supposed to be a correct response? As they explain,
“First, antisemitism is a distinctly European cultural trait that has no historical equivalent in the Levant. … The movement does not single out or attack Judaism as a religion or people. … It hopes to create a truly democratic state in which self-determination and human rights are available for everyone.”
Before treating the claptrap quoted, we need to note that Slow Factory defines itself as “an environmental and social justice nonprofit organization” that works “at the intersections of climate and culture” to “redesign socially & environmentally harmful systems.” This is accomplished through “narrative change and regenerative design.” In short, mind control is supported by progressive funding. Influence Watch makes it clear that they are extremely anti-Zionist.
To return to the above-quoted excerpt, it is patently apparent that Slow Factory is presenting a false narrative. There is antisemitism in the Levant. While some of it could be traced to the influence of Christian missionaries, much of it is rooted in the Quran and accompanying Islamic literature. There are attacks on Jews by Muslims chanting itbah al-Yahud (“slaughter the Jews”) from Baghdad’s Farhud in 1941 to the massacre by Hamas in the Western Negev in 2023. Moreover, 31 years following the signing of the Oslo Accords, no democracy has developed in the Palestinian Authority; instead, it is a continuation and deepening of an authoritarian societal rule.
The “movement” indeed singles out Jews. It prevents them from crossing encampment lines. It attacks Jewish objects—whether people, institutions, places of business or customers at cafes. It seeks out the doors of Jewish students in dormitories. It lays siege to synagogues, hospitals named “Jewish” and Jewish schools. As for their vision of a democratic state, it is a movement that heralds the most undemocratic societies, whether in Gaza or Ramallah, Hebron or Shechem.
* * *
As explained by Austrian-born essayist Jean Améry, already in 1969, the left on campuses has been captured by pro-Palestine rhetoric and framework referencing that aligned itself with, first extreme left-wing and then, in its eventual progressive mutation, melding with Islamist antisemitism. Améry (born Hanns Chaim Mayer) realized that Israel would be demonized since nothing could ultimately satisfy the eliminationist demands of anti-Zionists. Anti-Zionism was fashioned to be the new “honorable antisemitism.”
For those opposed to Zionism, Israel is a symbol of capitalism, imperialism and colonialism—the core evils leftists exist to oppose. This is the underlying layer of today’s debasement of anything pro-Israel, its pillars sunk into a feeling of intense and even depraved degradation of Jews and all things Jewish, especially an independent and successful Jewish state.
What has evolved is epitomized at Villanova University outside Philadelphia, where a director of counseling services can present antisemitic views at an international conference, describing Zionism as a “disease” that requires psychotherapy. FBI-style “Wanted” posters targeted Jewish faculty and staff members at the University of Rochester. The sheriff’s office in Walla Walla, Wash., was required to respond to a pro-Palestine student protest outside a Whitman Board of Trustees dinner at a winery forcing the college to relocate its dinner venue.
At De Paul University, supporting Israel landed one Jewish student in the hospital while a second student was lightly injured. At Virginia Tech in Blacksburg, the campus flagpole had a Hamas flag hoisted.
The deeper invasive connection between academia and anti-Zionism, however, is not in protests but in the educational content, or rather the indoctrination, that a student undergoes. For example, the University of California, Berkeley has announced that it is offering a course this coming spring semester describing Hamas as a “revolutionary resistance force fighting settler colonialism.” More invidious, the course description reads as if a primer for a revolutionary underground:
“With the U.S.-backed and -funded genocide being carried out against Indigenous Palestinians by the Israeli Occupying Force, many have found it difficult to envision a reality beyond the one we are living in today.”
A second example is the Massachusetts Institute of Technology seminar taught by linguistics professor Michel DeGraff. The course deals with “language and linguistics for decolonization and liberation and for peace and community-building.”
His position is that Jews have no connection to Israel and that Israeli textbooks “weaponize trauma of the Holocaust.” Israeli youth, he further asserts, grow up “with this trauma that made them fear that their existence is in threat.” That may be a fair observation, but he adds that the threat comes from “anyone who doesn’t believe in the superior position of the Jewish people in Israel.”
If you perceive some racism and black supremacist theory in this explanation, you are probably correct.
This is but one sphere of influence crushing on a student. In too many cases, his/her lecturers and advisors are those who sign pro-Palestine petitions, marshal the demonstrations and sit-ins, and provide support for campus groups when they are disciplined—or more correctly, when administrations attempt to do so.
The Capital Research Center has published a study titled “Marching Towards Violence” that investigated militant left-wing antisemitism on the campuses of U.S. colleges and universities. It has identified more than 150 campus groups that explicitly support terrorism or, at the least, emphasize violent anti-Israel rhetoric.
David Bernstein, founder of the Jewish Institute for Liberal Values and author of Woke Antisemitism: How a Progressive Ideology Harms Jews, sums up the situation:
“Anti-Israel forces focused on U.S. college campuses have transformed the American university into a vector for their activist agenda … playing the long game—what activists call “the long march through institutions”—in inculcating a stark ideological worldview that portrays anyone with power or success … as oppressors.”
Is there an antidote? One is the Deborah Project, which defends the civil rights of Jews facing discrimination in educational settings. Its aim is “to use legal skills and tools to uncover, publicize and dismantle antisemitic abuses in educational systems.” Other groups and individuals work on many levels of engagement; still, if the monied Jewish establishment institutions do not get behind this, then the anarchy, irrationality and hate will at some point come to overwhelm Diaspora Jewry.
The post On Academic Indoctrination in American Universities first appeared on Algemeiner.com.
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