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Crop tops, kippahs and klezmer: A ‘Jewish rave’ scene takes hold in NYC
(New York Jewish Week) — On a recent Thursday in Ridgewood, the Queens neighborhood that straddles the border of uber-hip Bushwick, Brooklyn, a crowd of music fans filled the room at Trans-Pecos, an all-ages music and events venue.
It’s a scene that’s pretty familiar to anyone who’s been to an outer-borough club in recent years: A homey, DIY kind of space with creaky wood floors and plants as decoration; a limited menu of pricey drinks; a young, casual and queer-leaning crowd, albeit with a smattering of “elders” along the sidelines.
But on this particular July evening, the event was celebrating the unique intersection of klezmer music and rave culture. The room was packed with Jewish ravers, for the third New York installment of “Kleztronica,” a burgeoning Jewish music scene that’s becoming a “movement,” according to its 22-year-old creator, Upper West Side native Kaia Berman-Peters.
A singer and a musician, Berman-Peters performs original Jewish songs over the electronic beats of house music and snippets of klezmer, resulting in something akin to Yiddish hip-hop or Jewish techno. With these mashups, she’s building upon a decades-old crossover tradition pioneered in the 1990s and early 2000s by rapper-producer Josh Dolgin, aka Socalled, who created hip-hop songs from samples of Jewish records.
Berman-Peters, who also goes by Chaia, is aiming for something bigger than a danceable tune or a fun night out. “I see Kleztronica as a movement,” she told the New York Jewish Week ahead of the show. “It represents a certain type of diasporism; of recentering Judaism in the Diaspora. I do see it as a movement, a community, but primarily a set of ideas and ways of practicing those ideas.”
The first of these ideas, she said, is a deeply rooted respect for Yiddish tradition and Jewish ancestry. The second honors “the Black and radical lineage of electronic music: Chicago house music, dub in Jamaica, house in Detroit.”
The third is a commitment to “rave space as safe space,” she said, referring to a welcoming, queer-friendly, non-judgmental environment. And the fourth, she said, is Diaspora, specifically “Diaspora without a desire to return” — reflecting the function that Yiddish can play for Jews who do not want to root their identity or engagement in Israel.
“These little raves are just one part of living an exuberant Jewish life centered in the Diaspora,” Berman-Peters said, “centered in learning and in ancestral respect.”
UWS native Kaia Berman-Peters, the founder of Kleztronica, performs a set at Trans-Pecos on July 20, 2023. (Julian Voloj)
At the Trans-Pecos event last month, the scene was a respectful, haimish one that Berman-Peters lovingly described as “super weird” and “so cool.” The enthusiastic, intimate crowd — some wearing kippahs, others crop tops — seemed up for anything, including Slavic squat dancing, which happened later in the evening.
Berman-Peters — who also sings with with Boston-based klezmer group Mama Liga, and is a vocalist and accordionist for the klezmer-folk trio Levyosn — played a set of original songs over Jewish-inflected electronic beats. Sam Slate and Abbie Goldberg, who as drag performers Diva Nigun and Chava GoodTime, had the crowd roaring during a musical skit that had the former dressed as the captain of a cardboard ship and the latter as a shark. (“There are some things I just don’t understand,” a puzzled onlooker quipped to me.)
A highlight was a set from Eleanore Weill, a France-born Brooklyn musician who plays a hand-cranked string instrument called the hurdy-gurdy. “It’s very raw and intense,” Weill recently told the Forward about her instrument, which was wired for the Kleztronica performance. “It’s like a stringed bagpipe. A lot of people can’t handle it.”
Berman-Peters had organized the evening in partnership with Clear the Floor, a rave collective from Boston that centers Black and Indigenous people and other people of color. “The idea is that electronic dance music and techno and house is Black music,” she said of the collaboration. “And it’s music that was created by people of color and continues to be traditional music of people of color. And that we’re part of that lineage standing in solidarity with them.”
Unfortunately, a series of travel snafus meant that only one Clear the Floor rep made it to Ridgewood that evening. It didn’t seem to matter: Most of the tight-knit crowd were entwined in New York’s klezmer scene and were there to see Berman-Peters and company. The audience included klezmer luminaries like Lorin Sklamberg and Frank London — who, as founders of the Klezmatics, kicked off the klezmer revival in the 1980s — as well as representatives of the next generation, like clarinetist Michael Winograd and his Yiddish Princess cofounder, vocalist Sarah Gordon.
Performers at the Kleztronica event included a P1no, left, a DJ from Clear the Floor, a Boston-based BIPOC rave collective, and a drag performance from Diva Nigun. (Jess O’Donoghue)
But don’t mistake Kleztronica as Yiddish Revival 3.0. “I wouldn’t go so far as to say this is what klezmer is becoming, or that this is the new mainstream of klezmer, because of the diversity of genre expression within the scene,” said Aaron Bendich, the founder of Jewish music label Borscht Beat. “I think it would be misconstruing what’s going on there.”
Bendich, who has attended every New York Kleztronica event thus far, noted that past Kleztronica performers included more traditional klezmer musicians who have used their sets to experiment with new forms.
“Kaia is definitely of the new generation of klezmer performers, there’s no doubt in my mind about that,” said Bendich, who released Levyosn’s album in May. “But Kleztronica is its own thing. I don’t think it’s the son of what Michael Winograd is doing, or the grandchild of the Klezmatics.”
“It’s really exciting,” said musician Slate about this new shoot on the klezmer family tree, who was cooling off in Trans-Pecos’ expansive backyard ahead of his set. (Slate uses he/they pronouns in day-to-day life and she/her as Diva Nigun.) “There’s such a cultural shift among young Jews to explore, to reinvigorate, for Ashkenazi Jews, Yiddish culture and yiddishkeit.”
Slate and Berman-Peters met about a year ago at an anarchist havdalah in Prospect Par. Incredibly, it turned out that they both lived in Boston and made electronic Jewish music but had never crossed paths before.
Since then, Slate has collaborated with Berman-Peters on Kleztronica events in both cities. “It was only a matter of time because the music is so rich, and has so much to offer,” Slate said. “I grew up secular but it’s so deep in my bones still.”
“We wanted to make electronic music that wasn’t just kitschy — it wasn’t just a joke or a punchline,” he said of Kleztronica’s evolution. “There are very few artists who have been able to balance that, and it felt really exciting that there were a bunch of us [doing this] at the same time.”
Revelers get down to the sounds of Kleztronica at Trans-Pecos on July 20, 2023. (Jessica O’Donoghue)
Berman-Peters grew up in an academic, Jewish and musical home in Manhattan. Her mother, Julie Stone Peters, is a professor of literature and theater at Columbia University; her father, Nathaniel Berman, is a professor at Brown University specializing in Kabbalah and Jewish mysticism. Not only did she “grow up on campus” at Columbia, “I grew up sort of with a stream of rabbis, cantors and Jewish musicians sort of coming in and out of our house to hear my dad teach,” she said. “And that was really cool.”
One of her father’s students was Basya Schecter, founder of the Jewish world music/folk band Pharaoh’s Daughter, who became a close family friend and “a mentor to me, musically,” Berman-Peters said. Her interest in klezmer began in high school when she took up the accordion and joined the Columbia Klezmer Ensemble — which was open to anyone, not just Columbia students — led by renowned klezmer musician, cantor and educator Jeff Warschauer.
At Warschauer’s urging, as she was set to graduate from the Heschel School, Berman-Peters applied to the New England Conservatory of Music, which is nicknamed the “Klezmer Conservatory” because it is home to the Klezmer Conservatory Band, led by Hankus Netsky.
“I didn’t have that rigorous of a musical background; I didn’t really think I could get in,” she said. But “get in” she did, and Berman-Peters began a joint bachelor’s and master’s degree program in partnership with Harvard University in 2019.
In college, while studying accordion and klezmer music, Berman-Peters began to get serious about DJing and electronic music. “I started feeling really inspired by a lot of different artists who make electronic music that expresses their cultural roots,” she said, pointing to artists like Sofia Kourtesis, whose music draws upon Peruvian culture and protest tradition. “And I thought I could do that, too.”
At the moment, Berman-Peters is taking time off from completing her degree to pursue Kleztronica full-time. She just completed recording her first Kleztronica album — her dream, she said, is to release it on London-based indie label Ninja Tune — and the next Kleztronica events in New York are slated for October and December.
Currently living with her parents on the Upper West Side, she expresses wonder at how rapidly her burgeoning vision is catching on, considering that the first-ever Kleztronica event happened just this past December, when she proposed the idea to Pete Rushefsky, a founder of the Yiddish New York festival, who was enthusiastically all-in.
“I expected it to just be people from the klezmer scene that I knew, and maybe people interested in music, but it’s all people from all walks of Jewish life that I totally didn’t expect,” she said of her fans, pointing specifically to Jewish hippies and ex-haredi party people.
She said that while attendees have mostly been Jews so far, she doesn’t think the audience ends there.
“I hope that more non-Jews start coming because I really think being culturally rooted and making dance music is what dance music was all about in the first place,” she said. “So I really hope that more people who are not Jewish come to this, and see our version of it, and our version of what Judaism looks like, too.”
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Lebanon Claims It Is Replacing Hezbollah in the South
Lebanese Prime Minister-designate Nawaf Salam speaks at the presidential palace on the day he meets with Lebanese President Joseph Aoun, in Baabda, Lebanon, Jan. 14, 2025. Photo: REUTERS/Mohamed Azakir
JNS.org – Lebanon’s leadership declared in recent days that the Lebanese Army has begun replacing Hezbollah forces in the country’s southern region.
In an April 15 interview with The New Arab, Lebanese President Joseph Aoun announced that 2025 would be the year of the Lebanese state’s monopoly on arms.
Aoun pledged that only the state would have weapons, referring to the Lebanese Armed Forces (LAF), and stressed this goal would be achieved through direct dialogue with Hezbollah, while explicitly ruling out steps that could ignite conflict with Hezbollah.
“I told the Americans that we want to remove Hezbollah’s weapons, but we will not ignite a civil war in Lebanon,” Aoun said, referencing a meeting with US Deputy Envoy Morgan Ortagus.
Aoun added that Hezbollah members could potentially integrate individually into the LAF but rejected replicating the Iraqi model where Shi’ite, Iranian-backed paramilitary groups formed independent units within the military. He asserted the LAF was conducting missions throughout the country “without any obstruction from Hezbollah.”
Hezbollah member Mahmoud Qamat, however, responded by stating, “No one in the world will succeed in laying a hand on this weapon,” according to Lebanese media.
Hezbollah Member of Parliament Ali Fayyad stated the group was open to internal dialogue but warned against pressure on the LAF to disarm Hezbollah.
Col. (res.) Dr. Hanan Shai, a research associate at the Misgav Institute for National Security and Zionist Strategy and a former investigator for the IDF’s commission on the 2006 Second Lebanon War, told JNS on Wednesday that statements by Lebanese officials and the activities of the Lebanese army are “unequivocally an achievement for Israel.”
But Shai warned that due “the weakness of the Lebanese army, the IDF cannot rely on it and must back it up with its own parallel defense—mainly through detailed intelligence monitoring and targeted thwarting of any violation not only in Southern Lebanon but also [deep] within it, including at sea and air ports.”
The fragility of the situation was highlighted when a LAF soldier was killed, and three others were wounded while attempting to neutralize suspected Hezbollah ordnance in the Tyre district of Southern Lebanon on April 14.
Hezbollah’s real intentions were also apparent when its supporters reportedly burned billboards celebrating Lebanon’s “new era.”
Most tellingly, the Israel Defense Forces is continuing to detect intelligence of illegal Hezbollah activity in Southern Lebanon, and acting on that intelligence. Overnight between April 15 and 16, the IDF conducted strikes against Hezbollah infrastructure in Southern Lebanon.
In one strike near Aitaroun in Southern Lebanon, an IDF aircraft killed Ali Najib Bazzi, identified by the IDF as a squad commander in Hezbollah’s Special Operations unit. Other recent IDF actions included strikes and artillery fire targeting a Hezbollah engineering vehicle near Ayta ash-Shab in Southern Lebanon.
Meanwhile, reports emerged suggesting Hezbollah was actively adapting its methods for acquiring weapons. Reports indicated a shift towards sea-based smuggling routes utilizing Beirut Port.
The Saudi Al-Hadath news site reported on April 8 that Iran’s Quds Force created an arms smuggling sea route that bypasses Syria.
Amidst these reports, Aoun visited Beirut Port on April 11, calling for strict government cargo monitoring.
Karmon expresses skepticism
Senior research scholar Ely Karmon of the International Institute for Counter-Terrorism at Reichman University in Herzliya stated, “There’s no doubt there’s a change in Lebanon, first of all on the political level— the fact that President Joseph Aoun was elected—supported by the West, the United States, Saudi Arabia.”
In addition, he said, “Hezbollah’s political weight in parliament and in Lebanon in general has dropped significantly after the blow they received from the IDF.”
On the other hand, Karmon expressed deep skepticism about Aoun’s stated path to disarming Hezbollah. Aoun’s statement that he “isn’t interested in coming to military confrontation with Hezbollah,” and that it needs to be a “slow process,” as well as his call for Hezbollah to enter Lebanese army units, should not be taken at face value, according to Karmon.
“I don’t really believe it. First of all, because traditionally, in the Lebanese Army, most of the soldiers were Shi’ites, for a simple demographic reason. And therefore, the integration of thousands of Hezbollah fighters or personnel into the army—certainly at this stage in my opinion—it’s a danger that they’ll take control of the army from within, after they’ve already for years cooperated with the army.”
He added, “We know, for example, that they received weapons from the Lebanese Army—tanks and APCs—when they operated in Syria in 2013, 2010, and they even presented them publicly in Qusayr [in Syria]. On the other hand, we also heard one article from a Hezbollah representative who’s on their political committee, stating, ‘Absolutely not, we will not give up the weapons!’ It is clear there’ll be opposition.”
Karmon said he was skeptical about Lebanese government claims about taking over around 95 out of some 250 Hezbollah positions in Southern Lebanon. Karmon assessed that Hezbollah and its Iranian sponsors would be cautious but that they would continue to try “as usual, to act and to bring in weapons, to prepare some infrastructure in case, for example, there is a crisis in the negotiations on the Iranian nuclear issue.”
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‘Tradition, Tradition!’
An image from “Family at the Seder,” from the 1935 Haggadah by artist Arthur Szyk (b. 1894, Lodz, Poland—d. 1951, New Canaan, CT). Photo: Courtesy of Irvin Ungar
JNS.org – How important is tradition in Judaism? Obviously, the answer is that it is very important. I mean, they even dedicated a major song by that title in “Fiddler on the Roof!”
How strong is the need for tradition in the spiritual consciousness of Jews today? Despite the effects of secularism, I’d venture to suggest that there is still a need inside us to feel connected to our roots, our heritage and our sense of belonging to the Jewish people. Perhaps more than any time of the year, Passover is the season when millions of Jews embrace their traditions with love, warmth and lots of nostalgia.
But for vast numbers of our people, tradition alone has not been enough. And that applies not only to the rebellious among us who may have cast aside their traditions with impunity, but also to many ordinary, thinking people who decided that to do something just because “that’s the way it has always been done” was simply not good enough.
So what if my grandfather did it? My grandfather rode around in a horse and buggy! Must I give up my car for a horse just because my Zaidy rode a horse? And if my Bubbie never got a university degree, why shouldn’t I? Just because my grandparents practiced certain Jewish traditions, why must I? Perhaps those traditions are as obsolete as the horse and buggy?
There are masses of Jews who think this way and who will not be convinced to behave Jewishly just because their grandparents did.
We need to tell them why their grandparents did it. They need to understand that their grandparents’ traditions were not done just for tradition’s sake, but there was a very good reason why their forbears practiced those traditions. And those very same reasons and rationales still hold good today. There is, in fact, no such thing as “empty ritual” in Judaism. Everything has a reason, and a good one, too.
Too many young people were put off by tradition because some cheder or Talmud Torah teacher didn’t take their questions seriously. They were silenced with a wave of the hand, a pinch of the ear, the classic “when you get older, you’ll understand,” or the infamously classic, “just do as you’re told.”
There are answers. There have always been answers. We may not have logical explanations for tsunamis and other tzuris, but all our traditions are founded on substance and have intelligible, credible underpinnings. If we seek answers, we will find them in abundance, including layers and layers of meaning, from the simple to the symbolic to the philosophical and even mystical.
The seventh day of Passover recalls the “Song of the Sea” sung by Moses and the Jewish people following the splitting of the sea and their miraculous deliverance from the Egyptian armies. Early on, we find the verse, “This is my God and I will glorify Him, the God of my fathers, and I will exalt Him.”
The sequence is significant. First comes “my God,” and only thereafter “the God of my fathers.” In the Amidah prayer, the silent devotion, which is the apex of our daily prayers, we begin addressing the “Almighty, as our God and the God of our fathers … Abraham, Isaac and Jacob.” Again, “our God” comes first. So while the God of our fathers, i.e., tradition, most definitely plays a very important role in Judaism, an indispensable prerequisite is that we must make God ours, personally. Every Jew must develop a personal relationship with God. We need to understand the reasons and the significance of our traditions lest they be mistaken for empty ritual to be discarded by the next generation.
Authentic Judaism has never shied away from questions. Questions have always been encouraged and formed a part of our academic heritage. Every page of the Talmud is filled with questions and answers. You don’t have to wait for the Passover seder to ask a question.
When we think, ask and find answers to our faith, the traditions of our grandparents become alive, and we understand fully why we should make them ours. Once a tradition has become ours and we realize that this very same practice has been observed uninterruptedly by our ancestors throughout the generations, then tradition becomes a powerful force that can inspire us forever.
The seders we celebrated at the beginning of Passover are among the most powerful in our faith. They go back to our ancestors in Egypt, where the very first seder was observed. How truly awesome is it that we are still practicing these same traditions more than 3,300 years later!
Our traditions are not empty. They are rich and meaningful and will, please God, be held on to preciously for generations to come.
With acknowledgments to Chabad.org.
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Thousands of Protesters Rally Against Trump Across US
“Protect Migrants, Protect the Planet” rally in New York City, U.S., April 19, 2025. Photo: REUTERS/Caitlin Ochs
Thousands of protesters rallied in Washington and other cities across the US on Saturday to voice their opposition to President Donald Trump’s policies on deportations, government firings, and the wars in Gaza and Ukraine.
Outside the White House, protesters carried banners that read “Workers should have the power,” “No kingship,” “Stop arming Israel” and “Due process,” media footage showed.
Some demonstrators chanted in support of migrants whom the Trump administration has deported or has been attempting to deport while expressing solidarity with people fired by the federal government and with universities whose funding is threatened by Trump.
“As Trump and his administration mobilize the use of the US deportation machine, we are going to organize networks and systems of resistance to defend our neighbors,” a protester said in a rally at Lafayette Square near the White House.
Other protesters waved Palestinian flags while wearing keffiyeh scarves, chanting “free Palestine” and expressing solidarity with Palestinians killed in Israel’s war in Gaza.
Some demonstrators carried symbols expressing support for Ukraine and urging Washington to be more decisive in opposing Russian President Vladimir Putin’s war in Ukraine.
Since his January inauguration, Trump and his billionaire ally, Elon Musk, have gutted the federal government, firing over 200,000 workers and attempting to dismantle various agencies.
The administration has also detained scores of foreign students and threatened to stop federal funding to universities over diversity, equity and inclusion programs, climate initiatives and pro-Palestinian protests. Rights groups have condemned the policies.
Near the Washington Monument, banners from protesters read: “hate never made any nation great” and “equal rights for all does not mean less rights for you.”
Demonstrations were also held in New York City and Chicago, among dozens of other locations. It marked the second day of nationwide demonstrations since Trump took office.
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