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A pioneering 18th-century Sephardic silversmith’s Torah decorations to be displayed in US museums for first time
BOSTON (JTA) — In 1725, Abraham de Oliveyra was officially registered as a silversmith in London — the first Jew known to be given a license to practice the trade in the city.
Jews had been let back into England just 70 years beforehand following an expulsion centuries earlier, and Oliveyra’s registration established him as a prolific maker of silver Judaica for the city’s synagogues.
Now, nearly 300 years later, Oliveyra’s work will go on view in American museums for the first time. A pair of Torah ornaments made by the 18th-century craftsman have been bought jointly by Boston’s Museum of Fine Arts and New York City’s Jewish Museum.
“The fact that Oliveyra is the earliest known Jewish silversmith active in England is quite monumental,” Abigail Rapoport, the Jewish Museum’s curator of Judaica, told the Jewish Telegraphic Agency. The ornaments, she said, are a “masterpiece of historical Judaica.”
The pair of ornaments are known as finials, or “rimonim” in Hebrew, and sit on top of the two wooden staves of a Torah scroll when it is not being read. Made in 1729 of partially gilded silver, the finials feature tiers of bells surrounding three flattened spheres that showcase Oliveyra’s distinctive openwork, or design made by creating patterns of holes or piercings in the precious metal.
Oliveyra is also known for his use of the shell motif, a hallmark of the era’s nature-inspired Rococo style. While they were of their time, Oliveyra’s design of the gilded rimonim is a clear reminder of the finials’ Jewish context, in that it alludes to the royal status Jews traditionally confer on the Torah, Rapoport said.
The rimonim are one of only 11 known pairs by Oliveyra. The only other rimonim by the artist in the United States belong to Congregation Shearith Israel, the Spanish and Portuguese synagogue in Manhattan.
“You want to touch them and trace the exquisite design with your fingers and imagine their centuries of precious use,” Rapoport said of the pair in the museum. “It’s almost intangible and magical.”
Oliveyra was born in Amsterdam to a Jewish family of Portuguese descent that had settled in the Dutch city, which was known for its climate of tolerance, after fleeing religious persecution. By his early 30s, he moved to London, where he and other Jewish artisans had become eligible for membership in professional guilds.
That was unusual. Jews in Western Europe, Rapoport said, were typically excluded from artists’ guilds, including the silversmiths’ association, until the 19th century, so most European pieces of Jewish ceremonial art, though commissioned by Jews, were made by Christian silversmiths.
Once Oliveyra began producing silverwork, he was frequently commissioned to create Judaica by Jewish communities in London, which was home to both Sephardic and Ashkenazi Jews. Rapoport said both communities bought Oliveyra’s work.
“I like to think of him as the go-to-guy for finials,” she said.
Rapoport told JTA the museums bought the finials from Gidon Finkelstein, son of the late Belgian diamond dealer and Judaica collector Bernard Finkelstein. They would not disclose the price. A different, less decorated pair of Oliveyra finials sold for $200,000 at auction in 2016, while less substantial finials that could not be authenticated as his handiwork sold at Sotheby’s in June for $25,000.
Other rimonim made by Oliveyra are owned by London’s Sephardic Bevis-Marks Synagogue, which bills itself as “the oldest and most splendid Synagogue in Great Britain,” as well as the Hambro Synagogue, which largely served the city’s Ashkenazi Jews beginning in the 18th century. Several pairs are in the permanent collection of London’s Jewish Museum, with one pair on loan to the city’s Victoria and Albert Museum.
The rimonim purchased by the two American museums are currently on exhibit at the Jewish Museum through late October and will be on view at the MFA beginning in December.
The collaboration between the museums “enhances the opportunity that the rimonim will be viewed by broad and diverse audiences in two different cities,” said Simona Di Nepi, the Judaica curator at the MFA.
Both curators said the rimonim diversify their collections because Oliveyra was Sephardic. Most of the Judaica in their respective collections was made for Ashkenazi communities.
“I really love the exuberance of these Torah finials,” Di Nepi said. “The intricate pierced silver on the body of the finials, and the exquisitely engraved staves.”
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The post A pioneering 18th-century Sephardic silversmith’s Torah decorations to be displayed in US museums for first time appeared first on Jewish Telegraphic Agency.
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After False Dawns, Gazans Hope Trump Will Force End to Two-Year-Old War
Palestinians walk past a residential building destroyed in previous Israeli strikes, after Hamas agreed to release hostages and accept some other terms in a US plan to end the war, in Nuseirat, central Gaza Strip October 4, 2025. Photo: REUTERS/Mahmoud Issa
Exhausted Palestinians in Gaza clung to hopes on Saturday that US President Donald Trump would keep up pressure on Israel to end a two-year-old war that has killed tens of thousands and displaced the entire population of more than two million.
Hamas’ declaration that it was ready to hand over hostages and accept some terms of Trump’s plan to end the conflict while calling for more talks on several key issues was greeted with relief in the enclave, where most homes are now in ruins.
“It’s happy news, it saves those who are still alive,” said 32-year-old Saoud Qarneyta, reacting to Hamas’ response and Trump’s intervention. “This is enough. Houses have been damaged, everything has been damaged, what is left? Nothing.”
GAZAN RESIDENT HOPES ‘WE WILL BE DONE WITH WARS’
Ismail Zayda, 40, a father of three, displaced from a suburb in northern Gaza City where Israel launched a full-scale ground operation last month, said: “We want President Trump to keep pushing for an end to the war, if this chance is lost, it means that Gaza City will be destroyed by Israel and we might not survive.
“Enough, two years of bombardment, death and starvation. Enough,” he told Reuters on a social media chat.
“God willing this will be the last war. We will hopefully be done with the wars,” said 59-year-old Ali Ahmad, speaking in one of the tented camps where most Palestinians now live.
“We urge all sides not to backtrack. Every day of delay costs lives in Gaza, it is not just time wasted, lives get wasted too,” said Tamer Al-Burai, a Gaza City businessman displaced with members of his family in central Gaza Strip.
After two previous ceasefires — one near the start of the war and another earlier this year — lasted only a few weeks, he said; “I am very optimistic this time, maybe Trump’s seeking to be remembered as a man of peace, will bring us real peace this time.”
RESIDENT WORRIES THAT NETANYAHU WILL ‘SABOTAGE’ DEAL
Some voiced hopes of returning to their homes, but the Israeli military issued a fresh warning to Gazans on Saturday to stay out of Gaza City, describing it as a “dangerous combat zone.”
Gazans have faced previous false dawns during the past two years, when Trump and others declared at several points during on-off negotiations between Hamas, Israel and Arab and US mediators that a deal was close, only for war to rage on.
“Will it happen? Can we trust Trump? Maybe we trust Trump, but will Netanyahu abide this time? He has always sabotaged everything and continued the war. I hope he ends it now,” said Aya, 31, who was displaced with her family to Deir Al-Balah in the central Gaza Strip.
She added: “Maybe there is a chance the war ends at October 7, two years after it began.”
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Mass Rally in Rome on Fourth Day of Italy’s Pro-Palestinian Protests
A Pro-Palestinian demonstrator waves a Palestinian flag during a national protest for Gaza in Rome, Italy, October 4, 2025. Photo: REUTERS/Claudia Greco
Large crowds assembled in central Rome on Saturday for the fourth straight day of protests in Italy since Israel intercepted an international flotilla trying to deliver aid to Gaza, and detained its activists.
People holding banners and Palestinian flags, chanting “Free Palestine” and other slogans, filed past the Colosseum, taking part in a march that organizers hoped would attract at least 1 million people.
“I’m here with a lot of other friends because I think it is important for us all to mobilize individually,” Francesco Galtieri, a 65-year-old musician from Rome, said. “If we don’t all mobilize, then nothing will change.”
Since Israel started blocking the flotilla late on Wednesday, protests have sprung up across Europe and in other parts of the world, but in Italy they have been a daily occurrence, in multiple cities.
On Friday, unions called a general strike in support of the flotilla, with demonstrations across the country that attracted more than 2 million, according to organizers. The interior ministry estimated attendance at around 400,000.
Italy’s right-wing government has been critical of the protests, with Prime Minister Giorgia Meloni suggesting that people would skip work for Gaza just as an excuse for a longer weekend break.
On Saturday, Meloni blamed protesters for insulting graffiti that appeared on a statue of the late Pope John Paul II outside Rome’s main train station, where Pro-Palestinian groups have been holding a protest picket.
“They say they are taking to the streets for peace, but then they insult the memory of a man who was a true defender and builder of peace. A shameful act committed by people blinded by ideology,” she said in a statement.
Israel launched its Gaza offensive after Hamas terrorists staged a cross border attack on October 7, 2023, killing some 1,200 people and taking 251 people hostage.
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Hamas Says It Agrees to Release All Israeli Hostages Under Trump Gaza Plan
Smoke rises during an Israeli military operation in Gaza City, as seen from the central Gaza Strip, October 2, 2025. Photo: REUTERS/Dawoud Abu Alkas
Hamas said on Friday it had agreed to release all Israeli hostages, alive or dead, under the terms of US President Donald Trump’s Gaza proposal, and signaled readiness to immediately enter mediated negotiations to discuss the details.