Features
Bernie Senensky: Jazz Pianist / Organist, Composer, Teacher
By DAVID EISENSTADT Fifty-plus years active, and jazz icon Bernie Senensky is still working hard and going strong.
That doesn’t begin to describe this notable Canadian Jewish musician’s incredible career.
The Winnipeg, Manitoba native was born to Reuben and Shauna (née Pascov) Senensky on December 31, 1944.
His Canadian-born parents ensured he took piano lessons. Classical with Clara Perlman at age eight, and at 14, he studied with jazz pianist Bob Erlendson.
Peter Hum of the Ottawa Citizen reported, “he had one jazz teacher, and thereafter was self-taught.”
Senensky said he is “essentially a bebop player, and beyond. My heroes are anyone from Bud Powell to McCoy Tyner to Keith Jarrett and Herbie Hancock.” He’s also an organist “influenced by Larry Goldings, Mike LeDonne and Larry Young,” wrote Hum.
In Winnipeg, he played with local musicians including guitarist Lenny Breau and bassist Dave Young. For a time, he led a house band in Edmonton, Alberta, for the Holiday Inn hotel chain.
Senensky transitioned to Toronto in 1968 where he became a first-call accompanist for a who’s-who list of illustrious musicians. He toured the globe with many of them. His biography lists:
Eighteen saxophonists/clarinetists including Pepper Adams, Ravi Coltrane, Buddy DeFranco, and Zoot Sims; 30 trumpeters from Chet Baker, Guido Basso and Terence Blanchard to Dizzy Gillespie, Red Rodney and Freddie Stone; 8 trombonists – Wycliffe Gordon, Slide Hampton, Russ Little and Rob McConnell; 23 guitarists – Ed Bickert, Herb Ellis, Lorne Lofsky,1 Rob Pilch, Bucky Pizzarelli, and Reg Schwager; 26 bassists from Eddie Gomez, Rufus Reid to Slam Stewart and Eugene Wright; 26 drummers – Archie Alleyne, Art Blakey, Jerry Fuller and Elvin Jones; 6 vibists including Peter Appleyard, Gary Burton, Paul Hoffert,2and Don Thompson; 4 flautists – Sir James Galway, Moe Koffman to Herbie Mann and Bill McBirnie; 4 violinists – Moshe Hammer, Drew Jureka, Lenny Solomon,3 and Lara St. John; 29 vocalists including Tommy Ambrose, Heather Bambrick, Salome Bey, Ori Dagan,4 Catherine McKinnon, Ginette Reno, and Bobby Vinton.
He played piano duets with Marian McPartland and Oscar Peterson and joined established groups like The Maynard Ferguson Orchestra, The Moe Koffman Quintet, The Herbie Mann/Al Grey All-Star Septet, and Rob McConnell & The Boss Brass.
Mark Miller, in the New Grove Dictionary of Jazz, noted, “his playing is characterized by an obvious comfort in a wide range of styles, from swing to the assertive post-bop of his group.”
Peers recognized Senensky for his true artistry. Some years ago, Oscar Peterson said, “Bernie is one of my favourite local pianists, I really can’t understand why he hasn’t become better known.” Buddy DeFranco called him “The best of the best!” The late Boris Brott said, “It is always a great privilege to have our festival [in Hamilton, Ontario] associated with artists of Senensky’s stature.” Oliver Jones added “a brilliant, world-class pianist.”
A recipient of many accolades/awards, including the Toronto Musicians’ Association Lifetime Achievement Award, he was nominated twice for Jazz Album of the Year at the Juno Awards – 1989 for Friday the 14th– 1993 for Wheel Within A Wheel.
In the ‘70s Senensky led his trio. In 1979 he was the keyboardist in Moe Koffman’s Quintet when that band was the top Canadian jazz combo. That gig lasted 20 years. The Canadian Jazz Archive reported, “As part of Koffman’s Quintet, Senensky ultimately had the opportunity to contribute many of his compositions to the band’s repertoire.” He has kept that music memory alive since 2003 leading the Moe Koffman Tribute Band.
Senensky’s debut album, “New Life,” was released in 1976; in 1989 he recorded with drummer Barry Elmes and bassist Kieran “Over The Chalet Season.” In 1991 with his septet, he released “Re-Action.” Then came “Homeland” in 1994, which featured US musicians Gary Bartz, Harvie Schwartz, and Arkia Tana. Two years later he recorded an album of his own, recorded in 1993 at the Top of The Senator Toronto venue with bassist Jim Vivian and drummer Bob Moses. In 1999, came “New Horizons,” featuring Eddie Henderson on trumpet and Kirk MacDonald on drums. In 2011 he released “Invitation” with Gene Perla on bass and drummer Ben Riley.
Senensky excels on the Hammond B3 Organ. A few years back he formed “Organic, “with drummer Morgan Childs, guitarist Nathan Hiltz and sax player Ryan Oliver for weekly Sunday evening gigs at the (now shuttered) Joe Mama’s in Toronto. That led to his album – “Live at Joe Mama’s,” in 2013.
Senensky told me he’s “been busier since COVID eased up,” releasing a new CD – “Don’t Look Back,” with “another on its way.” He’s been playing, recording, and teaching in Vancouver, BC, and had an October 2022 German tour with his organ trio, “Organic Earfood,” including vibraphonist Stefan Bauer and drummer Peter Baumgartner.
In early 2023, he fronted a tribute to Moe Koffman’s band in Toronto, that included Moe’s son, Jake Koffman, an accomplished saxophonist, clarinetist, and flautist. I was privileged to attend and enjoy that York University Department of Music concert.
1David Eisenstadt, “Community Jewish News,” April 30, 2022, cjnonline.com | cjnonline.ca.
2 David Eisenstadt, “Community Jewish News,” September 12, 2022, cjnonline.com | cjnonline.ca.
3 David Eisenstadt, “Community Jewish News,” August 7, 2022, cjnonline.com | cjnonline.ca.
4 David Eisenstadt, “Community Jewish News,” May 9, 2022, cjnonline.com | cjnonline.ca
This Chapter is excerpted from David Eisenstadt’s second book – MUSICIANS UNDER THE RADAR – 36 NOTABLE CANADIAN JEWISH PERFORMERS – available on Amazon.ca, Amazon.com or by contacting the author, deisenstadt@tcgpr.com.
Features
Musings from Dizengoff Street – by Bruce Brown
(August 8, 2026)
Outside Basimta Café in Central Jerusalem. Love the red shirt against a tiny sea of black. Not sure I am shrugging because of the ultra-orthodox uproar over a Jerusalem café operating on Shabbat or the lack of an ultra-orthodox uproar over a Jerusalem café operating on Shabbat. For the last six weeks Israeli headlines shouted about the cafe chaos. With the ultra-religious blocking entrances and storming the café. While shouting ‘Shabbos! Shabbos!’ Upsetting the secular amongst us just wanting to enjoy our Saturday iced matchas. So the wife and I thought we would check it out. And. Yes. Buy something to support the business. Uproar. Not. Blocked entrances. Not. Storming the café. Not. Albeit there were police barriers separating the devout protesters from the coffee drinkers. The protesters being just a few dozen black clad, pious Jews. Mostly teenagers. And yes. Shouting ‘Shabbos! Shabbos!’ Certainly underwhelming in its reported mayhem. Reminds me of the famous saying misattributed to Mark Twain – “If you don’t read the newspaper, you’re uninformed. If you do, you’re misinformed.” But I did enjoy my iced matcha.
(August 6, 2026)
Here we go again. Another round of forever negotiations. As someone who negotiates for a living. The way things are going in the straits. If I had to recommend a book on the subject to a new hire. Between The Art of the Deal, A Presidential Edition by Donald J. Trump or The Real Art of the Deal by the Mullahs of Iran with a special forward by the IRGC. Well. I would choose the latter.
(August 3)
Bravo Yoav Segalovitz, Liberal Yesh Atid MK and Monsour Abbas, United Arab Ra’am MK and party head. For breaking a glass ceiling where a Jewish lawmaker joins an Arab political party. No less a political earthquake in my little shtetl. Which can significantly impact coalition block arithmetic and posturing and strategy in the upcoming elections. Now Ra’am can be considered a legitimate ‘Zionist’ partner when forming coalition blocks and potentially pushing the ‘center left/right’ party over the 60 seat majority threshold. In our crazy parliamentary democracy defined by a multi-party (about fourteen!!), proportional representation system. To paraphrase Winston Churchill, Israel’s proportional representation model of governance is the best parliamentary democracy system except for all other forms of working democracies. Stay tuned for more amateurish political musings as we move towards Israel’s 26th national election – five of them held since 2019.
(August 1)
Although both sides say they are open to diplomacy. Neither really trusts the other. And American military action, or its threat, continues. I read headlines in the middle of the night -it’s a nervous habit lately– that the Dynamic Duo of Trump and Netanyahu may again strike in unison. Possibly this weekend. Yikes! Prompting me, at 2:30 AM, to dash around the house stocking my safe room. Bottled water. Canned food. Medicines. Documents. The beat goes on….
If it’s crazy here. It’s insane in Italy. With a recent online ‘Jew Hunt’ in the Milan area. Before being removed, the digital forms urged reportings of Israelis and Italian Jews staying in local hotels. The infamous Global Sumud Movement -yes, the one coordinating ‘peace and humanitarian’ flotillas to Gaza- was somehow connected. Although they deny involvement?! This deranged decree was looking to identify Zionist tourism and Zionist neo-colonization in Italy. I’ll stick with stocking the saferoom.
Then there’s New York Mayor Mamdani, a Global Sumud Movement supporter, threatening to arrest Prime Minister Netanyahu if he comes to New York. But since discovered he has no legal right for such a grandstanding, antisemitic, anti-Israel, anti-Western, anti-democratic antic. Maybe Mandami should be arrested! Or at least impeached. For being a grandstanding, antisemitic, anti-Israel, anti-Western, anti-democratic mayor.
Here’s a post Bruce sent us Friday, July 31:
WARTIME MUSINGS
Should credible threats against FLOTUS and ‘FSOTUS’ (first son..) not be justification to attack first.
As for yesterday’s summit. Netanyahu really can’t win. Explainer. If Trump now attacks without victory its ’cause of Netanyahu. If Trump now attacks with victory its ’cause of Trump. And, in Israel, if Trump doesn’t attack -victory or not- Netanyahu failed in his eighth meeting with Trump. And if Trump does attack -victory or not- half the country will vilify Bibi anyway. Missing a permutation?
Ya. I know. Kinda’ need a definition of victory for that musing to work.
And here in my little shtetle. We go to sleep unsure if there will be a code red in the middle of the night. And if not. We wake up thinking it will be tonight. How do you define stress?
Seemed like an appropriate way to end this musing.
Bruce Brown is a former Winnipegger who made aliyah to Israel over 35 years ago. Bruce first began writing for us – in his own inimitable style, in 2012, during what was known as “Operation Pillar of Defense.” His occasional musings on aspects of life in Israel that were far from what you’d typically read in other reports from Israel were hugely popular – both in the print Jewish Post & News and on this website.
We’re now glad to report that Bruce is back writing for us – this time on a regular basis. We will post Bruce’s reports as they arrive – with the date of each post at the beginning of that post.
Here’s some information about Bruce – and awards he’s received for his writing:
Bruce Brown. Canadian born. Now living in Israel (for a long time). Bruce works in Israel’s hi-tech sector by day and, in spurts, is a somewhat inspired writer by night. He received the American Jewish Press Association’s award for writing excellence in 2019 and 2025. And wrote the 1998 satire, “An Israeli is….” Bruce’s musings are political, social, economic and personal. With lots of biting, contrarian, sardonic and irreverent insight.
Features
K-tip placement at Sets on Corydon
Precision K-Tip placement: Where art meets ultimate hair engineering. ✨
Every strand is custom-blended to achieve seamless movement, zero detection, and absolute freedom (yes, even high ponytails on day one). Precision styling takes patience and technical mastery—the result speaks for itself.
.
Features
Israel pavilion ambassadors – then and now
By BERNIE BELLAN Given that Folklorama is on again and the Israel pavilion – Shalom Square, is in full swing, I thought it timely to resurrect an article I first posted to this website in August 2023.
But before reading that article, I wanted you to see who this year’s ambassadors are for Shalom Square:
It was back in 2023, however, that I set out to answer a question that I had asked our readers to help answer: Where was the very first Israel pavilion located? Some readers had thought it was the Golden Age Club, which used to be located on Pritchard and Salter. But others weren’t so sure. Here then is what I wrote back in August 2023 – when, with the help of a librarian at the Winnipeg Public Library, I was able to solve the riddle of where the first Israel pavilion was located:
It was earlier in August 2023 that I had raised a number of questions about the history of the Israel pavilion at Folklorama.
Among those questions were: Where was the first Israel pavilion located and when did the Israel pavilion actually become a permanent fixture in the YMHA on Hargrave (before moving to its current home in the Asper Campus)?
As part of my search for answers to those questions I turned to David Cohen, who had long been the coordinator of the Israel pavilion when it was located on Hargrave, but who didn’t step into that role until 1975.
David thought that the Israel pavilion hadn’t moved to Hargrave until 1974, but he wasn’t sure where the first Israel pavilion had been located.
I tried to find information using the Winnipeg Public Library online digital archive. In case you didn’t know, anyone with a library card can access the library’s online archive. You can also have access to newspaperarchive.com through the library’s digital archive. Newspaperarchive.com is an invaluable reference tool for journalists especially – or anyone wanting to access old newspaper archives, for that matter, but ordinarily you would need a subscription to newspaperarchive.com in order to use it. For some reason, however, the search function in the Winnipeg Public Library’s digital search engine didn’t produce results when I entered the word “Folklorama.”
As a result I called the Winnipeg Public Library for assistance and received great help from someone by the name of Louis-Phillipe. After taking my information, Louis-Phillipe phoned me to say that he had found out that the library had compiled a file of press clippings related to Folklorama going back to the very first year, 1970.
Further, Louis-Phillipe said, he had found a list of the 22 pavilions in that first year of Folklorama, along with where they were located. It turns out that the Israel pavilion was actually located in two different venues that first year: the Rosh Pina and the Shaarey Zedek.
The next day I also heard from reader Phyllis Dana, who confirmed that the Israel Pavilion had been in both synagogues. Phyllis also remembered that the only food served that first year was honey cake.
But the pièce de resistance came when I heard from reader Marilyn Breitman (née Stitz), who now lives in Calgary, when she phoned me on Monday, August 21 (which is when she received the August 16 issue of the paper with my story about Folklorama).
Marilyn told me that, not only did she remember that the first Israel pavilion alternated between the Rosh Pina and the Shaarey Zedek, she had actually been the female representative of the Israel pavilion that first year. Her title, Marilyn said, was simply “Jewish.”
But, as you might also recall, the entire confusion over where the first Israel pavilion was located began with an email I had received from Roz Greenfeld, who had written to correct my mistake when I had written in the August 2 issue that the Israel pavilion had been located in the YMHA from the very beginning.
Roz pointed out that, in 1971, the second year of Folklorama, the Israel pavilion was located in “Council House” or, as it was better known, “The Golden Age Club,” on Pritchard and Salter. How did she remember that? Roz was the female representative of the pavilion that year. Her title, as I found out was “Miss Judea,” she said.
So, if the Israel pavilion was located at both the Rosh Pina and Shaarey Zedek in that first year of Folkorama, and in the Golden Age Club that second year, where was it after that?
It was left to Jewish Heritage Centre of Western Canada archivist Andrew Morrison to come up with the answer to that question. Andrew informed me that the Israel pavilion did indeed move to the YMHA in 1972 and remained there for the next 25 years, until it moved to the Asper Campus in 1997.
There was a further footnote to the story, which is when I decided to try my luck with the Winnipeg Public Library’s online archive one more time. This time, rather than searching for “Folklorama,” I tried searching for old copies of both the Free Press and the Tribune from August 1970. I did manage to get results for the Tribune and when I entered a specific search within the Tribune I found a picture of all the famale representatives of pavilions – in bathing suits.
It turned out – and this was corroborated by both Marilyn Breitman and Roz Greenfeld, the female representatives had to parade in unison – in bathing suits, as part of Folklorama festivities. Each year, as well, a queen of Folklorama was chosen. Neither Marilyn nor Roz was made queen, both of them told me, although Roz was voted “Miss Congeniality.”
In addition to finding out about the early days of the Israel pavilion, I also learned that the Chai dancers were not regular performers at the Israel pavilion in those early years – as they eventually did become. Chai performers would dance only one night in those first years, with other entertainment the other nights.
I did enlist Andrew Morrison’s help once again and did find that Chai performed only one evening during the first few years of Folklorama – from 1970 to 1976. In 1977 Chai began performing every night of Folklorama, but there were other performers on hand as well, including Jerry Maslowsky and Rabbi Yosel Rosenzweig. In 1978 the Chai Folk Ensemble was the featured entertainment every evening; however, a notice that appeared in our paper did say that whistler Harvey Pollock would “be on hand” to entertain – whatever that meant.
While some may wonder of what earth shaking importance all this is, I ask: Isn’t it fun to look back in time – for just a little while, instead of worrying about more immediate problems, such as global warming, inflation, terrorist attacks in Israel, and whether Donald Trump will be president while he’s in jail?
