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2 Off-Broadway shows offer fresh perspectives on Anne Frank’s story
(New York Jewish Week) – A young woman imagines herself standing inside the office of a fast-talking, bowtie-wearing, pipe-smoking editor of a major publishing house in New York City.
She’s just submitted her diary — a memoir of her life in hiding from Nazis and subsequent detention in a concentration camp — for his review, and stands in front of him as he scrutinizes her experiences, deeming them plausible or not, appropriate or absurd.
The woman is Anne Frank, and the imagined scene is the premise of “Anne Being Frank,” one of two shows based on Frank’s diary that are running Off-Broadway in New York City this fall. The other is “Anne Frank, a Musical.”
The one-woman show, which opened on Sept. 4 at Manhattan’s Emerging Artists Theatre, presents a new version of the Anne Frank story in which she pens her diary while she is dying in the Bergen-Belsen concentration camp, rather than writing it while in hiding in Amsterdam. The show depicts her suffering from starvation and sexual assault in the camps, and eventually contracting a lethal case of typhus, all of which changes the tone of her writing.
“Instead of leaving people with this idea that all these people are really good at heart, she’s grown up and seen the atrocities and the things that have happened to her,” Amanda Lerner, the director of “Anne Being Frank,” told the New York Jewish Week, referencing a famous passage of the diary in which Frank writes, “I still believe, in spite of everything, that people are truly good at heart.”
Lerner added that she wanted to represent the experience of Holocaust victims in the camps and depict the “truth of all of the other people who have lived these stories — without apologizing for it,” she said.
Frank’s story is among the most well-known Holocaust narratives, and the creators of both shows said that they saw it as an avenue for conveying the gravity of the Holocaust to audiences, especially non-Jewish ones. The two productions come during a time when works about Frank’s life have taken a central place in national debates about education and censorship. Recently, multiple school districts have banned a graphic novel based on Frank’s diary, and in September, a teacher was allegedly fired in Texas for reading it aloud to students.
Earlier this year, the National Geographic limited series “A Small Light” told the Anne Frank story from the perspective of Miep Gies, the woman who helped hide the Frank family.
“For me, the Anne Frank story is, and really should be, universal,” said David Serero, who directed and produced “Anne Frank, a Musical,” and stars as Frank’s father, Otto. “Of course, it’s a Jewish story, but I think it’s important to share that story so it will never happen again. It’s important for others to know the damage that such a thing can do.”
The diary has been adapted dozens of times in the more than seven decades since its publication, beginning with the 1955 Broadway show, “The Diary of Anne Frank,” which won the Pulitzer Prize for Drama and Tony Award for Best Play.
“In the 1950s when her diary came out, Anne Frank became probably the most well known victim of the Holocaust,” said Dr. Alex Sagan, a historian affiliated with Harvard’s Center for European Studies who has written extensively about adaptations of Frank’s diary. “It’s a very famous and resonant story. Everybody knows it, and it’s understandable that lots of people are inspired to retell it. The question is, what should our judgment be about what they produce?”
He said adaptations should be judged based on whether they “impart inaccurate information,” and added that observers should “ask to what extent does it teach us or make us feel something about the story of Frank, or about her diary, that is really meaningful.”
Sagan added that while adaptations and retellings should stay accurate to the diary, there is still plenty of opportunity for artistic license.
“They’re going to reflect the moment in which they’re created, the medium in which they’re created and the creators,” he said. “So it doesn’t mean that they have no individuality, and it means that when they’re created, they see where they might seem very relevant if they’re well done.”
The publishing house scene in “Anne Being Frank” speaks to the question of whether and how future generations will receive Holocaust stories. In the play, Anne (played by actress Alexis Fishman) imagines the conversation with the editor as she lays dying in her bunk in Bergen-Belsen.
She considers how an editor — and the world — might perceive her and her story after they learn the truth about humanity. The editor, while praising her as a writing prodigy, finds the details, especially the events in the camps, implausible.
“The reason that I have spent such a great chunk of my career in writing speculative history is that I truly believe that truth is stranger than fiction — that no writer can match the sheer unpredictability and madness of the real world,” said Ron Elisha, the play’s writer. “There’s nothing that happens in my play that could not have happened. These things happened. They need to be explained.”
“Anne Frank, a Musical” premiered at the Center for Jewish History in 2019. (Courtesy David Serero)
The second show out this fall, “Anne Frank, a Musical,” is less speculative about what happens after Frank was discovered in the annex in Amsterdam. Instead, it reinterprets the events depicted in Anne’s diary through song.
The musical, which was originally written in French by Jean-Pierre Hadida in 2007, was adapted for an American audience in English by Serero. It premiered in 2019 at the Center for Jewish History and opens this year on October 11 at the Actor’s Temple Theater.
“Of course, people in America and in New York were a little bit reluctant when they heard, ‘a musical about Anne Frank,’ but a musical doesn’t have to be about something joyful. It’s emotive,” Serero said. “I can assure you, I have a lot of respect in the approach of all the characters in order to make them believable onstage.”
The musical opens in the present day, with a group of teenagers visiting the Anne Frank House in Amsterdam. When they start to ask questions about her life, they are quickly transported back in time to the same place in 1942.
“To bring it through the medium of music is very important because we sing what we cannot say — there are things that only music can express,” Serero said. “When you add music, the diary of Anne Frank becomes the life of Anne Frank.”
And though the productions approach the story differently, they each reflect contemporary perspectives on the world. “Anne Being Frank” aims to show the graphic, violent suffering and death of Jews in the Holocaust, and to invite viewers to think about what happened next — rather than solely the hope reflected in the most famous passage of Frank’s diary. The show, in some ways, asks its viewers to interrogate other places or moments where the full story isn’t being told.
For Serero, the “secret of the musical’s success,” is that it connects Frank’s story to atrocities today.
“You could say that this story is over,” he said. “But still today, people are killed because of who they are.”
“Anne Being Frank” is playing at the Emerging Artists Theatre (15 W. 28th St.) through Oct. 29; tickets start at $59. “Anne Frank, a Musical” is playing from Oct. 11 through Nov. 5 at the Actors Temple Theatre (339 W. 47th St.). Tickets start at $36.50.
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Iran, US Task Experts to Design Framework for a Nuclear Deal, Tehran Says
Atomic symbol and USA and Iranian flags are seen in this illustration taken, September 8, 2022. Photo: REUTERS/Dado Ruvic/Illustration/File Photo
Iran and the United States agreed on Saturday to task experts to start drawing up a framework for a potential nuclear deal, Iran’s foreign minister said, after a second round of talks following President Donald Trump’s threat of military action.
At their second indirect meeting in a week, Foreign Minister Abbas Araqchi negotiated for almost four hours in Rome with Trump’s Middle East envoy Steve Witkoff, through an Omani official who shuttled messages between them.
Trump, who abandoned a 2015 nuclear pact between Tehran and world powers during his first term in 2018, has threatened to attack Iran unless it reaches a new deal swiftly that would prevent it from developing a nuclear weapon.
Iran, which says its nuclear program is peaceful, says it is willing to discuss limited curbs to its atomic work in return for lifting international sanctions.
Speaking on state TV after the talks, Araqchi described them as useful and conducted in a constructive atmosphere.
“We were able to make some progress on a number of principles and goals, and ultimately reached a better understanding,” he said.
“It was agreed that negotiations will continue and move into the next phase, in which expert-level meetings will begin on Wednesday in Oman. The experts will have the opportunity to start designing a framework for an agreement.”
The top negotiators would meet again in Oman next Saturday to “review the experts’ work and assess how closely it aligns with the principles of a potential agreement,” he added.
Echoing cautious comments last week from Supreme Leader Ali Khamenei, he added: “We cannot say for certain that we are optimistic. We are acting very cautiously. There is no reason either to be overly pessimistic.”
There was no immediate comment from the US side following the talks. Trump told reporters on Friday: “I’m for stopping Iran, very simply, from having a nuclear weapon. They can’t have a nuclear weapon. I want Iran to be great and prosperous and terrific.”
Washington’s ally Israel, which opposed the 2015 agreement with Iran that Trump abandoned in 2018, has not ruled out an attack on Iran’s nuclear facilities in the coming months, according to an Israeli official and two other people familiar with the matter.
Since 2019, Iran has breached and far surpassed the 2015 deal’s limits on its uranium enrichment, producing stocks far above what the West says is necessary for a civilian energy program.
A senior Iranian official, who described Iran’s negotiating position on condition of anonymity on Friday, listed its red lines as never agreeing to dismantle its uranium enriching centrifuges, halt enrichment altogether or reduce its enriched uranium stockpile below levels agreed in the 2015 deal.
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Hamas Says Fate of US-Israeli Hostage Unknown After Guard Killed in Israel Strike
Varda Ben Baruch, the grandmother of Edan Alexander, 19, an Israeli army volunteer kidnapped by Hamas, attends a special Kabbalat Shabbat ceremony with families of other hostages, in Herzliya, Israel October 27, 2023 REUTERS/Kuba Stezycki
Hamas said on Saturday the fate of an Israeli dual national soldier believed to be the last US citizen held alive in Gaza was unknown, after the body of one of the guards who had been holding him was found killed by an Israeli strike.
A month after Israel abandoned the ceasefire with the resumption of intensive strikes across the breadth of Gaza, Israel was intensifying its attacks.
President Donald Trump’s envoy Steve Witkoff said in March that freeing Edan Alexander, a 21-year-old New Jersey native who was serving in the Israeli army when he was captured during the Oct. 7, 2023 attacks that precipitated the war, was a “top priority.” His release was at the center of talks held between Hamas leaders and US negotiator Adam Boehler last month.
Hamas had said on Tuesday that it had lost contact with the militants holding Alexander after their location was hit in an Israeli attack. On Saturday it said the body of one of the guards had been recovered.
“The fate of the prisoner and the rest of the captors remains unknown,” said Hamas armed wing Al-Qassam Brigades’ spokesperson Abu Ubaida.
“We are trying to protect all the hostages and preserve their lives … but their lives are in danger because of the criminal bombings by the enemy’s army,” Abu Ubaida said.
The Israeli military did not respond to a Reuters request for comment.
Hamas released 38 hostages under the ceasefire that began on January 19. Fifty-nine are still believed to be held in Gaza, fewer than half of them still alive.
Israel put Gaza under a total blockade in March and restarted its assault on March 18 after talks failed to extend the ceasefire. Hamas says it will free remaining hostages only under an agreement that permanently ends the war; Israel says it will agree only to a temporary pause.
On Friday, the Israeli military said it hit about 40 targets across the enclave over the past day. The military on Saturday announced that a 35-year-old soldier had died in combat in Gaza.
NETANYAHU STATEMENT
Late on Thursday Khalil Al-Hayya, Hamas’ Gaza chief, said the movement was willing to swap all remaining 59 hostages for Palestinians jailed in Israel in return for an end to the war and reconstruction of Gaza.
He dismissed an Israeli offer, which includes a demand that Hamas lay down its arms, as imposing “impossible conditions.”
Israel has not responded formally to Al-Hayya’s comments, but ministers have said repeatedly that Hamas must be disarmed completely and can play no role in the future governance of Gaza. Israeli Prime Minister Benjamin Netanyahu is scheduled to give a statement later on Saturday.
Hamas on Saturday also released an undated and edited video of Israeli hostage Elkana Bohbot. Hamas has released several videos over the course of the war of hostages begging to be released. Israeli officials have dismissed past videos as propaganda.
After the video was released, Bohbot’s family said in a statement that they were “deeply shocked and devastated,” and expressed concern for his mental and physical condition.
“How much longer will he be expected to wait and ‘stay strong’?” the family asked, urging for all of the 59 hostages who are still held in Gaza to be brought home.
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Oman’s Sultan to Meet Putin in Moscow After Iran-US Talks
FILE PHOTO: Sultan Haitham bin Tariq al-Said gives a speech after being sworn in before the royal family council in Muscat, Oman January 11, 2020. Photo: REUTERS/Sultan Al Hasani/File Photo
Oman’s Sultan Haitham bin Tariq al-Said is set to visit Moscow on Monday, days after the start of a round of Muscat-mediated nuclear talks between the US and Iran.
The sultan will hold talks with Russian President Vladimir Putin on Tuesday, the Kremlin said.
Iran and the US started a new round of nuclear talks in Rome on Saturday to resolve their decades-long standoff over Tehran’s atomic aims, under the shadow of President Donald Trump’s threat to unleash military action if diplomacy fails.
Ahead of Saturday’s talks, Iranian Foreign Minister Abbas Araqchi met his Russian counterpart Sergei Lavrov in Moscow. Following the meeting, Lavrov said Russia was “ready to assist, mediate and play any role that will be beneficial to Iran and the USA.”
Moscow has played a role in Iran’s nuclear negotiations in the past as a veto-wielding U.N. Security Council member and signatory to an earlier deal that Trump abandoned during his first term in 2018.
The sultan’s meetings in Moscow visit will focus on cooperation on regional and global issues, the Omani state news agency and the Kremlin said, without providing further detail.
The two leaders are also expected to discuss trade and economic ties, the Kremlin added.
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