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How New Yorker writer Ariel Levy adapted Philip Roth’s filthiest book for the stage
(JTA) — A scruffy, bearded Jewish man in his mid-60s — distressed, disheveled but wickedly self-satisfied — is invited to spend the night at the Manhattan apartment of an old friend and benefactor. Put up in the bedroom of the man’s college-age daughter, he slips a pair of her panties over his head and searches her drawers in hopes of finding nude Polaroids.
That’s a scene from Philip Roth’s 1995 novel “Sabbath’s Theater” and now a stage adaptation by the actor John Turturro and the New Yorker writer Ariel Levy. Turturro also stars as Sabbath, a washed-up artist best known for his transgressive puppet theater in the ’60s — and best known to readers, perhaps, as Roth’s most repellant character. Drenched, sometimes literally, in sex, the play begins with a riotous bout of intercourse and climaxes, as it were, with two old lovers remembering their kinks.
But if the book were only about sex it might not have earned its National Book Award. It is also a tender meditation on mourning: Sabbath’s Croatian mistress, Drenka Balich, is dead, as are his mother, his brother and his career. “And there are other kinds of love and loss: about mourning his family and his health and his youth and his virility,” Levy told me when we spoke earlier this week.
As a journalist, Levy often delves into the way sex and gender shape the lives of both celebrities and people on the margins. Her 2017 memoir, “The Rules Do Not Apply,” began life as an award-winning essay on her miscarriage in a hotel room while on assignment in Mongolia, when she was 19 weeks pregnant, and expanded into a rumination on her dissolving marriage and roads not taken.
The New Group’s adaptation of “Sabbath’s Theater” opened Wednesday night and runs through Dec. 17 at the Pershing Square Signature Center in Manhattan. Turturro (who played another Roth character, the craven Rabbi Lionel Bengelsdorf, in the HBO adaptation of “The Plot Against America”) inhabits Mickey’s filthy, seductive charm. Elizabeth Marvel plays Drenka and other women in his life, and Jason Kravits plays the men. The play is as dirty as Mickey’s torn carpenter’s pants, but also poignant: When Sabbath cradles the belongings of his dead brother, lost in battle during World War II, it’s an echo of the violence and loss that have become overwhelming in recent weeks.
Levy and I spoke about adapting a quintessentially Jewish writer like Roth, the appeal of flawed protagonists and how an Italian actor like Turturro captures the Jewish soul of yet another Roth alter ego.
This interview was edited for length and clarity.
With very few exceptions, adaptations of Roth’s work haven’t been all that successful. Do you agree and were thinking about how you might approach the material differently?
Well, I mean, I’d never adapted anything. Adapting Roth properly was like only one of many potentials for crises. Roth is my literary God. I like the way he uses language the most. He might not have liked me saying this because he was obviously very insistent on being an American writer, not a Jewish writer, but nobody captures the rhythm of the language of people whose first language is Yiddish and then move over to English. The way he uses those rhythms, that humor. The cultural familiarity is a powerful addition to my appreciation for his mastery of language and plot, irony and the level of his imagination, the level of his sense of play and his appreciation for what he calls, in ”Sabbath’s Theater,” the “nasty side of existence.”
John Turturro came to you through a recommendation by Hilton Als, a fellow writer at The New Yorker. Tell me about your writing process. What did you both agree on and disagree on — if you disagreed?
Oh, for the first couple of years, we kind of agreed on everything. It was the pandemic so we were going back and forth on Zoom. We had a very, very aligned vision of what the crucial stuff was. You could just tell that certain parts were going to work theatrically and certain parts were not, and then once we started rehearsing, after working on this together for two years and then going on this workshop at the National Theatre in London in January 2023 — once we got through that, we started to have a better sense of what will work theatrically. The unbelievable challenge for John was to be working on his performance and contemplating the script, because every change means a new thing you have to learn [as an actor].
Ariel Levy and John Turturro at the opening night party for The New Group Theater’s new play “Sabbath’s Theater,” at Green Fig Urban Eatery in New York City, Nov. 1, 2023. (Bruce Glikas/Getty Images)
How does a journalist learn to be a playwright? Was there anyone you were taking clues from about how to do this?
I was extremely worried and insecure about it. John knew I’d never written a play. He could have found plenty of playwrights who would have done this, but the way I’ve heard him explain it is that he didn’t want someone who’s gonna come in and say, “I know how to write a play. I’m going to rewrite this.” He wanted to use Roth’s language. We’re barely going to write stage directions, the stage directions are largely lifted from Roth’s writing. The most important thing to John was finding somebody who was Roth-reverent, and then also we just hit it off, we just liked each other. We liked the same parts of the book, and we both felt the book was a love story.
So, how did I learn to do it? I figured out that storytelling is storytelling. And also, I had John guiding me, John knows what a play is, and I had [the director] Jo Bonney guiding me through the process once we were in rehearsal.
You talked about your affinity for Roth. Was there something about “Sabbath’s Theater” that particularly connected to the things you’ve always been writing about and thinking about?
I’ve written a fair amount about the fundamental human drives for domesticity and comfort and kinship and security on the one hand, and adventure and novelty and stimulation on the other — those conflicting poles that human beings stretch between. And that’s very much in there in the realm of Sabbath. And John and I both cared a lot about the depiction of grief and the way the dead can become more real for you than the living sometimes and how, as you age, the accretion of missing people in your life just starts to pile up.
And then there is thinking about — not just sex, but the body. “Sabbath’s Theater” has so many amazing meditations on what it is to live inside a human body. I think we’re both really interested in all of that and the kind of animal reality of being a human who’s alive versus dead.
Were you worried at any point that some of Mickey’s transgressions — he has been tossed from a teaching job at a university after a phone-sex scandal with a student, he visits an old friend and rifles the dresser drawers of his host’s teenage daughter — would make him unredeemable in a post-#Me-Too era? And on the flip side, do you feel the play is pushing back against the #MeToo orthodoxy in some way?
I think that, you know, we didn’t put in every transgression from the book, but we put a lot. There’s a beautiful Garth Greenwell essay in The Yale Review about the book where he talks about how he teaches “Sabbath’s Theater” to undergraduates, and it bothers him when the question becomes whether a protagonist should be an example of moral rectitude. That’s not what art is for. This isn’t meant to be propaganda. This is raw. This is art. In some of my favorite literature of the 20th century, the moral compass, the moral core of the whole thing is reminding us that a human being is more than their worst or most repellent urges and behaviors. A human being contains multitudes. This is Mickey in all his humanity, and we certainly didn’t want to sanitize him. I mean, I think the play is still plenty, plenty dirty.
I’m going to quote your own words to you. I was rereading a profile you wrote about the film director Nicole Holofcener, and you say something about her that made me think, “Oh, this is why Levy wrote ‘Sabbath’s Theater.’” You wrote: “This is the kind of creature Nicole Holofcener is drawn to: weirdly alluring, mangled by life, and unable to resist lashing out against her own best interests.”
That’s so funny. Yeah, that’s it, isn’t it? That’s Mickey Sabbath. That’s eerie. That is Mickey Sabbath.
I have to ask you to weigh in on what I think is the world’s most boring debate, which is whether a non-Jewish actor like John Turturro should be playing a Jewish character like Mickey Sabbath written by a Jewish author like Philip Roth. Do you have any qualms about that?
I feel so culturally connected to John Turturro. I wouldn’t be a bit surprised if we had genetic overlap. I mean, it’s like the food’s different, and the accents are different, but it’s the same shit, you know? John in particular to me is very culturally recognizable. And, you know, he’s married to a Jewish person. He’s raising children with a Jewish person. He’s steeped in it. We are not an exotic.
Also, he’s an actor. It’s like a novelist, which I’m not: They can inhabit other realities. That’s what their job is.
I sometimes feel that the readership for Roth is a men’s club. I’ve rarely come across women who idolized him the way I did. Do you feel that?
I mean, until his mature period, [his] women weren’t as interesting. They didn’t come off the page the way the men did. So I can understand, you know, it’s a drag reading a novel where the women aren’t coming off the page. It doesn’t feel great. But then everything changes: When he grows up he becomes this incredibly sophisticated, nuanced writer who realizes that women are half the human race. “Sabbath’s Theater” is the work that preceded the American trilogy [“American Pastoral,” “I Married a Communist” and “The Human Stain”]. That’s when everything starts to become like a masterpiece, and that’s when the women get really interesting. I defy anyone to find a richer, more complicated and fascinating and alluring female lead than Drenka. I mean, she’s unbeatable.
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The post How New Yorker writer Ariel Levy adapted Philip Roth’s filthiest book for the stage appeared first on Jewish Telegraphic Agency.
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As Gaza War Continues, Hamas Calls for Global Protests While Israel Marks Breakthroughs in Medical Innovation
A pro-Hamas march in London, United Kingdom, Feb. 17, 2024. Photo: Chrissa Giannakoudi via Reuters Connect
As the Palestinian terrorist group Hamas calls for global protests amid stalled Gaza ceasefire talks, Israel has broken new ground despite the ongoing conflict, achieving a major medical breakthrough in synthetic human kidney development.
The contrast illustrates a stark contrast between the priorities of Hamas, an international designated terrorist group that has ruled Gaza for nearly two decades, and Israel, the lone democracy in the Middle East that has long been a leader in tech and medical innovation.
On Wednesday, Hamas urged worldwide protests in support of Palestinians, calling on the international community “to denounce Israel’s genocidal war and starvation policy in Gaza.”
“We call for continuing and escalating the popular pressure in all cities and squares on Friday, Saturday, and Sunday … through rallies, demonstrations and sit-ins outside the embassies of the Israeli regime and its allies, particularly in the US,” the statement read.
The Palestinian terrorist group also called to expose what it described as “the terrorism of the Zio-Nazi occupation against defenseless civilians.”
Hamas’s latest move against Israel comes amid stalled indirect negotiations over a proposed 60-day ceasefire and hostage release deal, which collapsed last month after the group vowed it would not disarm unless an independent Palestinian state is established — rejecting a key Israeli demand to end the war in Gaza.
In its statement, Hamas demanded the opening of all border crossings to allow immediate aid into the war-torn enclave and urged a global condemnation of “the international community’s inaction on the Israeli crimes.”
Amid mounting international pressure to address the humanitarian crisis in Gaza, Israel announced new measures to facilitate the delivery of aid, including temporary pauses in fighting in certain areas and the creation of protected routes for aid convoys.
Israeli officials have previously accused Hamas of diverting aid for terrorist activities and selling supplies at inflated prices to civilians, while also blaming the United Nations and other foreign organizations for enabling this diversion.
Hamas’s statement also emphasized that the “global resistance movement must continue until Israeli aggression on Gaza ends and the siege on the coastal strip is lifted.”
Meanwhile, as Israel faces escalating hostilities and the heavy toll of war, the Jewish state continues to push the boundaries of innovation and resilience, achieving new medical breakthroughs while confronting ongoing challenges.
In a major medical breakthrough, scientists at Sheba Medical Center and Tel Aviv University have successfully grown a synthetic 3D miniature human kidney in a lab using specialized stem cells derived from kidney tissue — one of the most promising advances in regenerative medicine.
Dr. Dror Harats, chairman of Sheba’s Research Authority, described this achievement as a reflection of Israel’s leading role in global medical innovation.
“Despite growing efforts to isolate Israel from international science, breakthroughs like this prove our impact is both lasting and essential,” he said.
In a landmark study, a team from Sheba’s Safra Children’s Hospital and Tel Aviv University’s Sagol Center for Regenerative Medicine created synthetic kidney organs that matured and remained stable for 34 weeks — the longest-lasting and most refined kidney organoids developed to date.
Nearly a decade ago, the research team became the first to successfully isolate human kidney tissue stem cells — the cells responsible for the organ’s development and growth.
Previous attempts to grow kidneys in a lab using general-purpose stem cells were short-lived, typically lasting only a few weeks and often producing unwanted cell types that compromised research accuracy.
However, this Israeli research team used stem cells taken directly from kidney tissue — cells that naturally develop into kidney parts — allowing them to create a much purer and more stable model with key features found in real kidneys.
This medical breakthrough could have far-reaching implications, redefining the current understanding of kidney diseases and advancing the development of innovative treatments.
Researchers believe the model could help assess how medications impact fetal kidneys during pregnancy and move science closer to repairing or replacing damaged kidney tissue with lab-grown cells.
The discovery came days after researchers from Hebrew University of Jerusalem and international partners discovered a way to boost the immune system’s cancer-fighting ability by reprogramming how T cells, which are white blood cells critical to the immune system, produce energy.
The researchers explained in a study published in the peer-reviewed Nature Communications that disabling a protein known as Ant2 in T cells greatly enhances their effectiveness against tumors.
“By disabling Ant2, we triggered a complete shift in how T cells produce and use energy,” Prof. Michael Berger of Hebrew University’s Faculty of Medicine, who co-led the study with doctorate student Omri Yosef, told the Tazpit Press Service. “This reprogramming made them significantly better at recognizing and killing cancer cells.”
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Netherlands to Push EU to Suspend Israel Trade Deal but Won’t Recognize Palestinian State ‘At This Time’
Netherlands Foreign Affairs Minister Caspar Veldkamp addresses a press conference, in New Delhi on April 1, 2025. Photo: ANI Photo/Sanjay Sharma via Reuters Connect
The Netherlands is spearheading efforts to suspend the European Union-Israel trade agreement amid rising EU criticism of Israel’s actions in Gaza, while simultaneously refusing to recognize a Palestinian state, contrasting with other member states as international pressure mounts.
On Thursday, Dutch Foreign Minister Caspar Veldkamp announced that the Netherlands will push the EU to suspend the trade component of the EU-Israel Association Agreement — a pact governing the EU’s political and economic ties with the Jewish state.
This latest anti-Israel initiative follows a recent EU-commissioned report accusing Israel of committing “indiscriminate attacks … starvation … torture … [and] apartheid” against Palestinians in Gaza during its military campaign against Hamas, an internationally designated terrorist group.
Following calls from a majority of EU member states for a formal investigation, this report built on Belgium’s recent decision to review Israel’s compliance with the trade agreement, a process initiated by the Netherlands and led by EU High Representative for Foreign Affairs and Security Policy Kaja Kallas.
According to the report, “there are indications that Israel would be in breach of its human rights obligations” under the 25-year-old EU-Israel Association Agreement.
While the document acknowledges the reality of violence by Hamas, it states that this issue lies outside its scope — failing to address the Palestinian terrorist group’s role in sparking the current war with its bloody rampage across southern Israel on Oct. 7, 2023.
Israeli officials have slammed the report as factually incorrect and morally flawed, noting that Hamas embeds its military infrastructure within civilian targets and Israel’s army takes extensive precautions to try and avoid civilian casualties.
In a Dutch parliamentary debate on Gaza on Thursday, Veldkamp also announced that the government would not recognize a Palestinian state for now — a position that stands in sharp contrast to the recent moves by several other EU member states to extend recognition.
“The Netherlands is not planning to recognize a Palestinian state at this time,” the Dutch diplomat said.
“This war has ceased to be a just war and is now leading to the erosion of Israel’s own security and identity,” he continued.
This latest decision goes against the position of several EU member states, including France, which has committed to recognizing Palestinian statehood in September.
The United Kingdom has likewise indicated it will do so unless Israel acts to ease the humanitarian crisis in Gaza and agrees to a ceasefire.
For its part, Germany said it was not planning to recognize a Palestinian state in the short term, and Italy argued that recognition must occur simultaneously with the recognition of Israel by the new entity.
Spain, Norway, Ireland, and Slovenia all recognized a Palestinian state last year.
Israel has been facing growing pressure from several EU member states seeking to undermine its defensive campaign against the Palestinian terrorist group Hamas in Gaza.
On Thursday, European Commission Vice President Teresa Ribera strongly condemned Israel’s actions in the war-torn enclave, describing the situation as a “grave violation of human dignity.”
“What we are seeing is a concrete population being targeted, killed and condemned to starve to death,” Ribera told Politico. “If it is not genocide, it looks very much like the definition used to express its meaning.”
Until now, the European Commission has refrained from accusing Israel of genocide, but Ribera’s comments mark one of the strongest European condemnations since the outbreak of the war in Gaza.
She also called on the EU to take decisive action by considering the suspension of its trade agreement with Israel and the implementation of sanctions, while emphasizing that such measures would require unanimous approval from all member states.
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Graduate Student Unions Promoting Antisemitism, Reform Group Says
Students listen to a speech at a protest encampment at Stanford University in Stanford, California US, on April 26, 2024. Photo: Carlos Barria via Reuters Connect.
Higher-education-based unions controlled by United Electrical, Radio, and Machine Workers of America (UE) are rife with antisemitism and anti-Zionist discrimination, according to a new letter imploring the US Congress’s House Committee on Education and the Workforce to address the matter.
“Tracing its roots to communism in the 1930s, the UE is a radical, pro-Hamas labor union that has a long history of antisemitism,” the National Right to Work Foundation (NRTW), one of the US’s leading labor reform groups, wrote on July 30 in a message obtained by The Algemeiner. “The UE openly supports the boycott, divestment, and sanctions (BDS) movement, which is designed to cripple and destroy Israel economically. Today, the UE furthers its antisemitic agenda by unionizing graduate students on college campuses and using its exclusive representation powers to create a hostile environment for Jewish students. The hostile environment includes demanding compulsory dues to fund the UE’s abhorrent activities.”
NRTW went on to describe a litany of alleged injustices to which UE members subject Jewish student-employees in the US’s most prestigious institutions of higher education, from the Massachusetts Institute of Technology (MIT) to Cornell University. At MIT, the letter said, “union officers” aided a riotous group which illegally occupied a section of campus with a “Gaza Solidarity Encampment,” participating in the demonstration and even denying access to campus buildings. UE members at Stanford University, meanwhile, allegedly denied religious accommodations to Jewish students who requested exemption from union dues over that branch’s supporting the BDS movement. And Cornell University UE was accused of denying religious exemptions in several cases as well and followed up the rejection with an intrusive “questionnaire” which probed Jewish students for “legally-irrelevant information.”
The situation requires federal oversight and intervention, NRTW said, including Congress’s possibly clarifying that student-employees are not traditional employees and are therefore afforded protections under sections of the Civil Rights Act which apply to the campus.
“These continuing patterns of antisemitism are illegal, immoral, and must be stopped,” the letter continued. “We encourage you to do all that is in your power to investigate and help bring an end to the UE and its affiliates’ nonstop harassment and intimidation of Jewish students … The Trump administration can also use tools available to it under Title VI and Title VI of the Civil Rights Act against colleges who work with unions to create a hostile environment for Jewish students.”
July’s letter is not the first time NRTW has publicized alleged antisemitic abuse in unions representing higher education employees.
In 2024, it represented a group of six City University of New York (CUNY) professors, five of whom are Jewish, who sued to be “freed” from CUNY’s Professional Staff Congress (PSC-CUNY) over its passing a resolution during Israel’s May 2021 war with Hamas which declared solidarity with Palestinians and accused the Jewish state of ethnic cleansing, apartheid, and crimes against humanity. The group contested New York State’s “Taylor Law,” which it said chained the professors to the union’s “bargaining unit” and denied their right to freedom of speech and association by forcing them to be represented in negotiations by an organization they claim holds antisemitic views.
That same year, NRTW prevailed in a discrimination suit filed to exempt another cohort of Jewish MIT students from paying dues to the Graduate Student Union (GSU). The students had attempted to resist financially supporting GSU’s anti-Zionism, but the union bosses attempted to coerce their compliance, telling them that “no principles, teachings, or tenets of Judaism prohibit membership in or the payment of dues or fees” to the union.
“All Americans should have a right to protect their money from going to union bosses they don’t support, whether those objections are based on religion, politics, or any other reason,” NRTW said at the time.
Follow Dion J. Pierre @DionJPierre.