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Mitch Albom enters new Jewish territory with Holocaust novel ‘The Little Liar’
(JTA) — For more than two decades, Mitch Albom has been perhaps the best-selling Jewish author alive — even as his books tend to embrace a much broader and more amorphous definition of “faith.”
But now, Albom says he’s ready to embrace his “obligation” as a Jewish writer: to publish a novel set during the Holocaust.
“The Little Liar,” which comes out on Tuesday, follows an innocent 11-year-old Greek Jewish boy named Nico, who is tricked by Nazis into lying to his fellow Jews about the final destination of the trains they are forced to board. It was written before Oct. 7 but comes at a time when Jews are again grappling with the aftermath of tragedy in the wake of Hamas’ attack on Israel and Israel’s ensuing war against the terror group in Gaza.
Albom is a Jewish day school alumnus, and Judaism has featured in his prior books, if less centrally. “Tuesdays With Morrie,” his 1997 memoir that rocketed up the bestseller charts and made him a household name, focused on his relationship with Morrie Schwartz, his Jewish mentor at Brandeis University. A follow-up memoir, 2009’s “Have A Little Faith,” discussed Albom’s relationship with his childhood rabbi, interspersed with his friendship with a local priest. He has also involved Jewish faith leaders in his many charities, including an orphanage he runs in Haiti, to which he has flown Rabbi Steven Lindemann of New Jersey’s Temple Beth Sholom.
In his fiction, though, the Detroit author, sportswriter, radio personality and philanthropist has taken a more ecumenical approach to morality and the afterlife. Sometimes Albom’s characters wander through heaven, which can be a physical place (“The Five People You Meet In Heaven” and its sequel). Sometimes they are granted the ability to spend time with their dead relatives (“For One More Day”), are admonished for turning their backs on Godly ideas like living each moment to its fullest (“The Time Keeper”), or are asked to put their blind faith in figures who may or may not themselves be God (“The Stranger In The Lifeboat”).
“The Little Liar,” by contrast, is a squarely Jewish story. Like the 1969 Holocaust novel “Jacob the Liar,” by Jurek Becker, the story pivots on a Jew lying to his people about the Nazis. But unlike other Holocaust novels, Albom traces the repercussions of that moment for decades following the events of the Holocaust itself, through four central characters who wrestle with the trauma and violence of their past.
Even as it includes a great deal of historical detail — from the descriptions of the thriving prewar Jewish community of Salonika, Greece, to several real-life figures such as the Hungarian actress and humanitarian Katalin Kárady and Nazi hunter Simon Wiesenthal — the book also has plenty of Albom-isms. It’s largely structured as a giant morality tale about the nature of truth and lies, and is narrated by “Truth” itself. Aphorisms like “Truth be told” abound throughout the text.
“I didn’t want to write a ‘Holocaust book’ per se,” Albom told the Jewish Telegraphic Agency during a phone conversation earlier this fall. “With each one of my books, I tried to have some sort of overriding theme that I wanted to explore and that I thought might be inspirational to people.”
Yet he admits that, “as a Jewish writer,” he felt compelled by the subject matter to create “a small, small, small contribution to getting people not to forget what happened.”
This interview was conducted prior to the Oct. 7 Hamas attack in Israel and has been edited for length and clarity.
JTA: You’ve written two memoirs about Jewish mentors of yours, but this is the first time you’ve incorporated Judaism so openly into your fiction. Can you tell me about your own Jewish upbringing?
Albom: I was raised in South Jersey and Philadelphia. Growing up I had what I think would be kind of a typical Jewish upbringing of that time, during the 60s and 70s. [At] 11 years old, I was sent to a Jewish day school. Half the day was just Jewish studies in Hebrew. And in fact, it was mostly done in Hebrew, and so for from sixth grade until 11th grade, with the exception of one year where I left and went to public school, I went to that school.
So I had a very deep and thorough Jewish education. We learned everything from not only Hebrew and Jewish studies and Jewish history and things like that, but we learned to read the commentary on the Torah… I had to learn those letters. Don’t ask me to do it now, but I was pretty in-depth: Moses, Maimonides and all that. So I graduated and I went to Brandeis University, which was a still predominantly Jewish school.
At that point, having spent so much time with my Jewish roots and education, I kind of put a lid on it, and said, “OK, that’s enough.” And I wasn’t particularly practicing from that point for a couple of decades. It wasn’t really until I wrote the book “Have A Little Faith,” [when] my childhood rabbi asked me to write his eulogy, I got more drawn back to my Judaism.
Why did you decide to tell a Holocaust story now?
I think as a Jewish writer, I almost felt an obligation, before my career was over, to create a story that hopefully would be memorable enough, set during the Holocaust. That it would be a small, small, small contribution to getting people not to forget what happened. And people tend to remember stories longer than they remember facts. I think people remember “The Diary of Anne Frank” longer than they remember statistical numbers of how many Jews were slaughtered or how many homes were destroyed by the Nazis.
But it took me until now to find a story that I felt hadn’t already been done. There’s so many books now. And even there’s been a recent rash of them over the last five to 10 years, you know, “The Tattooist of Auschwitz” and “The Librarian of Auschwitz,” many other things, all of which are great books and wonderful reads. But I just felt like so much ground had been covered that I couldn’t really come up with an original setting, original idea, until “The Little Liar.”
Something that sets this book apart from the others you mentioned is the setting of Salonika, the Greek city where the vast majority of its 50,000 Jews were murdered by the Nazis. What drew you to that as a setting?
Two things. One, I lived in Greece when I got out of college. Through a series of weird and unfortunate events, I ended up as a singer and a piano player on the island of Crete. I could just spend my days in the sunshine and eating the amazing food and being amongst the amazing people. So I’ve always loved Greece. And number two was, I didn’t want to tell a story that began in Poland, the Warsaw Ghetto, all the familiar backdrops. I just didn’t want to tell a story that people said, “I’ve kind of seen this before.” So I thought, well, this will be fresh. I’ll be able to at least get people to, if nothing else, when they close the book, say, “I had no idea that the largest Jewish majority population sitting in Europe was Salonika, Greece, and even that was wiped out by the Nazis.”
If there was ever a city that looked like it was impenetrable, it would have been that one. Go back to 300 BCE, and there are Jews. They have been there for so long, and yet the Nazis wipe them out in about a year or less.
Crafting entirely fictional narratives around the Holocaust is pretty fraught territory. I’ve interviewed John Boyne, the author of “The Boy in the Striped Pajamas,” about some of the backlash he’s gotten. What was your own approach to doing this in a sensitive way?
First of all, there’s no such thing as “purely fictional” when you’re coming to a Holocaust story, because you’re setting it during a real event. So you have to rely on real accounts, from people and books, in order to create a world that feels real. I don’t think anybody could write a Holocaust story and never have read a Holocaust book, never have listened to a Holocaust survivor, just sat in a room and imagined what this event might be like — just as you don’t set a book during the Civil War and not study the Civil War.
For me the premise of the book was what came first, and I should point out, I didn’t want to write a “Holocaust book” per se. With each one of my books, I tried to have some sort of overriding theme that I wanted to explore and that I thought might be inspirational to people. And the theme with this one had to do with truth and lies, and that actually goes back to the original inspiration of it, which was a visit to Yad Vashem.
You know, they have the videos on the walls and different people telling stories, and there was a woman who was telling the story about the train platforms, and she said that the Nazis would sometimes use Jews to calm the people on the train platforms and to lie to them to say everything’s going to be alright, you can trust these trains, you’re going to be OK. And that stayed in my mind, more than anything that I saw. Just the idea of being tricked into lying to your own people about their doom. I thought, one day I want to write a story that centers on someone who had to do that, and what would that do to their sense of truth.
You don’t end the narrative with the liberation of the camps; the story continues decades later. There are scenes of a Jewish character trying to reclaim his old home, of America sheltering Nazis after the war. These are the parts of the history of the Holocaust that I think are harder for people today to come to terms with.
Yeah, that was another way I wanted to make the story more fresh. I didn’t want it to begin with the night that the house was invaded and end with the day that the camps were liberated. I wanted to begin it before that, which I did, and I wanted to end it way after that.
I went to Salonika and I talked with people there about what happened when the Jews came back and, did they get their businesses back? Did they get their houses back? No, the businesses were gone and were given away. The houses, most of the time, were already sold off to somebody else. And I thought, sometimes we think the whole story, the Holocaust, the price that people paid, it ends on the day of liberation, and everybody runs crying and hugging and kissing into each other’s arms and now we’re free. We’re free. In many ways, that’s when the problems began, you know, and a whole different set of problems.
I’ve known survivors all my life. I grew up with them in my neighborhood and interviewed many of them over the years, and they’ve told me about their haunted dreams and sometimes in the middle of the night they just wake up, or in the middle of the day, just start crying, or how certain things they don’t want to talk about. And so I tried to be respectful and reflect some of those challenges in the years after the Holocaust, because I don’t think you can tell a complete story, at least not one about survivors, if you don’t talk about what happened to them after they tried to resume their normal lives.
In the book you point out that the Holocaust was built on a “big lie.” You’re framing truth as the ultimate ideal. But of course your Jewish characters are also surviving the war in part by lying about their identities. And we know that’s true of many real-life Holocaust survivors as well. Do you see that as a contradiction?
No, I see it as fascinating. You know, it’s a fascinating interwoven web of truth and deception. There is nobody who has never told a lie on this earth. And that’s why Nico was kind of a magical character to begin with. He’s 11 years old and has never told a lie — he’s almost an angel. And that’s where the parable feel to the story comes in.
Your writing has become associated with the concept of “faith,” and in your fiction you often render heaven as a physical place where the dead are finding ways to interact with the living. Is that a more Christian outlook on the afterlife, even though you say you were inspired by a vision an uncle of yours had about his own relatives? How do you think about your own depictions of heaven?
Well, the books that I’ve written about heaven, there was “The Five People You Meet in Heaven,” “The Next Person You Meet in Heaven,” which was a sequel to it, and “The First Phone Call From Heaven,” which, if you read that book, you know that it isn’t what it seems. You know, I always looked at “The Five People You Meet in Heaven” as kind of a fable. My uncle Eddie, who was the main character — it wasn’t a true story but he inspired the character. He had told me a story that he had had an incident where he had died on an operating table. For a brief moment, he remembered floating above his body and seeing all of his dead relatives waiting for him at the edge of the operating table. So I always had that story in mind whenever I would think of him. It was meant to be a fable about how we all interact with one another.
A lot of Christians have embraced your work, right?
A lot of Christians, Jews, Muslims, Hindus and atheists.
I’ve seen evangelical writers refer to your body of work as part of a “Judeo-Christian tradition,” which is a term a lot of Jews have different kinds of feelings about. Do you think about the faith of your readers at all, or how they are perceiving your faith?
I write for anybody in the world who has a desire to read my book. I welcome them. I would never make a judgment on any reader. I’m happy to have someone pick up my book and read it.
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The post Mitch Albom enters new Jewish territory with Holocaust novel ‘The Little Liar’ appeared first on Jewish Telegraphic Agency.
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‘Never Forget’: ADL Files Oct. 7 Lawsuit Against Hamas, Iran, North Korea
The bodies of people, some of them elderly, lie on a street after they were killed by Hamas-led Palestinian terrorists in southern Israel on Oct. 7, 2023. Photo: Ammar Awad via Reuters Connect
A legal effort to hold the perpetrators of the Hamas-led Oct. 7, 2023, massacre across southern Israel is being mounted by the Anti-Defamation League (ADL) and its partners, which on Thursday filed a major lawsuit in US federal court against Hamas, Palestinian Islamic Jihad, and a slew of state sponsors of terrorism, including Iran and North Korea.
“The victims of the Oct. 7 massacre deserve justice, accountability, and redress,” ADL chief executive officer Jonathan Greenblatt said in a statement. “This lawsuit seeks to do that by holding those responsible for the carnage accountable, from the the state sponsors who provided the funding, weapons, and training to the terrorist organizations who carried out these unspeakable atrocities.”
The suit is made possible by federal laws, the Foreign Sovereign Immunities Act and Anti-Terrorism Act, allowing for the kin of the victims of terrorism to sue those who contributed to their murders. It seeks damages, compensatory and punitive, for the dozens of plaintiffs who brought the action while aiming to expose the funding networks which facilitate mass atrocities and destabilization of the societies subjected to them.
“The world must never forget what happened on Oct. 7. Our son’s life was senselessly cut short,” said David and Hazel Brief, the parents of Yona Brief, whom Hamas fatally injured during its onslaught. “We believe it is critical that those responsible for the horrific terror inflicted that day are held accountable in a court of law, to ensure the record is clear as to who helped support, plan, and carry out the violence that day. We are hopeful that this type of litigation will help prevent attacks like these in the future, so that no other families have to go through losing a loved on as a result of such violence.”
On Oct. 7, 2023, the Palestinian terrorist group Hamas, which has controlled Gaza for nearly two decades, invaded neighboring Israel and massacred 1,200 people, mostly civilians, injured thousands more, and kidnapped over 200 hostages. In the days following the tragedy, the brutality of Hamas’s violence shocked the world as numerous eyewitnesses and victims shared accounts of rape, torture, beheading, and the mutilation of the bodies of the deceased.
In March 2024, the United Nation said in a report commissioned by the Representative of the Secretary General that Hamas likely committed mass acts of gang-rape and torture against women during the massacre and continued to abuse women whom it imprisoned. The report came amid a volley of attacks by anti-Israel agitators, who discredited the testimonies of rape victims, attempting to bury them under counter accusations of anti-Palestinian racism and Islamophobia.
“Credible circumstantial information, which may be indicative of some forms of sexual violence, including genital mutilation, sexualized torture, or cruel, inhuman and degrading treatment was also gathered,” the report said, as previously reported by The Algemeiner and other outlets. “It also said that the research team “found clear and convincing information that some hostages taken to Gaza have been subjected to various forms of conflict-related sexual violence has reasonable grounds to believe that such violence may be ongoing.”
The previous month, the Association of Rape Crisis Centers in Israel issued a report detailing harrowing accounts of Hamas’s sexual violence. In 35 pages, it recounted numerous sexual assaults reported by Israel women, several of which were perpetrated in the presence of their loved ones. Some women were killed after the act, some during it. Hamas terrorists also desecrated the bodies of victims they murdered, mutilating their genitalia, and they raped men.
Hamas’s violence and mission to destroy Israel has inspired hatred across the world, triggering a wave of antisemitic hate crimes, perpetrated by anti-Zionists, in the US unlike any seen in the country’s history.
In June, a gunman murdered two Israeli embassy staffers in Washington, DC, while they exited an event at the Capital Jewish Museum hosted by a major Jewish organization. The suspect charged for the double murder, 31-year-old Elias Rodriguez from Chicago, yelled “Free Palestine” while being arrested by police after the shooting, according to video of the incident. The FBI affidavit supporting the criminal charges against Rodriguez stated that he told law enforcement he “did it for Gaza.”
Less than two weeks later, a man firebombed a crowd of people who were participating in a demonstration to raise awareness of the Israeli hostages who remain imprisoned by Hamas in Gaza. A victim of the attack, Karen Diamond, 82, later died, having sustained severe, fatal injuries.
Another antisemitic incident motivated by anti-Zionism occurred in San Francisco, where an assailant identified by law enforcement as Juan Diaz-Rivas and others allegedly beat up a Jewish victim in the middle of the night. Diaz-Rivas and his friends approached the victim while shouting “F—k the Jews, Free Palestine,” according to local prosecutors.
“[O]ne of them punched the victim, who fell to the ground, hit his head and lost consciousness,” the San Francisco district attorney’s office said in a statement. “Allegedly, Mr. Diaz-Rivas and others in the group continued to punch and kick the victim while he was down. A worker at a nearby business heard the altercation and antisemitic language and attempted to intervene. While trying to help the victim, he was kicked and punched.”
According to an FBI report issued last month, antisemitic hate crimes are occurring at record-setting rates. Even as hate crimes decreased overall, the report said, those perpetrated against Jews increased by 5.8 percent in 2024 to 1,938, the largest total recorded in over 30 years of the FBI’s counting them. Jewish American groups noted that this surge, which included 178 assaults, is being experienced by a demographic group which constitutes just 2 percent of the US population.
Also, a striking 69 percent of all religion-based hate crimes that were reported to the FBI in 2024 targeted Jews, with 2,041 out of 2,942 total such incidents being antisemitic in nature. Muslims were targeted the next highest amount as the victims of 256 offenses, or about 9 percent of the total.
“Leaders of every kind — teachers, law enforcement officers, government officials, business owners, university presidents — must confront antisemitism head-on,” Ted Deutch, chief executive officer of the American Jewish Committee (AJC) said in a statement when the FBI report was released.. “Jews are being targeted not just out of hate, but because some wrongly believe that violence or intimidation is justified by global events.”
Follow Dion J. Pierre @DionJPierre.
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Dozens of Celebrities Call for Ceasefire, Help Raise $2 Million for Gaza Palestinians at Benefit Concert
Billie Eilish and Finneas receive Album of the Year Award for “Hit Me Hard and Soft” during the iHeartRadio Music Awards at Dolby Theatre in Los Angeles, California, US, March 17, 2025. Photo: REUTERS/Mario Anzuoni
A star-studded list of celebrities helped raise money for Palestinians in the Gaza Strip amid the Israel-Hamas war as part of a fundraising campaign and benefit concert that took place at London’s Wembley Arena on Wednesday.
Ahead of the ‘Together for Palestine” concert, the campaign released a video featuring dozens of celebrities who called for a ceasefire in Gaza and to “stop the killing” of Palestinians during the ongoing war. They included Grammy-winning artists Billie Eilish and her brother Finneas, Oscar winners Cillian Murphy, Joaquin Phoenix, Javier Bardem, and Penelope Cruz; “Outlander” star Caitriona Balfe; Pakistani activist Malala Yousafzai; and Scottish actor Brian Cox.
“We have to tell the truth on behalf of the people of Palestine,” Cox said in the video.
“It’s important to speak out now, not when this is over, right now, while it’s happening, pressurize your government. Lend your support to those who are peacefully campaigning for Palestine. Call for a ceasefire, stop the killing,” added British comedian and actor Steve Coogan in the clip.
The video also included appearances by “The White Lotus” star Natasha Rothwell, “Bad Sisters” star Sharon Horgan, and “Weapons” actor Benedict Wong. It was released mere hours before the “Together for Palestine” benefit concert at Wembley Arena, which raised more than £1.5 million ($2 million). The event included performances from Bastille, James Blake, Jamie xx, and PinkPantheress, and Palestinian artists such as Sama’ Abdulhadi, Saint Levant, and Nia Barghouti, who is the daughter of Omar Barghouti, a leader of the boycott, divestment, and sanctions (BDS) movement against Israel.
Paloma Faith performed live wearing a dress made from a Palestinian keffiyeh. The event also featured a pre-recorded performance by Annie Lennox of her new song “Why? – For Gaza,” which she sang while wearing a T-shirt that said, “Let Gaza Live.”
The event, which was livestreamed on YouTube, was organized by British artist Brian Eno, who read the poem “Oh Rascal Shildren of Gaza” by Palestinian writer Khaled Juma. Speakers at the event included actors Richard Gere, Florence Pugh, and “Bridgerton” stars Nicola Coughlan and Charithra Chandran. Benedict Cumberbatch recited a Palestinian poem while broadcaster Mehdi Hasan led the audience in chanting “You can’t bomb the truth away.”
British-American documentarian Louis Theroux claimed on stage that Palestinians are “living under military occupation [and are] subject to slow, grinding relentless violence.” French former soccer player Eric Cantona called for Israeli athletes to be banned from all soccer competitions around the world, including FIFA and UEFA matches.
“I know that international football is more than just sport,” said the former Manchester United player. “It’s cultural; political. It’s soft power in the way that a country represents itself on a global stage. The time has come to suspend Israel from that privilege.” His comments elicited loud applause from the audience.
“FIFA and UEFA must suspend Israel,” he added. “[Soccer] clubs everywhere must refuse to play Israeli teams. Current players everywhere must refuse to play against Israeli teams … it’s time for everyone to get off the sidelines.” When Cantona asked the audience if they agreed that Israelis should be boycotted from all soccer matches, they replied in unison, “Yes!”
Francesca Albanese, the United Nations special rapporteur for the Palestinian territories said, “Palestinians continue to suffer while our governments turn a blind eye, or worse – they are complicit. They trade weapons. They host Israeli officials.” Both Pugh and Coughlan criticized their colleagues in Hollywood for staying silent about “grave violations of human rights in Gaza.”
“Silence in the face of such suffering is not neutrality. It is complicity. And empathy should not be this hard and it should have never been this hard,” said Pugh. She also applauded Nia’s Bargouti’s performance at the concert in an Instagram story. In the caption of the post, she told Bargouti that “[you] sang so beautifully and so powerfully considering the weight and meaning of this evening. I was blown away by your strength.”
Others who made an appearance at the event included actress Jameela Jamil, “Love Island” host Laura Whitmore, and the “Chicken Shop Date” YouTuber Amelia Dimoldenberg.
“Together For Palestine” said all ticket proceeds from the benefit concert will be given to Palestinian-led organizations on the ground in Gaza, through Choose Love, a British charity that supports humanitarian workers in conflict zones. The groups that will benefit from Wednesday’s concert include Taawon, which runs orphan care programs in Gaza, the Palestine Children’s Relief Fund, and the Palestinian Medical Relief Society.
Israel has long expressed concern that Hamas steals much of the humanitarian aid that is sent into Gaza for its own terrorist operations and to sell to Palestinian civilians at inflated prices.
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Italian Port Blocks Arms for Israel as Worker Protests Mount
Illustrative: Demonstrators participate in a pro-Palestinian protest in Piazza Duomo in Milan, Italy, on Nov. 23, 2024. Photo: Alessandro Bremec/NurPhoto via Reuters Connect
The Italian Adriatic port of Ravenna on Thursday refused entry to two trucks said to be carrying arms to Israel, as protests mount among Italian dockworkers and other labor groups against the offensive in Gaza.
The center-left mayor of Ravenna, Alessandro Barattoni, told reporters the port authority had accepted the request from him and the regional government to deny access to the lorries carrying explosives en route to the Israeli port of Haifa.
“The Italian state says it has blocked the sale of arms to Israel but it is unacceptable that, thank to bureaucratic loopholes, they can pass through Italy from other countries,” Barattoni said in a statement.
He did not provide details on where the containers had come from or provide evidence of their contents.
Similar action to block arms shipments to Israel has been taken by dockworkers in other European countries such as France, Sweden, and Greece.
Ravenna’s decision reflects growing mobilization in Italy against Israel‘s military campaign and in support of an international flotilla trying to deliver aid to the Palestinians.
A spokesperson from the Israeli embassy in Rome said they did not have sufficiently detailed information about the case and so declined to comment. Israel‘s government sometimes accuses Europea nations of bias against it and swallowing propaganda by the Hamas terrorist group whom it is fighting in Gaza.
On Friday Italy’s largest trade union body, the CGIL, will hold a national half-day strike and marches in Rome and other cities, while on Sept. 22 two other unions will halt work and try to block activity in the large ports of Genoa and Livorno.
“We won’t let a single pin through the port,” said Riccardo Rudino from the Calp dockers’ union in Genoa.
Israel launched its offensive after Hamas-led terrorists attacked southern Israel on Oct. 7, 2023, killing more than 1,200 people and taking 251 hostages.
The CGIL said its protests were aimed at generating pressure on Prime Minister Giorgia Meloni’s government “to suspend all commercial and military cooperation agreements with Israel, lift the humanitarian embargo, and recognize the State of Palestine.”
Foreign Minister Antonio Tajani said on Thursday Italy would support EU sanctions against violent Israeli settlers and Israeli ministers who have made “unacceptable” comments on Gaza and the West Bank, and was open to considering trade sanctions.