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A new film unspools the storied life of Jewish outsider artist and Nuremberg trials guard Nathan Hilu
(New York Jewish Week) — In the documentary film “Nathan-ism,” Jewish artist Nathan Hilu is hardly ever without a Sharpie or crayon in his hand, drawing something from his memories.
Hilu was a Lower East Side native who, as a U.S. soldier at 19, was assigned to guard Nazi war criminals at the Nuremberg trials. The experience left an indelible mark upon him: In the ensuing decades, Hilu processed these memories by obsessively creating art from this time in his life, often repeating the same images, simple figures with words written around them in a messy if compelling scribble.
“I’m not really a big, great artist. I’m a memory man,” Hilu, who died in 2019 at 93, says in the film, which will have its New York premiere at the Doc NYC Festtival on Tuesday. “That’s where my pictures come from.”
In 2012, Tablet Magazine called Hilu the “most significant Jewish Outsider artist you’ve never heard of.” With the documentary, Israeli-American filmmaker and editor Elan Golod is hoping to change that. He’s spent the past eight years making “Nathan-ism,” which chronicles both Hilu’s daily life as a lonely, aging veteran and the history of the Nuremberg trials. The result is a movie that takes us inside the obsessive mind and cluttered apartment of a unique New York artist who is desperate for his story as a witness to one of the most significant trials in history to be heard.
“It’s not that he feels like drawing, he has to draw — it’s a way of communicating,” curator Laura Kruger, who has been credited with “discovering” Hilu, told the New York Jewish Week about Hilu in 2019. “I really believe he is an exceptional talent.”
Golod first learned about the artist eight years ago when he read an article about a small retrospective of Hilu’s art at Hebrew Union College’s museum that was curated by Kruger. “I was fascinated by the circumstances of his story, but also the dissonance between a very heavy subject matter done in colorful Crayola colors,” Golod told the New York Jewish Week. “That felt cinematic to me.”
Golod envisioned his project as a short film, and at first Hilu, not understanding Golod’s intentions, was hesitant to participate. But after a few phone calls and in-person meetings without the camera, Hilu warmed up to the filmmaker. Golod ended up filming Hilu throughout the last four years of his life; each time he visited — usually once every week or two — Hilu would show him a shopping bag full of art he had made since their last meeting.
Jewish outsider artist Nathan Hilu, as seen in the documentary about him by Elan Golod, “Nathan-ism.” (Courtesy Elan Golod)
He ended up with more than 300 hours of film of Hilu, who shares with Golod his memories of how well the Nazis were treated in jail, as well as the time Hitler’s chief architect Albert Speer told him that Hitler made a mistake and didn’t have to kill the Jews.
Hilu was generous with his time and he was equally generous with his work: Golod estimates that he has about 1,000 pieces of Hilu’s art in storage. “He wasn’t very precious about holding onto his art,” he said. “He just wanted it to be out in the world.” Golod said he also donated some of the art to Hebrew Union College on Hilu’s behalf, while some of Hilu’s self portraits hang in Golod’s office in New York.
Other talking heads in the film include Kruger; counselor for war crimes accountability for the U.S. Department of Justice Eli Rosenbaum; and art journalist Jeannie Rosenfeld, who all weigh in on the importance, volume and validity of his work.
The film also demonstrates the importance of oral history — specifically, historical events as remembered by those were there — while also grappling with the fallible nature of memory. As Hilu draws and narrates his often-repeated stories of his encounters with Nazi criminals, he is quick to emphasize that though some of his stories don’t sound true, he insists they all are. As Hilu says in the film, “I am no historian. All I can do is show you my part of history.”
In the film, Golod endeavors to verify Hilu’s stories, albeit with mixed results — largely because a 1973 fire destroyed Hilu’s military records. And yet, even if the details get hazy, Golod insists that Hilu never tried to intentionally dupe anyone, he was simply expressing his version of events as he remembered them. “I think he’s obviously telling his truth,” Golod said.
Hilu was a complicated subject. He had a lot of input for Golod about what should be included in the film — and many of Hilu’s “notes” made their way into the final product. “Nathan wasn’t the most amenable to being directed,” Golod said. “Whenever I would film him, it would pretty much be him doing show-and-tell with the latest works that he had done, and the only ways I could direct the conversation was to choose which pieces I wanted him to talk about, or ask specific questions about something in the piece he was showing. Deviating from that structure didn’t work for him and he’d be resistant to going off the path that he had set for us.”
But after spending so many years together, Hilu began to open up to Golod beyond his usual narrative. “It took several years of us being together for him to let his guard down,” Golod said, referring to a part of the film in which Hilu discusses his difficult relationship with his father, an immigrant from Syria whose expectations for his son didn’t align with Hilu’s artistic nature.
“I feel like if I tried to make this film in a shorter time frame, I probably wouldn’t have gotten that level of vulnerability from Nathan,” Golod said.
Though Hilu has been dead for four years, Golod said that, in a way, he only recently started grieving. “It’s hitting me more this past year, since the film has come out, versus when he actually passed, because I was still constantly editing the footage and it felt like he was still there,” he said.
After the New York premiere next week, “Nathan-ism” will continue to make its way through the festival circuit. Golod is most excited about a special screening planned for February inside Courtroom 600 at the Nuremberg Palace of Justice where the infamous trials took place. “For Nathan’s legacy, it’s incredible and amazing how the story is coming full circle,” Golod said.
“Nathan-ism” will be screening on Tuesday, Nov. 14 and Thursday, Nov. 16 as part of the Doc NYC Festival. Online screenings are also available from Nov. 15-26. Get tickets and info here.
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The post A new film unspools the storied life of Jewish outsider artist and Nuremberg trials guard Nathan Hilu appeared first on Jewish Telegraphic Agency.
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New Poll: Majority of NYC Voters ‘Less Likely’ to Support Mamdani Over His Refusal to Condemn ‘Globalize the Intifada’
Zohran Mamdani. Photo: Ron Adar / SOPA Images via Reuters Connect
In a warning sign for the campaign of Democratic nominee for mayor of New York Zohran Mamdani, a majority of city voters in a new poll say the candidate’s hardline anti-Israel stance makes them less likely to vote for him.
In the survey of likely city voters conducted by American Pulse, 52.5 percent said Mamdani’s refusal to condemn the slogan “globalize the intifada” coupled with his backing of the Boycott, Divestment, and Sanctions (BDS) movement made them less likely to vote for him in November. Just 31% of city voters polled were more likely to support him because of these positions.
At the same time, a significant share of young New York City voters support Mamdani’s anti-Israel positioning, a striking sign of shifting generational views on Israel and the Palestinian cause.
Nearly half of voters aged 18 to 44 (46 percent) said the State Assembly member’s backing for BDS and “refusal to condemn the phrase ‘globalize the intifada’” made them more likely to support him.
Mamdani, a democratic socialist from Queens, has been under fire for defending “globalize the intifada,” a slogan many Jewish groups associate with incitement to violence against Israel and Jews. While critics argue it glorifies terrorism, supporters claim it’s a call for international solidarity with oppressed peoples, especially Palestinians. Mamdani has also voiced support for BDS, a movement widely condemned by mainstream Jewish organizations as antisemitic for singling out Israel.
The generational divide exposed by the poll comes amid a broader political realignment. Younger progressives across the country are increasingly critical of Israeli policies, especially in the wake of the Gaza war, and more receptive to Palestinian activism. But to many Jewish leaders, Mamdani’s rising support is alarming.
Rabbi David Wolpe, visiting scholar at Harvard University, condemned the phrase with a sarcastic analogy.
“‘Globalize the intifada’ is just a political slogan,” he said. “Like ‘The cockroaches must be exterminated’ was just a housing authority slogan in Rwanda.”
Jewish organizations have reported a surge in antisemitic incidents in New York and across the U.S. since the outbreak of the Israel-Hamas war last fall. The blending of anti-Zionist slogans with calls for “intifada,” historically linked to violent uprisings, has deepened fears among Jewish communities that traditional red lines are being crossed.
Whether this emerging coalition reshapes New York politics remains to be seen. However, the poll indicates that among younger voters, views that were once considered fringe are quickly moving into the mainstream.
The post New Poll: Majority of NYC Voters ‘Less Likely’ to Support Mamdani Over His Refusal to Condemn ‘Globalize the Intifada’ first appeared on Algemeiner.com.
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Report: Jews Targeted at June’s Pride Month Events
A Jewish gay pride flag. Photo: Twitter.
The research division of the Combat Antisemitism Movement (CAM) released a report on Wednesday detailing incidents of hate against Jews which took place last month during demonstrations in celebration of LGBTQ rights and identity.
Incidents reported by the group include:
- At a Pride march in Wales, the activists Cymru Queers for Palestine chose to block the path and show a sign that said “Profiting from genocide,” an attempt to link the event’s sponsors — such as Amazon — to the war in Gaza.
- A Dublin Pride march saw the participation of the Ireland-Palestine Solidarity Campaign, which labeled Israel a “genocidal entity.”
- In Toronto at a late June Pride march, demonstrators again attacked organizers with a sign declaring, “Pride partners with genocide.”
CAM also identified a recurring narrative deployed against Israel by some far-left activists: so-called “pinkwashing,” a term which the Boycott, Divest, Sanctions (BDS) movement calls “an Israeli government propaganda strategy that cynically exploits LGBTQIA+ rights to project a progressive image while concealing Israel’s occupation and apartheid policies oppressing Palestinians.”
The report notes that at a Washington DC Pride event in early June Medea Benjamin, cofounder of activist group Code Pink and a regular of anti-war protests, wore a pair of goofy, oversized sunglasses and a shirt in her signature pink with the phrase “you can’t pinkwash genocide.”
Other incidents CAM recorded showed the injection of anti-Israel sentiment into Pride events.
A musical group canceled a performance at an interfaith service in Brooklyn, claiming the hosting synagogue had a “public alignment with pro-Israel political positions.” In San Francisco before the yearly Trans March, a Palestine group said in its announcement of its participation, “Stop the war on Iran and the genocide of Palestine, stop the war on immigrants and attacks on trans people.”
CAM notes that this “queers for Palestine” sentiment is not new, pointing to a 2017 event wherein “organizers of the Chicago Dyke March infamously removed participants who were waving a Pride flag adorned with a Star of David on the grounds that the symbol ‘made people feel unsafe.’”
In February, the Israel Defense Forces shared with the New York Post documents it had recovered demonstrating that Hamas had tortured and executed members it suspected of homosexuality and other moral offenses in conflict with Islamist ideology.
Amit Benjamin, who is gay and a first sergeant major in the IDF, said during a visit to New York City for Pride month that “All the ‘queers for Gaza’ need to open their eyes. Hamas kills gays … kills lesbians … queers cannot exist in Gaza.”
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IAEA pulls inspectors from Iran as standoff over access drags on
IAEA chief Rafael Grossi at the agency’s headquarters in Vienna, Austria, June 23, 2025. REUTERS/Elisabeth Mandl/File Photo
The UN nuclear watchdog said on Friday it had pulled its last remaining inspectors from Iran as a standoff over their return to the country’s nuclear facilities bombed by the United States and Israel deepens.
Israel launched its first military strikes on Iran’s nuclear sites in a 12-day war with the Islamic Republic three weeks ago. The International Atomic Energy Agency’s inspectors have not been able to inspect Iran’s facilities since then, even though IAEA chief Rafael Grossi has said that is his top priority.
Iran’s parliament has now passed a law to suspend cooperation with the IAEA until the safety of its nuclear facilities can be guaranteed. While the IAEA says Iran has not yet formally informed it of any suspension, it is unclear when the agency’s inspectors will be able to return to Iran.
“An IAEA team of inspectors today safely departed from Iran to return to the Agency headquarters in Vienna, after staying in Tehran throughout the recent military conflict,” the IAEA said on X.
Diplomats said the number of IAEA inspectors in Iran was reduced to a handful after the June 13 start of the war. Some have also expressed concern about the inspectors’ safety since the end of the conflict, given fierce criticism of the agency by Iranian officials and Iranian media.
Iran has accused the agency of effectively paving the way for the bombings by issuing a damning report on May 31 that led to a resolution by the IAEA’s 35-nation Board of Governors declaring Iran in breach of its non-proliferation obligations.
IAEA chief Rafael Grossi has said he stands by the report. He has denied it provided diplomatic cover for military action.
Foreign Minister Abbas Araqchi said on Thursday Iran remained committed to the nuclear Non-Proliferation Treaty (NPT).
“[Grossi] reiterated the crucial importance of the IAEA discussing with Iran modalities for resuming its indispensable monitoring and verification activities in Iran as soon as possible,” the IAEA said.
The US and Israeli military strikes either destroyed or badly damaged Iran’s three uranium enrichment sites. But it was less clear what has happened to much of Iran’s nine tonnes of enriched uranium, especially the more than 400 kg enriched to up to 60% purity, a short step from weapons grade.
That is enough, if enriched further, for nine nuclear weapons, according to an IAEA yardstick. Iran says its aims are entirely peaceful, but Western powers say there is no civil justification for enriching to such a high level, and the IAEA says no country has done so without developing the atom bomb.
As a party to the NPT, Iran must account for its enriched uranium, which normally is closely monitored by the IAEA, the body that enforces the NPT and verifies countries’ declarations. But the bombing of Iran’s facilities has now muddied the waters.
“We cannot afford that … the inspection regime is interrupted,” Grossi told a press conference in Vienna last week.
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